Used, Rare & Out-of-Print Art Books

Softcover. Louisville KY, Chicago Spectrum Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations throughout. INSCRIBED BY HAMILTON on the front fly leaf. Ed Hamilton was raised on a street, in a neighborhood, that no longer exists. But Walnut Street and the now razed black professional district are vibrant and alive in this account of how one skinny black youth became a nationally acclaimed sculptor. This autobiography chronicles not just one man, but a way of life. It is filled with photos of art work now located all over the U.S., in private homes, public plazas, and prestigious museums.

Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Thisbook contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.

Hardcover. Cleveland, World Publishing Company, 1st, 1966, Book: Very Good, Dust Jacket: Good, 336 pages. Hardcover. Previous owners name on front endpaper. Includes cartoonists: John Held, Jr., Charles Keene, George Herriman, A. B. Frost, Peter Arno, Saul Steinberg, Charles Addams, Virgil Partch, William Steig, Gerald Scarfe, Shel Silverstein, Tomi Ungerer, and more. Black & white illustrations. Dust jacket with chipping along edges. Clean, unmarked pages.

Softcover. Boston, Gallery NAGA, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 20 pages illustrated in color.

Hardcover. NY, Harry N Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages illustrated in color. A surprising look at who designed for Disney: Michael Graves, Frank Gehry, Aldo Rossi, Robert Venturi etc. Based on interviews with those involved plus original photos and drawings. From fairy-tale castles to extraordinary buildings designed by the world's most distinguished architects, The Walt Disney Company has set new standards for the imaginative use of popular imagery in architecture. The company's enormously influential architectural philosophy, first expressed more than fifty years ago at Disneyland, draws on characters and settings from the world's most compelling legends and stories, especially Disney's own remarkable animated films. Clean copy.

Hardcover. NY, Disney Editions, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. One Joe was in his ninety-seventh year when he died in 2005; the other Joe died the same year at age forty-five. Both died before their time. This book explores the interplay between personal creativity and the craft of animation storytelling, as seen through the lives and art of two of its greatest practitioners: Joe Grant and Joe Ranft.Grant and Ranft were unique influences on storytelling at two major studios during important periods in the history of animation. Joe Grant, in fact, straddled two eras. A gifted newspaper caricaturist, he contributed ideas for Mickey Mouse and Silly Symphony shorts as well as classic masterworks like Snow White and the Seven Dwarfs; Pinocchio; Fantasia; and Dumbo. As Walt Disney's confidant, Grant played a leading role in defining Disney's pioneering animation legacy. He returned to the studio at eighty-one after a fortyyear hiatus, his creative spirit and abilities undiminished, and made significant contributions to Beauty and the Beast; Aladdin; Mulan; and The Lion King, among others.Joe Ranft built on the traditions of the past forged by Grant and others to become the top animation storyboard artist of his generation, working on Tim Burton's The Nightmare Before Christmas; The Brave Little Toaster; Who Framed Roger Rabbit; James and the Giant Peach; The Little Mermaid; and Beauty and the Beast, among other films. As one of Pixar's creative founders and a close friend of John Lasseter's, Ranft had a major influence on the studio's signature originality, warmth, and irreverent humor, through his contributions to Toy Story; Toy Story 2; A Bug's Life; Monsters, Inc.; and Cars.

Hardcover. New York, Holt, Rinehart, and Winston, 1st, 1975, Book: Very Good, Dust Jacket: None, 412 pages. Hardcover with NO dust jacket. Fading to spine of laminated boards. Foxing to text block, otherwise clean and bright internally. Color pictures throughout.

Softcover. South Hadley MA, Mount Holyoke College, 1st, 1984, Book: Very Good, Softcover, 56 pages. Many black and white photos, exhibition checklist, glossary, index, notes, bibliography. Published in conjunction with an exhibition of copper jewelry, sculptures, vessels, musical instruments, stools and other African decorative arts. Mild rubbing to wrappers, clean copy.

Chicago, CIty Files Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A wonderful collection of amateur photographs. These personal snapshots form a pictorial history of everyday Americans from the last century. Unpaginated, 350 b&w and color images. Clean copy.

