history

Hardcover. Sydney AU, George Allen & Unwin, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Centenary history of the Sydney-based business Burns, Philip & Co. The company was firmly established as a merchant in Australia and throughout the South Pacific. The book is unique in relating this big mercantile firm to its customers, regardless of their culture. A rich and varied story of a truly Australian company and a major contribution to Australian business history. 392 pages, 24 b&w plates, endpapers map. Clean copy.

Softcover. Wesleyan University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. This book, first published in Italy in 1988 as Autoritratto di gruppo, documents the intricate web of individual and communal experiences in the political movements of the '60s. Luisa Passerini, internationally known for her work in memory, oral history, and their intersections with social movements, sets out to rescue the "forgotten memory" of her generation and to give it literary status. The year 1968 is symbolic in Italy of a whole decade of struggles by students, women, workers, intellectuals, and technicians. Framed and illuminated by sessions of psychoanalysis, this absorbing narrative weaves episodes of Passerini's autobiography - including her involvement in the 1968 uprisings - oral histories of other participants, and Passerini's sociological observations. It raises critical questions about how we reconstruct the past and vividly illustrates the forces that shaped a generation. Clean copy.

Hardcover. Wilmington, DE, Scholarly Resources Inc., 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 298 pages. Hardcover. Dust jacket unclipped. Cover boards bound in blue, gilt title on spine and front cover. Dust jacket has a touch of agewear, A little foxing on top edge. Clean inside, binding tight, in great shape.

Hardcover. New York, Century Co., 1st, 1890, Book: Very Good, Dust Jacket: None, 501 pages. Hardcover. AUTHORS SIGNED INSCRIPTION PASTED ON TITLE PAGE. 3/4 Leather marbled sections, raised bands on spine. Gilt titles and highlights. Marbled endpapers. Gilt top edge. Light rubbing to cover edges. Clean, tight copy.

Softcover. Santa Fe Springs CA, Hathaway and Bowers, 1st, 1970-71, Book: Good, Dust Jacket: None, Nine softcover catalogs from the foremost dealer in antique music makers: Organs, pianinos, automatic harps, music boxes, etc. Catalogues No. 9 through 17, 1969-1971. All with b&w illustrations. Pages vary, 60-100. From a museum library with light stamping, small stickers on covers. Otherwise clean.

Hardcover. University of Nebraska, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with minor fading to edges, b&w illustrations, 179 pages. Contemporary feminist critics have often described Surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as Andre Breton, Francis Picabia, and Paul Eluard. She labels that image "Automatic Woman"--a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zurn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton's own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists.

Hardcover. London, Sidgwick and Jackson, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, 332 pages. Black & white illustrations. Previous owners name at top right corner of front endpaper. Covers show standard wear with light rubbing.

Hardcover. NY, Macmillan Company, 1st, 1898, Book: Very Good, A two-volume set, taupe-colored cloth boards with gilt decorated illustration of Rome on front cover. Top edge gilt. Vol I: Fold-out map of Rome as frontis., 332 pages, 14 photogravure plates with tissue guards, numerous line illustrations in the text. Vol II: Photo of St. Peters Square as frontis., 344 pages, 13 photogravure plates with tissue guards, numerous line illustrations in the text. Light soil to covers, both volumes with mild residue to inside covers where bookplate may have been removed. Otherwise clean.

Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.

Hardcover. New York, Spiegel & Grau, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Black and white images throughout. A tight copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 352 pages. Hardcover. B/w illustrations throughout. Dust jacket price-clipped, and a touch of age-yellow. Cover boards decorated/glossy. Clean and unmarked inside. In excellent shape.

Hardcover. New York, Ticknor & Fields, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 282 pages, illustrated throughout with vintage b&w photos, documenting the Yankee star's career. Small nick to dust jacket along fore-edge, light edgewear, otherwise very good.

Hardcover. NY, Canongate , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 694 pages. Destined to become a classic on the subject alongside Legs McNeil's Please Kill Me , Babylon's Burning is a groundbreaking, definitive account of punk rock, one of the most influential and lasting music movements in history--a movement that ironically was built on self-annihilation. Acclaimed critic Clinton Heylin seamlessly weaves together the lives of disparate artists who had in common not the music (there was no distribution) but the pictures, words, and fashions depicted in magazines like Creem and NME . It was a sound that eschewed conventional lyrics, promoted a gutteral musicality but yet contained a keen pop sensibility. Whether exploring the work of early progenitors like Suicide, The New York Dolls, and Patti Smith or charting the progress of the bands who legitimately took up the mantle in the eighties and nineties, Clinton Heylin brings to life the strands of a global artform. From the Sex Pistols's clarion call of a record, "Never Mind the Bollocks," to Kurt Cobain's songs of an alienated youth, Babylon's Burning is the brilliant, exhaustively researched story that once and for all defines what Punk is and is not.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1982, Book: Very Good, Dust Jacket: None, Hardcover, handsomely bound in crimson red cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1904 edition published in Edinburgh. Bright, clean copy.

