Used, Rare & Out-of-Print Art Books

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 273 pages, oblong hardcover illustrated in color and b&w. Frank Benson, a pivotal artist of the American Impressionist movement had three great loves in his long and productive life: his family, his art, and the sporting life. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, after an extremely successful career as a portraitist, he returned to the wildfowl and sporting subjects that were his lifelong passion. Over the next forty years, in etching, lithography, watercolor, and oil and wash, he portrayed birds beloved since childhood, scenes of his hunting and fishing expeditions, and still lives of incomparable delicacy. Whether painting a hunter setting out decoys, a wash of geese by moonlight, a watercolor of a companion poised to gaff a salmon, or an etching of a group of ducks silently gliding in for a landing, Benson conveyed the joy and beauty of a sportsman's life.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 36 pages illustrated in b&w by Falk. Clean, bright copy.

1968, Book: Very Good, Color art of room full of antique frames by Getz. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Dark Horse, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. In the 1950s, when the world was faced with strange or anomalous threats, there was one man who was called on to set the situation right - Jet Scott of the Office of Scientifact! Whether it was tracking down deadly Banthrax germs, uncovering the source of strange ocean creatures, or discovering the cause of spontaneously combusting pipelines in Saudi Arabia, Jet Scott was the adventurer who could get to the truth!

Hardcover. New York, Harper Design, 2nd printing, 2010-10-26, Book: Very Good, Dust Jacket: Very Good, 220 pages, hardcover illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Examines the minimalist movement in fashion while addressing its confluence with and divergence from similar currents in art, architecture, and design. Organized by decade, the text explores the evolving relationships and influences between fine art and the art of sartorial minimalism.

Softcover. Bethel CT, Apple Comics, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 28 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.

1978, Book: Very Good, Color cartoon by Steig of witchy woman dancing as cat plays fiddle. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, Tate, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. British artist Francis Bacon (1909-1992) was one of the most important artists of the 20th century. Here, Martin Hammer presents him as a "painter of modern life," whose concern was to distill the feelings associated with living through the rise of Fascism in the 1930s, World War II, the revelations of the Holocaust, and then the early Cold War period. Against a backdrop of changing attitudes toward wartime memories and a gradual resurgence of interest in the war, Hammer offers extensive evidence of Bacon's use of prewar Nazi propaganda photography as a springboard for painting. By exploring some of Bacon's best-known and most compelling works, Hammer illuminates the artist's aim to transmute challenging photographic sources into a reflection on the contemporary world.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects issues nos. 1-6 (Oct. 1952-Sept. 1953).

United States Rubber Co., 1924, Book: Very Good, Dust Jacket: None, Color art by McClelland Barclay, 9" X 13". Theatre performers in costume. Country Life Magazine, July 1924. Very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1971, Book: Very Good, Color art by Francois of speckled hen with her baby chicks. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, Dover, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Harrison Fisher's portraits of healthy, poised, active, and confident women set the standard for the concept of American beauty during the early years of the twentieth century. The artist enjoyed enormous popularity from 1905 to 1920, serving as a judge in nationwide beauty contests and maintaining a celebrity status that was unparalleled for an illustrator. This original publication recaptures the images that made Fisher famous, compiling his very best black-and-white and color illustrations for Cosmopolitan, The Saturday Evening Post, and The Ladies Home Journal as well as for books and other publications. The successors to the stylish Gibson Girls created by Charles Dana Gibson, Fisher's idealized women reflect an aspirational degree of wealth and social ease. They ride horses, play tennis, swim, go motoring in newfangled automobiles, and graciously bask in the admiration of attractive young men. These century-old images from a moment in our country's cultural history will appeal to enthusiasts of graphic art and illustration as well as to students of American art and popular culture.

Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Gilbert Hernandez's first original graphic novel from Fantagraphics follows on the heels of his acclaimed graphic novel, Sloth, from DC's Vertigo Comics in 2006. Chance in Hell tells the story about a little orphan girl who lives in the slum of slums. Nobody knows who she is or where she's from, but her fellow shantytown inhabitants collectively look over her. The three-act story follows our heroine as she is adopted by a decent man who raises her well, and she eventually marries a kind, well-to-do man, only to discover that she can't relate to the good life and the comforts it provides. This is the first in a series of standalone stories depicting the fictional filmography of Gilbert's Love and Rockets character, the B-movie actress Fritz. Hernandez wowed critics in 2003 with his epic work, Palomar, collecting more than 20 years of groundbreaking comics called "the most substantive single work that the comics medium has yet produced," by Booklist. Chance in Hell further establishes Hernandez as one of the great cartoonists of our age.

