Used, Rare & Out-of-Print Art Books - pg. 82 including Terry and the Pirates: The Master Collection Vol. 7: 1941-Raven, Evermoreby: Milton Caniff

Hardcover. Clover Press , 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The saga continues in Terry and the Pirates Volume 7, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs! Embroiled in the guerilla struggle against the invader, Terry meets "Madame Lustre" (AKA Burma!) and matches wits German officers Kiel and Wolff. When Terry eventually reunites with Dude Hennick and Raven Sherman, the stage is set for one of the greatest stories in comics history, with Death waiting to strike unexpectedly. Terry's road leads back to Hong Kong for a major reunion and a welcome-home kiss from April, but the delightful Miss Kane has secret troubles in the form of small-time grifter Sammy the Tapper. Everyone's fortunes are poised to change as Christmas arrives and America charges headlong into World War II! This tabloid-sized Volume 7 containing the 1941 dailies and Sundays is an unparalleled upgrade that no Terry fan can afford to pass up. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Doubleday, Page and Company, 1st, 1927, Book: Good, Dust Jacket: None, Hardcover, blue boards with black cloth spine with label. One Hundred and Seventy-Three Portraits Selected with a Descriptive Account. With A Biographical Dictionary of the Artists. 127 pages including index. INSCRIBED BY AUTHOR on front page: "For Frances with love from Henry B.W. 1927." Illustrated throughout in black and white with a color frontis. Discoloration on edges of front boards, light shelf wear. Interior very good.

Softcover. NY, Brooklyn Museum, 1st, 1978, Book: Very Good, Dust Jacket: None, 208 pages. Softcover published for the exhibition, May 13 - July 16, 1978. Cover image from Robert Rauschenberg, "Airport" series. Full color and black & white photographs throughout. Sections devoted to Philip Pearlstein, Charles Hinman, Mel Ramos, Ed Ruscha, James Rosenquist, Robert Rauschenberg, Jim Dine, more. Clean unmarked text.

Hardcover. Acoustic Learning, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, oblong format. Alley Oop's color time-traveling adventures continue! Come with Alley as he confronts the Ghost of Crummystone Hall, pilots the amazing Perpetual Motion Machine, puts Santa Claus through a weight-loss regimen, befriends an ancient Chinese dragon, and much more! 245 never-before-reprinted strips are presented in this oversize hardcover (9" x 12 1/2 "), covering September 1942 through the end of 1950. Color throughout. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, Fantagraphics Books, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, cloth covers with color label on front, 218 pages illustrated in b&w. The ultimate collection of Wallace Wood's finest science fiction stories. Includes Wood's "My World," adaptations of three classics by Ray Bradbury, a "lost" 3-D story - and a story rejected by the Comics Code, restored and published here for the first time. This mouth-watering collection features the finest (and rarest!) science fiction stories Wallace Wood ever drew - more than two dozen! Wood's meticulously detailed, genre-defining brushwork introduces you to breathtaking planetary vistas, terrifying aliens, and sleek rocket ships surging with the power to conquer the stars. The title story is a rarity that never appeared in any EC comic. Written and drawn for a 3-D comic that was canceled before it could be printed, we present it here in easy-on-the-eyes 2-D. Then, Wood's most iconic story, "My World" is a stunning showcase of the preternatural talent and technique he brought to all his stories. Also included are his trilogy of Ray Bradbury adaptations - "Home to Stay," "There Will Come Soft Rains..." and "Mars Is Heaven!" - plus "He Walked Among Us," a "what if...?" variation on Bradbury's "The Man" from The Illustrated Man. Clean, like new.

