Softcover. NY, Pantheon, reprint, 1986, Book: Very Good, Dust Jacket: None, Two softcover volumes in a cardboard slipcase. Vol. 1: My Father Bleeds History, Vol. 2: And Here My Trouble Began. Slipcase has some light rubbing, books are clean and bright. A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Hardcover. NY, The Museum of Modern Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Name and date on front fly leaf, otherwise a clean and bright copy. Published in conjunction with the first solo museum exhibition of the work of Sanja Ivekovic in the United States, this volume is the most comprehensive survey on the artist available in English. A feminist, activist and video and performance pioneer, Ivekovic came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings. This catalogue presents an overview of the artist's projects from the early 1970s to 2011 in all mediums, offering a fascinating view of gender roles, the official politics of power and the paradoxes inherent in a society's collective memory. Featured works include Ivekovic's historic single-channel videos, performances and sculptural installations as well as a selection from Double Life (1975-76), her celebrated series of 64 photocollages. Weaving together art-historical analysis and political theory, the publication offers a critical examination of the neo-avant-garde in former Yugoslavia and investigates the theme of violence in art.
Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 440 pages, colo and b&w illustrations. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.
Hardcover. NY, Stewart, Tabori and Chang, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages, illustrated throughout in color. Folio. Clean, unmarked copy with only minor wear to dust jacket. You learn from people with great taste, says Bunny Williams. She should know. As a novice, Williams worked for legendary decorators Sister Parish and Albert Hadley, absorbing everything she could of their peerless design sense. Striking out on her own, she rose to the top rank of the interior design profession, where she has stylishly remained for the last 30 years. Now, it's our turn to learn from her. Part memoir and part how-to manual, Bunny Williams' Point of View showcases many of the drop-dead chic but always cozily comfortable residences whose interiors Williams has designed during her astounding career. Due to size and weight, DOMESTIC SHIPPING ONLY.
Softcover. London, V & A Publications, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Containing over 100 masterpieces from a major collection, this volume traces the history of European sculpture, from the early-Christian period through to the beginning of the 20th century. Highlights include the medieval ivories, works by many of the Italian Renaissance masters, English 18th-century pieces, such as Roubillac's statue of Handel and sculptures by Rodin. Clean, bright copy.
Hardcover. NY, Harry N. Abrams, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stated first edition, 134 pages. 48 tipped-in full page, full color illustrations and over 60 additional illustrations in b&w. Clean, unmarked copy.
Softcover. Utica NY, Munson-Williams-Proctor Institute, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Illustrated in b&w and color. Published on the occasion of the multi-venue exhibition held from 1994-1996 featuring masterworks on paper by Copley, Kensett, Audubon, Blakelock, Bluemner, Storrs, Cadmus, Pollock, and many others. Clean copy.
Softcover. Princeton NJ, Princeton University, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover. Scarce Motherwell catalogue, for the show at Princeton University Art Museum, January 5 - February 17 1973; introduction by Sam Hunter, texts by Harry B. Titus, Peter S. Rohowsky, and Deborah P. Strom; b&w plate illustrations throughout.
Los Angeles, circa 1980, Book: Very Good, A valentine greeting drawn with pen and color markers on white paper stock and signed 'Bill M." Approx. Bill Melendez was a animator who started at the Disney Studios in the late 30s and later became famous for directing the Peanuts animated specials for TV in the 1970s. The recipient of the card, Flanzy Lewis, was a reporter for Rona Barrett's Hollywood Magazine who interviewed Melendez.
Hardcover. NY, John Day, 1st US, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly edgeworn, price-clipped dust jacket. Another in the author's popular series of early-mid-20th-century travel guides from an Asian perspective, this one representing his first trip across the Atlantic where he brings New York City to life with 120+ of his own pen-and-ink drawings & 17 full-color plates, created using traditional Chinese technique & media, painting on both absorbent paper & sometimes silk. His observations on the life and scenery of America are as oblique and charming as ever, while his experiences round Times Square, along Fifth Avenue, in Chinatown, Greenwich Village, the Bowery, and Harlem are depicted with the postwar charm that would soon be lost forever. In 281 pages with map endpapers, this is the First American Edition (no date in book, but research places it at 1950).
