history

Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.

Hardcover. Amherst MA, University of Massachusetts Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 334 pages, b&w illustrations. Relying on original historical materials, an illustrated biography traces the lives of an influential pair of American socialists--he a wealthy journalist-activist, she an aspiring novelist. When they fell in love amid the tumult of the 1905 Russian revolution, they believed they were destiny's match: William English Walling, a wealthy American journalist-activist from the Midwest, an Anna Strunsky, an aspiring novelist from San Francisco. Vowing to dedicate themselves to socialist ideals, they soon became celebrities who moved in an elite circle of writers, journalist, and reformers. ultimately, both their marriage and their political commitment faltered, but not before they had participated in some of the most urgent social causes of their day. Drawing on archival sources and family materials, James Boylan creates engaging portraits of two striking figures. He reveals the details of Strunsky's intesnse involvement with Jack London and their troubled literary collaboration. He describes the creation of Walling's "revolutionary news bureau" in Russia under scrutiny of the czarist police, and Strunsky's harrowing journey to report on a pogrom. He also recounts the couple's dash to cover a race riot in Illinois, Walling's pivotal role in creating the NAACP and the disasterous schism between Strunksky's pacifism and Walling's bellicosity during World War I. Clean copy.

Hardcover. NY, New York University, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 305 pages. Revolutionary Medicine refocuses the study of the lives of George and Martha Washington, Benjamin Franklin, Thomas Jefferson, John and Abigail Adams, and James and Dolley Madison away from the usual lens of politics to the unique perspective of sickness, health, and medicine in their era. For the founders, republican ideals fostered a reciprocal connection between individual health and the "health" of the nation. Studying the encounters of these American founders with illness and disease, as well as their viewpoints about good health, not only provides us with a richer and more nuanced insight into their lives, but also opens a window into the practice of medicine in the eighteenth century, which is at once intimate, personal, and first hand. Clean copy.

Softcover. Oxford UK, Clarendon Press, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 353 pages. Social revolutions--that is critical periods of decisive, qualitative change--are a commonly acknowledged historical fact. But can the idea of revolutionary upheaval be extended to the world of ideas and theoretical debate? The publication of Kuhn's The Structure of Scientific Revolutions in 1962 led to an exciting discussion of revolutions in the natural sciences. A fascinating, but little known, off-shoot of this was a debate which began in the United States in the mid-1970's as to whether the concept of revolution could be applied to mathematics as well as science. Michael Grove declared that revolutions never occur in mathematics, while Joseph Dauben argued that there have been mathematical revolutions and gave some examples. This book is the first comprehensive examination of the question. It reprints the original papers of Grove, Dauben, and Mehrtens, together with additional chapters giving their current views. To this are added new contributions from nine further experts in the history of mathematics, who each discuss an important episode and consider whether it was a revolution. The whole question of mathematical revolutions is thus examined comprehensively and from a variety of perspectives. This thought-provoking volume will interest mathematicians, philosophers, and historians alike. Small bump to bottom corner, otherwise clean, very good.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, in a bright unclipped dust jacket, b&w illustrations. Noted for his charisma, talent, and striking good looks, director Rex Ingram (18931950) is ranked alongside D. W. Griffith, Marshall Neilan, and Erich von Stroheim as one of the greatest artists of the silent cinema. Ingram briefly studied sculpture at the Yale University School of Art after emigrating from Ireland to the United States in 1911; but he was soon seduced by the new medium of moving pictures and abandoned his studies for a series of jobs in the film industry. Over the next decade, he became one of the most popular directors in Hollywood, directing smash hits such as The Four Horsemen of the Apocalypse (1921), The Prisoner of Zenda (1922), and Scaramouche (1923). n Rex Ingram, Ruth Barton explores the life and legacy of the pioneering filmmaker, following him from his childhood in Dublin to his life at the top of early Hollywood's A-list and his eventual self-imposed exile on the French Riviera. Ingram excelled in bringing visions of adventure and fantasy to eager audiences, and his films made stars of actors like Rudolph Valentino, Ramon Novarro, and Alice Terry-his second wife and leading lady. With his name a virtual guarantee of box office success, Ingram's career flourished in the 1920s despite the constraints of an increasingly regulated industry and the hostility of Louis B. Mayer, who regarded him as a dangerous maverick.Barton examines the virtuoso director's career and controversial personal life-including his conversion to Islam, the rumors surrounding his ambiguous sexuality, and the circumstances of his untimely death. This definitive biography not only restores the visionary filmmaker to the spotlight but also provides an absorbing look at the daring and exhilarating days of silent-era Hollywood.

