Used, Rare & Out-of-Print Art Books

Hardcover. Boston, Houghton Mifflin, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. David Macaulay's large format architectural volumes are always instructive in their detail. This volume amps up that opportunity. On the 25th anniversary of the his publication, "Cathedral: The Story of Its Construction", Macaulay published this volume literally illustrated with the step-by-step development of that book. So, here are the quick drawings, smudges, early drawing drafts, hand-written and typed copy, reproduction proofs, revision notes, and more. Intriguing.

Hardcover. New York, Viking Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 372 pages. Introduction by John Rothenstein. Green cloth covers, gilt titles to spine, b&w illustrated dust jacket with bold yellow titles, 502 b&w plates, with accompanying appendix of notes on plates. Clean covers, light rubbing to dust jacket, price-clipped, previous owner's signature to front endpaper, slight foxing to preview pages, pages crisp and otherwise unmarked; overall, a very clean, tight copy in great condition.

Hardcover. NY, Hudson Hills, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A chronology, bibliography, and listing of exhibitions, collections, and commissions complete this comprehensive treatment of an important second-generation abstract expressionist, and one of the first of a generation of influential women artists to emerge in the second half of the 20th century. More than 100 color plates, foreward by Erik H. Neil, and essay by Michael Plante. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Charles Scribner's Sons, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. In 1945, a previously unknown Vermeer was discovered by the Allied Art Commission in the collection of Hermann Goering. The question arose: where - and how - did Goering acquire it? From the investigation came a story that rocked the art world. The trail finally led to Han van Meegeren, an obscure painter who had sold seven authenticated Vermeers over a number of years. Faced with a possible death sentence for collaborating in a sale of a national treasure to the Nazis, van Meegeren insisted he had not helped the Nazi cause: he had painted all the Vermeers himself. Needless to say, nobody believed him - until he proved he was telling the truth by painting still another Vermeer, before the eyes of an astonished jury. Here, with 24 pages of illustrations, is the story of the audacious forger who fooled the most eminent art critics, yet failed to impress them with his own paintings. Lord Kilbracken offers an exhaustive study of van Meegeren's background - his motives , his two marriages, and all the pieces of the puzzle that go to make up an understandable complex human being. With fascinating detail he also makes it clear exactly how the incredibly bold deception was executed - and why it worked. The result is an eminently readable true account that has all the narrative excitement of a thriller. No markings.

Hardcover. Seattle, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, large format, color throughout. From the very first cover of the very first issue of Love and Rockets in 1982, Gilbert and Jaime Hernandez have created artwork that has subverted, contradicted and celebrated the history of the comic book medium, inverting familiar tropes and creating some of the most iconic images in comics over the past three and a half decades, inviting fans and readers into their world. Amazingly, many of the covers created by Gilbert and Jaime Hernandez for the various iterations of Love and Rockets over the past 35 years have never been collected or have only been reprinted in black-and-white. Love and Rockets: The Covers rectifies this problem, presenting them without trade dress (logos, marketing hype, etc.), allowing the original cover illustrations to communicate on their own.

Hardcover. New Haven, Yale University Press, reprint, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 625 pages, 700 b&w plates. Light edgewear to dust jacket, small tear; previous price sticker on front flap. Foxing to top edge. Else a clean, tight copy.

Hardcover. NY, Harper, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 324 pages. Surreal, the long-awaited, definitive biography of Gala Dali, unmasks this famous yet little-known queen of the twentieth-century art world, who graced the canvases, inspired the poetry, and influenced the careers of her illustrious lovers and husbands with tenderness, courage, and agency. Using previously undiscovered material, Surreal tells the riveting story of Gala Dali, (1894-1982) who broke away from her cultured but penurious background in pre-Revolutionary Russia to live in Paris with both France's most famous poet Paul Eluard and Max Ernst. By the time she met the budding artist Salvador Dali in 1929, Gala was known as the Mother of Surrealism. She rapidly became his mentor, muse, and protector, marrying him in 1934 and subsequently engineering their vast fortune. At a time when artists were celebrities, Gala acted as the ambassador of the Surrealist movement, spreading its popularity across the globe. Remainder mark to top edge otherwise clean copy.

