Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.
Softcover. Guggenheim Gallery, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 108 pages in color. Exhibition catalog. Turner transforms the gallery space into an ever-changing environment assembled of objects and furniture from his studio and home, alongside existing artworks that are newly configured and contextualized. With ongoing efforts by the artist, gallery team, and participation of Chapman University students, different elements of the exhibition undergo changes on a daily basis, rendering in material the infinite possibilities of expression of the artistic impulse. INSCRIBED BY TURNER IN BOLD MARKER on the front fly leaf. (to Paul Christensen who contributed an essay in the catalog).
Hardcover. New Haven CT, Yale University Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 438 pages, profusely illustrated in color and b&w. An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner. Clean copy.
Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.
Hardcover. Boston, MA, Boston Public Library, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover with original dust jacket, both in near fine condition. 123 pages., 6 color and 50 b.w. illustrations. Four page museum catalogue laid in. Previous owners signature on front fly leaf (in pencil).
Softcover. NY, The Dance Observer, 1st, 1945, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, b&w drawings by Trowbridge. With a foreword by Martha Graham and a preface by James Johnson Sweeney. Light retouching to scuffing on black front wrapper, otherwise clean.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Decorative cover featuring Revolutionary War scene. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. France, Editions du ChIne, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black & white and color photographs throughout.
Hardcover. Columbia, University of Missouri, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Large format hardcover, 272 pages. 183 b&w drawings completed in preparation for 15 of George Caleb's paintings, includes catalogue raisonne. Light wear to mylar-covered dust jacket; overall a very clean, tight copy.
Softcover. NY, Guggenheim Museum, 1st, 1963, Book: Very Good, Dust Jacket: None, Softcover, 79 pages. Illustrated in b/w and color. One of 3000 copies, published in collaboration with the Art Institute of Chicago, of the exhibition catalogue for Bacon's first American retrospective. Mild rubbing to wrappers, clean copy.
Minneapolis MN, Washburn Crosby Co., 1911, Book: Very Good, Dust Jacket: None, A nicely designed recipe for bread. Two-color photo of a woman baker with directions and illustrations on each side. Would make a wonderful framed poster for the kitchen. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Abbeville Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 295 pages, illustrated in color and b&w, index. Great collection of comic strip art and a history of the art form seen through careers of 16 famous cartoonists: Outcault, Dirks, McKay, Herriman, others. Large, heavy book. Bright, clean copy in a dust jacket.
Hardcover. New York, Crown Publishers, 1st, 1942, Book: Very Good, Dust Jacket: Good, Hardcover, 112 pages. 64 b&w illustrations and 8 plates in full color. Red cloth, gilt lettering to spine and front cover. Pictorial dust jacket with some wear and small tears to spine,light sun-fading to front cover, still overall a very nice, clean, tight copy.
Softcover. NY, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Replete with photographs and reproductions of Tony Smith's work. 200 pages including 237 illustrations (108 in color), Chronology, Selected Bibliography, and Exhibition History. Tony Smith (1912-1980) was an American sculptor, architect, and painter best-known for his abstract, large-scale sculptures. As an architect, he worked with Frank Lloyd Wright and founded his own architectural firm during the 1940s. Clean copy.
Hardcover. NY, Art Directors Club, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth. No names, clean text. Over1200 magazine covers, packaging, advertising art, etc. With b/w & color repros. very good, no dust jacket. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Boston, MA, University of Massachusetts Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 516 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.
Softcover. Washington, D.C., Smithsonian Institution Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover in very good condition. Catalog of exhibition at the Hirshorn Museum and Sculpture Garden in Washington D.C., Aug. 5-Oct. 3, 1982. 87 pages., illustrations., bibliography, index. Tight, clean copy.
