Used, Rare & Out-of-Print Art Books - pg. 63 including ORIGINAL VINTAGE MAGAZINE COVER: New Yorker Oct. 22 1966 - Construction craneby: Charles E. Martin (Illust.)

1966, Book: Very Good, Color art by Martin of a red construction crane towering next to skyscraper buildings. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Saxon of man at easel painting a still life. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Allen of washer woman with a 2000 lb. weight - a head-scratching rhebus that somehow ties into Washington's Birthday (washing+ton). 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Mahood of advertising grafitti on side of a building. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Birnbaums of jazz musicians done in broad brush strokes. 8 3/4 X 12", very good. Small chip to top corner. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Birnbaum of clock at midnight surrounded by confetti. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Kraus of New York City bright red firehouse. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Getz of basketball game in progress. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Steinberg of cat crossing over bridge on a bicycle from March into April. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1966, Book: Very Good, Color art by Steinberg of Indians on horseback chasing men on bicycles. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Brooklyn, Higgins Ink Co., reprint, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, staple bound. 64 pages, Illustrated throughout with instructional drawings as well as example of cartoon art by leading artists of the day. A vintage look on the theory of humor, instruction for drawings figures, faces, etc.; materials, brush exercises, the comic strip, gag cartoons, the cartoon in advertising, sports cartoons, etc. Clean copy.

Softcover. Freeport ME, The Bond Wheelwright Co., 1st pbk, 1974, Book: Very Good, Dust Jacket: None, Softcover, red wrappers, 128 pages with b&w plates, perfect binding, complete list of drawings by artist, profusely illustrated with large b&w plates, foreword by Erwin D. Canham, biography by Natalie Sturges Butler. Rubbing to covers, price stamp to blank title page. Light rubbing to covers.

Softcover. Houston, Texas, Contemporary Arts Museum, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover. 56 pages. Exhibition catalog. Gray covers with color graphic illustration, perfect binding, foreword by Linda L. Cathcart, essay by Marti Mayo, published interview with artist by Ted Castle included, catalogue of the exhibition, 8 color and 14 b&w plates, chronology and biographical notes. Very light wear to catalog edges; a clean, tight copy in great condition.

Softcover. Williamstown MA, Clark Art Institute, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. Raw Color addresses the relationships between landscape, industry, and the works David Smith (1906-1965) realized between 1961 and 1963. The Circle series was his most ambitious attempt to pair painting and sculpture. Painted in raw, inorganic colors but constructed to stand in concert with the dramatic Adirondack landscape in which he lived, Smith's sculptures confront viewers with a conflict. How are we to be modern, responsive to the materials and the technologies of our time, and yet also remain conscious of our respective locales and nature? To demonstrate the importance of place in Smith's practice, historical photographs of Smith's Circle series at his Bolton Landing, New York, home and studio are complemented by new photographs of the sculptures installed at the Clark's Lunder Center at Stone Hill. Noted artist Charles Ray contributes an essay that explores how time, memory, and landscape are embedded in Smith's sculpture.

Hardcover. NY, Chartwell Books, reprint, 2007, Book: Very Good, Dust Jacket: None, Hardcover in a bright dust jacket, 448 pages, color illustrations throughout. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. Annadale-on-Hudson NY, Art Institute Bard College Center, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, illustrated in b&w and color. Limited to 1.500 copies. Artists: Donald Kuspit, Jennifer Bartlett, Louise Bourgeois, Sue Coe, Leion Golub, Alex Katz, Robert Longo, Mimmo Paladino. Includes for each artist a full color reproduction/photograph and many black and white photographs. Clean, bright copy.

Hardcover. NY, DK, 1st US, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, lavishly illustrated in color throughout. "A beautiful and enthralling guide to more than 80 of the world's most celebrated, rare, and important written works, from the Dead Sea Scrolls to Anne Frank's diary. Including handwritten illuminated manuscripts, seminal printed volumes, and some of the greatest examples of illustrated literature, each exquisite chapter charts both the evolution and the legacy of every landmark book profiled." Clean, bright copy.

