Art

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Very Good, Dust Jacket: None,

Hardcover. London, Goodman Books, 1st, 20091st, Book: Very Good, Dust Jacket: None, 128 pages, 300 color/b&w photographs plus over 20 pieces of memorabilia. One of the world's best-known artists, Andy Warhol (1928-1987) still exerts influence on contemporary art and culture. Packed with information about Warhol's prolific creativity, as well as his other cultural interests, the project follows the arc of his life. This beautifully illustrated publication reveals Warhol's rags-to-riches life from his early years in Depression-era Pittsburgh to his success as an illustrator in New York City in the 1950s and his transformation into a notorious Pop Artist, underground filmmaker, author, publisher, collector, recorder and iconic celebrity. With 21 beautifully produced removable facsimile documents help give an unprecedented insight into Warhol's life and work in this unique and authoritative guide to this celebrated modern artist.

Hardcover. New York, Dutton, 1st, 1926, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages. Illustrated with black & white drawings by Don Herold. Light wear to covers. Clean, tight copy.

Hardcover. Turin, Umberto Allemandi & Co., Revised Ed., 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, Illustrated throughout in color. Real 'honest men', the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. Voldere takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art. Clean, like new. DOMESTIC SHIPPING ONLY.

Softcover. Philadelphia PA, Philadelphia Museum of Art , 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 397 pages, 127 color plates, many bw plates. Issued in conjunction with a series of 1984 exhibitions. "The Dutch in the seventeenth century placed a premium on naturalistic accounts of their surroundings, be they in the form of portraits, landscapes, still lifes, or scenes of everyday life -- what we have come to call 'genre' painting. With this art, the painter recorded the look, the manners, the character of those quotidian events, which comprise day-to-day existence." This book features essays on both the artists and on life and culture during this time. The catalogue addresses 127 paintings: first, in color plates, and secondly, with lengthy annotations and small BW illus. The concluding bibliography is substantial. Clean copy.

Softcover. New York , St. Martin's Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. A collection of color and b&w cartoons by Wilson. SIGNED BY THE ARTIST.

Hardcover. New York, Thomas Nelson & Sons, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 476 pages illustrated in b&w and color displaying beautiful pieces of colored glass and pottery. Clean and bright copy. Dust jacket slightly stained. Previous owner's inscription present. Lavishly illustrated and exhaustively researched reference on Art Nouveau designs in glass produced in America from 1890 to 1925, marking a high spot in the decorative arts. Includes a detailed study of various manufacturers and their histories, with special emphasis on those artisans who created identifiable and collectable pieces, including Louis Comfort Tiffany, A. Douglas Nash, the Durand family, and Frederick Carder. Contains four useful appendices reproducing a complete 1932 catalog published by the Steuben Division of Corning Glass Works, several pages from a circa 1928 Vineland Flint Glass Works catalog, pages from a circa 1914 C. Dorflinger & Sons catalog, and a "Belle Ware" catalog of Carl V. Helmschmied.

Softcover. University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 228 pages, b&w illustrations. Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art in Mind, Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical agent, or a cultural creator, that propels thought and experience forward.Examining a broad range of works, van Alphen--a renowned art historian and cultural theorist--demonstrates how art serves a socially constructive function by actually experimenting with the parameters of thought. Employing work from artists as diverse as Picasso, Watteau, Francis Bacon, Marlene Dumas, and Matthew Barney, he shows how art confronts its viewers with the "pain points" of cultural experience-genocide, sexuality, diaspora, and transcultural identity-and thereby transforms the ways in which human existence is conceived. Clean, like new.

Softcover. Boom! Studios, 1st thus, 2011-2012, Book: Very Good, Dust Jacket: None, 20 softcover volumes, like new, all pristine condition. Various artists, authors.

