Softcover. NY, Farrar, Straus and Giroux, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover. A collection of drawings by Tomi Ungerer on the themes of men, women, and sex. Unpaginated [112 pages]; 109 full-page b&w illustrations; 9.25 x 12.25 inches. Previous owner's inscription on front endpaper, otherwise clean.
Softcover. US, Kitchen Sink Press, reprint, 1988, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.
Softcover. Pawtuxet Cove, RI, Dale Chihuly, 1st, 1982, Book: Very Good, Dust Jacket: None, 45 full page color reproductions. Beautiful catalog for exhibition traveling to Tucson Museum of Art, San Diego Museum of Art, and St. Louis Art Museum. Printed on Northwest Quintessence by Foremost Lithograph, Co. Slight wear on cover. All else in very good condition.
Hardcover. Mad Cave Studios, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover , pictorial boards, 203 pages illustrated in color. Science fiction's most enduring icon Flash Gordon returns in newly restored editions, collecting his ongoing adventures on the mysterious planet Mongo. Reprints all of Alex Raymond's Sunday strips from January 19, 1941 to August 13, 1944, and includes an extensive essay examining his final years on the series by writer Doug Murray. Clean copy.
Softcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in color. The latest (and possibly last) issue of the greatest magazine devoted to EC comics ever published. Co-edited by Grant Geisman and John Benson, this issue includes previously unpublished interviews with Gene Colan and Russ Heath, a lavishly illustrated critical study of Atlas' Kurtzman-inspired war comics by Benson, a Kurtzman remembrance by R.O. Blechman, an astounding reprint of The Hartford Courant's campaign against "salacious and depraved" comics (i.e., EC), 12 page spread of Jack Davis's Coca-Cola advertising images, and much much more. An essential historical feast for EC fans.
Hardcover. New York , Simon and Schuster, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages, comprised of sixteen "graphic biographies" of luminaries of comics and illustration. Beautifully illustrated by artists like Mark Alan Stamaty, Peter Kuper, Drew Friedman, Arnold Roth and others.
Hardcover. New York, Thames and Hudson, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 280 pages. Black cloth covers with silver titles to spine, silver pictorial to front, silver dust jacket and slipcase with color illustration, 191 illustrations throughout. 1"x3" strip missing from upper right corner from front endpaper, slight rubbing to dust jacket and slipcase, clean covers, pages crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.
Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black and white fantasy cartoon sketches, many scatological. 11" high X 8" wide, 443 pages. Clean, still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Tucked away among the letters, diaries, and other ephemera in the Smithsonian's archives lies a trove of rarely seen snapshots of some of the twentieth century's most celebrated artists. Unlike the familiar official portraits and genius-at-work shots, these humble snaps capture creative giants with their guard down, in the moment, living life. Pablo Picasso stands proudly on a balcony with young daughter Maya--a tiny, meticulously inked annotation penned by an unknown hand proclaims that "he's very much in love." Jackson Pollock morosely carves a turkey while his mother, Stella, and wife, Lee Krasner, look on. A young Andy Warhol clowns for the camera with college friend Philip Pearlstein, and in a later shot more closely resembles his famously enigmatic public self at a gallery opening with John Lennon and Yoko Ono.
Hardcover. US, Sunday Press (CA), 1st, 2016, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Over-size volume. This selection of Dick Tracy Sunday pages from 1931 to 1939 features Gould's most infamous villains of the decade, with four complete stories, plus forty more fabulous Sundays highlighting the villains and heroes not seen in the featured cases. 168 pages, 11" X 16", color throughout.
Hardcover. New York, Henry Holt and Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 252 pages. B&W and color animation throughout. Pictorial dust jacket, slight wear to covers, edges, and spine. Dust jacket price-clipped. Blue boards with gilt title to spine. Overall, a clean, tight copy.
Hardcover. Los Angeles, Getty Research Institute, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. From 1940 to 1990, Los Angeles rapidly evolved into one of the most populous and influential industrial, economic, and creative capitals in the world. During this era, the region was transformed into a laboratory for cutting-edge architecture. Overdrive: L. A. Constructs the Future, 1940 - 1990 examines these experiments and their impact on modern design, reframes the perceptions of Los Angeles's dynamic built environment, and amplifies the exploration of the city's vibrant architectural legacy. The drawings, models, and images highlighted in the Overdrive exhibition and catalogue reveal the complex and often under-appreciated facets of Los Angeles and illustrate how the metropolis became an internationally recognized destination with a unique design vocabulary, canonical landmarks, and a coveted lifestyle. Clean copy. In publisher's shrinkwrap.
Softcover. San Francisco, Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 132 pages, color illustrations. Culling more than 150 of the most colorful and sometimes unbelievable posters from 1957-1990. Includes an illuminating bilingual essay discussing the posters' creation, the role of cinema in Mexican popular culture, and the ups and downs of its film industry.
