history

Hardcover. New York , F.A. Stokes , 1st US, Book: Good, Dust Jacket: None, Hardcover, boards with cloth spine. Color frontispiece, b&w Illustrations. Spine darkened, light foxing to a few pages otherwise clean. Hinge weak at title page. A descriptive and historical account of the more important old English towns.

Hardcover. New York, Harcourt Brace , 1st US, 1957, Book: Good, Dust Jacket: Fair, Hardcover, 200 pages. Illustrated with black & white photographs. This copy previously owned by author Roger Shattuck and includes his underlining and editing of text in various colors of ink. Upper right corner of front cover bumped. Foxing to endpapers and edges. Dust jacket quite worn.

Hardcover. NY, Platt & Munk, rep, 1928, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Moderate soil on covers. Light bumps on top cover. Tight copy. Profusely illustrated in b&w and colors, depicting the history of our flag.

Softcover. Roxbury NJ, Roxbury Township Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Illustrated with black & white photographs. Light wear. Clean, unmarked copy.

Hardcover. New York , Viking, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY AUTHOR. 434 pages, b&w photographs. Light edge wear to dust jacket; else a very clean, tight copy.

Hardcover. Euston Station, London Midway & Scottish Railway Company, 1st, Book: Very Good, Dust Jacket: None, 43 pages. Dark blue cloth covers, gilt titles to front and spine, 15 color and b&w plates including frontispiece, smaller b&w figures throughout. Light rubbing and edgewear to covers, mild foxing to endpapers, pages crisp and unmarked; overall, a very neat, tight copy.

Hardcover. Louisville KY, Data Courier for the Courier-Journal, 1st, 1975, Book: Good, Dust Jacket: Good, Hardcover in a bight, lightly worn dust jacket. 152 pages with many b&w historical photos of Louisville

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. "Vacationers of today," writes C. John Sullivan, "can only dream of what this seaside resort was like for those who visited in the early 1900s." With Old Ocean City, Sullivan brings back those long-ago summers through the words and photographs of the Walker family of Washington, D.C. Avid photographers as well as sports enthusiasts, the Walkers preserved their Ocean City summers in hundreds of snapshots. And the Walkers' son, Robert, kept a detailed record of those days in a small leather-bound journal, titled My Vacation, in which he wrote almost daily from 1912 to 1916. In Old Ocean City, Sullivan mixes his own commentary and explanatory captions with excerpts from Robert Walker's journal and more than one hundred family photographs (discovered in 1994, Sullivan notes, in a sweltering attic in Berlin, Maryland). Views of handsome beach architecture and grass-covered dunes suggest an Ocean City almost unimaginable today. Rare photographs and accounts of shorebird hunting (banned in 1918 to protect sandpipers, plover, herons, and other species) are an arresting contrast to more familiar scenes of boating, fishing, and beachcombing. We see the Walker children growing up-and Ocean City growing up around them. The result is a surprising look at a place "far different than our memories would recall." Sullivan includes a time line of Ocean City history and Walker family visits, starting with the formation of the Atlantic Hotel Company in 1868 (the company's stockholders chose the name Ocean City at their 1875 meeting in Salisbury) and ending with the Walkers' sale of their beloved cottage in 1950.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New Haven CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages, no dj issued. An insightful new look at two renowned photographers, their interconnected legacies, and the vital documents of urban transformation that they created. In this comprehensive study, Kevin Moore examines the relationship between Eugene Atget (1857-1927) and Berenice Abbott (1898-1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city--old Paris--as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project Changing New York.

Hardcover. New York, Henry Holt, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. SIGNED BY WILLIAM LOW ON TITLE PAGE. Full color illustrations. Clean, tight copy in a bright dust jacket.

Hardcover. London, B.T. Batsford, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, pale red cloth stamped with black lettering, 112 pages. Color frontis, 119 b&w plates, endpapers map. Lacks dust jacket. clean copy.

Hardcover. St. Augustine FL, E.H. Reynolds, 5th Ed., 1893, Hardcover, Original tan decorative boards, maroon cloth spine. 161 pages, Index. B&w photos, maps. Gilt spine title. Previous owners bookplate on front flyleaf. Gilt title on spine. Mild wear to cover edges. Clean, unmarked copy.

Hardcover. Saranac Lake NY, Adirondack Yesteryears, 2nd pr., 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 152 pages, b&w illustrations. Edited and with Biographical Sketch by Maitland C. De Sormo. Endpapers map.