Hardcover. Boston, Museum of Fine Arts, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It is little known that interbellum Britain hosted a generation of Modernist artists who absorbed the wealth of Continental avant-garde idioms and adapted them to their own unique ends. Some of this work was done under the rubric of Vorticism, the Neofuturist movement spearheaded by Wyndham Lewis, while other artists were closely associated with London's Grosvenor School of Art (and so came to be known collectively as the Grosvenor School), breaking new ground in the practice of linocut. Rhythms of Modern Life examines the impact of Cubism and Futurism on British printmaking in the years between the First and Second World Wars, focusing in particular on the dynamic imagery of 13 artists, including C.R.W. Nevinson, Paul Nash, Edward Wadsworth and David Bomberg, all early followers of Italian Futurism and British Vorticism, and on the works of Grosvenor School artists Claude Flight, Sybil Andrews, Cyril Power and Lill Tschudi. All of these artists coined styles that addressed the velocity of modern life, espousing industry, speed and an optimism for the century ahead. This book, the first survey of its kind, features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from geometric abstractions to forceful impressions of the first fully mechanized war, Jazz Age images of sporting events, speed trials and other contemporary diversions. Clifford S. Ackley's introduction takes stock of the art historical moment and is followed by discussions of the prints, an overview of the history and technique of the modern linocut and short biographies of the artists.

Softcover. Columbia SC, S.C. Department of Archives and History, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, b&w illustrations. Clean copy.

Hardcover. The Monacelli Press , 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 264 pages. Richard Filipowski (1923-2008) was among the most gifted polymaths in the annals of American modernism. Whether as a painter, sculptor, or designer of furniture and jewelry, Filipowski developed a lush, abstract, and amazingly consistent visual language that marks him among the finest figures of midcentury art and design. As a student at the Institute of Design (formerly the New Bauhaus) in Chicago, he quickly became a protege of founder Laszlo Moholy-Nagy, who featured several of Filipowski's works in his seminal text Vision in Motion (1947); Filipowski was the only student Moholy-Nagy called upon to join the faculty, where he taught alongside Walter Gropius and Marcel Breuer. Recruited by Gropius to develop a course in design fundamentals at Harvard, which remains a cornerstone of design pedagogy to this day, he would move to MIT where he taught for more than three decades, until his retirement in 1988.With a foreword by Laszlo Moholy-Nagy's daughter Hattula, Richard Filipowski: Art and Design Beyond the Bauhaus is the first monograph of this master, who over the course of his career created a unique body of work in diverse media that has largely, until recently, been held in private collections due to his relative lack of compulsion to seek media attention or worldly rewards. But now through the efforts of the Filipowski family and new attention by design scholars--several of whom contribute essays here on Filipowski's graphic and painted works, sculpture, furniture, and position in design history--the work is being revealed to a new generation of aficionados. Richard Filipowski is a rich document of a life and career that is poised to reenter the canon of modernism.

Hardcover. Newburyport Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped jacket. Richard Henry Arbib was considered one of the leading industrial designers in the United States in the years following World War II. By the 1950s, he had established himself as one of the true visionaries in his field, producing groundbreaking design concepts not only for automobiles, but for a range of products that included wristwatches, pens, boats and even personal helicopters--designs so innovative than many of them would still be considered advanced today. This book is an attempt to rediscover both the man and his extraordinary work. Combining a biographical essay and commentary by historian and collector Frederic A. Sharf with 35 never-before-seen drawings by Arbib, this is a revelatory look at one of the great artists of America's industrial history, and the first biographic study of his work.

