1978, Book: Very Good, Color art by Mihaesco of sunlight pouring down on hordes of Christmas commuters in Grand Central Station. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Taschen, 1st revised, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 706 pages. Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon and painted on by Salvador Dali, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stones--all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones--most notably Iman--back to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenya's population explosion, which challenged finite resources and stressed animal populations--including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw--with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.
Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy.
Cleveland OH, Jordan Motor Car Co., 1923, Book: Very Good, Dust Jacket: None, Art "The Crawling Over Days Are Gone", color art by Rene Clarke. 9" X 12". Very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1972, Book: Very Good, Color art by Le-Tan of moonlight shining through window onto table with bottle and apples. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages. Strange & Stranger: The World of Steve Ditko is a coffee table art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.
Hardcover. London, Random House UK, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. Clean, unmarked copy in excellent condition. In the vein of the great Edward Gorey and Maurice Sendak's Where The Wild Things Are, an irresistible little book of monster drawings, all on office stationery. John Kenn Mortensen's pen is full of wonderfully creepy monsters which crawl onto sticky yellow note pads when darkness falls. Here we have collected some of the best monster drawings in a delectable hardback edition.
East Walpole MA, Bird & Son, 1926, Book: Very Good, Dust Jacket: None, Art "The magic rug of the twentieth century", color art by John Goss. 10"X 13",, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1970, Book: Very Good, Color art by Allen of patrons in an art gallery. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Oxfork UK, Ashmolean Museum, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. 94 color plates, index of artists, essay summaries in Japanese, bibliography.
New York, Liggett & Myers, 1950, Book: Very Good, Dust Jacket: None, Art " Chesterfields are so mild...", color photo of movie star Kirk Douglas. 10" X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Berkeley CA, Lancaster-Miller Publishers, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, small format art book. The artist Mel Ramos (1935-2018), often associated with the pop artists of the 1960s, here presents female nudes executed in watercolor, many of which 'salute' some of the classical nudes of art history. "Paintings which both reveal and destroy some of our fondest cultural stereotypes". 68 pages, color plates. Dust jacket with chip at top of spine, otherwise clean, very good.
Hardcover. Little, Brown Books for Young Readers, reprints, 2008, Book: Very Good, Dust Jacket: None, Eight hardcovers in a slipcase. A deluxe special edition boxed set of 21 Tintin classic graphic novels, collected in seven hardcover volumes plus a bonus book featuring Tintin and Co., a closer look at favorite Tintin characters revealing their origins, inspirations, and the source of their enduring fascination. Packaged in a handsome slipcase. It contains all of the adventures (except Tintin in the Congo - with its colonial racism it wouldn't be politically correct to allow it back in print).
Hardcover. New York , Prestel, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated, hardcover in a bright, dust jacket. Like new in publisher's shrink-wrap.
Detroit MI, General Motors, 1930, Book: Very Good, Dust Jacket: None, Art " Discriminating buyers...", color art by McClelland Barclay. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, VH1 Press , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. She was riveting to look at, a sprite of the zeitgeist, the living distillation of the over-amped vision of New York in the mid-sixties. Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed--became the symbol for all that was hip and stylish--and just as quickly began to disintegrate. Told with unsparing candor, and with images that capture her at the peak of her Factory stardom, Edie Factory Girl is the short but enduring cultural story of Edie Sedgwick--releasing in time for the film of the same name starring Sienna Miller, and including rare photos of Miller as Edie.
Hardcover. New York , Harry N. Abrams, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publisher's shrink-wrap. The long-awaited collection of comic strips created in the early 1970s by some 169 contributors from 15 countries from C.C. Beck to Art Spiegelman. What started out as a special insert for Rolling Stone took on a life of its own as writer/editor Michel Choquette traveled the world, commissioning this visual chronicle of the 1960s, only to find himself without a publishing partner or the financial support to continue. Forty years later, readers finally get to experience this legendary anthology as Choquette celebrate the birth, death, and resurrection of The Someday Funnies. DUE TO SIZE, DOMESTIC SHIPPING ONLY.
Detroit MI, General Motors, 1927, Book: Very Good, Dust Jacket: None, Art "True distinction", color art not credited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1974, Book: Very Good, Color art by Saxon of crowded airport terminal at Christmas. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.
1934, Book: Very Good, Dust Jacket: None, Portrait of a baby in a bonnet, art by Dorothy Hope Smith. 10 1/2 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Simon and Schuster, 1946, Book: Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in black. A fascinating collection. It features the cartoons of David Low, most from the London Evening Standard, from Japan's invasion of Manchuria in 1931 through the surrender of Japan in 1945, in chronological order. They are each accompanied by text by Quincy Howe, which explains the context of each cartoon. The reader can follow the events in the order that they happen from the build-up to the war through its conclusion, in an easy-to-read format. Howe has also written a chronology of the period, which appears at the end of the book. No dust jacket. The cloth spine has wear to top and bottom, Firm binding and the interior is clean and bright.