Softcover. Jackson MS, University Press of Mississippi, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. From 1936 to 1977, when it ceased publication, this comic strip entertained, annoyed, riled, and amused legions of readers. Li?l Abner, Daisy Mae, Mammy and Pappy Yokum, Moonbeam McSwine, Marryin? Sam, and Sadie Hawkins became pillars in American popular culture, and Dogpatch became a symbol, an emblem, and a community in mainstream U.S.A.The denizens of Dogpatch were destined for their place outside the frames of comic strips. Clean copy still in publisher's shrinkwrap.

Hardcover. London, The Studio, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth gilt lettering on spine. 32 pages plus 56 plates, 40 in color, 16 in b&w. A comprehensive study into the artform of portrait miniatures, with reference to the complexity and difficulty of the work. Written by George Charles Williamson, a British art historian, antiquarian, and author. Edited by Charles Holme, an English journalist and art critic. Hinges cracked otherwise clean.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a pictorial dust jacket with light edgewear. Housed in a cardboard slipcase. Approx. 210 pages. 96 color plates. Tipped-in color frontispiece. Clean copy.

Hardcover. Lincoln NE, Blase, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Here is a subtle mix of humor, glamour, erotica, and nostalgia. Pin Up takes us back to World War 2 for a glimpse at GI life in the Far East. Full color graphic novels with a style reminiscent of Milton Caniff. 48 pages. Part 1 of a trilogy. Originally published in Paris in 1994 by Dargaud. Clean copy.

Hardcover. Lincoln NE, Blase, reprint, 1998, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Here is a subtle mix of humor, glamour, erotica, and nostalgia. Pin Up takes us back to World War 2 for a glimpse at GI life in the Far East. Full color graphic novels with a style reminiscent of Milton Caniff. 48 pages. Part 2 of a trilogy. Originally published in Paris in 1994 by Dargaud. Clean copy.

Softcover. NY, Rosenberg & Stiebel, Inc., 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, illustrated throughout with photos in b&w. Pictorial stiff wrappers. Light wear and rubbing to edges and slightly foxed spine, else a very nice, tight copy. Good scope to text and examples: Mounts and corner mounts on all manner of furniture and decorative arts.

Softcover. Priaprism Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, erotic graphic novel illustrated and written by Fattori. Two wild women catch a burglar and make him their love slaves and he enjoys every minute of it. And so on they lie, cheat, rob and copulate to the greatest delight of the readers.

Hardcover. Princeton, NJ, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 468 pages, b&w illustrations, some color. Illustrated from photographs, paintings, and other works of art, portraits, and plans. Eastlake (1793-1865), an artist, scholar, collector, and public administrator, served as president of the Royal Academy and the first Director of the National Gallery. Robertson covers the artists, writers, scholars, and statesmen of Eastlake's Victorian art world, as well as exhibitions and sales, critical controversies and art-historical writing. With appendices which include checklists of Eastlake's own paintings and private collection, a record of the National Gallery's acquisitions of 1824-1865, and much more. Includes bibliographical references and index. Rubbing, edge wear to dust jacket; closed tears to bottom of spine and rear top right corner. Else a clean, tight copy.

Hardcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover. VG/VG printed mylar jacket, some foxing to top and edge of text block, else a clean solid copy of the first edition, with no later printings indicated. Book design by Robert Motherwell. Illustrated cloth boards with clear plastic DJ with minor soil, 272 pages, 53 color and 152 BW plates, one fold-out. Mostly plates by American artist Helen Frankenthaler (1928-2011), with some interspersed text by Barbara Rose; also includes a biographical outline and selected bibliography. A fairly comprehensive collection of her work from 1951-1969. DUE TO SIZE AND WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. NY, Alfred A. Knopf, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Silvano Arieti (1914-1981), a psychiatrist, regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. 256 pages, black and white and color reproductions, publisher's brown cloth-backed tan papered boards, lettered in gilt at spine, brown endpapers (minor chipping to rear bottom edge. Pictorial dust jacket minor toning and wear mostly to edges, very good.

Hardcover. London, National Gallery, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages in color. In a long career that spanned the French Revolution, the rise and fall of Napoleon, and the Bourbon Restoration, Louis-Leopold Boilly (1761-1845) created innovative and daring paintings in the midst of the most turbulent times. Bringing together two dozen of Boilly's works--the majority of which have never before been published--this handsome volume includes portraiture, scenes of seduction, and groundbreaking representations of raucous Parisian street life. A master technician with acute powers of observation and a wry sense of humor, Boilly invented the term trompe l'oeil and popularized the genre through his stunningly realistic compositions. In this first English-language publication on Boilly in more than 20 years, Francesca Whitlum-Cooper vividly brings the artist and the period he lived in to life, shedding new light on Boilly's work and expanding our understanding of how art functioned within France's rapidly changing political environment.