Hardcover. New York, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 342 pages. "Each of the 300 posters included in Reel Art has been reproduced to the uncompromising standards of all Abbeville's fine art books. The selection of posters is world-class, many never been published, and the definite text, by screenwriter and film historian Stephen Rebello, tells the vastly entertaining story behind the posters and their creators." The four decades between 1910 and 1950 were the golden age of the American movie poster, an era when wonderful films wer promoted through the talents of legendary illustrators like Thomas Hart Benton, Norman Rockwell, Howard Chandler Christy and Jmes Montgomery Flagg, as well as a small army of unknowns. It was a time when big studios lavished fortunes on poster campaigns - from modest one-sheets posted on neighbourhood fences to the gargantuan forty-eight sheets that usurped entire sides of multi-storey buildings. Hollywood knew that the right image could seduce millions past the box office and into the theatre. Today such graphics fetch five-figure prices from collectors seeking a Casablanca or a King Kong.

Hardcover. New York, The Vendome Press, Reprint, 1980, Book: Very Good, Dust Jacket: Very Good, 204 pages. Hardcover. Purple covers with gilt titles to black cloth spine, gilt vase design to cover. Full page, full color and bw illustrations throughout. Dust jacket with light marginal wear to edges. Clean & unmarked pages throughout. Glass from the turn of the 19th - 20th century; the "Belle Epoque" era. Features many glass artists, including Philippe-Joseph Brocard, Auguste Jean, Ernest-Baptiste Leveille, Emile Galle, Les Freres Daum, Henri Cros, Albert Dammouse, Francois Decorchemont, and several others.

Softcover. Daegu Korea, Byuk-A Gallery, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 38 pages illustrated in color and b&w. Laid in essay on the Korean sculptor by You Hong June, "A Dialogue with Image and an Aesthetic of Stone". Clean copy.

Softcover. Stackpole Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 147 pages, color illustrations. Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war. Clean, bright copy.

Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Inge Morath: On Style reveals the vital forms of fashion and self-expression that blossomed into existence in England, France, and the United States in the postwar decades. The book follows the photojournalist Inge Morath (1923-2002) through intimate sessions with Ingrid Bergman and Audrey Hepburn; scenes of window-shopping on Fifth Avenue; American girls discovering Paris; the frenetic splendor of society balls; and working women--from actresses to seamstresses to writers--everywhere taking their place in the world. The photographs in On Style focus on an extraordinary period of Morath's creativity, from the early 1950s to mid- 1960s, with a coda of work from later years. Here are the fundamental humanism, joy, and unerring eye for life's brilliant theatricality that characterized her work and made her one of the most celebrated photographers of her time.

Hardcover. Seattle, WA, University of Washington Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover black cloth with silver lettering. 410 pages. 32 pages of color plates; near 1000 black-and-white photographs. Bibliography and index. Authoritative guide to the collections at the University of British Columbia. Clean copy in a bright dust jacket.

Hardcover. Mad Cave Studios, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Flash Gordon: Classic Collection Volume 4 reprints the Flash Gordon Sunday strip from 1944-1948. Color illustrated. Flash Gordon returns for another thrilling space-bound adventure as the original guardian of the galaxy, battling to save us all from a host of sinister super-villains determined to dominate, destroy, and wreak havoc--including the fierce and seductive Storm Queen of Valkir! Don Moore was the writer of the Flash Gordon, taking over scriptwriting duties from strip creator Alex Raymond in August 1935. Moore was a former pulp editor. Austin Briggs worked for a while at an advertising agency then became an assistant to the cartoonist Alex Raymond on Flash Gordon and succeeded him on Secret Agent Corrigan. In 1940 he drew a Flash Gordon Daily strip which he stayed on until about 1944. He drew the prestigious Flash Gordon Sunday strip from 1944 until 1948. He was one of the founding faculty for the Famous Artists School. In 1969 he was elected to the Society of Illustrators' Hall of Fame. Clean, bright copy.

