history

Softcover. Oakland CA, PM Press;, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. The first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behavior, dress, and language for mass consumption and cheap thrills. With their lurid covers and wild, action-packed plots, these books reveal as much about society's deepest desires and fears as they do about the subcultures themselves. Featuring approximately 400 full-color covers, many of them never before reprinted, along with 70 in-depth author interviews, illustrated biographies, and previously unpublished articles, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and--often overlooked--the actual words they wrote. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture.

Hardcover. NY, Orion Press/ Trianon Press, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 180 pages, profusely illustrated in b&w. 112 pages of photos, 3 fold-outs. The definitive study of the 12th-century French sculptor, responsible for almost all the sculpture and reliefs in the medieval cathedral in Burgundy. Spine cracked at preliminary spread before title page. No markings, clean copy.

Hardcover. Urbana IL, University of Illinois Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 221 pages, b&w illustrations. Sketches and essays that combine White's scholarly research on the origins of western folksong with his personal knowledge and experience as a cowboy singer. A work that bridges the generations of balladry and folksong scholarship. Includes a four song vinyl record laid in at rear.

Hardcover. Richmond, Va., Candela Books, 1st, 2010, Book: Good, Dust Jacket: None, 100 pages. Hardcover. Extensive b&w photography throughout. Tipped in plate on front cover. Small stain to front cover, otherwise clean, tight copy. Working primarily from the 1940s through the early 1960s, the American photographer Gita Lenz (1910-2011) made documents of New York street life that won her early recognition and inclusion in two group shows curated by Edward Steichen for The Museum of Modern Art, a three-person show at the Brooklyn Museum and numerous articles and features in photography magazines of the time. Equally given to inflecting her portraiture with hints of social realism one on hand, and surrealism on the other, and also influenced by her close friend Aaron Siskind, Lenz produced abstract compositions, city still lifes, surreal still lifes and intimate portraits. She receded from view in the 1960s as financial demands impeded her practice, but in 2002, a chance meeting with photographer Gordon Stettinius led to the retrieval of this small but charming body of work, and the publication of this superbly printed first monograph.

Softcover. Santa Monica CA, Gitta Rosenzweig , 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 421 pages, illustrated with b&w, color photographs. A self-published memoir chronicling her family's past during the Holocaust. The author was raised in a Catholic orphanage in Poland, later immigrated to America and later returned to trace her parent's history. INSCRIBED BY AUTHOR on front fly leaf. Clean, bright copy.

Softcover. San Mateo CA, Blue Tulip Press, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, Softcover, 238 pages, b&w illustrations. INSCRIBED BY AUTHOR on the title page. A true story of the love and determination of a young Dutch couple during the Nazi occupation of Holland, 1940-1945. Clean copy.

Hardcover. London, Ward & Downey, 1st, 1885, Book: Very Good, Dust Jacket: None, Hardcover, 567 pages. Expertly rebound in a plain black buckram with the gilt title on spine. INSCRIBED BY O'CONNOR on the half-title page and dated March 2 1895. O'Connor was a famous Irish politician and journalist. Very clean.

Hardcover. NY, Abrams, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 330 pages. A visually captivating history of the evolution of Glamour magazine and the brands legendary decades at the forefront of female empowerment in an incredible photographic volume For more than 80 years, Glamour has been the preeminent women's empowerment brand in America. But until now, no one has told the extraordinary story of its origins, the famous names who helped shape the magazine into the global powerhouse it is today, and Glamour's many historic firsts. Glamour was the first American fashion magazine to feature a Black cover star, the first to present Gloria Steinem's writing, and the first to feature groundbreaking reporting on reproductive rights. In a gripping journey, follow the group of women editors and journalists who spearheaded the magazine as World War II transformed the female landscape with over 7.5 million working women suddenly in the US workforce in 1940 and repositioned the title from charting Hollywood glamour to the magazine for the girl with a job.