Hardcover. US, Farameh, 1st, 2011, Book: Very Good, Dust Jacket: None, 496 pages. Like new in publisher's shrink-wrap. Slipcased. "SKULL STYLE is a beautifully designed book presents not only one of the most ancient symbols used in the history of mankind but how it is utilized in the most surprising and modern way today. Formerly an emblem of evil and mortality, the skull has been transformed into an avant-garde design element used in the most cutting-edge art, chic interiors and vanguard style of the moment. Whether embellished on costly T-shirts, woven on limited edition chairs, and even encrusted with diamonds sold at an art auction for $100 million, the skull is no longer just a daunting memento of our frail mortality but a contemporary figure of fashion. This 500-page book shows how this once morbid trinket of death has been reinvented into the much-desired decoration by the trendsetters of tomorrow. Glow-in-the dark cover art designed by Lucien Pellat-Finet."
Softcover. New York, NY, National Academy of Design, 1st, 1985?, Book: Very Good, Dust Jacket: None, Exhibition catalog. 95 pages. B&W and color illustrations throughout. Introduction By Annette Blaugrund. Red pictorial cover with wear to spine and slight soiling to covers. Overall, a clean, tight copy.
Softcover. Milwaukee, David Barnett Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 20 pages, b&w, 3 color plates. Masking tape over gallery logo on rear cover, with Falkman's phone number and address in her hand. Bright copy.
Softcover. Baltimore MD, Baltimore Museum of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Large softcover, 202 pages illustrated in color and b&w. Less famous than Gertrude Stein and her brother Leo, the Cone sisters were important patrons of early modernism and the School of Paris. Their collection, which is especially rich in works by Matisse, now resides in the Baltimore Museum of Art. Clean copy.
Hardcover. Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships. Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades
Hardcover. New York, Viking Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 372 pages. Introduction by John Rothenstein. Green cloth covers, gilt titles to spine, b&w illustrated dust jacket with bold yellow titles, 502 b&w plates, with accompanying appendix of notes on plates. Clean covers, light rubbing to dust jacket, price-clipped, previous owner's signature to front endpaper, slight foxing to preview pages, pages crisp and otherwise unmarked; overall, a very clean, tight copy in great condition.
Hardcover. Washington DC, National Gallery of Art / Yale University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Publisher's full red cloth, gilt lettering on spine, gold endpapers. Profusely illustrated with numerous full-color plates (many full-page) as well as B&W illustrations. Published to coincide with the exhibition held at the National Gallery of Art, Washington, and the Kimbell Art Museum, Fort Worth, October 1996 to May 1997. Includes essays by Jean-Pierre Cuzin, Gail Feigenbaum, Patricia Behre Miskimin, Edmund P. Pillsbury, and Leonard J. Slatkes; and also technical essays by Claire Barry, Barbara Berrie, Melanie Gifford, and Michael Palmer. Also includes Bibliography and detailed Index. . Both the volume and the unclipped dust jacket are in pristine condition.
Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Many color illustrations and photographs throughout. Artist David Shillinglaw is as comfortable in the street as in the studio, as likely to paint on found objects as on canvas, as interested in tiny hand-made artist's books as in large-scale public murals. His mural in the Olympic Park in East London is the longest mural ever commissioned in Great Britain, while his brilliantly inventive creations enliven construction hoardings throughout London's changing cityscape. The Dance of 1000 Faces is the first book to gather a significant number of Shillinglaw's works. It presents his art in full color in all its many forms: not only paintings and murals, but journals drawings, sketches, and more. It reveals Shillinglaw's particular genius for depictions--and distortions--of the human face, grimacing and grinning, shifting and shaping as it becomes no one and everyone at once.
Hardcover. New Haven, Yale University Press, reprint, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 625 pages, 700 b&w plates. Light edgewear to dust jacket, small tear; previous price sticker on front flap. Foxing to top edge. Else a clean, tight copy.
Softcover. Boston, Acme Fine Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, color plates. Introduction by James Bennette, David Cowan. Clean, bright copy.
Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages, illustrated in b&w and color. Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau Realisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world. Clean copy.
Hardcover. New York, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs spanning over 30 years. Tight copy.
Hardcover. New York, Daily Racing Form Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Oblong hardcover, 185 pages, illustrated throughout with cartoons and INSCRIBED BY AUTHOR on title page. Minor corner bump and edge wear, otherwise, very clean and tight copy.
Softcover. Bogota COL, Galeria Alfred Wild, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 20 pages with color photos of the Colombian artist's wood sculptures. Clean copy.
