Art

Hardcover. NY, Assouline, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages, color plates. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and glamour. Along with elegant photographs by Vanity Fair photographer Jonathan Becker are intimate anecdotes written by the people who know these bright young things best. In a bright, unclipped dust jacket.

Hardcover. University Park, Pennsylvania State Univ Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets. Professor Armi posits that the great third abbey at Cluny is the building where regional masons of different traditions first combined their talents to develop a new design, and that the artisans responsible for the masonry also created its sculpture. Volume I Text, 204 pages; Volume II contains 238 b/w Illustrations.

Softcover. Hong Kong, Bonhams, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 111 pages illustrated in color. Auction catalogue for Bonhams Hong Kong 29 May 2023 Sale 28699, Lots 101 - 183. Text in English/Chinese. Printed in Hong Kong. Clean copy.

Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.

Hardcover. NY, Abbeville Press, 2nd ed., 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, lavishly illustrated throughout in full color. Large heavy volume. Minor shelf-wear to dust jacket, else a clean, tight copy. Second edition of Lightbown's original 1978 monograph, expanded here; A full account of Botticelli's life and work; Winner of the Prix Vasari;Reassesses Botticelli's major works, examines his use of color, and traces his career as an artist.

Hardcover. NY, Nostalgia Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages, b&w art. This book presents Foster's original drawings in a new format that works well for the book, doing away with the original text in the margins for new expanded text enhanced by Max Trell. So it reads more like a illustrated book that a comic strip. To see Foster's draftsmanship in the inked form without color allows you to really appreciate the quality of his artistry. Another nice treat in the book are the special educational front endpapers, titled "Knightly Arms & Armor", drawn by Foster.

Softcover. Charlottesville, Va., University of Virginia Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 123 pages. Exhibition catalog. Illustrated throughout in color and b&w. Light wear/crease to spine, else a clean, tight copy.

Hardcover. New York , Pantheon, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 56 pages, b&w graphic novel drawn by Burns. No dj issued. Fusing the unsettling kitsch of EC horror comics, the storytelling sensibility of Euro-classics like Tintin, and the astute observations about young adults that made Black Hole so engrossing, Burns has turned out a haunting first chapter in what promises to be a spellbinder. The opening pages flip among the various realities of Doug, a young man recovering from a head injury of some kind with only a box of pills and some strawberry Pop-Tarts to speed his recovery. Flashbacks and dreams switch among various scenes: Doug and his hypocrite father; a wild party gone awry when Doug's crush object's crazy (but unseen) boyfriend goes on a rampage; and, most mysteriously, another world--found behind a hole in a brick wall--where dead cats live, worms weep, and a giant hive rules a grim city of deformed creatures. Burns's control of the story is masterful--the recurring imagery make it unclear just which is the reality and which is the dream. His sharply delineated art captures a grotesque yet sympathetic view of kids thrust far beyond a world that they can control or even understand.

Hardcover. New York, Rizzoli, reprint, 2011, Book: Very Good, Dust Jacket: Good, Hardcover, 248 pages. Extensive color photography throughout. Some shelf wear and minor tear to printed acetate dust jacket. Slight rubbing to top corner. Otherwise clean, tight copy. "This book showcases a wide range of styles by such fashion luminaries as Cassini, Chanel, Dior, Armani, and McQueen, among others. The beautiful fashions, photographed by such notable photographers as Patrick Demarchelier, Benno Graziani, Horst, Arthur Elgort, Milton Greene, David LaChapelle, and Irving Penn capture the effervescent spirit that is associated with the wedding dress. The Wedding Dress begins with an overview of the sumptuous wedding gown, chronicling its history from royal weddings to today's celebrities."

Hardcover. Rockland ME, Farnsworth Art Museum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 91 pages. Beautiful full-color illustrations throughout - several historical photographs of Nureyev. Clean copy.

Hardcover. Syracuse NY, Syracuse University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 186 pages, 116 illustrations. "The first serious study of the totality of Stickley's accomplishments, especially his architecture", and as a central figure in the American Arts and Crafts Movement as founder of The Craftsman and of the Stickley Workshops. Bibliographical references, pages 169-181. Clean copy.

