history

Softcover. Harrisburg PA, Pennsylvania Historical & Museum Commission, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 145 pages with index, b&w illustrations. Clean copy.

Hardcover. NY, Macmillan Company, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with gilt lettering on spine faded, 271 pages. The book covers the life and work of Bishop Butler and the impact his philosophy had on the Age of Reason. Name, date on front fly leaf, otherwise a clean, tight copy.

Hardcover. New York, Thomas Whittaker, 1st, 1886, Book: Very Good, Dust Jacket: None, 225 pages, blue cloth covers with gilt lettering on spine. Clean, bright copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence's Lounge, in the heart of Chicago's South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog's debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer's memoir of a life immersed in the blues--and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it's like to work with the greats of the blues. It's a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America's music to life in the clubs of Chicago's South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience.

Softcover. Cambridge UK, Cambridge University Press, 1st pbk., 1999, Book: Very Good, Dust Jacket: None, Softcover, 267 pages. This book argues that modern presidents could learn much from Franklin Roosevelt's method of organizing his presidency. Roosevelt consciously avoided a large, functionally specialized White House bureaucracy. Instead, he developed staff agencies composed mostly of civil servants and personally managed them using competitive administrative practices. Matthew Dickinson is the first scholar to reconstruct the methods FDR used and his research suggests modern presidents could benefit greatly by studying them. Clean copy.

Softcover. Chicago, Arcadia Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 128 pages with b&w photos. Chronicles the history of the teams and players that spent time in the "Windy City." Has black and white photos of John Henry "Pop" Lloyd, Bruce Petway, Pete Hill, Grant "Home Run" Johnson, Lou Dials, Dave Malarcher, Willie Foster, "Cannonball" Dick Redding, Ted "Double Duty" Radcliffe and many others. Clean copy.

Hardcover. Syracuse NY, Syracuse University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket with fading to spine, 236 pages. This foremost history of the Northern slave system examines its operation from its colonial beginnings to its dissolution. Unlike the South, which used slaves primarily for agricultural labor, the North trained and diversified its slave force to meet the needs of a complicated economy. In the early 19th century the author sees that economic displacement allows an emancipation of blacks that is at least as beneficial to the masters as to the blacks. Name on front fly leaf, otherwise clean.

Softcover. NY, Viking Press, reprint, 1971, Book: Very Good, Dust Jacket: None, Softcover, 306 pages, b&w illustrations. This book tries to tell where the Negroes came from, how they were enslaved in Africa, how they were purchased by sea captains, how they were packed into the hold like other merchandise (though with greater losses in transit), and how the survivors were sold in West Indian and American markets. Clean copy.

Softcover. Washington DC, Howard University Press, 1994, Book: Very Good, Dust Jacket: None, Softcover, 365 pages. Maps, illustrations, bibliography, index. A comparative social overview of slavery in Britain, America, and the Caribbean during the colonial period. Walvin carefully examines the external pressures exerted on coastal communities in Africa for slaves, the gradual development of a slave trading system within Africa, and the transport of over twelve million Africans across the seas. Clean copy. Several pages with dog-ear creases.

Softcover. Cambridge MA, Harvard University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 310 pages, b&w illustrations. Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together-even as deeply internalized prejudices drove them apart-but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.

Hardcover. NY, The Literary Guild, 1928, Book: Very Good, Dust Jacket: None, Hardcover, Literary Guild edition, with the 1st Edition (stated) signatures from Harper. Bound in black cloth and pictorial boards. Illustrated in color and b&w by Mahlon Blaine.

Hardcover. Washington, DC, Associated Publishers, Revised Ed., 1944, Book: Very Good, Dust Jacket: None, Hardcover, 381 pages. Dark green cover with slight wear and white spotting to back. Slight soiling to edges. Binding cracked at page 45. Overall, a clean, tight copy.

Hardcover. Boston, Little, Brown & Company, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, light mauve cloth with white lettering on spine, 311 pages with index. B&w illustrations, maps. Spine with light fading, book is clean, tight copy. Stated First Edition.

Hardcover. Washington DC, National Portrait Gallery/Princeton University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Accompanied exhibition at the National Portrait Gallery. Illustrated. First major publication to focus on the development of silhouettes, gathers leading experts to shed light on the surprisingly complex historical, political, and social underpinnings of this ostensibly simple art form. This richly illustrated volume explores likenesses of everyone from presidents and celebrities to everyday citizens and enslaved people. Ultimately, the book reveals how silhouettes registered the paradoxes of the unstable young nation, roiling with tensions over slavery and political independence. Primarily tracing the rise of the silhouette in the decades leading up to the Civil War, Black Out also considers the ubiquity of the genre today, particularly in contemporary art. Historical research and four contemporary artists: Kara Walker, Kristi Malakoff, Kumi Yamashita, and Camille Utterback. Still in publisher's shrinkwrap.

Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.

Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.

