History American

Hardcover. Syracuse, N.Y., Syracuse Univ Press, 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover, 487 pages. Slight edgewear and sunning to dust jacket spine, else a clean, tight copy.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. Philadelphia PA, United Lutheran Publication House, 1st, 1923, Book: Very Good, Dust Jacket: None, Hardcover, 355 pages, b&w illustration. Dark green cloth with gilt design, lettering.

Hardcover. Boston, Museum of Fine Arts, 1st, 1962, Book: Very Good, Dust Jacket: None, Two hardcover volumes, quarto, 337 + 352 pages., indices, well illustrated in color and b&w. Organized by academic artists, folk artists, visiting foreign artists and artists of the Civil War, with detail biographical information on the artists, this has become an indispensable reference work. near fine copies in gilt decorated gray boards with terra-cotta cloth spines. Clean copies.

Softcover. Southbury CT, privately printed, 1st, 1977, Book: Very Good, Dust Jacket: None, Including letters written to her in 1862 from Professor Benjamin Silliman of Yale College. Softcover, 129 pages, b&w illustrations. Published by Muriel Davies McKenzie in Southbury, Connecticut. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket, 500 pages. "The Ecclesiastical History of New England from the First Planting in the Year 1620, unto the Year of Our Lord 1698." With reproductions of the title-pages from the 1702 edition. Edited by Kenneth B. Murdock, with the assistance of Elizabeth W. Miller. Clean copy.

Hardcover. La Fabrica, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 391 pages, profusely illustrated. This excellent catalog contributes a wealth of new information, providing a valuable contribution to our understanding of Man Ray. The treasure trove of images and objects collected here is drawn from the large archives of the Man Ray Trust in Long Island, New York, and includes little known early works, documents and objects from his private life, working drawings and sketches for major works as well as innumerable familiar masterpieces.

Softcover. Chapel Hill, University of North Carolina Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 411 pages, b&w illustrations. Tracing the erosion of white elite paternalism in Jim Crow Virginia, Douglas Smith reveals a surprising fluidity in southern racial politics in the decades between World War I and the Supreme Court's 1954 Brown v. Board of Education decision. Smith draws on official records, private correspondence, and letters to newspapers from otherwise anonymous Virginians to capture a wide and varied range of black and white voices. African Americans emerge as central characters in the narrative, as Smith chronicles their efforts to obtain access to public schools and libraries, protection under the law, and the equitable distribution of municipal resources. This acceleration of black resistance to white supremacy in the years before World War II precipitated a crisis of confidence among white Virginians, who, despite their overwhelming electoral dominance, felt increasingly insecure about their ability to manage the color line on their own terms. Exploring the everyday power struggles that accompanied the erosion of white authority in the political, economic, and educational arenas, Smith uncovers the seeds of white Virginians' resistance to civil rights activism in the second half of the twentieth century. Light marking to 10 pages, otherwise clean, very good.

Hardcover. NY, Argosy-Antiquarian, reprint, 1964, Book: Very Good, Dust Jacket: None, Ltd to 750 w/ new material edited by Abraham Nasatir, 1st pub in 1911 by the Missouri Historical Society, b&w Illustrations 207 pages. Hardcover with no dust jacket. Clean, tight copy with only minor wear to boards. Decorative staining to top edge. Previous owner's signature on end paper (in pencil).

Hardcover. New York, Oxford University Press, 1st, 1963, Book: Very Good, Dust Jacket: Good, 300 pages, with illustrations and maps. Dust jacket edge wear and rubbing, minor fading along edges, otherwise, very clean and tight copy.