Softcover. NY, The Museum of Modern Art , 1st, 1973, Book: Very Good, Softcover, 140 pages. 64 illustations, 22 in color. Tribute to Miro on his eightieth birthday, compiled with his cooperation. Presents paintings, sculptures, drawings, collages and objects in the MOMA -- fully catalogued with notes on each work. Includes a list of MOMA exhibitions of Miro's work and a list of publications on him. Clean copy.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth stamped in gilt. Oblong folio, 306 pages, 13" x 12". 256 illustrations, thirty color plates. Comprehensive survey and critical evaluation of the contributions made to the theater by major painters and sculptors of the twentieth century, such as Chagall; Schlemmer; Toulouse-Lautrec; the German Impressionists; Picasso; Calder; Kandinsky; Dada; and Dali, etc. Bibliography. List of Exhibitions. Index. Name on front fly leaf, otherwise clean. No dustjacket, mild wear to covers. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 10 x 12". 187 pages. 77 b&w, 77 color plates. The major monograph on American modernist Marsden Hartley (1877-1943). In addition to insightful and sensitive text, there is included a chronology, index, list of exhibitions, collections and selected bibliography. Wonderful color plates. Clean copy.

Hardcover. NY, Random House, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A Revised Edition of the 1954 title with new material. Introduction By John Hollander. Over 350 illustrations by the artist. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Mr. and Mrs. Arieti. Silvano Arieti (1914-1981), was a psychiatrist, regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. Clean copy with edgewear and closed tears to the dust jacket.

Hardcover. London, Methuen, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Orange cloth boards, white dust jacket with gray and blue illustration, mylar protective covering, color frontispiece, profusely illustrated with monotone plates. Light rubbing and soiling to dust jacket, through dust jacket still presents very neatly with mylar covering, pages crisp and unmarked; overall, a clean, tight copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 186 pages. A 21st century retelling of a 2500-year-old story: Artist and veteran Pixar animator Sanjay Patel lends a lush, whimsical illustration style and lighthearted voice to one of Hindu mythology's best-loved and most enduring tales. Teeming with powerful deities, love-struck monsters, flying monkey gods, magic weapons, demon armies, and divine love, Ramayana: Divine Loophole tells the story of Rama, a god-turned-prince, and his quest to rescue his wife Sita after she is kidnapped by a demon king. Clean copy

Hardcover. NY, Grosset & Dunlap, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 118 pages, illustrated in color and b&w. Erotic illustrations from the pulps with a chart in the back identifying the artists. Mild musty smell, clean copy.

Hardcover. NY/, Taschen, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with mild edgewear to bottom of dust jacket, 251 pages. Copiously illustrated in black and white. In French, German and English. Essays by Andre Breton, Emmanuelle de l'Ecotais and Katherine Ware. Ray was a charismatic figure with a knack for creating and energizing artistic movements, influencing and befriending many leading lights of the European Avant-Garde, from Dadaists to Surrealists and including Duchamp, Picasso, Satie, Cocteau and Breton. Ray's vast photographic oeuvre is often considered to be his most important and ground-breaking body of work. Clean copy. DUE TO WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Chicago, University of Chicago Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, b&w illustrations. Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected?In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Clean copy.

Softcover. NY, Berkley Windhover , 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 112 pages, over 300 full-color panel illustrations by Howard Chaykin. On a habitable moon near Tau Ceti, a young man named Comet Jo encounters a devil-kitten and sees a spaceship crash land. One of the people in the spaceship tells Jo that he has to take an urgent message to Empire Star, and dies. Another collapses to form Jewel, a compact, multicolored, multiplexed crystalline entity. Empire Star is the story of Comet Jo's journey to deliver the message, as narrated by Jewel. Minor shelf wear, clean copy.

Softcover. Chicago, Regnery Publishing, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 176 pages. Mostly b&w illustrations, some color. Well-illustrated survey of the SF pulps from the mid-1920s through the mid-1950s. Preface by A. E. Van Vogt. Clean copy.