Hardcover. NY, Time Life, reprint, 1983, Book: Very Good, Dust Jacket: None, 389 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. The commander of a Georgia regiment through much of the Civil War mused later in his memoirs that the heaviest burden fell not upon the man at the front, but upon the woman who waited and prayed for victory: "While the men were carried away with the drunkenness of the war, she dwelt in the stillness of her desolate home." Sallie Brock Putnam spoke for Southern womanhood. She was a native of Madison County, Virginia, and seems to have come from a family of good social standing. The book contains an unexpectedly full history of the Civil War; the author exhibits a strong grasp of strategy and tactics. But at its heart is an incisive eyewitness account of life in a capital that was swollen to four times its normal population by the exigencies of war. Brock's descriptions of Jefferson Davis' inauguration and the Richmond Bread Riot of 1863 are dramatic, but no more so than her accounts of nameless refugees, race relations, opportunistic merchants and blockade runners. Confederate prisons and family matters. In contrast to other female Southern writers of the period, she was more sober and factual, less gossipy and speculative. She wrote with shrewdness and maturity, and with a remarkable lack of self-pity and exaggeration. Yet the reader cannot miss her courage, sacrifice and suffering. Sallie Brock Putnam died in 1911.

Softcover. Cambridge MA, The MIT Press , 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 373 pages. A history of New York subway passengers as they navigated the system's constraints while striving for individuality, or at least a smooth ride. When the subway first opened with much fanfare on October 27, 1904, New York became a city of underground passengers almost overnight. In this book, Stefan Hohne examines how the experiences of subway passengers in New York City were intertwined with cultural changes in urban mass society throughout the twentieth century. Hohne argues that underground transportation--which early passengers found both exhilarating and distressing--changed perceptions, interactions, and the organization of everyday life. Clean copy.

Hardcover. NY, Atheneum, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 pages, b&w illustrations. Using legends, myth, folklore, the history, politics and commonsense, the author shows that from the late Middle Ages until the time of the Salem trials, men used the threat of witchcraft as a way of keeping women from power and from reaping the rewards of their own labours. To examine the historical association of women and witchcraft is to see most clearly the social focus that through the centuries has condemned women to ignorance and dependency.

Hardcover. Colombia, Carvajal S. A., 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover, folio, maroon cloth backed decorative paper boards, 75 pages. Translated by Elvira de Martin from the Spanish. Illustrated by 4 engravings appeared in Theodor de Brys' America Pt. 4 1594 (Frankfurt) and original handwritten facsimile 1492. Facsimile edition. No slipcase. Published by Carvajal S.A., Cali, Colombia and the John Carter Brown Library, Providence, Rhode Island, in Honor of the Quincentenary Year Date: 1992. Preface by Norman Fiering. Clean, bright copy.

Hardcover. Milwaukee WI, Amadeus, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 406 pages, illustrations. INSCRIBED by co-editor Malcolm Crocker. A rare, revealing look at the composer, written by his granddaughter Tatiana. Featuring a wealth of correspondence and photographs from his family's archives, this book provides new, fascinating details about the composer's life, work, and relations with close friends and colleagues, including Borodin, Mussorgsky, and Tchaikovsky. It also sheds new light on his wife, Nadezhda Purgold, an accomplished composer and pianist who helped her husband with his own compositions. Many letters involve Rimsky-Korsakov's other family members and important figures in art, history, literature, and music of the late 19th and early 20th centuries. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Rin Tin Tin was more than a dog. He embodied the core paradoxes of the American ideal: He was a loner who was also a faithful companion, a brave fighter who was also vulnerable. I was astonished to learn from this delightful book that he has existed for eleven generations over a century. By chronicling his amazing ups and downs, Susan Orlean has produced a hugely entertaining and unforgettable reading experience." -- Walter Isaacson.

