Used, Rare & Out-of-Print Art Books

Hardcover. Boston, Houghton Mifflin , 1st, 1966, Book: Near Fine, Dust Jacket: Near Fine, Hardcover in a bright, unclipped dust jacket. 56 plates in 6-color plus pencil sketches by Lansdowne.

Hardcover. Woodstock NY, Overlook Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with wear to extremities. 239 pages with 344 illustrations, 97 in color. This book explores the extraordinary achievement of America's pre-eminent graphic artist. Here Glaser undertakes not only a wide-ranging representation of his oeuvre but, in a personally revealing introduction, speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. His work ranges from posters to book and record covers; from store and restaurant design to toy creations, magazine formats, and logotypes all of which define the look of the 1960s and 70s. Tape repair to reverse of dust jacket, no markings. DOMESTIC SHIPPING ONLY.

1899, Color art of colonial couple under mistletoe by Jessie Wilcox Smith. An early piece by this important American illustrator. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Glazed pictorial boards, 176 pages, a collection of early cartoons and illustrations by the creators of the Berenstain Bears.

Softcover. New York, Nantier Beall Minoustchine, 1st, 1987, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. First volume of reprinting, covering 1924-1925. With an introduction by Bill Blackbeard. An unmarked, clean and tight copy with only light edge wear to wrappers.

Softcover. London, P&D Colnaghi & Co. Ltd, University of Clasgow Press, 1st, 1973, Book: Very Good, Dust Jacket: None, Nonpaginated. Softcover. Color and b/w illustrations throughout. Just a little age wear to the wrapper, otherwise very good. A touch of age-yellowing to edges and pages, doesn't affect text or illustrations.

Hardcover. NY, Art in America, 1st, 1961, Book: Very Good, Dust Jacket: None, Pictorial boards, 136 pages. Hardcover magazine format. Illustrated in full color and black & white. Features articles on: 'What Should a Museum Be?, 'A Day with John Marin', 'Antiques for the Avant-Garde', 'Notes Toward an Ideal School of Fine Art', 'American Art International', 'Paris Letter: Nouveux Realistes', and more. Cover by Saul Steinberg. Clean, tight copy.

1929, Book: Very Good, Color art of woman holding terrier in her arms by McClelland Barclay. 10 X 13", label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's second volume of the acclaimed hit series collecting the entirety of E.C. Segar's original Popeye (a.k.a. Thimble Theatre) comic strips begins with a foreword by Beetle Bailey creator Mort Walker, and continues with an introduction by noted film and cartooning critic Donald Phelps. This second volume features work from 1930 to 1932, and most notably includes the debut of Segar's second greatest character: J. Wellington Wimpy, which stands as a one-of-a-kind icon some 70 years after his creation - the most likeable lowdown cad ever to grace the comics page. Popeye Volume 2 includes the stories: "Clint Gore" (continued from the cliffhanger last volume); "A One-Way Bank," in which Popeye opens a bank that allows withdrawals but no deposits; a long war story featuring King Blozo that begins with "The Great Rough-House War"; and "Skullyville," which wraps up the daily strips for this volume.

Hardcover. Washington DC/New Haven CT, National Gallery of Art/Yale University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 259 pages, hardcover with dust jacket. First major survey of Homer's watercolor career, part of a celebration of the 150th anniversary of Winslow Homer's birth. Mild rubbing to dust jacket. Color and black-and-white illustrations throughout. Unmarked. Bright and clean. A tight copy.

Hardcover. NY, Clarkson Potter, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Definitive study of the pioneer American illustrator. 39 color, 165 black & white illustrations. 248 pages. Faint fade to edge, spine of orange dust jacket,

Hardcover. NY, DC Comics, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Wonder Woman, arguably the best-known female superhero in the world, and star of her own monthly comics, was introduced in the early 1940s in these quirky tales written by the inventor of the lie detector, psychologist William Moulton Marston. In these stories, Wonder Woman travels from Paradise Island to Man's World, where she serves as an emissary of peace, using her bracelets and lasso of truth to stop injustice. These stories introduce the mythology of Wonder Woman as she battles the powers of evil--from crooked business owners to Nazi spies. Still in publisher's shrinkwrap. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harper & Brothers, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket,with several chips. B&w cartoons throughout. Clean copy.