Hardcover. NY, W W Norton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. Author, artist, and poet Chiang Lee found in San Francisco the poetic beauty similar to his much-loved Chinese landscape. His view is keen and original as he wanders with his notepad and records his quizzical, quiet observations. Illustrated with 16 of the author's full color paintings, and over 50 of his black and white drawings, Clean copy.
Hardcover. Beverly Hills CA, Petersen Galleries, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, the original softcover catalog, bound in faux-leather boards with gilt lettering. 124 pages. 40 color plates, plus numerous black and white photographs. Published in conjunction with the exhibition, October 30 through November 28, 1981. Great reference on the topic and much information on some lesser-known artists. Small ink price on front fly leaf, otherwise clean and bright.
Softcover. Santa Fe NM, Museum of New Mexico Press, 2nd pr, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps. Foreword by George Kubler. Profusely illustrated in color and black and white. 127 pages. 81 artists interpret this masterpiece of 19th century Spanish Franciscan architecture. Map of Taos laid in. Clean copy.
Hardcover. London, Royal Academy of Arts, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 214 pages illustrated in color. "Matisse's relationship with the textiles that surrounded him from his earliest days is revealed here for the first time - the authors examine the ways in which Matisse used what he called his 'working library' of textiles to furnish, order and compose some of the twentieth century's most pioneering works of art". Exhibition catalog for a show at Le Cateau-Cambresis, France; London and New York, October 2004 to September 2005. Clean copy.
Hardcover. NY, Watson-Guptill, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards with a gray cloth spine. The practice of drawing distilled to its essential elements. The companion DVD enclosed inside, beautifully filmed in Florence, Italy, provides real-time drawing lessons so that any gaps in the learning process are filled in with live instruction. In this elegant and inspiring primer, master contemporary artist and author Juliette Aristides breaks down the drawing process into small, manageable lessons; introduces time-tested principles and techniques that are easily accessible; and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings. Clean copy.
Softcover. NY, 1947, Book: Very Good, Dust Jacket: None, Softcover magazine, digest size. Articles on Norman Rockwell (The People's Painter) and Milton Caniff (Secrets of a Comic Strip Artist). Nice copy. Wrap-around cover illustrations by Stan Eckman.
Softcover. NY, Museum Of Modern Art (MOMA), 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, hefty 480 page exhibition catalog illustrated in color. Published in conjunction with the exhibition "Henri Matisse A Retrospective" at The Museum of Modern Art, New York, September 24, 1992-January 12, 1993. Bookplate on inside front cover, otherwise clean. Lavishly produced in oversize format, here is the complete illustrated catalogue of a landmark new exhibition devoted to the artist--the largest ever assembled. Includes biographical notes, a chronology, and introductions to each major period of Matisse's career. 320 colorplates reproduce every painting and cutout in the exhibition; 92 black-and-white plates illustrate the sculptures, drawings, and prints. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. The Anschutz Collection, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 176 pages. An impressive collection of American West art by 128 different artists, with full color reproductions of a painting by each followed by a short biographical sketch of each. Small ink price in corner of front fly leaf, otherwise clean.
Hardcover. Washington DC, National Gallery /Yale University, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 231 pages, numerous color and bw plates. Catalogue of a de Kooning exhibition, organized by the National Gallery in association with the Tate Gallery and the Metropolitan Museum of Art. This illustrated survey of de Kooning's paintings covers the period from 1938 through 1986. The catalogue, by curator Prather, is preceded by two critical essays: Sylvester's "Flesh Was the Reason" and Shiff's "Water and Lipstick: De Kooning in Transition." 12'' x 9.75''. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Grosset & Dunlap, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. An uncommon collection of Rockwell's art, focusing mostly on the illustrations he did for the Brown & Bigelow calendars over the years. Others reprinted from the Saturday Evening Post. Inscription on front leaf otherwise a clean copy.