Hardcover. Flesk Publications, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. The Prince Valiant Page is the first book collection featuring Gary Gianni's work on Prince Valiant. This book gives a well-rounded informative look at both Gianni's rendition of the Prince Valiant Sunday strip and his own working procedures. After 25 years as a professional illustrator, Gianni describes his new role as an assistant to John Cullen Murphy (who assisted Hal Foster--Prince Valiant's creator). Upon Murphy's retirement, Gianni became the third artist in the 70-year history of the feature. It continues with in-depth knowledge of the strip's creative process (i.e., receiving the script, photographing models, making preliminary drawings and pencil roughs, then concluding with the finished illustrations). Supporting artwork includes collaborations between Murphy and Gianni, with Murphy's hand written notes and instructions. Examples of Gianni's work over the previous thirty years as a professional illustrator are included as well

Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Hardcover. Simcoe, Ontario, The Norfolk Historical Society/Fanshawe College, 2nd revised, 1977, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in black. Unpaginated. 16 full color reproductions of family members in Colonial costumes. Intact and very clean. No dust jacket.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. NY, Harry N. Abrams, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stated first edition, 134 pages. 48 tipped-in full page, full color illustrations and over 60 additional illustrations in b&w. Clean, unmarked copy.

Hardcover. New York, Bulfinch, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 112 pages. 100 black and white illustrations. Faint yellowing to dust jacket top edge. Otherwise a very clean, unmarked copy with only minor wear to dust jacket. People on every step of the corporate ladder will identify with the 100 hilarious business cartoons from New Yorker cartoonist Barsotti. / Charles Barsotti, formerly the cartoon editor of the The Saturday Evening Post, has been a staff cartoonist at the New Yorker since 1970. His work has also appeared in Playboy and Fast Company, among other publications.

Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.

Softcover. Guggenheim Gallery, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 108 pages in color. Exhibition catalog. Turner transforms the gallery space into an ever-changing environment assembled of objects and furniture from his studio and home, alongside existing artworks that are newly configured and contextualized. With ongoing efforts by the artist, gallery team, and participation of Chapman University students, different elements of the exhibition undergo changes on a daily basis, rendering in material the infinite possibilities of expression of the artistic impulse. INSCRIBED BY TURNER IN BOLD MARKER on the front fly leaf. (to Paul Christensen who contributed an essay in the catalog).

Hardcover. New Haven CT, Yale University Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 438 pages, profusely illustrated in color and b&w. An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner. Clean copy.

Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.

Hardcover. Boston, MA, Boston Public Library, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover with original dust jacket, both in near fine condition. 123 pages., 6 color and 50 b.w. illustrations. Four page museum catalogue laid in. Previous owners signature on front fly leaf (in pencil).

Softcover. NY, The Dance Observer, 1st, 1945, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, b&w drawings by Trowbridge. With a foreword by Martha Graham and a preface by James Johnson Sweeney. Light retouching to scuffing on black front wrapper, otherwise clean.

NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Decorative cover featuring Revolutionary War scene. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. France, Editions du ChIne, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black & white and color photographs throughout.

Hardcover. Columbia, University of Missouri, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Large format hardcover, 272 pages. 183 b&w drawings completed in preparation for 15 of George Caleb's paintings, includes catalogue raisonne. Light wear to mylar-covered dust jacket; overall a very clean, tight copy.

Softcover. NY, Guggenheim Museum, 1st, 1963, Book: Very Good, Dust Jacket: None, Softcover, 79 pages. Illustrated in b/w and color. One of 3000 copies, published in collaboration with the Art Institute of Chicago, of the exhibition catalogue for Bacon's first American retrospective. Mild rubbing to wrappers, clean copy.

Minneapolis MN, Washburn Crosby Co., 1911, Book: Very Good, Dust Jacket: None, A nicely designed recipe for bread. Two-color photo of a woman baker with directions and illustrations on each side. Would make a wonderful framed poster for the kitchen. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Abbeville Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 295 pages, illustrated in color and b&w, index. Great collection of comic strip art and a history of the art form seen through careers of 16 famous cartoonists: Outcault, Dirks, McKay, Herriman, others. Large, heavy book. Bright, clean copy in a dust jacket.

