Used, Rare & Out-of-Print Art Books

Hardcover. London, Faber and Faber Ltd., 1st, 1949, Book: Good, Dust Jacket: None, 435 pages. Hardcover. 256 black & white illustrations and 12 tipped-in full color plates. Fading to spine and along cover edges. No dust jacket. Clean, unmarked copy.

Softcover. NY, Howard Scott/M-13 Gallery, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 20 pages featuring 6 new works by the artist reproduced in color. Essay by Carter Ratcliff. Clean copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2023, Hardcover, pictorial boards. During a golden moment in the early 1950s, EC Comics lovingly adapted 25 classic Ray Bradbury stories into comics form, scripted by Al Feldstein and brilliantly interpreted and illuminated by all of EC's top artists: Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Frank Frazetta, Graham Ingels, Jack Kamen, Roy Krenkel, Bernard Krigstein, Joe Orlando, John Severin, Angelo Torres, Al Williamson, and Wallace Wood. This special companion collection to our EC Comics Library series features all 25 official adaptations plus an additional ten related stories with stunning art reproduced in generously oversized coffee table dimensions! Highlights in this singular volume include: "Home to Stay"- a clever combination of two Bradbury science fiction stories that Bradbury himself proclaimed topped his originals (available in no other form or medium), masterfully woven together by Al Feldstein and Wallace Wood. "A Sound of Thunder" - the classic time-travel-gone-wrong story brilliantly illustrated by Al Williamson and Angelo Torres. "Touch and Go" - an obsessive psychological thriller tautly executed by Johnny Craig. And many more, including "The Million Year Picnic" (Elder), "I, Rocket" (Williamson and Frazetta), "Zero Hour" (Kamen), "Mars Is Heaven" (Wood), and "There Will Come Soft Rains..." (Wood). Plus a cornucopia of bonus features, including introductions and commentary by Greg Bear, Ted White, Dr. Benjamin Saunders, Bill Mason, and Thommy Burns; a wry reminiscence by Ray himself; and two full-color paintings by Frank Frazetta. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New Haven, CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book includes a general discussion of Van der Heyden's work, entries on 40 of his paintings, illustrations of about 100 of his paintings, as well as supplemental drawings and prints. Focusing mainly on the bustling city of Amsterdam, he also recorded other Dutch, Flemish, and German cities with a brilliant palette and exceptionally detailed technique. Often innovative in his composition, he was the first artist to create imaginary scenes by rearranging existing city views and known buildings.

Hardcover. New York, Robert M. McBride & Company, 2nd Printing, 1945, Book: Good, Dust Jacket: None, 128 pages. Hardcover. Black & white cartoons by Gardner Rea. Light foxing to preliminary pages. Clean, unmarked pages.

Softcover. NY, OK Harris, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, b&w illustrations. Essay and interview by Linda Chase. Works in marble by the Egyptian sculptor.

Hardcover. NY, Doubleday, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Master of Shadows weaves a gripping drama of 17th-century cloak-and-dagger diplomacy with an insightful, authoritative exploration of Peter Paul Rubens' art and the private passions that influenced it.

Hardcover. Canada, Disney Editions, 1st, 2017, Book: Very Good, Dust Jacket: None, There are nine flip books inside this box that pays tribute to Disney's early animators. Legendary animators Ub Iwerks, Norm Ferguson, Billl Tytla, Ham Luske, Art Babbitt, Grim Gatwick, Freddie Moore, Hal King, and John Sibley are featured in this special set. Each flipbook features a scene from an animated Disney feature in its original line-drawn form, having been selected from among a wide range of films for great movement and classic characters.

Hardcover. Berkeley, University of California, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with sunned dust jacket. INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Clean and tight copy. Color and black and white photographs throughout.

Softcover. Montpelier VT, Laughing Bear, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color photos throughout. A collection of various artworks, collages, sculptures and constructions by the artist. INSCRIBED BY LEVIN on the title page. Clean copy.

Hardcover. NY, Whittlesey House, 1st, 1945, Book: Very Good, Dust Jacket: Fair, Hardcover, blue cloth with white lettering in a worn and chipped dust jacket with fading in spots. 280 cartoons from the Saturday Evening Post. Artists include Hoff, Richter, Chon Day, Ted Key, many others. Book very good, clean. Dust jacket fair only.

Hardcover. London, Frances Lincoln, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 10 x 12", 304 pages. Over 300 color plates. A comprehensive document of the talent and artistry that went into the design and making of European fashion images from the second half of the sixteenth century to the first half of the twentieth century. No dust jacket issued.