Softcover. Syracuse NY, Syracuse University Press, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, 215 pages, b&w illustrations. For Charles Champlin, formerly a writer-correspondent for Time and Life magazines and columnist for the Los Angeles Times, his "other time" was the nineteen-thirties. His "other place," where he was born and spent his boyhood and early adolescence, was the lovely Finger Lakes village of Hammondsport in western New York State. Its population was, and is, 1,200, and it was a fine place to grow up: Keuka Lake to swim in, band concerts in the park on Saturday nights, wagonloads of grapes rumbling through town to the wineries, which continue to make fine champagnes and wines. Glenn Hammond Curtiss manufactured airplanes there in the early years of the century, and in the thirties you could watch planes practice looping the loop on summer afternoons. Clean copy.

Softcover. Boston, Little, Brown & Co., 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover, 182 pages. Name, old price on front fly leaf, otherwise clean.

Hardcover. New York, Random House, 1st U.S., 1971, Book: Very Good, Dust Jacket: Very Good, 430 pages. Hardcover. B/w illustrations throughout. Gilt title on spine and front cover. Covers bound in red fabric, in great shape. Dust jacket unclipped and excellent. Decorated endpapers. Top edge dyed. Clean and bright inside and out.

Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages, softcover. This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Like new in publishers shrink-wrap.

Hardcover. Washington D.C, National Portrait Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. For this exclusive collection of postcards, David Bailey, one of the worlds most distinguished and distinctive photographers, has chosen a selection of images from his archive some familiar, others previously unseen. This box of 36 portraits, reminiscent of Baileys acclaimed Box of Pin - Ups (1965), demonstrates the extraordinary range of people that he has captured during his long career;

Hardcover. Washington DC, National Portrait Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. For this exclusive collection of postcards, David Bailey, one of the worlds most distinguished and distinctive photographers, has chosen a selection of images from his archive some familiar, others previously unseen. This box of 36 portraits, reminiscent of Baileys acclaimed Box of Pin - Ups (1965), demonstrates the extraordinary range of people that he has captured during his long career;

Hardcover. NY, Atheneum, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 245 pages. B&w illustrations and photographs throughout. Decorated endpapers. Decorative pink stain to top edge. Private library stamp on front endpaper. Otherwise clean. Entertaining recount of the pivotal battle of the Crimean War. Includes bibliography & index. Excellent collection of period photographs and artwork.

Softcover. Annapolis MD, Naval Institute Press, 1st pbk, 2023, Book: Very Good, Dust Jacket: None, Softcover, 325 pages, b&w illustrations. Author Edward S. Miller contends in this work that the United States forced Japan into international bankruptcy to deter its aggression. While researching newly declassified records of the Treasury and Federal Reserve, Miller, a retired chief financial executive of a Fortune 500 resources corporation, uncovered just how much money mattered. Washington experts confidently predicted that the war in China would bankrupt Japan, not knowing that the Japanese government had a huge cache of dollars fraudulently hidden in New York. Once discovered, Japan scrambled to extract the money. But, Miller explains, in July 1941 President Roosevelt invoked a long-forgotten clause of the Trading with the Enemy Act of 1917 to freeze Japan's dollars and forbade it to sell its hoard of gold to the U.S. Treasury, the only open gold market after 1939. Roosevelt s temporary gambit to bring Japan to its senses, not its knees, was thwarted, however, by opportunistic bureaucrats. Dean Acheson, his handpicked administrator, slyly maneuvered to deny Japan the dollars needed to buy oil and other resources for war and for economic survival. Clean copy.

Hardcover. Brussels, 1st, 1965, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth stamped in dark blue, 58 pages. An illustrated history of the Belgian financial institution. Tipped in color frontis of founder Samuel Lambert, b&w photos and illustrations. Text in English. A promotional piece. Clean copy.

Hardcover. New Jersey, Prentice-Hall, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a price-clipped dust jacket that's lightly soiled and spine faded, 277 pages. Eaton (b. 1764) was a flamboyant hero who was America's "Lawrence of Arabia" and defeated the Barbary Pirates at Derna. Front fly leaf with bookseller's old price in red pencil, otherwise clean.