Hardcover. NY, Rizzoli, 1st, 2011, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.

Hardcover. New York, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 496 pages. Hardcover with dust jacket. Color illustrations throughout. Clean, tight copy.

Hardcover. NY, Coward McCann, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, illustrated boards with brown cloth spine. Humorous comic strips (without words) featuring a dog. Some pages loose, binding shaken but all there. Covers with light soil, corner wear.

Hardcover. NY, Archipelago Books, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, color illustrations, 88 pages. Sculptor Auguste Rodin was fortunate to have his secretary Rainer Maria Rilke, one of the most sensitive poets of our time. These two pieces discussing Rodin's work and development as an artist are as revealing of Rilke as they are of his subject. Written in 1902 and 1907, these essays mark the entry of the poet into the world of letters. Rilke's description of Rodin reveals the profound psychic connection between the two great artists, both masters of giving visible life to the invisible. Michael Eastman's evocative photographs of Rodin's sculptures shed light on both Rodin's art and Rilke's thoughts and catapult them into the 21st century. Clean copy.

Hardcover. NY, Doubleday & Company, 1st, 1957, Book: Very Good, Dust Jacket: Good, Hardcover. Very Good in dust jacket with mild edgewear, chipping. Short tear with tape repair in reverse side. Folio. 236 pages, 35 full color and 150 black and white reproductions. Brown cloth in price clipped dust jacket. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 244 pages of color comics plus 30 pages of additional material. Essay on Stanley by Frank Young. Lulu is a strong, assertive young girl who is both entertaining and empowering to girls and women of all ages-even if she sometimes finds herself in hot water. In Little Lulu: The Fuzzythingus Poopi, she outsmarts criminals, sabotages the boys in a masterful snowball fight, and solves the crime of the missing piggy bank! Over the course of these stories, Stanley excels at visual gags, from Lulu winning the soap box derby by turning her frock into a sail, to a lonely cloud almost getting sucked up by a vacuum. This is the second installment in Drawn & Quarterly's landmark reprint series of the classic John Stanley comic strip that was first published by Dell Comics in the 1940s and '50s.

New York, The Metropolitan Museum of Art, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 233 pages. Hardcover. Color and b/w illustrations throughout. Tan cloth cover boards, gilt title on spine. A light smudge to foreedge. Pages unmarked. Binding tight. Spine straight. Issued in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art, New York, October 1, 2002-January 5, 2003.

Hardcover. Berlin, Julius Springer, reprint, 1910, Book: Good, Dust Jacket: None, Hardcover, tan cloth stamped in dark brown, 337 pages. Illustrated with 500 text drawings and 6 2-color plates in rear. A detailed study of perspective. GERMAN TEXT. light stamping to endpaper, title page, otherwise clean.

Hardcover. NY, Artisan, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 145 pages. A master craftsman provides timeless wisdom from working with stone. Beautifully illustrated with color and black and white photographs from the work-field. In his highly anticipated second book, Vermonter Dan Snow once again proves that he is not just one of America's premier artisans, but also one of our most articulate voices on the natural world and our relationship to it. Snow's medium is stone: He is the nation's premier drystone wall builder. Schooled in this ancient craft, he painstakingly creates structures as breathtaking as sculpture with nothing but gravity as their glue. In Listening to Stone, Peter Mauss's tactile photographs of Snow's artistry are matched by the artisan's quietly compelling prose. Clean, bright copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. Color and b&w illustrations. This publication sheds light on all of aspects of Klee's fascination with the arts of the stage. A chronology gives a panoramic outline of his several encounters with the theater and a selection of works by contemporary artists makes it clear that Klee was not the only artist to be fascinated with the sharp-eyed perception of theatrical scenarios--the topic is one that continues to engage artists today. Notes: Published on the occasion of the exhibition at Zentrum Paul Klee and Palais des Beaux Arts, Brussels.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated in color. Bright, clean copy in similar dust jacket.