Hardcover. Cambridge, Harvard University Press, First Edition, 1968, Book: Very Good, Dust Jacket: Very Good, 335 pages. Hardcover. Ivory boards with black printed titles to mustard cloth spine. Dust jacket with moderate toning & light wear to edges. Previous owner's signature to front flyleaf. Illustrations in bw throughout. Clean & unmarked copy.

Softcover. NY, Elrick-Manley Fine Art, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 44 pages, color plates. Many artists represented: Hopper, Leger, Hockney, Matisse, others. Clean copy.

Softcover. The MIT Press , reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, The first publication documenting the work of Brooks Stevens, one of America's most influential twentieth-century designers. A long overdue introduction to the work of visionary industrial designer Brooks Stevens (1911-1995). Believing that an industrial designer "should be a businessman, an engineer, and a stylist, in that order," Stevens created thousands of ingenious and beautiful designs for industrial and household products--including a clothes dryer with a window in the front, a wide-mouthed peanut butter jar, and the Oscar Mayer Wienermobile. ("There's nothing more aerodynamic than a wiener," he explained.) He invented a precursor to the SUV by turning a Jeep into a station wagon after World War II, and streamlined steam irons so that they resembled aircraft. It was Brooks Stevens who, in 1954, coined the phrase "planned obsolescence," defining it as "instilling in the buyer the desire to own something a little newer, a little better, a little sooner than is necessary." This concept has since been blamed for everything from toasters that stop working to today's throwaway culture, but Stevens was simply recognizing the intentionally ephemeral nature of a designer's work. Asked once to name his favorite design, he replied, "none, because every one would have to be restudied for the tastes of tomorrow." Clean copy still in publisher's shrinkwrap.

Hardcover. London, Art / Books Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Terence Donovan was one of the foremost photographers of his generation--among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography, and--alongside David Bailey and Brian Duffy (photographers of a similar working-class background)--he captured and helped create the Swinging London of the 1960s. Donovan socialized with celebrities and royalty, and found himself elevated to stardom in his own right, and yet, despite his success and status, there has never been a serious evaluation of Donovan's fashion work: he allowed no monographs to be published during his lifetime. Terence Donovan Fashion is therefore the first publication of his fashion photographs. Arranged chronologically, and with an illuminating text by Robin Muir (ex-picture editor of Vogue), the book considers Donovan in the social and cultural context of his time, showing how his constant experimentation not only set him apart, but also influenced generations to come. Designed by former art director of Nova magazine and Pentagram partner David Hillman, and with images selected by Hillman, the artist's widow Diana Donovan and Grace Coddington, creative director of American Vogue, this volume is indisputably a landmark publication in the history of fashion photography.

Hardcover. New York, NY, Frederick A. Praeger , 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 195 pages. 182 black-and-white illustrations. Quarto Format. Plates; Chronology; Bibliography. Foreword by Jacques Lipchitz.

Hardcover. Clover Press, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 164 pages. The saga continues in Terry and the Pirates Volume 11, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs! It's a new year of reunions, not resolutions--Terry and Pat join forces! They connect with the Dragon Lady--and with Terry's old flame, Hu Shee! Terry, Hotshot Charlie, and Hu Shee cross paths with swashbuckling pirate Johnny Jingo, in turn joining Terry's old friend April Kane before a new encounter with Nazi collaborator Papa Pyzon! Papa is exactly who he seems, yet his henchman, Mr. Hutch, may have a different trick up his sleeve. Meanwhile, the trick up April's sleeve is less successful, positioning Terry to weather a wintry storm with the delightful Fob Cobb and the prune-faced Ilse Grosse-Nach. This tabloid-sized Volume 11 contains all the 1945 dailies and Sundays. DOMESTIC SHIPPING ONLY.

Hardcover. Titan Books, Revised Ed., 2016, Book: Very Good, Hardcover, 192 pages. Reacting to the appearance of Superman in Action Comics in 1938, Marvel introduced Sub-Mariner and the Human Torch in their new publication the following year, and have since entertained readers with the adventures of Spider-Man, Captain America and The Fantastic Four, among many other characters. This illustrated celebration charts the history and development of Marvel Comics and its characters up to 2016 day and contains early sketches, artworks, covers, comic strip excerpts and pieces of memorabilia.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. The American realist artist John Sloan is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan's artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career-at newspapers like the Philadelphia Press and later for mass-market magazines-and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan's illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

Hardcover. College Station, TX, Texas A&M University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 148 pages. Collection of 61 full-page color plates of Frank Reaugh's work devoted to Texas. Introduction by Donald L. Weismann. Very good condition, very slight rubbing on the back of the dust jacket, ends of the spine have some wrinkling. The Texas landscape and the legendary longhorn are equally elegant in the beautiful impressionistic artwork of Frank Reaugh. This volume contains a large selection of impressionistic work by Reaugh, who began painting out on the prairies near Dallas in the late 1800s.