Hardcover. Washington DC, Freer Gallery of Art, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt decoration and titling. 108 pages, 50 bw plates. Includes a preface and introduction by A.G. Wenley, a chronology (from the Hsia up to 1766 BC to the Republic of China), various maps, bibliography, list of plates, list of bronzes in numerical order, the catalogue itself and the index. Each plate is described in great depth. Includes ceremonial vessels, mirrors, blades and swords. Particular attention is paid to designs on the bronzes. Oriental Studies No. 1 of the Freer Gallery of Art; Smithsonian Publication No. 2805. Minor bowing to rear cover otherwise clean, very good.
Hardcover. New York, William Farquhar Payson, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers with black titles, 141 pages. Foreword by Walter Lippmann. A selection of his editorial cartoons which appeared in The World newspaper. Each drawing has a page of text opposite, giving background and context to the cartoon. Light shelf wear, clean interior.
Hardcover. New York, Farrar, Straus & Young, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover, Illustrated throughout, previous owner's inscription on front fly leaf, dust jacket price clipped, minor dust jacket edge wear, otherwise, very clean and bright.
Softcover. Provincetown MA, Provincetown Art Association, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, stapled, 12 pages, color and b&w illustrations. Biography by Kathryn Lee Smith, the artist's granddaughter. Clean, bright copy.
Hardcover. Portland OR, Pomegranate, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 124 pages. MF Cardamone creates artwork that harks back to centuries past but is deeply rooted in the present. Her cultural and sociological commentary, delivered in words and images, reveals her sly sense of humor and love of all things botanical. An artist fluent in various media, including painting, sculpture, and limited-edition clothing, Cardamone discovered her passion for plants when she restored a garden at her seventy-five-year old farmhouse near Philadelphia. She enrolled in the Barnes Foundation Arboretum School and learned to collect specimens and create herbarium sheets, documenting the many medicinal uses of plants along with their history and landscaping potential. She picked up old books of botanical illustration, and herbals from a time when a pharmacist might prescribe a homemade tea to cure whatever ailed you. When her studies expanded to medical QiGong and Hatha yoga, her artwork took on a spiritual dimension. Cardamone begins with a plant specimen and watercolor paper, then turns to gouache, pen and ink, and digital imagery. She balances the scientific aspect of her work with a large dose of humor in the selection and placement of cultural icons from the plant's home environment
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 90 full color plates. In this vivid and engaging book, Arpad Kovacs explores the social, symbolic, scientific, and aesthetic approaches to a subject that has been of continuous interest to photographers across the centuries.
Hardcover. Cambridge, MA, Harvard University Press , 1st, 1966, Book: Very Good, Dust Jacket: None, 2 volume hardcover set. Volume 1: In America, 1738-1774, Volume 2: In England, 1774-1815. 491 pages + illustrations in b&w. Brown/blue cloth with gilt titles, slipcase. Light shelf-wear to covers and faint foxing to top edge. Light wear to slipcase, else a clean, tight set.
Hardcover. Dunlop Art Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 169 pages. Illustrated in color and b&w. Text in English and French. Clean, bright copy.
Hardcover. Boston, David R. Godine, 3rd pr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tojiro, a nine-year-old orphan, sells rice cakes on the streets of 19th-century Edo, the bustling city we now call Tokyo. One of his customers is the grumpy, eccentric octogenarian Hokusai. The old man takes a liking to Tojiro, and soon employs him as his assistant. The boy's ignorance provides a convenient vehicle for introducing the artist's life and work. Much of the dialogue and action is written for the purpose of conveying information about Hokusai, as well as the technique of woodblock printing and the social customs of Edo. The book's greatest strength is not the text, but the art that enlivens every page. A combination of the author's watercolors and reproductions of Hokusai's drawings and woodblock prints, the illustrations are arranged in enticing and varied page designs.
Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."
Hardcover. Munich, Prestel, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 144 pages, hardcover with dust jacket. With an essay by Marco Livingstone, and a foreword by Norman Rosenthal. Complete catalog of prints compiled by Richard Lloyd. Mild rubbing and edgewear to dust jacket. 297 illustrations, 81 in color. Unmarked. Bright and clean; a tight copy.
Hardcover. NY, DC Comics, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 680 pages in color. Originally introduced in 1940 and co-created by Jerry Siegel, co-creator of Superman, the Spectre was a green-caped, white-skinned, all-powerful demi-god who meted out his own version of justice -- very grim justice! DC's grim arbiter resurfaced in the 1960s, brought back by the dream-team of Julius Schwartz, Gardner Fox and Murphy Anderson in Showcase in 1966, then in The Brave and the Bold, in ten issues of his own title, also by Fox and Anderson, and ultimately returned to the all-powerful 1940s version dark Spectre as re-imagined by Fleisher and Aparo in Adventure Comics #431-440. What we have here are ALL of those great Silver Age appearances in one volume. Still in publisher's shrinkwrap.