Softcover. US, Stichting Kunstboak , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Softcover, 135 pages.Like new in publisher's shrink-wrap. Norbet Hostyn, curator of the Museum of Fine Art in Ostend, has produced a fascinating and comprehensive account of the world and ideas of the by turns celebrated and vilified James Ensor (1860-1949). He offers an illuminating introduction to the artist's life and oeuvre, accompanied by a selection of fifty representative works, each comprising a large, color reproduction and an art-historical commentary. It is the story of a striking and controversial painter who was initially the focal point of a new school, but later became an eccentric with a finely tuned sense of image and business.

Hardcover. New York, Watson-Guptill Publications, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages. 33 full page color plates. The first full-scale, illustrated study of John Twachtman's life and work, taking the artist's "dramatic transformation from dark to light" to the surface. Pictorial dust jacket with minor edgewear. Brown cloth. A very nice, clean and crisp copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. In publisher's shrinkwrap.

Hardcover. London/NY, Prestel/DelMonico Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Richly illustrated and filled with detailed information about one of the leading artists of the 20th century, this is the first book to explore in depth the Saint Louis Art Museum's outstanding holdings of paintings by Max Beckmann-the largest collection of its kind in the world. One of the greatest German painters of the 20th century, Max Beckmann came to America in the mid-1940s and settled in St. Louis. There he met the retailer and collector Morton D. May. By the time May died, in 1983, he had amassed a comprehensive collection of Beckmann's oeuvre, most of which he bequeathed to the Saint Louis Art Museum (SLAM). The stunning breadth and power of Beckmann's work are explored in this volume, which examines all thirty-nine paintings in SLAM's collection. Featuring some of Beckmann's most celebrated images, this book offers fascinating insights into Beckmann's life and art-in particular his underappreciated early work and previously unexplored aspects of his final years in the United States.

Softcover. Baltimore, Walters Art Museum, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Like new in publisher's shrink-wrap. 16 full-page color plates; many other illustrations. Short-lived mid-nineteenth-century Baltimore artist who painted interior and exterior scenes usually of two or more people in some sort of exchange. Critics praise his composition and use of color.

Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 226 pages 66 b&w illustrations and 82 plates in full color. White cloth, pictorial dust jacket. Like new, in shrinkwrap.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Hardcover. NY, Da Capo Press, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright yellow price-clipped dust jacket. Frontis portrait, 174 plates. All of the best drawings from Beardsley's later period, including the illustrations for "The Yellow Book", "The Savoy" and "The Rape of the Lock". Reprinted from the second London edition of 1911. Previous owner's initials on front fly leaf, otherwise clean.

Softcover. London , Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 197 pages. Softcover. Extensive color photographs and illustrations throughout. Illustrated frontispiece. Gilt titles on cover. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Philadelphia, J. B. Lippincott, 1st, 1930, Book: Good, Dust Jacket: None, 183 pages, b&w illustrations throughout. Yellow cloth with slight age-stains. No dust jacket. Previous owner's inscription in front. Nice, tight copy.

Softcover. Philadelphia Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover 215 pages. Many illustrations, 78 in full color. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC September 22, 1996-January 26, 1997 and the Philadelphia Museum of Art, Philadelphia PA March 2-May 11, 1997. Still in publisher's shrinkwrap.

Hardcover. Seattle, Fantagraphics, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 208 pages illustrated in color by Carl Barks. A loony balloon, a fraidy falcon, and a new Woodchuck series! Carl Barks delivers another superb collection of outrageous hijinks, preposterous puzzlements, and all-around comics brilliance. Carl Barks's stories of the Junior Woodchucks starring Huey, Dewey, and Louie - written and penciled by Barks with finishes by internationally acclaimed Duck artist Daan Jippes - debut in this volume! Other stories include: When Gyro Gearloose invents a ten-story-tall Donald Duck balloon - bigger than anything ever seen at the Macy's Parade! - Donald decides to take a ride. But Gyro's "new balloon gas" is stronger than he thought it was, and Donald finds himself out of control, sailing higher and higher, until...Then, Huey, Dewey, and Louie try to help a "fraidy falcon" overcome his fear of flying by getting Donald to help, but Donald has his own ideas... Next, somebody's blowing up experimental rockets at the launchpad, and the nephews are on the trail of the spy, but Donald's sure of who it's not - until he finds himself on board the next rocket to blast-off...