Hardcover. New York, D.A.P.//La Fabrica , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. America's first female war correspondent, Margaret Bourke-White was also something of a media star, with the portrait of her decked out in flying gear, camera in hand, about to set off on a bombing raid, being a favorite pin-up among U.S. forces. Focusing on the work Bourke-White made in the 1930s and 40s in Czechoslovakia, Germany, Italy, the Soviet Union and the U.K., Moments in History presents 150 classic photographs alongside revelatory extracts from letters and publications in periodicals. Bourke-White traveled to the USSR when the first Five-Year Plan was being implemented; she documented the German invasion of the Soviet Union in 1941, and the Allied bombing of Germany. In the summer of 1945 she was commissioned by Life to make a photographic record of the destroyed German cities. She was present at the liberation of the Buchenwald concentration camp and the Leipzig-Thekla forced labor camp. She recorded the partition of India and the Korean War, and one of her most famous pictures of this period is "Gandhi," which shows the subject at his spinning wheel. Also included in the catalogue are some of the word-picture sequences Bourke-White did for Fortune and Life, as well as extracts from her correspondence with personalities from the worlds of politics and culture, such as Winston Churchill and Georgia O'Keeffe. Bourke-White wanted to be the "eyes of the age," and her pictures testify to (as she put it) her "unquenchable desire to be present when history is being made."

Softcover. Carmel CA, Friends of Photography, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Black & white photography from the U.S. South during the Great Depression. 33 plates. Chronology. Introduction by Sally Stein. The first comprehensive group of Wolcott's photographs outside of the Library of Congress

Hardcover. Princeton NJ, Princeton University Press, 1st, 1984, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 477 pages. INSCRIBED BY COLE on the title page. Donald Cole analyzes the political skills that brought Van Buren the nickname "Little Magician," describing how he built the Albany Regency (which became a model for political party machines) and how he created the Democratic party of Andrew Jackson. Light fading to dj spine, clean copy.

Softcover. Guilford CT, TwoDot, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 151 pages, b&w illustrations. The massacre at Wickenburg was one of the most notorious crimes committed in the Wild West--a story revealed in this book through a criminal investigation. November 5, 1871. A westbound stagecoach carrying seven men and one woman left Wickenburg in the early morning hours. At 8:00 a.m., six of the passengers were shot dead. One man and the lone woman, severely wounded, escaped into the desert. Debates raged over the identity of the murderous ambushers -- Indians? Mexican bandits? The two survivors? After a massive investigation, the U.S. Army concluded that a band of local Yavapai Indians were responsible, which led to a policy of "removal and concentration" that altered the fate of nearly every Indian in America's Southwest. Clean copy.

Hardcover. NY, Archer House, reprint, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 110 b/w illustrations. 669 pages. This is a facsimile reprint of edition first published in 1886. Covering 60 years of merciless bloody conflict, it documents in detail every major Indian battle between 1815 and 1876. Dust jacket spine faded, otherwise a clean, very good copy.

Hardcover. New York, Simon & Schuster, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover. Dust jacket unclipped. B/w illustrations throughout. Gilt title on spine. Binding tight, in excellent shape. Clean inside and out.

Softcover. New York, iUniverse, Inc., 1st, 2008, Book: Very Good, Dust Jacket: None, 97 pages. Softcover. B/w illustrations throughout. In excellent condition. Very clean inside and out.

Hardcover. New York, Kluwer Academic/Plenum , 1st, 2000, Book: Very Good, Dust Jacket: None, 237 pages. Hardcover with laminated boards. Previous owner's stamp in front fly leaf, otherwise, clean, tight copy with minor wear to covers. Black and white pictures throughout.

Hardcover. Dover NH, John Mann, 1st, 1820, Book: Very Good, Dust Jacket: None, Two volumes in one, 194 and 181 pages. Leather bound with maroon spine label with gilt lettering. Page 9/10 with a partial tear, no paper loss. Bookplates on endpapers otherwise a clean, well preserved copy with light foxing to pages.

Hardcover. Boston, City of Boston, 1st, 1889, Book: Fair, Dust Jacket: None, Hardcover, 274 pages, b&w plates and illustrations. Brown end papers. Brown cloth coverings w/ gilt seal and lettering on spine. Wear and rubbing to covers, corners. Binding weak, several pages loose. Else pages clean and crisp.

Hardcover. Newport, VT, Civil War Enterprises, Reprint, Book: Very Good, Dust Jacket: None, 77 pages. Hardcover. Reprint, original publishing date 1868. In excellent shape, clean inside and out. Binding tight. From title page: "The Memorial Record of the Soldiers Who Enlisted from Greensboro, Vermont, to Aid in Subduing the Great Rebellion of 1861-5, Accompanied by a brief History of Each Regiment that Left the state."