Softcover. Boston, Museum of Fine Arts, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 271 pages illustrated in color and b&w. Textiles were the Incas' most prized possessions. Their first gifts to European strangers were made not of gold and silver, but of camelid fibre and cotton. They believed that the highest form of weaving was created expressly for the sun, which they considered the greatest of the celestial powers. This book uses this image to symbolize Andean tradition as a whole and documents the collection of ancient and Colonial Andean textiles in the Museum of Fine Arts, Boston, which is among the most comprehensive of its kind in the world. Described and illustrated here, in many cases for the first time are the finest examples from the collection: weavings of astonishing virtuosity with striking geometric designs, elaborate carpets and covers, mantles, tunics, featherwork, woven shoes with metal decoration and intriguing figural sculptures with tapestry faces - representing the major cultures of the pre-Columbian period as well as the achievements of Spanish Colonial times. Mild wear to outer wraps, otherwise a clean, bright copy.
1960, Book: Very Good, Color art by Constantin Alajalov, split image of voters in Alaska and Hawaii. 10 X 13". Very good. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Atglen, PA, Schiffer Publishing Ltd., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.
Hardcover. New York, Benjamin Blom, reprint, 1972, Book: Fine, Dust Jacket: None, Hardcover, 65 pages. Reissue of rare 1930 first edition. Brown cloth covers with gilt titles to spine, illustrated profusely with over 50 b&w plates. Copy still packaged in original shrinkwrap, never opened; in excellent condition.
1932, Color art of three young women running to avoid the rain by John LaGatta. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Germany, Steidl Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, 295 pages. Hardcover with no dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to textblock edges. Black and white photographs throughout. Richard Avedon, America's preeminent portraitist and fashion photographer, photographed the many faces of politics throughout his career. Portraits of Power brings together Avedon's political portraits for the first time. Juxtaposing images of elite government, media and labor officials with counter-cultural activists, writers and artists, as well as ordinary citizens caught up in national debates, it offers a five-decade taxonomy of politics and power by one of America's best-known artists. The book features several of Avedon's extended projects addressing these themes, including coverage of the civil rights debate in the early 1960s (published in 1964 in Nothing Personal); the American anti-war movement and the war in Vietnam from 1969-1971; portraits of the American power elite in 1976, produced for his groundbreaking Rolling Stone portfolio "The Family;" "Exiles: The Kennedy Court at the End of the American Century," a retrospective homage to the Camelot generation published in the New Yorker in 1993; and his final photo-essay, "Democracy," surveying the national mood during the politically fractious period prior to the 2004 presidential elections (published posthumously in the New Yorker in 2004).
Softcover. New York, Whitney Museum of American Art, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog of Robert Mapplethorpe's photography. 216 pages; 130 photographs, 45 in color. Text by Richard Marshall, Associate Curator, Exhibitions, at the Whitney Museum of American Art, New York; essays by Richard Howard and Ingrid Sischy. In very good condition; small rubbing mark on back cover; no marks on front cover.
Hardcover. NY, Bonanza Books, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 335 pages, gilt-stamped maroon cloth. Profusely illustrated in color and b&w. Unabridged and still the best biography/bibliography/oeuvre catalogue on this American master illustrator and painter. Includes all modes of work: books, periodicals, newspapers, posters, calendars, advertisements, etc. Clean copy.
1911, Color art of bell ringer pulling on rope, painting by Dan Groesbeck. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Museum of Modern Art, 3rd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 illustrations 138 in color. Essay by Robert Storr and with an interview of Richter by Storr as well. Includes numerous color and black and white illustrations, artist chronology, list of previous exhibitions, and a selected bibliography. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY February 14-May 21, 2002. In a bright, unclipped dust jacket.
Softcover. New York, Grey Art Gallery and Study Center, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 117 pages, b&w illustrations. Very light edge wear; else a very clean, tight copy. 10 color, 99 bw plates. Issued in conjunction with a 1980 exhibition featuring works of American artist Walter Gay (1856-1937). With a substantial illustrated essay by Gary A. Reynolds, a brief chronology and selected bibliography. The annotated and illustrated catalogue addresses 90 pieces.
1930, Book: Very Good, Color portrait of bride holding a lily by McLelland Barclay. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Rutland VT, Charles E. Tuttle, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Illustrated with 190 pages of Cruikshank's drawings. Clean copy in a bright dust jacket. the author's third art monograph, reproducing Cruikshank's illustrations of Dickens, Ainsworth, Sterne, Smollett, and others, with extensive commentary and context. Clean copy.