Hardcover. Seattle, Fantagraphics Books, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 397 pages illustrated in color. This new volume in Fantagraphics' and Marvel's collaborative Atlas Library presents Girl Comics #1-12, a long unseen subversion of romance comics beautifully designed for a new generation of readers!In 1950, Timely/Atlas/Marvel took a typical romance title called Girl Comics and turned it into a sister companion to its successful men's-adventure comics: an empowering girls'-adventure comic! Mystery, adventure and suspense was promised and delivered! At the hands of a stellar artistic line-up, including John Buscema, Mike Sekowsky, Bill Everett, Joe Maneely, Russ Heath, and Bernard Krigstein, Girl Comics evolved from heart-stricken love stories to hair-raising girl-power thrill rides like "The Death Plunge!," "The House of Shadows!," "I was a Murderer's Daughter!," "They Called me a Spy!," "The Dead Hands at the Controls," and "The Dark Hallway."This volume also features the story behind the stories, with editor Dr. Michael J. Vassallo's essays on Marvel publisher Martin Goodman's enthusiastic relationship with romance comics and magazines at a time when the art form was cementing itself into American youth culture! Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Santa Fe, New MExico, Santa Fe East Gallery, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, 96 pages, illustrated in color and black & white with Ben Shahn works of art; historical black & white photographs of New York City scenes; chronology. Textured, cream-colored cloth with titling in dark gray on the spine & front cover; onionskin-type paper dust jacket with titling in black on spine, and Shahn design on the front panel. Still in original shrink-wrap.

Softcover. Indianapolis, Indianapolis Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Exhibition catalogue of Alfred Thompson Bricher. Softcover, 103 pages; plates in black & white; chronology. Cover: "A Pensive Moment" (color). In very good condition.

Hardcover. New York, George Braziller, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Oversise hardcover in a bright dust jacket. 222 pages, 70 b&w and 41 color plates. All 89 prints by the artist collected here for the first time. This book includes the Japanese text of Oguru hyakunin isshu with Clay MacCauley"s translations & 89 of Hokusai"s plates, inspired by these poems. This was the last of Hokushai"s great print series. It has " a greater richness of colour and more wealth of detail than the prints of any other series in this large format".

Hardcover. Boston, James R. Osgood, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, 63 b&w drawings by Du Maurier of upper class Victorians in England, previously published in Punch. Green cloth covers with beveled edges. All edges gilt.

eej, 1930, Book: Very Good, Dust Jacket: None, Art "Orange drops with the hole", color art not credited. 9 x 13.5", very good.

Hardcover. New York, George Braziller/ Rhode Island School of Design, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, 91 large format color plates. Introduction by Cynthea J. Bogel, poetry translated by Alfred H. Marks.

Hardcover. NY, Archipelago Books, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, color illustrations, 88 pages. Sculptor Auguste Rodin was fortunate to have his secretary Rainer Maria Rilke, one of the most sensitive poets of our time. These two pieces discussing Rodin's work and development as an artist are as revealing of Rilke as they are of his subject. Written in 1902 and 1907, these essays mark the entry of the poet into the world of letters. Rilke's description of Rodin reveals the profound psychic connection between the two great artists, both masters of giving visible life to the invisible. Michael Eastman's evocative photographs of Rodin's sculptures shed light on both Rodin's art and Rilke's thoughts and catapult them into the 21st century. Clean copy.

Hardcover. NY, Henry Holt & Co., 1952, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, contains about 50 one-panel cartoons from the syndicated newspaper strip. The first Dennis collection. Light foxing/spotting to covers, clean copy otherwise.

Hardcover. Trumbull CT, Greenwich Workshop, 5th pr., 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, 160 pages. INSCRIBED BY DOOLITTLE on the half-title page. Filled with visual surprises, Doolittle's art engages both the eye and the mind, encouraging the viewer to look beyond what is seen at first glance. In the book's text, the artist describes her aim of slowing down the viewing process and explores. One folding plate sticks out a tad from the text block and has a minor crease otherwise a clean copy.

Softcover. NY, New York Review Comics, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. The first-ever collection of comics by Ed Subitzky--comedy writer, National Lampoon legend, Atari spokesperson, "The Impostor" on The David Letterman Show, and an enduring influence on an entire generation of cartoonists and humorists. For the entire run of National Lampoon, Ed Subitzky bent, broke, and reimagined what a cartoon could do: A cartoon that hypnotizes you. A cartoon that goes to prison. A cartoon that folds up and flies away. Framed by an interview with Mark Newgarden, this first-ever collection of Subitzky's work is a portrait of one of the funniest, most prolific humorists of the '70s and '80s. Clean copy.