Hardcover. New York , Mark Batty Publisher, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages. Color photos of the Paris Metro features signs, graffitti, artworks, architecture. The text is in English.

Softcover. Providence, RI, Rhode Island School of Design, 2nd, 1966, Book: Very Good, Dust Jacket: None, 69 pages. Softcover with slight edgewear to wrappers. Minor shelf wear to back wrapper with some discoloration to top edge. Black and white images throughout. Edition limited to 2, 200 copies designed by Malcolm Grear.

Softcover. UK, PS Artbooks, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. A facsimile reprint from 1940, 68 pages. Color art by C.C. Beck, Pete Costanza et al. The origin and first adventures of Captain Marvel (issue #1 was an ashcan). Young Billy Batson discovers the magical word that transforms him into the mighty Captain Marvel. Includes the first appearance of these back-up strip stars, most who would get their own title: Spy Smasher, Ibis, Golden Arrow, Dan Dare, Scoop Smith and Lance O'Casey. First appearance of arch villain Sivana. Clean, like new.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. The first published collection of the work of Joe Eula, oe of the 20th century's greatest fashion illustrators. Brings 200+ gorgeous b/w and full-color sketches and finished illustrations; sheds light on Eula's development as an artist, and his contributions to the worlds of fashion, design and arts and entertainment.

Hardcover. Milwaukie, OR, Dark Horse Comics, Inc. , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardbound, 72 pages. Illustrated by David Dorman. INSCRIBED BY BISSETTE with drawing on title page. Dust jacket with Brodart cover. This exquisitely produced, Smythe-sewn, embossed hardcover volume features an Aliens tale written by today's master of horror comics, Steve Bissette, accompanied by 24 full-color paintings by the most sought-after painter in the field, Dave Dorman. An Alien has been detected on board a space station orbiting Earth, and a crack extermination team sets out to destroy it. The success of their mission depends on one man's sinister secret. The story is presented in the traditional text format accompanied by full-page color paintings by Dorman. This book also features a dust jacket illustrated by Dorman.

Hardcover. NY, Viking Press, 1st, 1955, Book: Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket, 319 pages, b&w illustrations. Biography of one of England's greatest painters and engravers. Shelfworn, a nice reading copy.

Softcover. NY, Harcourt Brace Jovanovich, 1st, Book: Very Good, Dust Jacket: None, Illustrated cardboard box housing twelve 11 x 14 inch color prints featuring illustrations from Joan Walsh Anglund's books, including Spring is a New Beginning, A Friend is Someone Who Likes You, Love is a Special Way of Feeling, and Christmas is a Time of Giving. All prints in excellent condition.

Softcover. Hensonville NY, Black Dome Press, 1st, 1993, Book: Good, Dust Jacket: None, 199 pages. Softcover. Extensive b&w photography throughout. Some curling to dust jacket, otherwise clean, tight copy.

Hardcover. Boston, New York Graphic Society , 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 162 pages. Green cloth cover with gilt lettering to cover and spine, illustrated dust jacket, 90 tritone and 78 duotone illustrations, companion copy to "Charles Sheeler: Paintings and Drawings." Light wear to dust jacket; otherwise a tight, clean copy.

Softcover. Old Westbury NY, The Feminist Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 237 pages, b&w illustrations. A generation after her death, German artist Kathe Kollwitz won a reputation as one of the great graphic artists of the 20th Century. Concentrating on the more 'democratic' media--especially etchings, lithographs, posters, and woodcuts, as well as sculpture and bronze reliefs--Kollwitz always created for the people, rather than for the upper class collector. This original paperback is generously illustrated with many striking, seldom-seen reproductions from private collections, assembled in one volume for the first time. Name on front fly leaf, inscription on title page. Otherwise clean.