Hardcover. NY, American Heritage Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Gary Trudeau's first book of Doonesbury cartoons, which originally appeared in the Yale Record and Yale Daily News. Subtitled: The popular cartoon strip featuring B.D., star Quarterback; Megaphone Mark, campus radical; and Michael J. Doonesbury, would-be lover. Written and illustrated by G.B. (Gary) Trudeau; foreword by Erich Segal. Dust jacket with light edge wear, clean copy.

Hardcover. Philadelphia PA, Running Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Two large hardcover volumes in a slipcase, 1200 pages. For the first time ever, here is the complete collection of every piece of art Don Martin published in MAD throughout his extraordinary thirty-year tenure (1957-1987). With all of Martin's strips, covers, posters, and stickers--presented in chronological order--it is nothing less than a masterpiece of comic genius. Complementing Martin's opus of published works are letters, sketches, and rare photos providing an in-depth look at the artist at work. Plus, scattered throughout are notes and original illustrations--commissioned for this volume--paying tribute to the artist and penned by MAD's most-notable personalities, including Al Jaffee, Mort Drucker, Jack Davis, Sergio Aragones, and more. Volume 1, covers 1956-1974 and Volume 2, covers the years 1974-1988. Both volumes are in an excellent condition, excellent binding and internally clean. Like new.

Hardcover. New York , Scribners, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped with black decoration, 147 pages. 30 tipped-in color plates by Penfield. Excellent condition.

Softcover. New York, M. Knoedler & Company, 1st, 1944, Book: Very Good, Dust Jacket: None, Softcover, vintage exhibition catalog. Unpaginated, b&w and color plates. Light wear to edges, spine. Else a clean, tight copy.

Softcover. Gent, Netherlands, Museum Voor Schone Kunsten, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, Dutch text. 160 pages, b&w and color illustrations. Frontispiece portrait, many plates & text-illustrations, essays, catalogue of 136 items depicted & described, bibliography, list of exhibitions. Light edge wear, rubbing to wrappers. Else a clean, tight copy.

Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

Softcover. New York, Tudor Publishing, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 104 pages, 24 color and 76 b&w plates. The first 4 pages, including the paper wrapper, have a crease down the center. Otherwise a very good copy of this scarce book.

1965, Book: Very Good, Color art of policeman on horse in crowded traffic by Andre Francois, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Rizzoli, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Lucian Freud is widely regarded as one of the greatest living artists, and drawing is fundamental to his development as an artist and to how he sees. Speaking recently about his early years he claimed, "I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing." Drawing became an important part of Freud's life from the start and a famous sketchbook, The Freud-Schuster Book, has survived dating back to January 1940, when Freud was in Snowdonia with Stephen Spender, as do sketches from Freud's life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds, and fish was revealed in the famous line drawings he produced for Nicholas Moore's book of poems, The Glass Tower (1944). This volume charts Freud's work on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece, Large Interior W11 (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years.

Hardcover. New York , Hyperion Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 209 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Animation historian John Canemaker chronicles the lives and work of sketch artists at Disney from the 1930s to the present.

Softcover. Fairfield CT, Cartoonist Profiles, 1981, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on I. Klein, David Low, Jack Markow, Zim autobiography, The Katzenjammer Kids, Rafael deSoto pulp cover artist, Grim Natwick, others.

1967, Book: Very Good, Color art of farm land in spring by Hubbell, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Wellfleet, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Offers a collection of fruit label art with a brief history of the industry and the lithographers who created the labels, and discusses the age, rarity, and quality of popular examples that are still available.

Hardcover. Seattle, Fantagraphics, 1st thus, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 224 pages, illustrated throughout in b&w with color fold-outs in rear. Clean, unmarked copy with only minor wear to illustrated boards.