New York, Schenley Distributors, 1936, Book: Very Good, Dust Jacket: None, Art "The finer the oak, the finer the barrel", color art by Schmidt. 10"X 13", Esquire Magazine, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1971, Book: Very Good, Color art by Le-Tan of man in window with green plants. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Sim Van der Ryn is the president of Van der Ryn Architects, a northern California firm known worldwide for its work in sustainable architecture. He taught architecture and design at the University of California, Berkeley for more than thirty years, inspiring a new generation to create buildings and communities that are sensitive to place, climate, and the flow of human interactions. He is the author of six groundbreaking books about planning and design, including Sustainable Communities and Ecological Design. He lives and works in the San Francisco Bay area.

Hardcover. US, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Volume 7. 288 pages, illustrated throughout in color. Clean, tight copy.

New York, Liggett & Myers, 1928, Book: Very Good, Dust Jacket: None, Art "Jack, let me get a movie of you....", color art by Saul Tepper. 8" X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Boston, Bulfinch, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Honoring Time magazine's seventy-fifth anniversary, this collection of seventy-five works of art commisioned for the magazine's covers features Andrew Wyeth's portrait of Eisenhower, Warhol's study of Michael Jackson, and other images by Ben Shahn, Roy Lichtenstein, and other artists.

Softcover. Seattle, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. In the vein of the old underground comix like ZAP or Weirdo, author Joe Sacco promises that BUMF will go where it needs to go, and do what it needs to do." Though world-famous for his serious, journalistic books like Palestine, Safe Area Gorazde, and Footnotes in Gaza, Bumf promises to echo back to Sacco's earlier days as a satirist and underground cartoonist. Bumf is a project that Sacco has been working on in between larger projects like Footnotes in Gaza, indulging his love of satire and cartooning. Often puerile, disgusting, and beyond redemption, Sacco apologized in advance, saying he couldn't help himself. "They expect better things from me. They'll never put me on a stamp now

Hardcover. New York , Assouline Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 200 pages, color illustrations. At the forefront of American advertising's creative revolution in the 1960s, George Lois was hand-picked by magazine editor Harold Hayes to visually convey that Esquire--a proponent of that era's New Journalism--was on the cutting edge of American culture. In 2008, New York City's Museum of Modern Art acquired a wide range of George Lois's groundbreaking, often controversial Esquire covers for its permanent collection. This fascinating catalogue presents the original exhibit, with additional covers and images from Lois's private collection, including photos of the designer at work and out-takes of the shoot that resulted in Andy Warhol "drowning" in one of his own tomato soup cans. Like new in publisher's shrink-wrap.

Detroit MI, General Motors, 1930, Book: Very Good, Dust Jacket: None, Art "That happy intuition for quality...", color art by McClelland Barclay. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. East Petersburg PA, Fox Chapel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Cigar box labels in the late 19th and early 20th centuries were not only amusing and beautiful to admire, they were a testament to the printing process of chromolithography and an important precursor to today's methods of product advertising. Labeling America: Popular Culture on Cigar Box Labels showcases the unique collection of John Grossman which covers 90 years of cigar box labels and bands printed by four generations of George Schlegel Lithographers. What makes this archive unique is that the Schlegel Company kept meticulous sample albums and files showing an unbroken record of American graphic style evolution. The work of many other lithographers of that era either destroyed or irreversibly dispersed their work.Now housed at the Winterthur Museum in Delaware, the carefully cataloged Grossman collection gives a glimpse into life at the turn of the century, when over 5 billion cigars were being sold in the United States via boxes with colorful labels depicting everything from women, animals, and sports icons to actors, heroes, and political figures. This book takes these beautifully printed slices of American culture and combines them with the history of chromolithography into an interesting story of America's changing tastes. Clean, bright copy.

Hardcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 334 pages. Spanning his renunciation of the Salon in 1834 until his large retrospective at the crucial 1855 Universal Exposition, this book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres. It demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. While enjoying the benefits of his affiliation with the Academy, the artist also pursued certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself from the embattled world of artistic officialdom.