1925, Color art of little girl holding branches with fall leaves by Jessie Wilcox Smith. 8 1/4 X 11 1/2". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, Harmony Books, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 128 pages illustrated in color and b&w. Gathered here for the first time in book form are 130 extraordinary illustrations, with 32 pages in full color, including Norman Rockwell, Vargas' pin-ups, Remington's gunfighters, Parrish's landscapes etc. Nice tight binding. Clean. Light crease to cover at bottom front corner.

Hardcover. New York, Daily Racing Form Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Oblong hardcover, 185 pages, illustrated throughout with cartoons and INSCRIBED BY AUTHOR on title page. Minor corner bump and edge wear, otherwise, very clean and tight copy.

Hardcover. NY, Distributed Art Publishers (DAP), 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with silver lettering. One of the most influential American artists working today, Carrie Mae Weems has investigated narratives around family, race, gender, sexism, class and the consequences of power for more than 40 years. Her complex oeuvre-always ahead of its time, and profoundly formative for younger generations of artists-has employed photography (for which she is best known), fabric, text, audio, digital images, installation and video. Writing in the New York Times, Holland Cotter succinctly described Weems as "a superb image maker and a moral force, focused and irrepressible." This volume, spanning four decades of work, is the most thorough survey yet published. It includes Weems' earliest series, such as Family Pictures and Stories, for which she photographed her relatives and close friends; the legendary Kitchen Table Series, in which she posed in a domestic setting; and other critically acclaimed works and series such as Ain't Jokin', Colored People, From Here I Saw What Happened and I Cried, Not Manet's Type, The Jefferson Suite, Monuments, Roaming, Museums, Constructing History (A Class Ponders the Future), Slow Fade to Black and the Obama Project, among many others. Contextualizing these pieces are essays by LaCharles Ward and Fred Moten and a chronology by Raul Munoz. The book also includes a visual essay by Weems that presents a personal selection of her own works from the artist's perspective. In publisher's shrinkwrap.

1937, Color cartoon of a man vexed over his income tax forms. Art by Constantine Alajalov. 8 1/4 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Palo Alto CA, Jim Vadeboncoeur , 1st, 2006-10, Book: Very Good, Dust Jacket: None, Three softcover volumes, 100 pages each. A collection of work from the Golden Era of Pen & Ink Illustration.

Hardcover. New York, Farrar, Straus & Young, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover, Illustrated throughout, previous owner's inscription on front fly leaf, dust jacket price clipped, minor dust jacket edge wear, otherwise, very clean and bright.

Hardcover. London, Weidenfeld & Nicholson, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Profusely illustrated in b/w & 20 color plates of which 4 are folding. Catalog of the exhibition held at the Royal Academy with 280 works illustrated and described, chronology, bibliography, exhibition record.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, In 1986, the illustrator James McMullan traveled to Southern California on an assignment for an advertising campaign. There he began work on a series of paintings for the Newporter Resort in Orange County. While the project didn't allow him the creative freedom he normally had, McMullan still managed to bring his artistic flair to the images. Unfortunately most of the paintings were never used. This painting features the driveway and landscaping leading up to the entrance. Image size: 17 X 12", watercolor on texture white paper, signed. Unpublished.

1940, Book: Very Good, Color art by J. C. Leyendecker. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Barnes & Noble, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, Large collection of Gahan Wilson's wonderfully weird cartoons. It includes the entire contents of two previously published works: Gravedigger's Party and Monster Party. Nice reproductions with an introduction by Wilson and a brief "about the author" page.

Hardcover. Cambridge, MA, Harvard University Press , 1st, 1966, Book: Very Good, Dust Jacket: None, 2 volume hardcover set. Volume 1: In America, 1738-1774, Volume 2: In England, 1774-1815. 491 pages + illustrations in b&w. Brown/blue cloth with gilt titles, slipcase. Light shelf-wear to covers and faint foxing to top edge. Light wear to slipcase, else a clean, tight set.

Hardcover. New York, Clarkson N. Potter, inc., 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 246 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Just a little yellowing to dust jacket flaps, otherwise very clean inside and out. In very good condition.

Hardcover. Hoboken NJ, John Wiley & Sons, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 210 pages illustrated in color and b&w. Utilizing a cross-disciplinary approach that makes the information relevant to architects, interior designers, landscape architects, graphic designers, and industrial engineers alike, this book arms you with the skills needed to apply a standard, proven design process to large and small projects in an efficient and systematic manner. Clean copy.