Hardcover. Boston, John P Jewett and Company, 1st, 1856, Book: Very Good, Hardcover, embossed brown cloth with gilt lettering on spine. Stated "Fourth Thousand" on title page, 418 pages. Early women's rights advocate Harriot K Hunt, considered the first female doctor in the United States. After two refusals to have her study at the Harvard Medical School, she received a private medical education and practiced with an emphasis on prevention of disease. She was a dedicated advocate for women as professionals and as an educated populace. A very early advocate for changes to voting rights and property rights for women. Each year when she paid her taxes, in fact, she issued a "taxation without representation" protest. An intriguing look at attitudes and treatment of early women's rights advocates from a well-educated and outspoken women. Light fraying to top and bottom of spine, name on inside front cover, ownership stamp to blank leaf preceding half-title page.

Softcover. NY, Metropolitan Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 330 pages illustrated in color. Islamic glassmakers were not only brilliant technicians and innovators in their own right, but they also preserved many of the methods of their Sasanian and Roman predecessors, passing them on centuries later to Venetian and other masters. Glass of the Sultans is the first comprehensive study of the accomplishments of these craftsmen, which are of lasting significance both to Islamic and to world art. Clean, bright copy.

Hardcover. Toronto, McClelland & Stewart, 1st, 1923, Book: Good, Dust Jacket: None, Hardcover, 430 pages, with illustrations throughout. Gilt titles and decorated cover on blue cloth. Minor corner and spine edge wear, cracked binding at front and rear end paper. Yellowing on pages 104 and 105, otherwise, clean and tight overall. A book about the sea battles of the War of 1812 by a noted Canadian naval historian.

Hardcover. London, Routledge, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 198 pages illustrated in color and b&w. Focusing on the house and museum and its considerable collections of architectural fragments, models, drawings folios and publications, this book is about thirteen Lincoln's Inn Fields in London, England, built in the early 1800s by the renowned eighteenth-century architect Sir John Soane. The book maps the influences, references, connections, extensions, and productions at play in Soane's house-museum. The house, still a public museum, was highly original in its period, and it continues to influence and impress architects and historians alike. Today's visitor is confronted by a dense, complex series of spaces, a strange aCCU1mulation of rooms, objects and effects. This book examines the ways in which Soane enlisted light, shadow, color, fiction and narrative, vistas, spatial complexity, the fragment, and the mirror to produce a spectacular space. No dj issued, clean copy.

Hardcover. New York, Argosy-Antiquarian Ltd., Ltd Ed. reprint, 1963, Book: Very Good, Dust Jacket: None, 394 pages, red cloth covers, b&w illustrations. Limited to 750 copies, a reprint of the 1934 edition.

Hardcover. UK, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. God in the Age of Science? is a critical examination of strategies for the philosophical defence of religious belief. The main options may be presented as the end nodes of a decision tree for religious believers. The faithful can interpret a creedal statement (e.g. "God exists") either as a truth claim, or otherwise. If it is a truth claim, they can either be warranted to endorse it without evidence, or not. Finally, if evidence is needed, should its evidential support be assessed by the same logical criteria that we use in evaluating evidence in science, or not? Each of these options has been defended by prominent analytic philosophers of religion. In part I Herman Philipse assesses these options and argues that the most promising for believers who want to be justified in accepting their creed in our scientific age is the Bayesian cumulative case strategy developed by Richard Swinburne. Parts II and III are devoted to an in-depth analysis of this case for theism. Using a "strategy of subsidiary arguments," Philipse concludes (1) that theism cannot be stated meaningfully; (2) that if theism were meaningful, it would have no predictive power concerning existing evidence, so that Bayesian arguments cannot get started; and (3) that if the Bayesian cumulative case strategy did work, one should conclude that atheism is more probable than theism. Philipse provides a careful, rigorous, and original critique of theism in the world today. Clean copy.

Hardcover. New York, Berghahn Books, 1st, 2006, Book: Very Good, Dust Jacket: None, 268 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor wear to edges. Small corner bump on front top right corner. Otherwise tight copy. Black and white images throughout.