Hardcover. London, Korero Press, Revised Ed., 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 479 pages in color. Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs. The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing. This is the updated edition with 16 new pages. Clean copy.

Softcover. Utica NY, Munson-Williams-Proctor Institute, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Illustrated in b&w and color. Published on the occasion of the multi-venue exhibition held from 1994-1996 featuring masterworks on paper by Copley, Kensett, Audubon, Blakelock, Bluemner, Storrs, Cadmus, Pollock, and many others. Clean copy.

Hardcover. Atglen, PA, Schiffer Publishing, Ltd., 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. Herman Miller, the leader in modern twentieth-century furniture manufacture, was a totally design-oriented company. Known best for Eames and Nelson furniture designs, showrooms, and interiors, they also produced outstanding graphic design. Mid-century and later advertisements, drawings, brochures, catalogs, posters, and wall panels are shown in this visually exciting new book. Photos of award-winning and other graphic designs are all from the Herman Miller Archives. This beautiful book is a must for anyone with an interest in modern furniture, graphics, or twentieth century design in general.

Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.

Softcover. Wilmington,DE, self-published, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, horizontal format, 48 pages. This catalog is the first published monograph devoted to the life and work of Albert Insley, 1842-1937, who was engaged primarily in the painting of landscapes and marines around Brooklyn and Staten Island, New York; Bayonne and northern New Jersey; along the Hudson River; and in the New England states. 54 paintings are briefly described and illustrated, 37 in color. Clean copy.

Softcover. New Haven CT, Yale University Press , reprint, 2016, Book: Very Good, Dust Jacket: None, Softcover, 281 pages. A fascinating exploration of the life and work of one of America's most famous and enigmatic postwar visual artists Mark Rothko, one of the greatest painters of the twentieth century. Clean copy.

Hardcover. New York, Aperture, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 104 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Published in Italian in 1955, and now available for the first time in the English language, Un Paese captures in photographs and in spoken testimony the essential experience of daily life in Luzzara. It presents a series of intense portraits, graceful landscapes, and images of everyday objects. Paul Strand's photographs are carefully distilled, deeply powerful; they contain the flavors and the rhythms of an entire culture crystallized in a single village. Zavattini successfully synthesizes text and image, aligning with the new cinematic trend of the day, a movement known as Italian neorealism. Their Luzzara is an ordinary village, neither overly picturesque nor greatly unusual, yet it is a town sustained by a grounded humanity and a profound love for the land by its people.

Hardcover. Charlottesville VA, University Press of Virginia, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 553 pages, 348 full-page portraits in b&w. Includes a catalogue of 3,800 silhouettes by the artist. Very good in a crisp, unclipped dust jacket. Auguste Edouart was the most prolific silhouettist ever to work in this country. Arriving from France in 1839, he traveled throughout the United States contracting enough projects in six years to fill over fifty albums; at the same time he created a biographical record of the most famous Americans of the period. This volume contains the most, and the best, of Edouard's silhouettes every to appear under a single cover.

Hardcover. Venice, Marsilio, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly sunned dust jacket. Lovely retrospective of Italian fashion. 151 pages, 277 illustrations, many in color. ITALIAN TEXT. Small sticker, pencil marking to front endpapers, otherwise clean. DOMESTIC SHIPPING ONLY.

NY, Harper & Brothers, 1902, Book: Very Good, Dust Jacket: None, B&w illustration of an indignant woman whose baggage is being searched by customs officers. Art by J.E. Jackson. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Abrams ComicArts, 1st, 2011, Book: Very Good, Dust Jacket: None, 176 pages. Hardcover with no dust jacket. A very clean, unmarked copy. Krazy Kat & the Art of George Herriman is a tribute to one of the most influential and innovative comic strips and creators of all time. This unique collection of rare art, essays, memorabilia, and biography highlights the career of the first genius of comics, George Herriman, and his iconic creations, Krazy Kat and Ignatz Mouse.

Hardcover. New York, Harry N. Abrams, 1st, 1987, Book: Near Fine, Dust Jacket: Very Good, 160 pages. Red cloth cover, light blue dust jacket with color illustrations, 135 illustrations including 50 plates in full color, published for the Library of American Art. Still in original shrink wrap, never opened, very small hole to front of wrapping and dust jacket; book in excellent condition.

Softcover. Williamstown MA, Williams College Museum of Art , 1st, 1992, Book: Very Good, Softcover, Catalogue of the exhibition, based on Marguerite Yorcenar's essay "Antigone, or the Choice from Fires". Contains an interview with Smith, exhibition list, and select bibliography. 88 pages, b&w, some color illustrations. Clean copy.

NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Gorgeous painting of a vintage convertible in front of a train station. Art by John A. Coughlin. Approx 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Hardcover. Boston, MA, Museum of Fine Arts, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 348 pages. 259 illustrations, including 152 plates in full color. Surveys the vast medium of watercolor through the 19th and early 20th centuries, displaying artist such as La Farge, Prendegrast, Wyeth, West, Marin, Homer, Sargent and many others. The first full scale book published documenting the outstanding collection of watercolor at the Boston Museum of Fine Arts. Blue cloth, dark blue lettering to spine and front cover. Beautiful pictorial dust jacket displaying Homer's "The Blue Boat". Like new.

Hardcover. NY, Harper & Row, 1st, 1962, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, price-clipped dust jacket. 248 pages, b&w illustrations, conversations with Albers, Albright, Calder, Davis, Dickinson, Duchamp, Gabo, Graves, Hofmann, Hopper, Kline, Lipchitz, Noguchi, O'Keefe, Shahn, Smith, and Tobey. Clean copy.

Hardcover. NY, Art Directors Club, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. No marking, clean text. About 500 pages. Illustrations, some color, of advertisements, publications, record albums, calendars, menus, letterheads, packaging, posters, books, photographs, television. 12x9". NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, WA, Fantagraphics Books, 1st, 2015, Book: Very Good, Dust Jacket: None, 258 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor wear to edges. A tight copy. Cartoons for Victory showcases wartime work by cartoonists such as Charles Addams, Harold Gray, Harvey Kurtzman, Will Eisner, and many others. Most of the cartoons and comics in this book have not been seen since their first publication.

Softcover. New York, Rizzoli, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages. Blue cloth cover with gilt lettering to spine, color illustrated dust jacket, 405 b&w and 80 color illustrations, stapled cardboard slipcase. Bottom right corner of cover slightly bumped. Very light wear to dust jacket edges; a very clean, tight copy. This book is the first to survey the whole i development of porcelain n Europe between the Napoleonic era and the First World War. The nineteenth century was a period of technological change and of artistic innovation: both these strands came together in the development of porcelain, which industrialization brought within the reach of the burgeoning middle classes of industrial Europe. While early in the century Neoclassicism had brought about a new purity of line and decoration, in Germany and in England taste demanded more elaborate styles and resulted in the emergence of the 'new Rococo' and later in the development of revived styles of decoration such as Minton's 'Majolica' and the work of studio potters. This book covers not only the great factories, Sevres, Limoges, Copenhagen, Meissen, but also the smaller producers in Holland, Italy and Spain and extends to the birth of Art Nouveau.

Softcover. NY, Pierre Matisse Gallery, 1st, 1956, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated (15 pages). Stiff wraps (stapled card wraps) with onionskin cover bearing author name, title, and gallery name on the onionskin, which is then superimposed over red, blue, black and white card cover. B&w illustrations. Onionskin wrapper torn along spine.

1953, Color art of disgruntled couple eating breakfast while painter works by Stevan Dohanos. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Glitterati Inc, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black & white photographs throughout.

Softcover. Rockland, Maine, William A. Farnsworth Library, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Exhibition catalog. Perfect binding, covers completely illustrated in full-color, foreword by Marius B. Peladeau. introduction by Dorothy C. Miller, profuse full-page color and b&w plates, biographical summary. Very mild rubbing to covers, else a clean, tight copy.

Softcover. London, Sotheby's, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, Sale #L05006, 252 pages, illustrated in color, 367 lots. Clean copy.

1945, Book: Very Good, Color art of farmer and wife nursing newborn lamb in their kitchen by Stevan Dohanos. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Burlington, VT, Lund Humphries , 1st, 2008, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. A very clean, unmarked copy. Color illustrations throughout. London Transport Posters celebrates a century of outstanding graphic design commissioned by the Underground, London Transport, and its present-day successor, Transport for London. Drawing on newly researched sources in the archives of the London Transport Museum and Transport for London, the book discusses and illustrates the different styles and themes emerging from the posters over the last hundred years. It includes examples of over 250 posters from all periods and will be an invaluable reference book and visual resource for all those with an interest in 20th-century design.

Hardcover. New York, Whittlesey House, 1st, 1940, Book: Good, Dust Jacket: None, 289 pages. Tan cloth covered boards with black ink spine title. Slight shelf-wear. Slight foxing on inside covers, otherwise, tight, clean copy. Profusely illustrated in b/w.

Softcover. New York, Simon and Schuster, reprint, 1971, Book: Very Good, Dust Jacket: None, Softcover, 126 pages, 100 b&w cartoons by Wilson reprinted from various magazines. In illustrated wrappers with light shelf wear.