Hardcover. NY, Thames & Hudson, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. 335 pages with 185 illustrations including the 23 color plates bookending the beginning and end of the text. Still in publisher's shrinkwrap.

Hardcover. London, Phaidon Press, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages, 85 reproductions of Holbein's exquisite portrait drawings, tipped-in color frontispiece. Dust jacket with chipping to top and bottom of spine otherwise very good.

Hardcover. NY, Museum of Modern Art/Abrams, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with cover paste-down plate, white lettering. Gerhard Richter (b. 1932) is one of the most highly regarded of contemporary artists, and his series of 15 paintings known as October 18, 1977, is one of the 20th century's most famous works on a political theme. It commemorates the day on which three young German radicals, members of the militant Baader-Meinhof group, were found dead in a Stuttgart prison; they were pronounced suicides, but many people suspected that they had been murdered. Richter's paintings, created 11 years after this traumatic event, are among the most challenging works of the artist's career. These hauntingly powerful images, derived from newspaper and police photography, are now in the collection of the Museum of Modern Art, New York. Clean copy.

Softcover. Salzburg, Museum der Moderne, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 53 pages illustrated in color. INSCRIBED BY THE ARTIST on the title page. Clean copy.

Softcover. NY, Guggenheim Museum, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 315 pages illustrated in color. This volume accompanies the most comprehensive exhibition to date of the innovative body of work by Chinese-born artist Cai Guo-Qiang--best known for his spectacular artworks using gunpowder and fireworks. It presents a chronological and thematic survey that charts the artist's creation of a distinctive visual and conceptual language across four mediums: drawings made from gunpowder fuses and explosive powders laid on paper and ignited; explosion events, documented by videos, photographs and preparatory drawings; large-scale installations; and social projects, wherein the artist works with local communities to create an art event or exhibition site, documented by photographs. Featuring works from the 1980s to the present, this volume illuminates Cai's significant formal and conceptual contributions to contemporary international art practices and social activism. Generously illustrated more than 368 pages, this volume includes essays by Alexandra Munroe, David Joselit, Miwon Kwon and Wang Hui--along with some 60 documented plate entries. Clean copy. Extra postage will be required if shipped overseas.

Softcover. NY, Museum of Modern Art, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 184 pages, illustrated in color and b&w. Just Above Midtown, or JAM, was an art gallery and self-described laboratory for experimentation led by Linda Goode Bryant that foregrounded African American artists and artists of color. Open from 1974 to 1986, it was a place where an expansive idea of contemporary art flourished and debate was cultivated. The gallery offered early opportunities for artists recognized as pivotal figures in late-20th-century art-including David Hammons, Butch Morris, Senga Nengudi, Lorraine O'Grady and Howardena Pindell-as well as a nonhierarchical approach to art that welcomed artists without stylistic proscription.Published in conjunction with the first museum exhibition to focus on this visionary gallery and its ongoing impact, Just Above Midtown: Changing Spaces showcases rarely seen material from JAM's history-artworks, ephemera and photographs-that collectively document the gallery's communal and programmatic activities. This richly illustrated, jacketed paperback catalog includes essays that contextualize JAM and consider its legacy, a conversation between Goode Bryant and Thelma Golden, Director and Chief Curator of the Studio Museum in Harlem, a complete exhibition chronology written by MoMA and Studio Museum staff with nearly 50 annotated entries, and excerpts from oral histories with JAM staff and artists conducted especially for this project. Clean copy.

Softcover. NY, Thames & Hudson/Fine Arts Museum of San Francisco, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages illustrated in color. A colorful survey of the often provocative and always highly creative relationship between art and fashion. A crocheted wool coat of exuberant textures and glowing colors, a dyed and pleated silk vest of baroque sensuousness, a headdress of ribbon intricately ruched in the shape of a leaping fish, an evening gown made from shredded dollar bills, a kimono that carries art appliqued on its sleeve-these are just a few of the beautiful, imaginative, even surreal works of wearable art included in this richly illustrated book, published to accompany an exhibition at the Fine Arts Museums of San Francisco. Clean copy.