Hardcover. NY, Ibooks/Simon & Schuster, 1st thus, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright, unclipped dust jacket. B&w art by Lomax.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Nonpaginated. Hardcover. Color and b&w illustrations by Frank King throughout. Gilt titles on spine. Blind stamp on cover. Illustrated end papers and pastedowns. Include appendix of historical sketches. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Doubleday Page & Co., reprint, 1922, Book: Good, Dust Jacket: Good, 284 pages, hardcover, b&w photographs. Some minor insect damage to rear hinge. In a worn and chipped dust jacket with soil. Sunday school stamp inside front cover.

Hardcover. Milan, Silvana Editoriale, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Iraqi-American artist Michael Rakowitz's (b. 1973, USA) first major European survey presents a sequence of installations drawing on architecture, cultural artifacts and cuisine to tell stories of social ritual, conflict and loss. It encompasses work considering the citizen visionaries of post Soviet Hungary, Middle Eastern Beatles fans and the stonecarvers of Afghanistan, with Rakowitz's casts of players and objects revealing the legacy of colonization, modernism and globalism. The artist's life-size replica of the gigantic lamassu, one of two monumental winged bulls that once guarded the gates of Nineveh in Iraq, currently features on Trafalgar Square's Fourth Plinth. This recreation of an ancient mythological creature is made from everyday date syrup cans and is part of an epic endeavour to recreate all 7,000 objects looted from the Iraq Museum in 2003, as well as those destroyed more recently at archaeological sites like Nimrud, also presented here. Text in English and Italian. Short closed tear to dj corner. otherwise like new. DOMESTIC SHIPPING ONLY.

Hardcover. Fribourg, Office du Livre, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a bright but edgeworn dust jacket. 339 pages with 34 tipped-in color plates and 314 b&w illustrations. Top edge gilt. Catalogue raisonne of 117 items forming what is arguably the best collection of soft-paste Sevres in existence. With biographies of important artists and craftsmen, introductory essay on the factory, important personages, crafstmen, painters and gilders, and colours. Scarce.

Hardcover. Neshannock PA , Hermes Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover. 207 pages. Extensive color illustrations by Lee Falk throughout. Illustrated cover, endpapers and pastedowns. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Garden City, Doubleday & Co, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 549 pages. Tan cloth cover with gilt lettering to spine, color illustrated dust jacket, b&w illustrations, comprehensive reference work on Western American art. Light wear to dust jacket; overall a clean, tight copy.

Hardcover. Munich, Hirmer Publishers, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 288 pages. Oscar Munoz: Invisibilia is Colombian artist Oscar Munoz's first retrospective in the United States. Addressing the entire span of Munoz's career--from the 1970s to 2020--this exhibition catalog is the most substantive book on Oscar Munoz's work in English to date. Invisibilia includes artworks ranging from Munoz's early charcoal drawings to his later conceptual photographic, video, and installation works. The bilingual catalog includes essays in both Spanish and English from a diverse cadre of scholars who offer fresh takes on Munoz's best-known works and illuminate his more obscure experiments. It also features interviews with the artist as well as a recent text he has written on his practice. A comprehensive chronology charts Munoz's artistic evolution alongside the development of the artistic scene in Cali, Colombia, where he began his career and continues to live and work, rooting the artist's works in their cultural and historical context. Clean, still in publisher's shrinkwrap.

Softcover. San Francisco, Chronicle Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Accompanied traveling exhibition. Essays by Jane Livingston, Karen Tsujimoto, Henry T. Hopkins and Maurice Tuchman. Beautiful color plates, including a foldout and photos of the artist. Checklist for the exhibition. Chronology. Bibliography. Clean copy.

Softcover. Montreal , Drawn & Quarterly, 1st, 2003, Book: Very Good, Dust Jacket: None, Non paginated. Softcover. Extensive b&w illustrations by Michel Rabagliati throughout. Clean, unmarked copy with only minor wear to wrappers. Rabagliati`s strip "Paul: Apprentice Typographer" was one of the highlights of 1999`s Drawn & Quarterly anthology, and his first comic book Paul in the Country won the 2000 Harvey award for Best New Talent. This, his first graphic novel, is a sweet, unsentimental story about being a teenager and Rabagliati's crisp retro-modern 1950s drawing style. Paul Has a Summer Job continues the story of Paul, a Quebecois teenager in the 1970s, as he experiences the first conflicts of responsibility with his desire to be free.