1926, Book: Very Good, Color close-up of a tiger's face by Paul Bransom. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 952 pages. Traces Caniffs life from the cradle to the grave, marking the milestones in the development of the comic strip (Steve Canyon, and Terry and the Pirates) that Caniff established. Caniff reshaped the medium and set standards by which all storytelling strips were subsequently judged. Although Caniff adapted to changing fashions, he is best known for innovations such as his impressionistic chiaroscuro drawing style that suggested reality economically with shadow rather than with detail. The book examines the artistic innovations and work routines of a nationally distributed cartoonist whose career was central the development of the artform, marking along the way the milestones in the development of comic strip artistry that Caniff established. B&w illustrations.

Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.

Softcover. NY, St. Martins Griffin, 1st Wraps, 1998, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color, black & white by Crumb, 182 pages. Accolades and Reflections on the Controversial R. Crumb: "Robert Crumb--lurid, pornographic, sexy, twisted, hilarious, and depraved. The greatest American satirist is also its finest draftsman." --Joe Coleman"God bless Crumb. I've always been happy that there was someone as sick and twisted as I am." --George Carlin"I can think of no one more unqualified to say anything about Robert Crumb's artwork than myself. In fact, it's useless for most cartoonists of my generation to do so; without him, there wouldn't "be" any cartoonists of my generation." --Chris Ware, "The Acme Novelty Library"

Softcover. Idea & Design Works/ IDW, 1st thus, 2024, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers. EC Comics, under the guidance of publisher Bill Gaines, was - according to the editor of this collection - the greatest line of comics ever done. This once-in-a-lifetime Artist's Edition collects more than 140 EC covers by their best and brightest talents. The luminaries included in this gigantic (12 x 8 inches!) tome include-Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more! Each cover in this collection has been scanned from the original art. While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteout-all of these and more are clearly visible.

1937, Book: Very Good, B&w cartoon art by William Steig. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Abrams, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, off-white cloth over boards; b&w image on front cover and black lettering on spine; 200 pages. 52 color, 240 b&w plates and figures. Includes a chronology of Brancusi's life, as well as an essay, by Geist; Wonderfully illustrated and with a tipped-in plate opposite the title page. Lacks dust jacket.

Hardcover. London , Thames and Hudson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. Light fraying, small tape repair on spine, to dust jacket. Color pictures throughout. Adhesive residue on back cover.

Hardcover. NY, Pantheon, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 1930's daily & Sunday strips by Floyd Gottfredson reproduced in color. 192 pages. Rear cover slightly bent in middle.

Hardcover. Santa Fe, New MExico, Santa Fe East Gallery, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, 96 pages, illustrated in color and black & white with Ben Shahn works of art; historical black & white photographs of New York City scenes; chronology. Textured, cream-colored cloth with titling in dark gray on the spine & front cover; onionskin-type paper dust jacket with titling in black on spine, and Shahn design on the front panel. Still in original shrink-wrap.

Hardcover. NY, Stewart, Tabori & Chang, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages illustrated in color. A complete guide to using wood in the home offers practical information and hard knowledge about types of wood and their uses, as well as inspiration on the uses for wood, complete with a buying guide and 250 color photos.

Hardcover. Koln GR, Taschen, 1st, 2008, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, Volume 1: African wildlife photos, Volume II: biography. 494 pages. Text in English. French & German. As a photographer, collector, diarist and writer, U.S. born Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolving into a serious career as an artist. He first visited Africa as a teenager and his documenting of the plight of starving animals, including elephants and rhinos, has continued to highlight the problems facing conservationists. This special edition is based on the original limited Collector's Edition which sold out on publication. NOTE: THIS LARGE HEAVY SET UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Hardcover. London, Mitchell Beazley, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.144 pages. Illustrated with color photos by Dave Young.

Softcover. NY, Museum of Modern Art, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art-including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell-as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM's history-artworks, ephemera and photographs-that collectively document the gallery's communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover , bright blue and yellow cloth covers. B&w cartoons throughout. Clean copy.

Softcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 202 pages. color and b&w illustrations. Italian couturier Roberto Capucci (b. 1930) is revered by contemporary fashion designers for his innovative silhouettes and masterful use of color and materials. Capucci refers to his creations as "studies in form," and draws inspiration from a multitude of sources, including art, architecture, and nature. This beautifully illustrated book, the companion to the first exhibition of Capucci's work in the United States, examines his career from the 1950s to the present in the context of the rise of Italian fashion.