Hardcover. US, IDW Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover issued w/o a dust jacket. Jack Cole's often overlooked horror work finally gets the hardcover treatment. The stories hit many of the usual horror themes, and a few unique ones, with many based in the crime genre. Cole brings his own outlook to the idiom; casually violent and gruesome, with kinetic artwork and splash panels/pages that will knock your socks off.Offered chronologically, the earlier stories outshine most of the later ones. The best ones are "borrowed" from a couple of "Weird Tales" authors- "Custodian of the Dead" (Henry Kuttner's "Graveyard Rats") and "The Corpse That Wouldn't Die" (Clark Ashton Smith's "The Return of the Sorcerer"). Cole's own stories are pretty original, compared to the mostly ho-hum output of contemporaries like Stan Lee's ATLAS line, and he doesn't try to imitate the EC horror comics like 99% of the rest of the field did. Some of the stories are ludicrous and will make you roll your eyes ("Goddess of Murder" especially), but it's refreshing to see a different take on the comic book horror story.

Detroit MI, General Motors, 1930, Book: Very Good, Dust Jacket: None, Art "Because it satisfies a desire...", color art not credited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1974, Book: Very Good, Color art by Francois of a dog thinking about H2O. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NJ, Montclair Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. 85 illustrations (41 color). Checklist of 54 exhibits, including 34 works by Bierstadt (28 paintings and oil sketches, 3 sketchbooks, 1 chromolithograph, and 2 stereographs). Foreword by Patterson Sims; Introduction, "The Return of History: America Rediscovers Albert Bierstadt" by Linda S. Ferber; "The Story of the 'Plainfield Bierstadts': Shifting Perspectives, Changing Times" by Diane P. Fischer; "Autumn in the Sierras: A Remote Location Revealed" by John Zielenski; "A Cherokee Artist Looks at The Landing of Columbus at San Salvador" by Kay Walkingstick; chronology; bibliography.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 438 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

1915, Book: Very Good, Dust Jacket: None, Calvaryman aiming his rifle laying on ground. Two-color art by Edward Penfield. 10 1/2 X 13", light spotting to edges, not affecting art, otherwise very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Philadelphia, Quirk Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright acetate dust jacket, 240 pages. Meet more than one hundred of the most heroic female characters in comics history, complete with backstories, vintage art, and colorful commentary. This spectacular sisterhood includes costumed crimebusters like Miss Fury, super-spies like Tiffany Sinn, sci-fi pioneers like Gale Allen, and even kid troublemakers like Little Lulu. With vintage art, publication details, a decade-by-decade survey of industry trends and women's roles in comics, and spotlights on iconic favorites like Wonder Woman and Ms. Marvel, The Spectacular Sisterhood of Superwomen proves that not only do strong female protagonists belong in comics, they've always been there. Clean copy.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Painters of Reality, titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism": the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century.Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario.

Hardcover. New York , Random House , 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 436 pages, hardcover in publisher's original deep navy cloth covers, gilt title and author lettering to the spine. Folio 12 1/2 '' x 10 1/4 ''. Contains 436 printed pages of text with 350 color and approximately 550 monochrome illustrations throughout. Illustrator Raeburn Van Buren's copy with his ownership signature on the half-title page dated February 24, 1978. His illustrations featured on several pages. Foreward by Norman Rockwell, notes on the artists, bibliography. Dust jacket bright with minor shelf wear.

1915, Book: Very Good, Dust Jacket: None, Woman knitting sock, art by Chas, McClellan. 10 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, John Murray, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped with white lettering, decoration. Delightfully illustrated history of interior design and furniture. 48 pages, 2-color art throughout by the authors. Small library stamp on title page, otherwise clean.

Hardcover. Boston, MA, Houghton Mifflin Harcourt, 1st, 2006, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color comics in center. Celebrating the best in graphic storytelling and literary comics, a diverse collection, guest edited by the award-winning author of The Quitter and American Splendor, features excerpts from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web, from Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and others.

Softcover. US, Paul Holberton Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, 152 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist. However, the 'subject pictures' did not find favor with many English patrons and he produced less than thirty. As Lely's friend Richard Lovelace explained, all they wanted was "their own dull counterfeits" or portraits of their mistresses. Thus, Lely was obliged to turn to portraiture to make a living. Yet, his poetic pictures of figures in idyllic landscapes are among the most beautiful paintings made in 17th-century England and this catalog will be the first in-depth look at this important chapter of this major painter's career.