Hardcover. Denver CO, Sundance Limited, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 416 pages illustrated in color and b&w. Handsomely done history of the Rio Grande written by an outstanding railroad author. The book covers the railroad from the very beginnings of the Denver & Rio Grande in 1870 though to the 1970s, as well as its subsidiaries, the Western Pacific, and associated railroads. Illustrated throughout with black and white photographs. With numerous maps, rosters, gradient profiles, timetable, locomotive dispositions and extensive bibliography. 416 pages with index. Note: the cover of the standard 1974 edition shows a Rio Grande diesel; the cover of this Special Limited Edition shows two steam locomotives. The Limited Edition includes many color photos and has a reprint of a "Denver and Rio Grande" pamphlet from 1881 covering grades, distances and elevations in a rear pocket. States Special Limited Edition, but no number, signature or limitation given. Clean copy.

Hardcover. Oxford, Clarendon Press, First Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 356 pages. Hardcover with illustrated endpapers. Black cloth covered boards with gilt titles to spine. Dust jacket with light sunfade to bottom edge. Illustrations in bw throughout. Clean & unmarked copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1939, Book: Very Good, Dust Jacket: None, 485 pages, with illustrations and gilt titles. Minor edge wear, otherwise, very clean and tight copy.

Hardcover. New York, Thames and Hudson, 3rd Revised, 1988, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges and spine. Previous owners inscription in pen to top edge of front flyleaf. An otherwise very clean, unmarked copy with only minor edgewear. 206 photographs, 16 in color. Follows the developments in the art and science of photography from the invention of the wet-collodion process through the evolution of dry plates.

Hardcover. New York, Harper & Brothers, 1st Edition, 1869, Book: Very Good, Dust Jacket: None, 1775 total pages. 3 Volume Set. Hardcovers. Decorated marbled edges. Decorated endpapers. Decorated cover boards with leather corners and quarter cloths. Leather spines with raised bands, gilt title and decorations. Spines straight. Light tanning from age to pages. Gutter split at front endpaper in volume 3, doesn't affect binding. Outlines the geographical and political landscape of the Netherlands, tracing its history from the Roman conquest to the eventual rise of local powers during the feudal period. DOMESTIC SHIPPING ONLY.

Hardcover. Cambridge University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, dust jacket with light fading to spine, 212 pages, b&w illustrations. In this book, Gabriel Herman offers a new interpretation of Greek xenia, a term traditionally rendered as 'guest-friendship'. Drawing on contemporary literary sources and inscriptions as well as anthropology, sociology, and comparative evidence from other times, he shows that xenia was a bond of fictitious kinship akin to godparenthood, rather than a tie of hospitality or ordinary 'friendship'. Starting off from this proposition, he develops a dynamic model of the formation of elite relationships and values. He explores the concepts of obligation and loyalty, gift and bribe, treason and patriotism, and places the Greek city within a new context of power relations. Clean copy.

Hardcover. New Haven, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 129 pages. Hardcover. Color and b/w illustrations throughout. Clean inside and out. In excellent shape. From the Foreward: "River of No Return is organized like a long poem or a piece of music...a stunning look at an actual place, a meditation on rivers, nature history, the history of landscape photography of the American West and the idea of the American West. And the nature of fact and the nature of myth, and how we hold the world in our hands."

Hardcover. NY, Doubleday, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY MILLARD on a tipped-in prlim page. The Rosetta Stone--discovered by French soldiers in 1799, seized by a British envoy, and deciphered 23 years later--set off an obsessive interest in Egypt, including by the newly established Royal Geographical Society, to find the headwaters of the Nile. Bestselling author Millard, a former writer and editor for National Geographic, offers a tense, vibrant history of several dramatic expeditions across East Africa that finally resulted in a successful discovery. Drawing on archival sources and her own multiple trips to Africa following the explorers' paths, Millard creates a palpable sense of the daunting task undertaken by three ambitious men: the magnetic, impulsive, and often combative Richard Burton; John Hanning Speke, an aristocratic infantry lieutenant and passionate hunter whose initial interest in East Africa was largely for the animals he could kill; and their devoted and resourceful native guide, Sidi Mubarak Bombay a former enslaved person whose intimate knowledge of tribes and terrain proved to be indispensable.

Hardcover. Boston, Houghton Mifflin, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 506 pages. The author recounts his voyage on American waters from sea to sea -- as he offers fascinating shipboard perspective on the country's rivers, lakes, canals, and landscapes, brimming with history, drama, humor, and wisdom. Clean copy.