Hardcover. New York , Scribners, 1st, 1909, Book: Very Good, Dust Jacket: None, Hardcover, B&W plates, many tipped-in. Beveled boards, slight warp to covers, 215 pages.

Softcover. Los Angeles :, Los Angeles County Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 191 pages, illustrated throughout with numerous plates in b&w. Cream dye-cut textured wrappers. Light wear and staining to covers, else a very nice, tight copy.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life--"my work is purely autobiographical"--and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic.Small remainder dot on bottom edge otherwise clean.

Hardcover. Ithaca NY, Cornell University, 1st, 1986, Hardcover, 523 pages. Flam, who translated Matisse's writings in Matisse on Art (Phaidon, 1973), presents a thorough and scholarly examination of the artist's life and stylistic development. Each painting is given a complete analysis, revealing Matisse's encounters with the prevailing styles and theories of art to arrive at work distinctly his own. Glimpses of his personal life combined with discussions of his paintings show the inner turmoil with which he struggled to find a style that would satisfy both his instinct and his intellect. Flam provides new documentary material, corrects earlier misconceptions, and redates several paintings. Heavily illustrated, often with fine color reproductions, this volume is an excellent successor to Alfred Barr's Matisse .

Hardcover. New York, Pantheon, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover with a lightly worn, unclipped dust jacket. SIGNED BY KOREN on title-page. A collection of his New Yorker drawings.

Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, 64 color and 17 b&w illustrations. Clean, tight copy in a bright, unclipped dust jacket.

Softcover. Milano, 5 Continents , 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 96 pages. Considered one of the greatest French draughtsmen of all time, Jean-Auguste-Dominique Ingres (1780-1867). left thousands of preparatory drawings for his paintings, along with an incomparable series of almost five hundred graphite portraits that have always been deemed the highest expression of his genius. The Louvre collection offers excellent examples of these two aspects of Ingres' graphic activity; each work is accompanied by a brief comment. Clean copy.

Hardcover. NY, Mark Batty, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. The volume offers a significant selection from the run of Peel Magazine, which exposes the key influence in the recognition of urban stickers, in particular in the USA.A good overview of artists, thematic selections, are peppered with fair interviews, and other elements of urban culture such as decorated or tuned-up toys, or several forms of street art without losing much track of stickers as such.

Hardcover. New York , Goliga, 1st, 2012, Book: Very Good, Dust Jacket: None, Folio, hardcover. Like new in publishers shrink-wrap. 191 pages. Black and white and color photos throughout. A look at high heels in fashion and fashion photography, with several essays focusing on fetishism and photography. With an interview with Manolo Blahnik, among others. Many high fashion and art photos throughout of women in high heels, including nude photos.

Hardcover. New York, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated throughout in color. Still in publisher's shrinkwrap. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.

Hardcover. Taschen, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, 142 pages. In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration: bursting with sumptuous colors of deep blues, reds, and gold leaf, and evoking all the magic of this legendary collection of Indo-Persian and Arabic folktales, compiled between the 8th and 13th centuries. However, publishers retreated from Nielsen's project in the financially strapped postwar climate, and the publication never happened. A rising star, Nielsen moved on to other work. This world heritage classic's spectacular pen, ink, and watercolor images remained under lock and key for 40 years. Published just once in the 1970s, the illustrations were rescued from oblivion after Nielsen's death in 1957 and are now held by the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum in Los Angeles, the Art Institute of Chicago, and in two private collections. This publication is a unique compilation of fine art prints and stunning illustrations reproduced directly from Nielsen's original watercolors--the only complete set of his extraordinary drawings to have survived. The book features descriptions of all of the images and three generously illustrated essays on the making of this series, the origin of Nielsen's unique imagery, and a history of the tales. In addition, it shows many unpublished or rarely seen artworks by Nielsen and intricate black-and-white drawings Nielsen created for the original publication. Text in English, German and French. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Color illustrated. Brilliantly illustrates the interior designs of an internationally acclaimed British designer, featuring her use of vibrant colors, silky textiles, dramatic gilding, and untraditional combinations to create expressive rooms that are each a work of art.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 2 only. Hardcover, 312 pages. Color illustrated throughout. Minor shelf-wear to covers, else a clean, tight hardcover.