Softcover. St Louis MI, Daniel Zimmer , 1st, 2016, Book: Very Good, Dust Jacket: None, 80 pages. Softcover. Extensive color illustrations by various artists throughout. Feature on John Gannam. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Washington DC, Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Press, 1st, 1978, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog. 108 pages, illustrated in color and b&w. Gray pictorial stiff wrappers. Minor wear to edges and spine, else like new.

Hardcover. NY, Abrams, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 330 pages. A visually captivating history of the evolution of Glamour magazine and the brands legendary decades at the forefront of female empowerment in an incredible photographic volume For more than 80 years, Glamour has been the preeminent women's empowerment brand in America. But until now, no one has told the extraordinary story of its origins, the famous names who helped shape the magazine into the global powerhouse it is today, and Glamour's many historic firsts. Glamour was the first American fashion magazine to feature a Black cover star, the first to present Gloria Steinem's writing, and the first to feature groundbreaking reporting on reproductive rights. In a gripping journey, follow the group of women editors and journalists who spearheaded the magazine as World War II transformed the female landscape with over 7.5 million working women suddenly in the US workforce in 1940 and repositioned the title from charting Hollywood glamour to the magazine for the girl with a job.

Hardcover. NY, Praeger, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth covers with black lettering, 152 pages. 419 b&w photos of mid-sixties furniture. Text in English, French and Spanish.

Hardcover. New York, NY, DC Comics, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap.

Hardcover. New York, Harry N. Abrams, unknown, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 116 pages, illustrated throughout in color and b&w. Red cloth. pictorial dust jacket. Beautiful copy in shrinkwrap. In this landmark volume we see the photo-realist painter at work and the works themselves in progress, together with many superb reproductions of her completed paintings.

Softcover. Venice, Cataloghi Marsilio, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 140 pages. TEXT IN ITALIAN. A catalog of drawings and architectural watercolor sketches done by Le Corbusier on a trip to Italy in 1907. His career spanned five decades, with his buildings constructed throughout Europe, India, and America. He was a pioneer in studies of modern high design and was dedicated to providing better living conditions for the residents of crowded cities. (1907) - Catalogo della Mostra. Clean copy.

Hardcover. NY, Taschen, reprint, 2017, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, color throughout. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Philomel Books, 1st, 2007, Book: Very Good, Dust Jacket: Good, 105 pages. Hardcover. Extensive color illustrations by various artists throughout. Dust jacket price clipped. Otherwise clean, tight copy.

Hardcover. Garden City, Doubleday, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 191 pages. Illustrated in full color and black & white. Dust jacket missing half-dollar sized chunk at top of spine with additional small chunks and chips missing along edges. Clean, tight copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 424 pages, color throughout. After becoming a professional comics artist in 1948 at the age of 17, by 21 Al Williamson was well-regarded enough as a Western and science-fiction illustrator to be recruited for the EC Comics staff roster - the absolute peak of the field in the 1950s, and a team rarely challenged since. After the Comics Code forced EC to reduce their business, Williamson found himself at the door of Atlas Comics, the largest employer of freelancers in the field.From 1955-60, Williamson would draw 99 stories for Atlas (both solo and with help by "Fleagle Gang" studio cohorts Angelo Torres and Roy Krenkel, plus Gray Morrow and Ralph Mayo) in mostly western and fantasy genres, with a smattering of war, romance and "jungle girl adventure". He flourished on Westerns, freely and loosely rendered four-page morality plays, many scripted economically by Stan Lee. With his extensive oeuvre subsequently based mostly in newspaper strips (including Flash Gordon, Secret Agent Corrigan, and the syndicated Star Wars, at George Lucas' own request), or working largely as an inker, his Atlas stories collectively are the largest single body of work Williamson would ever do as a primary creator for one company. Fantagraphics is proud to present this Al Williamson Artist Edition to finally showcase this distinct period of his remarkable career. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Softcover. Princeton WI, Kitchen Sink, 7th pr., 1984, Book: Very Good, Dust Jacket: None, Siftcover, 32 pages plus color wraps. Art by Justin Green, Daniel Clyne, Tim Boxell, Wendel Pugh. Mild corner crease, otherwise bright and clean. First published in 1972.