Hardcover. Shelton CT, The Greenwich Workshop Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. Illustrated with 69 full color reproductions of the art of Mort Kunstler, some double page. First edition, first printing - stated and with full number line. America's premier Civil War artist, Mort Kunstler, is joined by the nation's leading Civil War historian, Dr. James I. Robertson, Jr., in this extraordinary visual history of the Civil War's dramatic first two years. A companion history to the motion picture of the same name, Gods and Generals is based on the best-selling Jeff Shaara novel, and surveys a crucial period in the War Between the States through incomparable art-work and a matchless narrative. Clean copy.

Hardcover. New York, Harry Abrams, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED ON TITLE PAGE. Clean, tight copy.

Hardcover. NY, Contemporary Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 398 pages. From its inauspicious beginnings through its improbable Super Bowl victories and its ultimate demise, the American Football League had a colorful and sometimes bizarre ten-year history that will not soon be forgotten. Going Long takes you back to that thrilling decade with the men who made the AFL--and who made it great. In this unique oral history, 170 voices come together to tell the unbelievable story of that maverick league, a rollicking tale of eight teams that refused to die.In 1959, the NFL had just a dozen teams, with only two located west of the Mississippi River. For forty years, it had enjoyed total dominance over the gridiron, tackling rival franchises and knocking them out of the game. But a revolution was coming to American football, and it all began with a man named Lamar Hunt, the Texas millionaire who desperately wanted a league of his own. With a team of enthusiastic investors, Hunt fired what he later called "the first cannon shot in what turned out to be the pro football war." It was a war that would rage on for ten rough-and-tumble years.Flavored with wild (and often ribald) anecdotes, inside stories, personal interviews, and never-before-told material, Going Long brings the incredible story of the upstart AFL to life through the words of the players, coaches, owners, and others who lived it--including Joe Namath, Mike Ditka, Bubba Smith, Roger Staubach, Pat Summerall, Curt Gowdy, and many others. Hearkening back to a simpler time in sports, this behind-the-scenes true story reveals the origins of the modern game we know today and how it all began with a fight to the death for professional football supremacy.

Softcover. New Haven CT, Yale University Press, 1st pbk, 2022, Softcover, 483 pages. An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century. Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they--not merely the clergy--affected how worship was staged. Clean, bright copy.

Hardcover. Boston, Lee and Shepard, reprint, 1874, Book: Good, Dust Jacket: None, Hardcover, green pebbled cloth, gilt design on spine, 564 pages, b&w illustrations by Champney. Extra illustrated title page. Paper tanning, spine slanted, front hinge cracked. Top of spine cloth frayed with a inch tear. Good reading copy. First published in 1864.

Hardcover. Caldwell ID, Caxton Press, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 466 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. This book considers the gold rushes, life in the camps, crime and justice, and the special situations and unique events that came out of this period. Heavily illustrated with black and white photographs. Endnotes, illustrations, indexed.

Hardcover. NY, Rizzoli, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, illustrated throughout in color and b&w. Light edgewear and tanning to dust jacket, else a clean, tight copy. Covers the rise of travel thanks to the development of roadways, railways, luxury ocean liners and trains, and eventually the airliner. Wonderfully illustrated with photos, travel posters, luggage tags, and more.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, brick red cloth with a color photo illustrations on the front board with gilded and black letters to the front boards and spine, 168 pages. A fresh, comprehensive, and critical look at the California gold rush through the lens of the daguerreotype camera.The California gold rush was the first major event in American history to be documented in depth by photography. This fascinating volume offers a fresh, comprehensive, and critical look at the people, places, and culture of that historical episode as seen through daguerreotypes and ambrotypes of the era. After gold was discovered at Sutter's Mill in 1848, thousands made the journey to California, including daguerreotypists who established studios in cities and towns and ventured into the gold fields in specially outfitted photographic wagons. Their images, including portraits, views of cities and gold towns, and miners at work in the field, provide an extraordinary glimpse into the evolution of mining culture and technology, the variety of nationalities and races involved in the mining industry, and the growth of cities such as San Francisco and Sacramento. Still in publisher's shrinkwrap.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white photos. 579 pages. A massive and well-researched biography of one of the most powerful and influential men in Hollywood, from his days as a poor Polish immigrant through his steady climb to prominence. Photographs, notes, and sources, index.