Hardcover. NY, Harper & Brothers, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, expertly rebound green cloth with original gilt and black design inlaid on front cover. New color pattern endpapers, 460 pages, plus publisher's ads. Frontis w/ tissue guard many b/w engravings throughout. Various artists. illustrated tale of the triumphs and tragedies of the formation of the English colonies through the French & Indian War. Light shelf wear, no marking.

Hardcover. London, T. Werner Laurie Ltd, Book: Very Good, Dust Jacket: Good, Hardcover red cloth covers in a worn, chipped dust jacket. 264 pages, b&w plates. No date, appears to be circa 1920s. Subjects include: old stone crosses, sanctuaries, English bells, holy wells, misericords, the holy grail, etc. Cloth has

Hardcover. London, George Redway, 1st, 1898, Book: Good, Dust Jacket: None, Hardcover, 292 pages, b&w illustrations. Green cloth wrappers w/ gilt lettering. Top edge gilt. Rough-cut pages. Edge wear, rubbing, soiling to covers; spine yellowed. Else a clean, tight copy.

Hardcover. NY, Thames & Hudson, 1st US, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, in a bright lightly worn dust jacket. A description of the history of the Omega Workshops, a gallery of decorative arts in the Bloomsbury district of London, examines the works exhibited there by artists, including Vanessa Bell, Wyndham Lewis, and Duncan Grant. Clean copy.

Hardcover. Boston, Houghton Mifflin , reprint, Book: Very Good, Dust Jacket: Fair, Hardcover in a plain tanned dust jacket with just the title and author printed on spine. Navy blue cloth with gilt stamping on spine. 214 pages, many b&w diagrams including one fold-out. A lauded scholar of art history and theory as well as a prominent art collector, Denman Waldo Ross earned his bachelors and Ph.D. at Harvard where he served as a lecturer on art and design. Copyright page states 1912, no date on title page so probably an early reprint. Light pencil notations to blank pages in rear, owner's name on front fly leaf. Otherwise a bright copy.

Hardcover. New York, Norton, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Like new in publisher's shrink-wrap. For over twenty-five years Tim Barnwell has explored the southern Appalachian region, documenting the farm culture, visiting with and photographing the people of its isolated mountain enclaves. The photographs in this collection provide a window onto a world that is quickly fading. Barnwell honors the richness and rhythms of everyday life-people in their homes and at work in the fields-and captures the beauty of the North Carolina mountains. These intimate portraits are complemented by oral histories, derived from conversations between the author and his subjects, through which individual stories unfold, rich in humor, joy, loss, and wisdom. 100 duotone photographs

Hardcover. Boston, Houghton Mifflin , 1st, 1889, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped in dark green with drawing of two riders on horseback. Gilt title on spine. Bookseller's sticker on inside front cover, previous owner's signature on front fly leaf otherwise clean.

Hardcover. Yokyo Japan, Tokyo Lawn Tennis Club, 1st, 2001, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover. Color and b/w illustrations throughout. Signed letter by Chairman of the Board presenting book to previous owner inserted. Very clean inside and out. Covered by plastic bookcover/sleeve.

Softcover. Hanover NH, Wesleyan University Press, 3rd pr., 1987, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 343 pages. The focus of this book is the secular cultures of pagan Greece and imperial Rome, and the religious cultures of Judaism and Christianity which, in turn, grew from and influenced them and the modern world. For Momigliano, religion, secular ideology, and politics live in and illuminate the present. Brings together nineteen essays written over five years from sources such as The New York Review of Books, The American Scholar, and the Annali della Scuola Normale Superiore di Pisa. Clean copy.

Hardcover. NY, The New Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 182 pages, b&w illustrations. Lucy R. Lippard weaves together cultural criticism, anthropology, and community activism for an in-depth look at how tourism sites are conceived and represented, and how they affect the places they transform. Critic Andrew Ross calls Lippard "the most surefooted tour guide you could hope for" in her exploration of being a tourist in one's own home, of how advertising and photography define place, of how antique shops function as populist museums, and of the commodification of indigenous cultures. With her characteristic breadth and critical eye, Lippard discusses the political economies of leisure spaces, the tourist's fascination with tragic destinations (such as the sites of massacres and nuclear weapons tests, or Holocaust memorials), and our willingness to let national parks and heritage sites define nature and history. Clae copy.