Hardcover. NY, Bloomsbury, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. This wonderfully comprehensive collection spanning nearly three decades and arranged chronologically-and drawn from the pages of magazines including Scientific American and Redbook as well as The New Yorker-brings together, for the first time, the very best of Roz Chast, whom O Magazine called "the wryest pen since Dorothy Parker's."
Softcover. San Francisco, Chronicle Books, 1st, 1987, Book: Very Good, Dust Jacket: None, 121 pages, 175 b&w cartoons by Lorenz that ran in the 1980s. Illustrated wraps.
1918, Book: Very Good, Dust Jacket: None, Portrait of girl in Spring dress, art by Neysa McMein. 10 1/2 X 13 1/2", some chipping at edges, else very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Dodd, Mead & Company, 1st thus, 1976, Book: Very Good, Dust Jacket: Good, Hardcover, small oblong format, 64 pages illustrated in color and b&w by Gorey. Light edgewear, chipping to dust jacket.
Hardcover. Boston, MA, Houghton Mifflin Harcourt, 1st, 2006, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color comics in center. Celebrating the best in graphic storytelling and literary comics, a diverse collection, guest edited by the award-winning author of The Quitter and American Splendor, features excerpts from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web, from Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and others.
Hardcover. New York , Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. George III enjoyed one of the longest reigns in English history (1760-1820) at a time when both England and the world were undergoing drastic changes. Yet he remains a dim figure, remembered mainly for his failures (losing America) and his "madness" (which turns out to have been not mental but physical). He was highly unpopular for much of his reign, and this judgment is spectacularly endorsed by hundreds of contemporary caricatures, many reproduced here for the first time. Among George's enemies were some of the wittiest artists of any age, and few took the trouble to be fair. This was the way the English nation saw its king, adding a new dimension to what is ultimately a tragic story. 200 color illustrations.
Canajoharie NY, Beech-Nut Brand, 1918, Book: Very Good, Dust Jacket: None, Art "The rational meal-time drink for all ages"..., color art not credited. 12 X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color art by Stevenson showing weather map showing delightful summer conditions. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Boom Sudios, reprint, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Color aty by Tony Parker. No dj issued. Volume 2 only of 6.
Softcover. New York , Fireside Book/Simon & Schuster, 1989, Book: Very Good, Dust Jacket: None, Clean, unmarked copy with only minor wear to wrappers. 255 pages
Battle Creek MI, W.K. Kellogg Co., 1915, Book: Very Good, Dust Jacket: None, Art "There is a youngster in almost every home...". color art by J.C. Leyendecker. 11 1/2 X 14", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1978, Book: Very Good, Color cartoon by Levin of a worker driving a lift loaded with presents. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Jackson MS, University Press of Mississippi, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 312 pages. In this collection of more than a dozen interviews one of the giants of American comic strips talks about his life and his craft. The years spanning 1937 to 1986, when the interviews were conducted, embrace almost all of Caniff's career as he was producing the legendary Terry and the Pirates and his post-World War II masterpiece Steve Canyon. In long talks with such comics luminaries as Jules Feiffer and Will Eisner, Caniff (1907-1988) discusses his signature chiaroscuro style, his passion for realism in every detail, and his relationships with such other cartooning greats as Al Capp (Li'l Abner), Noel Sickles (Scorchy Smith), and Alex Raymond (Flash Gordon) As Caniff speaks earnestly about his art, his techniques, and his intentions, he discloses his inspirations. He based his characters on real persons and his material on contemporary politics and military issues. He gives candid opinions about the effects of the marketplace, business, and sales upon his art. "I would have created Blondie if I'd known that I could have sold it, you can be damn sure." He notes that the cause for terminating his association with Terry and the Pirates and his creation of Steve Canyon was neither lack of interest nor censorship but the opportunity to exert full creative control over his work.