Softcover. Los Angeles, Getty Research Institute, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 199 pages illustrated in color. This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters' workshops. In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of "mobile images": motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and Francois Boucher, situating them against a much broader cast of actors--such as printmakers, publishers, anonymous studio assistants, and architects, among others--to place eighteenth-century painting within a wider context of media and making. clean, bright copy.

Hardcover. Chicago, Museum of Contemporary Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Artist Lee Bontecou (b. 1931) became widely known in the 1960s and 1970s for her welded steel sculptures and plastic and epoxy molded assemblages, powerful constructions that evoked natural phenomena and organic biological life as well as machines and instruments of war. This critically acclaimed book re-evaluates the career of this highly influential artist and focuses not only upon the impact of her early work but also on the import she has exerted on a generation of younger artists. Featuring some 50 sculptures and more than 100 drawings from the late 1950s to 2003, the book presents four essays that reposition Bontecou's work within the history of recent art, examine its shifting critical reception, discuss the artistic context in which her work was made, and analyze how science underpinned some of her earliest explorations. Related ephemera laid in. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. NY/Munich, Hirmer Publishers, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 208 pages, color illustrations. Monuments and Myths is the first publication to trace the intersecting work of Augustus Saint-Gaudens (1848-1907) and Daniel Chester French (1850-1931), the leading American sculptors of the Gilded Age. Featuring provocative essays, stunning photographs, and an in-depth illustrated chronology, the catalog brings a contemporary perspective to sculptures that have defined and defied notions of American identity. This critical look at the artists' public and private works considers evolving ideas about race and representation, Indigeneity, civic space, memory, and American history. Clean copy.

Hardcover. NY, Van Nostrand Reinhold, 1st thus, 1969, Book: Very Good, Dust Jacket: Very Good, Three hardback books in original slipcase, dust jackets with minor wear, books are clean, very good. Very Good black slipcase, minor wear and soiling. Each volume includes black-and-white images and illustrations, and full-color plates. 96 pp. A Grammar of Color: A Basic Treatise on the Color System of Albert H. Munsell. Includes an Introduction by Birren. 96 pp. The Color of Primer: A Basic Treatise on the Color System of Wilhelm Ostwald. Includes a Foreword and Evaluation by Birren. 96 pp. Principles of Color: A Review of Past Traditions and Modern Theories of Color Harmony. Fantastic set of books for referencing multiple aspects of color theory.

Hardcover. Berlin, Julius Springer, reprint, 1910, Book: Good, Dust Jacket: None, Hardcover, tan cloth stamped in dark brown, 337 pages. Illustrated with 500 text drawings and 6 2-color plates in rear. A detailed study of perspective. GERMAN TEXT. light stamping to endpaper, title page, otherwise clean.

Softcover. London, Reaktion Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages illustrated in color. Leon Golub was a leading exponent of history painting - painting as a narrative, symbolic expression of global, social and political relations and of the realities of power. In this book, published to accompany a major retrospective exhibition traveling to Ireland, England and the United States, Jon Bird examines the artist's work from the classically influenced early paintings through depictions of conflict and masculine aggression to compelling images of his recent work. Crease to rear cover, otherwise clean, bright copy.

Hardcover. Boston Ma., Houghton Mifflin Co., 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 525 pages, b&w illustrations. Green cloth, gilt titles to front and spine. Light wear and rubbing to edges and spine of pictorial dust jacket, else a very nice, tight copy.

Softcover. Baltimore, MD, Baltimore Museum of Art, 1st, 1989, Book: Near Fine, Dust Jacket: None, Softcover, 119 pages, illustrated throughout in color and b&w. Blue pictorial stiff wrappers. Lovely copy. Like new.

Hardcover. New York, Watson-Guptill Publications, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages. Tan cloth covers, black stamped titles, laminate dust jacket with color illustration, 32 full-page color plates, chronology. Light rubbing and edgewear to dust jacket, clean covers, pages crisp and unmarked; overall, a very clean, tight copy.