Hardcover. Clarkson N. Potter, inc, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 236 pages. b&w and color illustrations and photographs. Red cloth spine. Dust jacket edgewear, otherwise in good shape. Everett Shinn (1876 - 1953) was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," who protested the restrictive exhibition policies of the powerful, conservative National Academy of Design. He is best known for his robust paintings of urban life in New York and London, a hallmark of Ashcan art, and for his theater and residential murals and interior-design projects. His style varied considerably over the years, from gritty and realistic to decorative and rococo.

Hardcover. Ames IA, University Museums at Iowa State, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 398 pages. Mainly b&w illustrations with a small color section in center. In 1927, President Raymond Hughes began planning aesthetic improvements to the Iowa State campus. In 1933, at the depth of the Great Depression, and in an act that dramatically illustrates his artistic commitment, he began discussion with Grant Wood and Christian Petersen for each to create a significant mural cycle for the Iowa State College campus in Ames. The federal New Deal s Public Works of Art Project began in 1934 and offered a grand opportunity to employ artists in executing Grant Wood s painted mural for the library, When Tillage Begins, Other Arts Follow, and Christian Petersen s sculpted mural for the Dairy Industry Building, The History of Dairying. This book presents the first history of the Public Works of Art Project in Iowa and the first in-depth examination of the Grant Wood and Christian Petersen murals at Iowa State College. It also discusses the co-operative painting group that Grant Wood developed and illuminates the collaborative nature of the Iowa Project among its artists, as well as between the State University of Iowa in Iowa City and Iowa State College in Ames. Clean, like new. DOMESTIC SHIPPING ONLY.

Softcover. NY, Stewart Tabori & Chang, reprint, 1997, Softcover, 169 pages, illustrated in color. An authority on Pompeii and the ancient Roman Empire takes readers on a tour of Pompeii, examining every aspect of the city and its people. This presentation of over 80 amazingly diverse works of erotic art from Pompeii and nearby Herculaneum accompanies a meticulous text which discusses the works in detail, emphasizing elements of composition, style, origin, and the mythological or real-life influences that inspired their creation. 159 color photos by Antonia Mulas.

Hardcover. Germany, Moderne Kunst Nurnberg, 1st, 2011, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. The animated films of Nathalie Djurberg (born 1978) won the artist a Silver Lion at the 2009 Venice Biennale. Her films animate figurines made of cloth and plasticine in a puppet/marionette theater of macabre sexual intrigue. Here, Djurberg's films are accompanied by Hans Berg's musical compositions.

Hardcover. New York, Rizzoli, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. B&w and color illustrations throughout. Text and photos tells the stories behind the numerous homes and public buildings of Newport R.I. Brand new copy, still in original shrink wrapping. In mint condition.

Hardcover. Berkeley/Los Angeles, University of California Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 270 pages in color and b&w. The first major book to consider the life and work of Robert Arneson, A Troublesome Subject tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson's career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson's work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson's career-chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post-1970 turn to self-portraiture. Clean, bright copy.

Hardcover. The Monacelli Press , 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 264 pages. Richard Filipowski (1923-2008) was among the most gifted polymaths in the annals of American modernism. Whether as a painter, sculptor, or designer of furniture and jewelry, Filipowski developed a lush, abstract, and amazingly consistent visual language that marks him among the finest figures of midcentury art and design. As a student at the Institute of Design (formerly the New Bauhaus) in Chicago, he quickly became a protege of founder Laszlo Moholy-Nagy, who featured several of Filipowski's works in his seminal text Vision in Motion (1947); Filipowski was the only student Moholy-Nagy called upon to join the faculty, where he taught alongside Walter Gropius and Marcel Breuer. Recruited by Gropius to develop a course in design fundamentals at Harvard, which remains a cornerstone of design pedagogy to this day, he would move to MIT where he taught for more than three decades, until his retirement in 1988.With a foreword by Laszlo Moholy-Nagy's daughter Hattula, Richard Filipowski: Art and Design Beyond the Bauhaus is the first monograph of this master, who over the course of his career created a unique body of work in diverse media that has largely, until recently, been held in private collections due to his relative lack of compulsion to seek media attention or worldly rewards. But now through the efforts of the Filipowski family and new attention by design scholars--several of whom contribute essays here on Filipowski's graphic and painted works, sculpture, furniture, and position in design history--the work is being revealed to a new generation of aficionados. Richard Filipowski is a rich document of a life and career that is poised to reenter the canon of modernism.