Softcover. Dragon's Dream, 1st thus, 1979, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, unpaginated. Dan Dare is the classic science fiction strip from the British 'Eagle' magazine that became a household name when it was published in 1950. This series differs from the Hawk series in that here the art work in the first frame of each front page is not obscured by the title and re-cap text box. Clean copy.

Hardcover. NY, McGraw-Hill, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 140 pages. Text in English. 62 tipped in plates, 49 of which are in full color. Dust jacket has been price clipped, with a small closed tear at the crown of the spine. Clean copy.

Hardcover. NY, Praeger Publishers, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 116 pages, 90 illustrations, 4 in color. INSCRIBED BY BAUR on the front fly leaf. Clean copy.

Softcover. NY, New American Library, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. Over one hundred photos of Warhol, his friends and activities. Name on front fly leaf. otherwise clean.

Softcover. Athens/Paris, Ecole Francaise d'Athenes, 1st, 1967, Book: Very Good, Dust Jacket: None, Softcover, Volume Two: pages 371-900, followed by 16 b&w plates. Cream paper wraps. Glossy pages with many black and white photographs are uncut. Text in English and French.

Hardcover. NY, Alfred A. Knopf, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with gilt designs and lettering on the spine, 420 pages. Binding is solid. Color frontispiece, many black and white photos and drawings. Stamping to front fly leaf, name on half title page, otherwise clean.

Hardcover. Cambridge MA, Harvard University Press , 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 313 pages. Reprint of the 1864 original. Edited by Benjamin Rowland, Jr. Blue cloth, gilt lettering to spine and front cover. A very crisp, clean and well preserved copy

Hardcover. Secaucus NJ, Chartwell Books, 1st US, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn and chipped dust jacket. Catalogue of the posters by Gloria Picazo. 119 posters reproduced in full color. 269 pages. Thick 4to, beige boards. Inscription on front fly leaf, therwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, Unicorn Publishing Group, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Starting in 1966, Thea Porter designed clothes for the rich and famous for nearly two decades. Her creations were made from sumptuous fabrics that drew inspiration from the Middle East, combining richly patterned silks with antique fabrics. Her clothes were a must for music and film stars such as Pink Floyd, Crystal Gayle, Elizabeth Taylor, and Barbra Streisand. Porter soon became a key member of an innovative group of British designers that included Ossie Clark, Zandra Rhodes, and Jean Muir, and her place in the history of British fashion was ensured when she was named Designer of the Year in 1972. Thea Porter's Scrapbook is her story in her own words, an unpublished autobiography she put together before her death in 2000. Edited by her daughter Venetia and with an essay by fashion historian Amy de la Haye, it reveals Porter's further talents as a keenly observant and descriptive writer. This book, which includes working drawings, sketches, snapshots, and manuscript notes, serves as a memoir of her early life and career, charting many memorable episodes, including the dramatic surge of American interest in her clothes and the opening of her shop in Paris as she pursued her ambition to create dresses "beyond trend and tat, that thirty years from today will still be beautiful."

Softcover. First Second, 1st, 2013, Book: Very Good, Dust Jacket: None, Two softcover volumes in a pictorial slipcase, pages. The Boxers & Saints Boxed Set from Gene Luen Yang, one of the greatest comics storytellers alive, brings all his formidable talents to bear in this astonishing work. In two volumes, Boxers & Saints tells two parallel stories. The first is of Little Bao, a Chinese peasant boy whose village is abused and plundered by Westerners claiming the role of missionaries. Little Bao, inspired by visions of the Chinese gods, joins a violent uprising against the Western interlopers. Against all odds, their grass-roots rebellion is successful.But in the second volume, Yang lays out the opposite side of the conflict. A girl whose village has no place for her is taken in by Christian missionaries and finds, for the first time, a home with them. As the Boxer Rebellion gains momentum, Vibiana must decide whether to abandon her Christian friends or to commit herself fully to Christianity.

Softcover. NY, Harper & Row/Icon Editions, 1977, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Series of essays with b&w photographs throughout. CONTENTS: Artpolitics; The Size of Non-Size; What is Content?--Photography as Culture; Filmgoing -Videogoing; The Decline and Fall of Pop; The Idea of a Twenty-First Century Museum; Utopia; Post-Modern Form. Front cover in black and white with black, white, and red lettering. In very good condition, some rubbing to both covers but clean pages and tight binding.