history

Hardcover. NY, Viking, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 346 pages. In Status and Culture, W. David Marx weaves together the wisdom from history, psychology, sociology, anthropology, economics, philosophy, linguistics, semiotics, cultural theory, literary theory, art history, media studies, and neuroscience to demonstrate exactly how individual status seeking creates our cultural ecosystem. Marx examines three fundamental questions: Why do individuals cluster around arbitrary behaviors and take deep meaning from them? How do distinct styles, conventions, and sensibilities emerge? Why do we change behaviors over time and why do some behaviors stick around? The answers then provide new perspectives for understanding the seeming "weightlessness" of internet culture. Clean copy.

Hardcover. NY, PublicAffairs, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 331 pages. Dodger Stadium is an American icon. But the story of how it came to be goes far beyond baseball. The hills that cradle the stadium were once home to three vibrant Mexican American communities. In the early 1950s, those communities were condemned to make way for a utopian public housing project. Then, in a remarkable turn, public housing in the city was defeated amidst a Red Scare conspiracy. Instead of getting their homes back, the remaining residents saw the city sell their land to Walter O'Malley, the owner of the Brooklyn Dodgers. Now LA would be getting a different sort of utopian fantasy -- a glittering, ultra-modern stadium. But before Dodger Stadium could be built, the city would have to face down the neighborhood's families -- including one, the Arechigas, who refused to yield their home. The ensuing confrontation captivated the nation - and the divisive outcome still echoes through Los Angeles today. Clean copy.

Hardcover. Cambridge UK, Cambridge University Press , 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 221 pages, b&w illustrations. A study of the significance of names amongst the people of Avatip in the Sepik Region of Papua New Guinea in the formation and evolution of their very culture. Clean copy.

Hardcover. Cambridge MD, Cornell Maritime Press, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages, b&w photographs. The story of the Baltimore Steam Packet Company's "Old Bay Line"that maintained faithful and uninterrupted service on the Chesapeake Bay from its founding in 1840 until operations suspended in 1962. The line line offered transportation of passengers and frieght between Norfolk and Baltimore. Edge wear, small tears to dust jacket. Else a clean, tight copy.

Hardcover. NY, Tudor Publishing, reprint, 1939, Book: Very Good, Dust Jacket: Very Good, Hardcover in an edgeworn dust jacket. 436 pages. A history of American steamboats from its earliest days to the twentieth century. Covers the steamboat vessels on all of America's major waterways and regions with a focus on the eastern seaboard. Many illustrations.

Hardcover. Iowa City, State Historical Society of Iowa, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 575 pages. Illustrated with black & white photographs. Some numbered Stickers on front endpaper. Foxing along edges of dust jacket. Clean, tight copy.

Softcover. Wooster, College of Wooster Art Museum, The, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 55 pages. Softcover. Minor wear to cover edges. Full page black & white photographs throughout. Clean unmarked text.

Hardcover. Vancouver, Whitecap Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright, unclipped dust jacket, 165 pages. Story of the building of a Railway in Southern B.C. through incredibly rugged terrain. Over 150 original black and white photographs. Clean copy.

Hardcover. Buffalo , Oliver G. Steele, Revised Ed., 1847, Book: Good, Hardcover, embossed dark brown cloth with gilt lettering on front cover and spine, Tenth Edition with a new series of maps and plates. 96 pages. Folding frontispiece with two maps, Niagara River and Parts Adjacent; and Niagara Falls and Vicinity. another folding plate with a view of Niagara Falls. Both in excellent condition. Six b&w plates. Spine cloth peeling away from spine, top third gone. Binding is still solid, clean inside.

Softcover. Quebec, Canadian Museum of Civilization, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 415 pages, b&w illustrations. This book presents the first comprehensive account of one of the great sagas of Arctic exploration and discovery, the Canadian Arctic Expedition of 1913-18, led by the ethnologist/ explorer Vilhjalmur Stefansson and the zoologist Dr. Rudolph M. Anderson. Within its pages are details of the Expedition's successes and tragedies, including the discovery of all but one large island north of the Canadian mainland, the accumulation of considerable scientific information and valuable collections, and the personal feud of the Expedition's two leaders.' Illustrated with 64 photos and 20 maps. Clean copy.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool. Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool.Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool. Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.