Philadelphia Museum of Art , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, large format 12" X 12", 236 pages, illustrated i color throughout. Includes 316 illustrations, including 246 in full colour. The catalogue to accompany the exhibition held Sept. 25 to November 20, 1994 in Philadelphia. The exhibition surveyed the design history of Japan from 1950 through to the early 1990s. Clean copy.
Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The Window in Photographs includes more than eighty color plates spanning the history of photography, all drawn from the J. Paul Getty Museum's permanent collection.
Hardcover. New York, Walker and Company, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 72 pages. Hardcover. Dust jacket unclipped. Color and B/w gar 12/8illustrations throughout. cover boards bound in red cloth with gilt title and decoration on spine and front cover. Some age wear to dust jacket, very good condition. Clean and unmarked inside, binding tight. In great shape for its age.
Softcover. Wilmington,DE, self-published, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, horizontal format, 48 pages. This catalog is the first published monograph devoted to the life and work of Albert Insley, 1842-1937, who was engaged primarily in the painting of landscapes and marines around Brooklyn and Staten Island, New York; Bayonne and northern New Jersey; along the Hudson River; and in the New England states. 54 paintings are briefly described and illustrated, 37 in color. Clean copy.
Hardcover. Boston, Museum of Fine Arts, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It is little known that interbellum Britain hosted a generation of Modernist artists who absorbed the wealth of Continental avant-garde idioms and adapted them to their own unique ends. Some of this work was done under the rubric of Vorticism, the Neofuturist movement spearheaded by Wyndham Lewis, while other artists were closely associated with London's Grosvenor School of Art (and so came to be known collectively as the Grosvenor School), breaking new ground in the practice of linocut. Rhythms of Modern Life examines the impact of Cubism and Futurism on British printmaking in the years between the First and Second World Wars, focusing in particular on the dynamic imagery of 13 artists, including C.R.W. Nevinson, Paul Nash, Edward Wadsworth and David Bomberg, all early followers of Italian Futurism and British Vorticism, and on the works of Grosvenor School artists Claude Flight, Sybil Andrews, Cyril Power and Lill Tschudi. All of these artists coined styles that addressed the velocity of modern life, espousing industry, speed and an optimism for the century ahead. This book, the first survey of its kind, features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from geometric abstractions to forceful impressions of the first fully mechanized war, Jazz Age images of sporting events, speed trials and other contemporary diversions. Clifford S. Ackley's introduction takes stock of the art historical moment and is followed by discussions of the prints, an overview of the history and technique of the modern linocut and short biographies of the artists.
Hardcover. Los Angeles, CA, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book brings together Salgado's photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.
Hardcover. Venice, Marsilio, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly sunned dust jacket. Lovely retrospective of Italian fashion. 151 pages, 277 illustrations, many in color. ITALIAN TEXT. Small sticker, pencil marking to front endpapers, otherwise clean. DOMESTIC SHIPPING ONLY.
Hardcover. London, Rebellion, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages, mostly b&w, some color. Charts the stratospheric rise of romance comics in postwar Britain with a selection of the greatest romance comics ever printed in the UK. Featuring an eclectic mix of artists from Spain, Italy, and the UK, this collection unearths the sensual art and emotional writing which delighted generations of comics readers. Featuring over 50 comics stories - many of which have never been reprinted before - this lavish book is a stunning tribute to the often uncredited creators who crafted an industry of love. Clean copy.
Hardcover. New York, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This intellectual tour de force draws on interviews with such key artists as Jean-Jacques Lebel, Mimi Parent, and Jean Benoit, and uses primary sources to advance our knowledge of the work of the better-known Surrealists, from Hans Bellmer to Meret Oppenheim. The Second World War, the Algerian War, and May 1968 are related in new ways to surrealism as a major countercultural force throughout this critical period in French history. By documenting the ways in which the Surrealists used sound, lighting, special effects, and performance art to create a living, theatrical environment, Dr. Mahon sheds new light on topics central to understanding art in our time.
 "Man Ray: 360 Degres de Libertes by: Man Ray and Arturo Schwarz")
 "Flash Gordon Classic Collection 3: The Complete Sunday Strips 1941-1944 by: Raymond, Alex")
 "R. Crumb Sketchbook Volume 5: Dec. 1989 - Jan. 1998 by: Crumb, Robert")
 "Dr. Claribel and Miss Etta: The Cone Collection of the Baltimore Museum of Art by: Richardson, Brenda")
 "The Old Man Mad about Drawing: A Tale of Hokusaiby: Place, Francois")
 "Allen Jones: Printsby: Jones, Allen")
 "A Very British Affair: The Best of Classic Romance Comics by: David Roach")