Softcover. New York, Berry - Hill Galleries, 1st, Book: Very Good, Dust Jacket: None, 176 pages. Softcover. Extensive color illustrations by Everett Shinn throughout. Clean, unmarked copy with only minor wear to wrappers. Illustrated with 55 plates in color and 7 figures in the text.

Hardcover. New York, Greenwich House, Reprint, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. 185 photographs, including more than 100 in full color. Brown leatherette. gilt lettering to spine. Pictorial dust jacket. Minor wear to edges, otherwise like new. Journeys through the world of Carl Faberge to explore some of his elaborate and exquisite gold pieces and to provide information on his craftsmen, art, and aristocratic patrons.

Hardcover. NY, Bobbs-Merrill, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 529 pages. Material for this novel based on the life of Amedeo Modigliani is based on letters, family papers and interviews with the Modigliani family by the author. Clean copy.

Hardcover. Seattle, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, mostly b&w, some color, 472 pages. These erotic comics stories span 1968-1986. "The Man from Harlem" is Crepax's ode to boxer Joe Louis and jazz. In other tales, Valentina attempts to balance new relationships with lovers Bruno and Effi alongside the domestic life she shares with Phil. Bonnie and Clyde, Louise Brooks, and the globetrotting photographer Valentina (a movie and TV star herself!) take center stage in this collection of erotic comics stories.

Hardcover. New York, Metropolitan Museum of Art/Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Exhibition catalog with 180 illustrations, 158 in full color. Measures 12x14.5 inches. Introduction by Nancy J. Troy and contributions by Mary E. Davis, Caroline Evans, Jared Goss, Heather Hess, Caroline Rennolds Milbank, and Kenneth E. Silver. Paul Poiret (French, 1879-1944) dominated haute couture in the first decade of the twentieth century. The catalogue features photographs of a number of garments by Paul Poiret, as well as pochoir prints by graphic artists, who created deluxe albums of Poiret's designs for his elite clients.

Softcover. New York, Whitney Museum & University of New York Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 224 pages illustrated throughout with plates in color and b&w. White pictorial stiff wrappers with light wear and some yellowing to back cover, else a very nice, tight, clean copy.

Softcover. Boston, Museum of Fine Arts, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 315 pages. Color illustrations. For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters-, Titan, Tintoretto and Veronese, overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists, brilliant, ambitious and fiercely competitive, vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, Titian, Tintoretto, Veronese paints a vibrant human portrait--one brimming with savage rivalry, one-upmanship, humor and passion. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Auburn CA, Rip Off Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Color art by Selton inside- "The Idiots Abroad", part 2. Clean, bright copy.

Hardcover. New York, Harper Collins, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 250 pages. Hardcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages, illustrated throughout in color and b&w. Blue cloth, pictorial blue dust jacket. Light bumps to corners, else a beautiful copy. Like new.

Softcover. Prestel, 1st, 2009, Flexible card covers, 200 pages. Illustrated in color and b&w.Henry Moore is most celebrated for his monumental outdoor sculptures in many major cities around the world. Lesser known are the sculptor's plaster pieces, which represent an important stage in the development of his work leading up to the final bronze sculptures. Moore's sculptures are presented alongside a generous selection of his drawings and carvings made during the last decades of his life. Commentary by leading scholars from the Henry Moore Foundation offers Moore's audience a deeper understanding of the artist's approach to his work and the evolution of his world view.