Hardcover. New York, Abrams ComicArts, 1st, 2011, Book: Very Good, Dust Jacket: None, 176 pages. Hardcover. Extensive color illustrations by George Herriman throughout. Illustrated end papers and paste downs. Clean, tight copy. Krazy Kat & the Art of George Herriman is a tribute to one of the most influential and innovative comic strips and creators of all time. This unique collection of rare art, essays, memorabilia, and biography highlights the career of the first genius of comics, George Herriman, and his iconic creations, Krazy Kat and Ignatz Mouse. During its 31-year run, Krazy Kat was enormously popular with the public, as well as influential writers, artists, and intellectuals of the time. This book includes original essays by Jay Cantor, Douglas Wolk, Harry Katz, Richard Thompson, Dee Cox (Herriman's granddaughter), Craig McCracken, Bill Watterson, and authorized reprints of two seminal essays on Herriman by Gilbert Seldes and E. E. Cummings, alongside newly discovered vintage essays by TAD, Summerfield Baldwin, and Toots Herriman. With Krazy Kat & the Art of George Herriman, Craig Yoe reveals this influential artist and writer for a whole

Softcover. Japan, Nara Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Illustrated with full color photographs. Clean, tight copy.

Hardcover. NY, Universe Books, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt titles. 196 pages, illustrated throughout in color and b&w. Discusses the history of the movement and shows examples of architecture, sculpture, metalwork, ivories, stained glass, wall paintings, and book illuminations. Clean, tight copy.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in pictorial color wraps, $2 cover price, 48 pages in b&w by Shelton. Clean, bright copy.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. ejby, Samlerens Forlag, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover. Non-paginated. Number 36 of only 75 copies SIGNED BY MORTENSEN on the color plate in front. Illustrated with full color examples of works by Richard Mortensen. Dust jacket shows standard wear. Large format. Clean, bright copy.

Softcover. NY, Da Capo Press, 1st pbk., 1972, Book: Very Good, Dust Jacket: None, Softcover, 546 pages, b&w illustrations, Apollinaire champions Picasso, Braque, Cezanne, Delaunay, Duchamp, Rousseau ,cubism, surrealism, and much more. Clean copy.

Softcover. San Francisco, Rio Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, b&w comic art by Shelton. Phineas T, Fat Freddy, and Freewheelin' Franklin entertain us on these 128 pages.They begin with a trio to Mexico where the waether is warm and the drugs are cheap. LATER, they get involved in a back to the land movement. Where they go, there goes also : the cops, marijuana, busty females, kitty-cat, and the search for cash. Read more about `Violence on the Bus', `The Fourth Freak Brother', Bolivian Boo, Don Longjuan, bribes, and El Mordido, Governor Rodney Richpigge, and `The Mellow Cab Man '. Clean copy.

Hardcover. Hanover NH, UPNE, 1st, 2013, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 132 pages. Like new in publisher's shrink-wrap. In an age of specialization it is amazing to find an artist who has mastered the complexities of painting both the urban landscape and the Maine wilderness. Joel Babb achieves all this with absolute clarity, attention to detail, and meticulous realism. His vision is very much of our time a contemporary dialogue between nature and culture. This first-ever overview of Joel Babb s work offers a full complement of his major paintings created over the past several decades and a compelling account of Babb s evolution as an artist by art critic Carl Little.