Hardcover. New Haven, Yale University Press, 1st , 2013, Book: Very Good, Dust Jacket: Very Good, 95 pages. Hardcover with dust jacket. Color and b&w illustrations throughout. Clean, unmarked copy with only minor wear to dust jacket. "Edward Hopper (1882-1967), long recognized as the premier 20th-century American realist painter, was famously introverted and reclusive. He rarely spoke about his personal life, and his close friends were few and love interests fewer. Until now, there have been only two known romantic pursuits prior to Hopper's marriage to Josephine Nivison in 1924: a brief relationship in Paris with an English girl in 1906-7 and another spanning several years with an older French woman beginning in New York in 1915. The discovery of fifty-eight previously unknown letters and one note from Alta Hilsdale (1884-1948) to Hopper brings to light a previously unknown romantic relationship. Hilsdale, who was from Minnesota and spent time in New York and Paris, sent letters to Hopper at various home and studio addresses during the course of ten years. Reverend Arthayer Sanborn, a close friend of Edward and Josephine Hopper, discovered the letters in Hopper's childhood home in Nyack, New York, after the artist's death. Fewer than ten people have had the opportunity to read these letters, and they are published in their entirety for the first time."
1912, Book: Very Good, Dust Jacket: None, Mounted soldier in profile, three-color art by Edward Penfield. 11 X 14", faint soil, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1966, Book: Very Good, Color art by Mahood of advertising grafitti on side of a building. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. This first volume of Mome features the following: John Pham's (Epoxy) 221 Sycamore Ave., Paul Hornschemeier (Mother Come Home and Forlorn Funnies) contributes a six-part graphic novella titled Life with Mr. Dangerous, Anders Nilsen's The Beast is a full-color, 12-page absurdist monologue by a single character on the push-and-pull of art and politics, Jeffrey Brown contributes an autobiographical piece, David Heatley contributes the first of a series of fictional stories revolving around a cast of characters in a town called a Overpeck (also the name of the strip) that follows a bizarre dream logic, Andrice Arp adapts a Japanese fairy tale called Jewels of the Sea, Kurt Wolfgang examines death, Gabrielle Bell examines the existentialism of the dot-com boom, Jonathan Bennett dances with the Ventures, and Sophie Crumb (Belly Button Comix) delivers a piece of comics biography. With cartoons by Martin Cendreda.
Hardcover. New York, Rizzoli International Publications, reprint, 2014, Book: Very Good, Dust Jacket: None, Hardcover with dust jacket. Like new in publisher's shrink-wrap. These facsimile pages from the twelve issues of Flair are a celebration of Fleur Cowles zest for creativity in the arts. The 338 pages must have been a challenge for the Hong Kong printers, they had to cope with various foldout pages, die-cut holes, different paper stock and bind in several short pages, two concertina foldouts and five sixteen page booklets.
Spanish dancer, art by H.J. Soulen. 10 1/4 X 13 1/2", very good. Mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. London, National Gallery, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages in color. In a long career that spanned the French Revolution, the rise and fall of Napoleon, and the Bourbon Restoration, Louis-Leopold Boilly (1761-1845) created innovative and daring paintings in the midst of the most turbulent times. Bringing together two dozen of Boilly's works--the majority of which have never before been published--this handsome volume includes portraiture, scenes of seduction, and groundbreaking representations of raucous Parisian street life. A master technician with acute powers of observation and a wry sense of humor, Boilly invented the term trompe l'oeil and popularized the genre through his stunningly realistic compositions. In this first English-language publication on Boilly in more than 20 years, Francesca Whitlum-Cooper vividly brings the artist and the period he lived in to life, shedding new light on Boilly's work and expanding our understanding of how art functioned within France's rapidly changing political environment.
Hardcover. NY, Bloomsbury, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. This wonderfully comprehensive collection spanning nearly three decades and arranged chronologically-and drawn from the pages of magazines including Scientific American and Redbook as well as The New Yorker-brings together, for the first time, the very best of Roz Chast, whom O Magazine called "the wryest pen since Dorothy Parker's."
Hardcover. New York, Gallery Books , reprint, 1989, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Extensive b&w illustrations throughout. Gilt titles on spine. Light edge wear to bottom edge. Faint foxing to top edge, otherwise a clean, tight copy. Whether producing strips, social comment in magazines like Punch or Lilliput, savage caricature of allies and enemies, or a daily chronicle of events at home or abroad, little escaped the cartoonists pen during World War II and they encapsulated the great dramas in a way impossible in prose. This book is divided into chapters covering the war year-by-year, each chapter prefaced with a concise introduction that provides a historical framework for the cartoons of that year. Altogether some 300 cartoons, in color and black and white, have been skillfully blended to produce a unique record of World War II.
Boy walking barefoot in mud, art by John Falter. 10.5 x 13.5", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Praeger Publishers, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 116 pages, 90 illustrations, 4 in color. INSCRIBED BY BAUR on the front fly leaf. Clean copy.
Softcover. Berkeley CA, Celtic Book Company, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Color reproductions from the golden age of one of America's most popular comic strips.