Hardcover. NY, Museum of Modern Art, 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover, Brown cloth boards with gilt titles, in a lightly worn, price-clipped dust jacket. 180 pages, 91 illustrations (6 in color), text by Dennis Longwell. Includes a catalog of the plates, an essay on Steichen's printing techniques, a selected bibliography and an index to the plates. Covers with mild soil, interior clean and bright. Related clippings laid in.

Softcover. Middlebury VT, Paul S. Eriksson, 1st pbk, 1979, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. 248 pages. Appendix, bibliography and notes. A study of the relationship between John Steinbeck, the Nobel Prize-winning novelist, and his editor, Pascal Covici, based upon their correspondence. Clean copy.

Hardcover. NY, Ipso Facto, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, 175 pages. A visual tribute to the author's mother, 1950's fashion model Stella Maret. Black & white (some color) photos. Constantly travelling across the Atlantic, Stella embodied the high expectations of haute couture. Through photography by Willy Maywald, the Harcourt Studio, Sam Levin, and other famous photographers, this book takes the reader through an almost unreal world of beauty, appearances, and glamour. No dust jacket issued.

Hardcover. NY, Oxford University Press, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 993 pages. A biography of the "Little Giant from Illinois", Lincoln's highly influential opponent for the Presidency in 1860. Name on front fly leaf, otherwise clean.

Hardcover. NY, Dorling Kindersley, 1st US, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Look inside an 18th-century warship as it sails into battle on the high seas.Packed with extraordinary illustrations, this history book for children covers everything from warship design to navigation. Biesty's incredible drawings slice through a man-of-war to explore every corner, from the crow's nest to the stinking hold. Packed with fascinating facts and gory details, the pages teem with sailors going about their duties. Find out how gun crews fired a cannon, examine a surgeon's toolkit, and learn the best way to wriggle the maggots out of the ship's biscuits. Light wear to cover edges, clean copy.

Softcover. Washington, Library of Congress, 1st thus, 1988, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, illustrations in b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. TACO/Taschen, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages.

Hardcover. New York, NY, Bulfinch, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover. Color and B/w illustrations throughout. Dust jacket unclipped, excellent. Decorated cover boards, decorated endpapers. Binding tight, pages clean. Spine straight. In beautiful condition. A lavishly illustrated, fun, and informative look at more than 400 films of the decade of the 1970's. Features an interview with Peter Bogdanovich.

Hardcover. New York, Metropolitan Museum of Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover still in publisher's shrinkwrap. Binding strong. Dust jacket unmarked. Clean tight copy.

Hardcover. NY, St. Martin's/Minotaur Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY TAYLOR on title page. Art history professor Sweeney St. George is in the middle of putting together an exhibit on her specialty, "the art of death," for the university museum when she makes an unusual discovery: A valuable piece of Egyptian funerary jewelry that should be in the museum's collection seems to be missing. Searching for answers, Sweeney learns that a student intern at the museum was the last person to check out the piece, a young woman who died of an apparent suicide soon after she handled the piece, more than twenty-five years ago. Going on with the exhibition without the intricately beaded Egyptian collar, Sweeney can't let it drop altogether. Nor can she forget the student, Karen Philips, who died just a few months after working with the piece. A little digging shows that Karen was working at the museum the night it was robbed, that same year, and Sweeney becomes even more curious. But her interest in mysteries past pales when a present-day murder brings Sweeney and her colleagues at the museum under the Cambridge Police Department spotlight in the person of Detective Tim Quinn, whom Sweeney has worked with before. In the fourth installment in this rich and fascinating series, Sweeney and Tim go after a killer, trying to resolve questions both immediate and decades-old before it's too late.

Hardcover. NY, Harry N. Abrams, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages with 338 illustrations, including 278 plates in full color. Large heavy folio. Light shelf-wear to dust jacket, else a clean, tight copy.