Post Cereal, 1946, Book: Very Good, Dust Jacket: None, Art "Everybody falls for Post-Tens!", cartoon art by William Steig. 10 1/2 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Hubbell of summer beach crowd. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Seattle, Fantagraphics, 1st, 2007, Softcover, 168 pages. Edward Sorel is widely recognized as America's premier illustrator. But when he wasn't painting covers and doing drawings for The New Yorker, The Atlantic, Time, Rolling Stone, and many other mass circulation magazines, he was indulging, over the last 30 years, in his first love--making comic strips. Sorel's strips are iconoclastic, cynical, and universally excoriating. No target escapes his watchful wrath: politicians, theological dynasties, ideologues left and right, lawyers, publishers, and the usual gang of movers and shakers--panderers, philistines, money-grubbers. (Nor does he spare himself.) Culled from the pages of The Nation, The Village Voice, Penthouse, and other magazines, Sorel proves he is that most dangerous of creatures--a cartoonist with a chip on his shoulder, an inveterate troublemaker, a burner of bridges.

Softcover. New York , Fireside Book/Simon & Schuster, 1st, 1987, Book: Very Good, Dust Jacket: None, 223 pages. Clean, unmarked copy with only minor wear to wrappers.

Minneasota MN, Washburn-Crosby Co., 1908, Book: Very Good, Dust Jacket: None, Art "To you - who bake", photographic art. Two housewives (twins?) holding sack of flour.11 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color art by Getz of mail caddy on sidewalk as postman delivers mail. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Boston, Gambit, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 194 pages. A collection of David Levine's political cartoons, which were selected and introduced by John Kenneth Galbraith, a companion to Pens and Needles, another volume of literary caricatures by John Updike. It covers the American political scene in detail from Joseph McCarthy to Nixon, along with drawings of Lyndon Johnson, and Hubert Humphrey. Illustrated in black and white and indexed.

Hardcover. Munich ; London ; New York, Prestel, 2010, Book: Very Good, Dust Jacket: None, Hardcover without dust jacket. Like new in publisher's shrink-wrap. This book collects the large-format Polaroids by the American artist and film director Julian Schnabel.Schnabel is a major force in the international art scene. Shot with an extraordinary 20 x 24 inch vintage camera, his intimate and revealing large-format images are printed in colour and black and white; some have been hand coloured or painted on; and many are previously unpublished. The photographs include intriguing portraits of the artist's family and friends, including Lou Reed, Placido Domingo, the Beastie Boys, and Mickey Rourke. There are also private spaces dear to Schnabel, such as his own Palazzo Chupi in New York City - which he designed and decorated - as well as interiors of studios in Brooklyn, Montauk, and Long Island. Together these Polaroids create a unique tableau, both intensely personal and poetic.

1924, Book: Very Good, Dust Jacket: None, Thanksgiving Number, Skippy sruggling with crazed turkey. Cartoon art by Percy Crosby. 8 X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Birnbaums of jazz musicians done in broad brush strokes. 8 3/4 X 12", very good. Small chip to top corner. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. This first volume of Mome features the following: John Pham's (Epoxy) 221 Sycamore Ave., Paul Hornschemeier (Mother Come Home and Forlorn Funnies) contributes a six-part graphic novella titled Life with Mr. Dangerous, Anders Nilsen's The Beast is a full-color, 12-page absurdist monologue by a single character on the push-and-pull of art and politics, Jeffrey Brown contributes an autobiographical piece, David Heatley contributes the first of a series of fictional stories revolving around a cast of characters in a town called a Overpeck (also the name of the strip) that follows a bizarre dream logic, Andrice Arp adapts a Japanese fairy tale called Jewels of the Sea, Kurt Wolfgang examines death, Gabrielle Bell examines the existentialism of the dot-com boom, Jonathan Bennett dances with the Ventures, and Sophie Crumb (Belly Button Comix) delivers a piece of comics biography. With cartoons by Martin Cendreda.

Hardcover. Canada, Reel Art Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover without dust jacket. Like new in publisher's shrink-wrap. James Dean on the set of Rebel Without a Cause; Audrey Hepburn on her bike with pet dog in tow; Marlon Brando taking out the garbage; Rock Hudson emerging from the shower; Elizabeth Taylor soaking up the sun. These are just a few of the iconic images for which Sid Avery is responsible. This sumptuous volume is a long overdue tribute to his prolific talent. The renowned photographer was one of the greatest names working in Hollywood from the 1940s to the 1960s, and became known for his candid portraits of the stars. He made history as the only photographer to shoot both the original 1960 cast of Ocean's Eleven and the 2001 remake, recreating his iconic group shot around the pool table. Avery was also responsible for establishing Mptvimages: the Motion Picture and Television Photo Archive. Run today by Avery's son, Ron, this publication has been produced together with mptvimages with full access granted to the depths of the archive. This complete anthology of Avery's work includes outtakes and contact sheets, with over half of the material never-before-seen.

Housewife bringing in frozen wash from clothes line, art by Stevan Dohanos. 10 1/4 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.