Softcover. NY, Pace Gallery/Wilderstein, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog that is actually two catalogs published back to back (unusual format). One side is Maquettes for Monumental Sculpture and the other Wood Sculpture and Collages. Approx. 60 pages all together. B&W and color photography throughout. Sewn bindings with slight wear. Overall, a nice, clean copy.
Softcover. Washington DC, Cororan Gallery of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 167 pages illustrated in color and b&w. A pictorial history of Niagara Falls. Three essays on the iconic landmark. Front bottom corner with a light dog-ear crease, otherwise clean.
1940, Book: Very Good, Color art of actor dressed as Revolutionary soldier resting on movie set, painting by John Sheridan. 8 X 11 1/2", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. New York, Museum for African Art, 1st, 2001, Book: Very Good, Dust Jacket: None, 263 pages. Softcover with paper wrappers. Exhibition catalog, 9x12", color and b&w photographs of the art and culture of the Bamana people. Tight copy with only minor wear to wrappers.
Softcover. Minneapolis, MN, Walker Art Center, 1st, 1975, Book: Good, Dust Jacket: None, Softcover. Exhibition catalog, 100 pages. Color and B&W plates throughout. . Deep bend on wrapper and first several pages. Light edgewear to wrapper and tearing on spine. soiling on last couple of pages. Overall a nice, tight copy.
Hardcover. San Francisco, Scrimshaw Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Lovely copy of an early Crumb work, created over a six month period when he was "nineteen years old and still a virgin...", and subsequently given to his wife Dana as a gift when they first met. 142 pages illustrated by Crumb in color. A bright, pristine copy.
1918, Book: Very Good, Color art of mother pinpointing where Daddy is during WW1 by Coles Phillips. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. NY, Universe, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (approx. 110 pages), illustrated in color throughout. A catalog for an exhibition organized by Peter T. Tunney which first ran in Milan in 1997. One-page Introduction by Beard, essay by Owen Edwards. Extremely scarce. Color illustrated wraps, like new condition.
Softcover. Zurich, Graphis Press, 1st, 1980, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Very good.
Hardcover. San Diego CA, IDW Publishing, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, 277 pages. Dailies in b&w, Sunday strips in color. Clean copy.
1959, Book: Very Good, Color art of woman holdout in smoky jury room by Norman Rockwell. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York , Harper & Brothers, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 224 pages. Oversized. Tan cloth cover, minor wear to edges. Dust jacket has light wear. Inside is nice and clean with 350 b&w drawings.
Hardcover. Seattle WA, Fantagraphics Books, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 276 pages. A coffee table retrospective commemorating Mort Walker's long and dedicated commitment to cartooning, spotlighting the anniversary of his most popular and beloved creation. In addition to the 75 Sunday pages reproduced from color syndicate proofs, 135 daily and Sunday strips scanned from original artwork, and close to 200 additional images, this beautifully designed volume, impeccably researched and written by his son Brian, also includes rare photographs, historic debut character appearances, syndicate promotional materials, posters, merchandise, personal drawings and memorabilia from the family archives, as well as biographical sketches and anecdotes. Clean copy.
1937, Book: Very Good, Color cartoon of celebrities arriving at the Metropolitan Opera by Constantine Alajalov. 8 1/2 X 11 1/2", clean, no label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Powerhouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, color illustrations. The history of American comics through the stories of comics' most important and influential creators -- tracing the medium's journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Featuring artists such as Jerry Siegel, Will Eisner, Jerry Robinson, Al Jaffee, Neal Adams, Peter Kuper, Stan Lee and many more.
Softcover. Moline, IL, Funnies publishing, 1st, 1974, Book: Very Good, Dust Jacket: None, 96 pages. Softcover with light edgewear to paper wrappers. Black and white comic strips throughout by Phil Nowlan and Dick Calkins. Issue number 1, reprinting of comic strips from 1933-1934. Sticker on rear wrapper.
Softcover. NY, Whitney Museum of American Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, many b&w illustrations, some in color. Issued in conjunction with a 1980 exhibition featuring geometric artwork by American artist Myron Stout (1908-1987). Catalogue lists 54 works. Selected bibliography. Includes selections from his journals, and an essay by Sanford Schwartz. Light tanning to top edge of wrappers, clean copy.