Hardcover. NY, The Artist Book Foundation, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Adolf Dehn (1895-1968), an American lithographer and watercolorist, left his hometown in Minnesota after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. In the early 1920s, he traveled to the cosmopolitan cities of Paris, Vienna, and Berlin, where he focused on lithography and printmaking, and soon found success as a magazine illustrator. As he toured Europe, Dehn quickly acclimated to the continental lifestyle and was adept at depicting its nuances and idiosyncrasies through his prolific lithographs and sketches. His critical and satirical renderings of the political movements, social conventions, and governmental policies in pre-World War II Europe gave the Midwestern artist ample material for his growing body of work. Returning to the United States in 1930, Dehn exhibited his prints in several solo shows at the Weyhe Gallery in New York, starting in 1935. As an artist during the era of the Great Depression, Dehn did commercial artwork and contributed to popular magazines such as The New Yorker, Vogue, and Vanity Fair. In fact, his clever drawings that reflected the culture and fashionable society during the Jazz Age, made Dehn a favourite of Frank Crowninshield, Vanity Fair's renowned editor. 182 pages, clean, still in publisher's shrinkwrap.
Hardcover. New Haven CT, Yale University Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 438 pages, profusely illustrated in color and b&w. An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner. Clean copy.
Softcover. New Haven CT, Yale University Press , reprint, 2016, Book: Very Good, Dust Jacket: None, Softcover, 281 pages. A fascinating exploration of the life and work of one of America's most famous and enigmatic postwar visual artists Mark Rothko, one of the greatest painters of the twentieth century. Clean copy.
Softcover. NY, Metropolitan Museum of Art, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcovers, complete in two volumes, housed in a glossy illustrated slipcase with light fading to top edge. Volume I: Paintings: Problems and Issues, 149 pages, index. Color and B&W plates. Volume II: Paintings, Drawings and Prints: Art-Historical Perspectives, 262 pages, index. B&W and color reproductions. This set is a two-volume catalogue of the Metropolitan Museum's paintings by Rembrandt as well as pictures once thought to be by the master but now recognised as the efforts of his pupils, contemporary followers, and the occasional later imitator. Bookplate on inside front covers. A heavy set. DOMESTIC SHIPPING ONLY.
Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.
Hardcover. Boston, David R. Godine, 1st US, 2002, Book: Very Good, Dust Jacket: None, Hardcover, oblong volume, 128 pages. The much-admired English artist enjoyed adding artistic touches to letters he sent to friends, and this collection displays some of these delightful drawings. With examples throughout in color and black and white, as well as at endpapers. No dj issued, clean copy.
Hardcover. Boston, David R. Godine, 1st US, 2002, Book: Very Good, Dust Jacket: None, Hardcover, oblong volume, 128 pages. The much-admired English artist enjoyed adding artistic touches to letters he sent to friends, and this collection displays some of these delightful drawings. With examples throughout in color and black and white, as well as at endpapers. No dj issued, clean copy.
London, Hooper and Company, 1953, Book: Very Good, Dust Jacket: None, Hooper Touring Limousine featured in color. From The Illustrated London News. Approx. 9 X 12".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
London, 1953, Naval Review Number. The "Golden Hind"-Symbol of a Golden Age. Beautiful painting of a ship under full sail by W.F. Turner. Approx. 9 X 12".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, True Magazine, 1950, Profile of man bowling by Albert Dorne. Approx. 8 X 11'.PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying tTHIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prvent bending.