Hardcover. Seattle, Salisbury Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. Illustrated in full color and black & white. Book with original wrap around band on cover. A nice copy.

Softcover. Paris, Sodicart and Carla Arigoni, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, color illustrations, 130 pages. FRENCH TEXT. Clean, like new.

Hardcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards, 200 pages. In 1949, the ambitious Charles Biro - who had previously co-created the realistically brutal comic Crime Does Not Pay - edited and wrote an oversized comic aimed at adults, called Tops. Like several other radical adult comics projects that would follow, it proved to be a commercial failure and lasted only two Life magazine-sized issues. The original comics have since become a legendary holy grail among comics fans and historians, fetching as much as $6,000 on the collector's market: written about but rarely seen and never reprinted. Until now.Fantagraphics' Tops collects both issues of these oversized experimental comics in their entirety. Some of the best craftsmen working in comics at that time drew these pulpy, sexy, and melodramatic stories: Dan Barry, George Tuska, and others. It includes two stunning pre-EC crime tales illustrated by Reed Crandall, reminiscent of his Crime SuspenStories work. Actor Melvyn Douglas (believe it or not) takes the reader on a tour of utopia, entitled "How Would You Live Under A World Government?" - a positive spin on global Socialism! A treasure trove of fascinating and revelatory comics history for scholars and fans, this compilation includes an introduction by the editor, the historian and cartoonist Michael T. Gilbert, as well as several other essays providing background on the creation of the series and the publisher, editors, and cartoonists who realized it. It includes a chronicle in essay form of experimental, adult comics endeavors throughout the first half of the 20th century. Tops is a landmark work of historical importance and a mind-boggling reading experience from a bygone era meticulously restored and reproduced in a deluxe hardcover in its originally published dimensions. Full-color illustrations throughout.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Two years of the Sunday strips in color. Clean, unmarked copy with only minor wear to covers. The eleventh volume of Fantagraphics award-winning Prince Valiant series concludes our heroes' adventures in Cornwall, and marks the first appearance of Arvak the Red Stallion. At the Council of Kings, Prince Valiant stands alone in the decision to avoid a ruinous war. Val returns to Aleta, and the two are summoned to Camelot, where Queen Guinevere becomes jealous of Aleta's popularity. Meanwhile, Val leads a bloody campaign to secure the Eastern marches and learns the tragedies of war. As the book ends, Prince Valiant begins searching for Gawain. There may just be another adventure afoot. Bonus features include a gallery of Foster's rare and never-before-reprinted advertising art from the 1920s. Hal Foster's Prince Valiant is the most illustrious heroic saga ever written and drawn for the Sunday newspapers. In full, glorious, restored color, this is the finest reproduction of this enthralling, romantic adventure serial ever published. Full color illustrations throughout

Hardcover. New York, New York University Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 274 pages. Hardcover. Previous owners name at top right corner of front endpaper. Black & white illustrations. Faint foxing to edges. Includes Errata slip. Clean, tight copy.

Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black & white illustrations throughout on every page. 11" high X 8" wide, 439 pages. Clean, still in publisher's shrinkwrap.

Softcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in color. The latest (and possibly last) issue of the greatest magazine devoted to EC comics ever published. Co-edited by Grant Geisman and John Benson, this issue includes previously unpublished interviews with Gene Colan and Russ Heath, a lavishly illustrated critical study of Atlas' Kurtzman-inspired war comics by Benson, a Kurtzman remembrance by R.O. Blechman, an astounding reprint of The Hartford Courant's campaign against "salacious and depraved" comics (i.e., EC), 12 page spread of Jack Davis's Coca-Cola advertising images, and much much more. An essential historical feast for EC fans.

Softcover. US, Kitchen Sink Press, reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.