Hardcover. Boston, MA, Little, Brown, and Comany, 3rd printing, 1935, Book: Very Good, Dust Jacket: Good, Hardcover, 159 pages, b&w photos. Previous owner's bookplate on front end paper. Light edgewear, sun-fade and rubbing tom dust jacket. Internally very good.

Hardcover. New Haven CT, Yale University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 360 pages. Charles Clover, award-winning journalist and former Moscow bureau chief for the Financial Times, here analyzes the idea of "Eurasianism," a theory of Russian national identity based on ethnicity and geography. Clover traces Eurasianism's origins in the writings of white Russian exiles in 1920s Europe, through Siberia's Gulag archipelago in the 1950s, the dissolution of the Soviet Union in the early 1990s, and up to its steady infiltration of the governing elite around Vladimir Putin. This eye-opening analysis pieces together the evidence for Eurasianism's place at the heart of Kremlin thinking today and explores its impact on recent events, the annexation of Crimea, and the rise in Russia of anti-Western paranoia and imperialist rhetoric, as well as Putin's sometimes perplexing political actions and ambitions. Clean copy.

Hardcover. Edinburgh, A & C Black, reprint, 1872, Book: Good, Dust Jacket: None, Hardcover. One of many popular travel guide books published by Adam and Charles Black from 1839 to the 1910s, this series was the leading competitor to Baedeker's iconic guide books. Illustrated with maps and tables throughout, including three folding maps. Includes 112 pages of publisher's advertisements to the rear. In the original dark green cloth binding with a gilt design on front cover. One map has been neatly repaired with paper and paste due to a small closed tear. Front hinge with mild crack, signature opposite half-title page.

Hardcover. Edinburgh, A & C Black, reprint, 1874, Book: Good, Dust Jacket: None, Hardcover. One of many popular travel guide books published by Adam and Charles Black from 1839 to the 1910s, this series was the leading competitor to Baedeker's iconic guide books. Illustrated with maps and tables throughout including a fold-out map. This guide suggests potential routes and excursions for exploring this picturesque county. 74-page publisher's catalogue to the rear. In the publisher's original dark green cloth binding with a gilt decoration on the front cover. Clean copy.

Hardcover. New York, Coward, McCann & Geoghegan, Inc., 1st US, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages. Hardcover. Previous owners bookplate on preliminary pages. 16 pages of black & white illustrations. Foxing to top edge. Dust jacket with chipping along edges.

Hardcover. Black Dog Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 189 pages. Blasphemy: Art that Offends is a prescient examination of the perpetually troubled, often explosive relationship between religion, politics and art. This book draws on a rich wealth of visual material, tracing both the history of blasphemy as a concept and re-positioning the term in the twenty-first century. Questions of censorship and freedom of expression are today extremely volatile, a fact evinced by the recent international backlash against the Danish newspaper Islamic caricatures and the murder of the Dutch filmmaker Theo Van Gogh following the release of his notorious Submission. Blasphemy: Art that Offends provides a vital vantage point from which to view the complicated, compelling interrelations between religion, politics and the visual arts.

Hardcover. W. Palm Beach FL, Streamline Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 463 pages, profusely illustrated with b&w photos. Radio has just celebrated its 75th anniversary and it's as vital and varied as ever. Rhoads, a zealous radio historian and archivist, has captured radio's exuberance and fluency in this marvelous collection of more than 900 photographs, many of which have never before been published. This collection of portraits, both posed and candid, of radio personalities is a veritable radio hall of fame, showcasing everyone from Jack Benny to Howard Stern. Rhoads begins with photographs chronicling the rise of the pioneering Pittsburgh station, KDKA, the first to achieve continuous broadcasting, then keeps pace with radio's rapid growth, offering rare documentation of every type of on-air performer, from men of the cloth delivering the first on-air services to vaudevillians, conductors, sportscasters, and dramatists, many of whom went on to achieve fame in Hollywood. Styles change, but the magic continues as radio continues to evolve in conjunction with its competitor, television. On-air performers gave way to disc jockeys and talk show hosts, but talents such as Garrison Keillor and various NPR contributors have helped keep imaginative radio alive and well.

Hardcover. Nashville TN, Thomas Nelson, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 192 pages, illustrated in color and b&w. For more than 75 years Blondie and Dagwood Bumstead have been one of America's favorite couples. Through war and peace, through boom and bust, through sexual revolution and social upheaval, Blondie has become the most widely read comic strip in syndication-in 35 languages and in 47 countries.It's all here in this definitive book for the Blondie fan: Blondie and Dagwood, their children Alexander and Cookie, their neighbors Herb and Tootsie Woodley, the family dog Daisy, Dagwood's boss Mr. Dithers, the mailman Mr. Beasley, and the neighborhood kid Elmo Tuttle. The book includes early history; Dagwood at work, Blondie's starting her catering business, favorite cartoon strips, and the story of Chic and Dean Young, the creators of Blondie.