Philadelphia, Saturday Evening Post, 1950, Book: Very Good, Dust Jacket: None, His date bowling a strike as he looks amazed. Painting by George Hughes. Approx 9 X 12". No label.PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Vignette of newlywed couple peeking out from coach door. Not credited. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Harper & Brothers, Harper's Weekly, Book: Very Good, Dust Jacket: None, Full-page pen and ink drawing of a golfer putting ball. One in a series by E.W. Kemble, himself a golf enthusiast. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of a older backwoods-type seated in front of a music stand, playing his flute by Anton Otto Fischer. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of a group of fishermen on deck watching a plane passing overhead. Approx. 10 X 13". Color art byPLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Harper & Brothers, Harper's Weekly, 1911, Book: Very Good, Dust Jacket: None, Color painting of pole vaulter at the top of his attempt, clearing the bar. Approx. 10 X 13". Art by Edwin F. Bayha.PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Decorative cover featuring Revolutionary War scene. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1902, Book: Very Good, Dust Jacket: None, B&w illustration of an indignant woman whose baggage is being searched by customs officers. Art by J.E. Jackson. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Poster-like illustration of a duffer in a white hat teeing off in front of onlookers. Art by Hamilton N. May. 10 X 13"PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Bros., 1911, Book: Very Good, Dust Jacket: None, Color painting of a seated woman in a black evening gown, holding her pearl necklace. Painting by Walter Tittle. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper and Brothers, 1911, Book: Very Good, Dust Jacket: None, Woman with her little girl strolling by the ocean with a vintage convertible behind them. Art By Koerner. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Two-color illustration of a man reading to his grandchildren. Fifty years after the Civil War began, the little boy with wooden sword and drum nearby. Not credited. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, B&w illustration of kids taking off riding the horse-drawn grocery wagon. Art by W.L. Jacobs. Approx. 13 X 10".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper and Brothers, 1911, Book: Very Good, Dust Jacket: None, Illustration of a little girl trying on her mother's hat as dog examines hat boxes. Art by George Barratt, Approx. 10 X 13'.PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Harper & Brothers, Harper's Weekly, Book: Very Good, Dust Jacket: None, Full-page pen and ink drawing of a golfer (Sherman) cleaning dirt from club, standing in the rough. One in a series by E.W. Kemble, himself a golf enthusiast. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Harper & Brothers, Harper's Weekly, 1911, Book: Very Good, Dust Jacket: None, Full-page pen and ink drawing of a golfer waiting to tee off One in a series by E.W. Kemble, himself a golf enthusiast. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Salt Lake City, Gibbs Smith, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 160 pages, illustrated in color and b&w. Trailer Travel showcases the rich visual history of America's enduring fascination with life on the road. Beautifully reproduced color and black-and-white images culled from public archives and the private collections of passionate trailerites vividly document the travel trailer?s storied past. This engaging volume offers a look at motor-camping trips in the early 1900s, the unparalleled innovations in trailer design during the thirties, rare and unique trailer models and interiors, and an extensive array of bold and graphic promotional material, literature, and postcards that illustrate the undeniable attraction of living on wheels.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Woman rider on horseback with collie running beside her as they pass convertible automobile in park. Beautiful painting by Frank Craig. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of little girl enticing squirrel in tree holding a nut. Art by Arthur Dove. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Record # 382436
Price: $20.00
Rare & Out-of-Print Art Books
Our art shelves gather used, rare and antiquarian titles spanning painting, sculpture, illustration and the lives of individual artists. You will find monographs, exhibition catalogues and richly illustrated studies, from J.G. Links on Canaletto to Terence Doherty's The Anatomical Works of George Stubbs.
Alongside the old masters, the collection reaches into American and wildlife art, including Mildred D. Ladner's William de la Montagne Cary: Artist on the Missouri River and J.F. Lansdowne's Birds of the Northern Forest. Editions range from later reprints to scarce first printings and cloth-bound hardcovers, with plates and reproductions that make many of these volumes collectible in their own right.
Because every book is used or rare, condition and availability vary from copy to copy, and each title is described individually. Order your copy online while it lasts.