Hardcover. New York, Museum of Modern Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Padded vinyl covers, 221 pages illustrated in color and black and white. SIGNED BY OLDENBURG and dated '72 on the title page. Edges of vinyl with light soil, otherwise very good. This major retrospective exhibition was held 25 September to 23 November 1969. The catalogue designed by Chermayeff & Geismar Associates is a work of art in itself, from its innovative cover proudly highlighting the work of curator Barbara Rose, to the profusion of illustrations, both documentary of Oldenburg and his artistic peers and representative of his large body of work.

Book: Very Good, Color drawing of man with watering can under a surreal tree. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, MQ Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 383 pages. "Aline Kominsky Crumb was one of the pioneers of women's comics, a genre that emerged in California in the sixties & seventies. She became well known during that period for her autobiographical work, influencing many comic book artists after her. Need More Love draws on her remarkable body of comic strips over the past four decades, many featuring her self-effacing character Bunch. Need More Love is a unique blend of comics, art, photographs & memorabilia, & portrays the movers & shakers (and the jerks) of the art & music worlds from the sixties to the present. Aline promises the reader: "I am packing this book with sordid details from my real life. I don't have to make up anything! You'll get fabulous adventures, sex, humor and advice on behavior, lifestyle & aesthetic judgment."

Softcover. New York, Metro Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 272 page, illustrated throughout in color and b&w. Light shelf-wear to wrappers, else a clean, tight copy.

Hardcover. Dublin, Hodges Figgis & Co., 1st, 1908, Book: Good, Dust Jacket: None, 106 pages, 51 plates, 6 in color. Large format, bound in green cloth covers with gilt lettering. Ex-library with usual stamping and residue to end papers, sticker to bottom of spine. Covers show corner wear, top of spine frayed with a one inch tear to cloth at top. Interior of book is clean and tight. Green of cloth spine faded.

1976, Book: Very Good, Color cartoon of man sipping coffee as he watches snow fall from his window. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Kitchen Sink Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w reprints of the early strips. This book contains a complete set of the 1940 daily strips. The first Hollywood adaptation of Li'l Abner was made in 1940. Newspaper columnist Michael Price and the late film historian George Turner provide a fascinating history of this largely forgotten movie, complete with 9 rare stills and lobby cards. The back cover features the very rare Li'l Abner movie poster and another lobby card in full color. Buster Keaton plays Lonesome Polecat in the film but the once hugely popular silent star was in such professional disgrace by 1940 that he was not even listed among the seven acting credits on the film poster! A sidebar provides backgrounds on the producer, director and actors. A second introduction by editor Dave Schreiner provides a political and historical context for the strip itself in 1940. The year begins with Capp's parody of John Steinbeck's The Grapes of Wrath (also made into a movie this year). Dogpatch is wiped out by turnip termites, so our favorite hillbillies are lured to Boston to pick oranges in winter! Li'l Abner also learns how to woo "Dogpatch style" from Adam Lazonga, whom Schreiner speculates is based on controversial philosopher and free thinker Bertrand Russell or possibly playwright George Bernard Shaw. In another episode Mammy and Pappy Yokum get a 100 year-old letter and rush off to the California gold rush. Earthquake McGoon is introduced in the daily strip this year, as is the popular phrase, "As any fool kin plainly see!" Plus the annual Sadie Hawkins Day Race. The cover is drawn by Peter Poplaski.

Softcover. New York, W. W. Norton & Company, 1st, 2010-11-01, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Hardcover. New York , Grosset & Dunlap, 1st, 1946, Book: Very Good, Dust Jacket: None, Unpaginated, a collection of over 250 b&w cartoons by artists like Syd Hoff, Ali, Garrett Price, Soglow, Dave Breger, and many others. Illustrated cardboard covers with light wear.

1955, Book: Very Good, Color art of a serving cart sitting in a hallway by Mihaesco. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.