Hardcover. New York, Crown Publishers, 1st, 1942, Book: Very Good, Dust Jacket: Good, Hardcover, 112 pages. 64 b&w illustrations and 8 plates in full color. Red cloth, gilt lettering to spine and front cover. Pictorial dust jacket with some wear and small tears to spine,light sun-fading to front cover, still overall a very nice, clean, tight copy.

Softcover. NY, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Replete with photographs and reproductions of Tony Smith's work. 200 pages including 237 illustrations (108 in color), Chronology, Selected Bibliography, and Exhibition History. Tony Smith (1912-1980) was an American sculptor, architect, and painter best-known for his abstract, large-scale sculptures. As an architect, he worked with Frank Lloyd Wright and founded his own architectural firm during the 1940s. Clean copy.

Hardcover. NY, Art Directors Club, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth. No names, clean text. Over1200 magazine covers, packaging, advertising art, etc. With b/w & color repros. very good, no dust jacket. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Boston, MA, University of Massachusetts Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 516 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.

Softcover. Washington, D.C., Smithsonian Institution Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover in very good condition. Catalog of exhibition at the Hirshorn Museum and Sculpture Garden in Washington D.C., Aug. 5-Oct. 3, 1982. 87 pages., illustrations., bibliography, index. Tight, clean copy.

Softcover. Boston, Museum of Fine Arts, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 271 pages illustrated in color and b&w. Textiles were the Incas' most prized possessions. Their first gifts to European strangers were made not of gold and silver, but of camelid fibre and cotton. They believed that the highest form of weaving was created expressly for the sun, which they considered the greatest of the celestial powers. This book uses this image to symbolize Andean tradition as a whole and documents the collection of ancient and Colonial Andean textiles in the Museum of Fine Arts, Boston, which is among the most comprehensive of its kind in the world. Described and illustrated here, in many cases for the first time are the finest examples from the collection: weavings of astonishing virtuosity with striking geometric designs, elaborate carpets and covers, mantles, tunics, featherwork, woven shoes with metal decoration and intriguing figural sculptures with tapestry faces - representing the major cultures of the pre-Columbian period as well as the achievements of Spanish Colonial times. Mild wear to outer wraps, otherwise a clean, bright copy.

1960, Book: Very Good, Color art by Constantin Alajalov, split image of voters in Alaska and Hawaii. 10 X 13". Very good. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Atglen, PA, Schiffer Publishing Ltd., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.

Hardcover. New York, Benjamin Blom, reprint, 1972, Book: Fine, Dust Jacket: None, Hardcover, 65 pages. Reissue of rare 1930 first edition. Brown cloth covers with gilt titles to spine, illustrated profusely with over 50 b&w plates. Copy still packaged in original shrinkwrap, never opened; in excellent condition.

Softcover. NY, Sotheby's, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, Sale #N08127, 412 pages, illustrated in color, 469 lots. Clean copy.

1932, Color art of three young women running to avoid the rain by John LaGatta. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers, 48 pages illustrated in color and b&w.

1933, Book: Very Good, Color art of smiling blonde woman at New Year's party by George Rapp. !0 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Dark Horse, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, large format, 128 pages in color. Dark Horse's first volume in a series that will collect all the Sunday pages of the classic newspaper strip, in chronological order! While the daily pages focused on a continuing narrative, creator Frank King reserved the Gasoline Alley Sunday strips for wonderful, inventive interludes in which Walt Wallet, and his adopted foundling son Skeezix, reflected upon the lessons of life and the beauty of nature. Reprinted in full color, using the King family's collection of proofs, this giant-sized volume collects every Gasoline Alley Sunday strip from 1920 through 1922.

Hardcover. Garden City, NY, Blue Ribbon Books , Reprint, 1943, Book: Good, Dust Jacket: Good, Hardcover, 361 pages, illustrated throughout with b&w cartoon-strips. Dust jacket worn, chipped, rubbed. Spine slightly cocked. Internally clean.

Softcover. NY, Sotheby's, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, Sale #N07990, 176 pages, illustrated in color, fold-out plates. 152 lots. Clean copy.