Softcover. Washington D.C, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages, illustrated throughout with photos in b&w and color. Pictorial stiff wrappers. Light wear to edges and spine, else a very nice, tight, clean copy.

Softcover. Washington DC, National Gallery of Art, 1st, 1995, Book: Near Fine, Dust Jacket: None, 118 pages, illustrated in color and b&w. INSCRIBED BY CHOTNER TO JOHN (WILMERDING) on title page. Softcover exhibition catalog in like new condition.

Hardcover. Hanover NH, Hanover : University Press of New England, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 356 pages, illustrated with over 500 plates in duotone, color frontispiece. Bibliography. Very good in a very good, bright dust jacket, minor fade to spine.

Hardcover. New York, Watson-Guptill Publications, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, includes 40 color plates, (32 full page), as well as 19 b&w illustrations. Introductory biographical essay by author. Clean and well bound in blue cloth, very good condition. Dust jacket shows a little bit of wear around edges.

Softcover. Washington , Smithsonian Institution Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. 202 pages, illustrated throughout with 148 plates in b&w. White pictorial stiff wrappers. Light wear to covers, small tear to upper edge of spine, else a very nice, tight copy.

Softcover. Los Angeles :, Los Angeles County Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 191 pages, illustrated throughout with numerous plates in b&w. Cream dye-cut textured wrappers. Light wear and staining to covers, else a very nice, tight copy.

Hardcover. San Francisco , Pomegrante Artbooks, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, XV pages + 36 plates in full color. Light blue cloth, blue pictorial dust jacket. Light edgewear to jacket, else like new

Hardcover. New York , Praeger Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages, profusely illustrated with nearly 200 color and b&w plates of Nevelson's work. Dark blue cloth, pictorial dust jacket. Slight edgewear and rubbing to jacket, else a very nice, tight, clean copy.

Softcover. New York , Ira Spanierman Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Exhibition catalog. 88 pages, illustrated throughout with numerous plates in b&w and 19 plates in full color. French folded pictorial wrappers. Lovely copy. like new.

Hardcover. New York, Clarkson N. Potter, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages, 102 b&w and 22 color plates. Clean, tight copy in a bright dust jacket.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated in color. Bright, clean copy in similar dust jacket.

Softcover. Williamstown, MA, Prestel & Williams College Museum of Art, 1st, 1990, Book: Near Fine, Dust Jacket: None, Exhibition catalog. 193 pages, illustrated throughout numerous illustrations in b&w and 139 plates in full color. Pictorial stiff wrappers. Minor edgewear to covers, else like new.

Softcover. New York, Metropolitan Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 165 pages, illustrated in b&w and color. INSCRIBED BY MARGARET & RAYMOND (HOROWITZ) TO JOHN WILMERDING, art historian and author. Also laid in is the business card of JOHN K. HOWAT - curator of this exhibition at the Metropolitan. Tight, clean copy.

Softcover. New Millford NJ, Hovnanian Armenian School, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 52 pages illustrated with 26 color plates. Clean, tight copy. Scarce.

Softcover. Philadelphia, Pa. , Pennsylvania Academy of the Fine Arts, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 211 pages, illustrated throughout in color and b&w. Pictorial gray stiff wrappers. Light wear and rubbing to edges and spine, lower front corner dog-eared, else a very nice, tight copy.

Hardcover. Atlanta GA, High Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color and b&w plates. Like new in a bright, unclipped dust jacket. John Henry Twatchman (1853 - 1902) was an American painter best known for his Impressionist landscape paintings, though his painting style varied widely through his career. Art historians consider Twachtman's work to be among the more personal and experimental of his generation. He was a member of "The Ten", a loosely allied group of American artists, whose members included Childe Hassam, Edmund Tarbell, Frank Benson, and Robert Reid.

Hardcover. New York, Abbeville Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Large format hardcover, 256 pages. 338 illustrations, 113 in color. Bright, tight copy with very good dust jacket.