Art

Hardcover. NY, Henry Schuman, 1st, 1950, Book: Very Good, Dust Jacket: Good, Hardcover. Black & white drawings by Simont. Previous owner's inscription on half-title page. Dust jacket with light edgewear, chipping.

Hardcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Non paginated. Hardcover without dust jacket. Extensive color and b&w illustrations throughout. Slight stains to front cover, otherwise clean, tight copy. Inspired by a real-life incident -getting his tie caught in a moving Moviola editing machine- Gene Deitch, cartoonist, animator, memoirist, renaissance man, created Nudnik, his Everyman character, a cross between Candide and Godot. The star of 12 Paramount-produced animated shorts that ran in theatres as an opening to the main movie in 1964 and 1965, Nudnik was one of Deitch's most creatively personal and commercially successful creations in a long career of innovative and successful work, including the award-winning animated versions of Jules Feiffer's Munro and Maurice Sendak's Where the Wild Things Are. Nudnik is the well-intentioned, kind, cheerful, but bumbling naf, inspired by and reflecting such archetypal characters as Jackie Gleason's Poor Soul, Charlie Chaplin's Tramp, and Charles Schulz's Charlie Brown. He never gets a break, can't do anything right, but somehow muddles through, dignity more or less intact. Nudnik Revealed! finally collects all of Deitch's original drawings, sketches, model sheets, storyboards, and color set-up that he drew during the Nudnik production season of 1964-1965, all reproduced from original art, showcasing his lively pencil line and his slick, authoritative pen and ink work. Deitch, a born storyteller and one of the great raconteurs of comics and animation, accompanies the copious examples of art with a running commentary by turns, funny, spirited, and chock full of historical insights.

Softcover. NY, Rizzoli International Publications, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 143 pages. Beautiful examples of the watchmaker's art. The designer wristwatch is a sensation - many people have several watches, one for every mood or whim. "Designers of Time' celebrates what has grown to be one of the most collectible, most practical items of fashion today. Clean, bight copy

Softcover. New York, Jordan-Volpe Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Front cover completely illustrated in full-color, 77 b&w figures throughout text and chronology, 45 beautiful full-page full-color plates, 91 b&w figures through catalogue of selected still-lifes. Very slight rubbing to covers, else a beautiful copy.

Hardcover. Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. Color illustrated.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. Vivid, passionate, primitive - 113 paintings by the poet Stan Rice. Here, his canvases explore the terrain of his poetry, as he captures the familiar and the mythical, the magical and the everyday. Here are legendary beasts, card players; images inspired by Greek myths, Bible stories, nursery rhymes. Some pay homage to objects - others to living things. They belong to no contemporary school. They are at once childlike, ironic, and darkly humorous - paintings that attest to the original vision of a talented poet and painter.

Hardcover. West Plains MO, Russ Cochran, 1st, 1980, Book: Very Good, Dust Jacket: None, Four volumes in a slipcase, pictorial cloth covers in color. Black and white reproductions of the comics with color reproductions of the covers. Books and slipcase clean, very good.

Hardcover. NY, Dodd Mead, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 140 b&w cartoons by Barsotti, most from The New Yorker, some published here for the first time. Dust jacket with minor edgewear, unclipped.

Hardcover. Seattle, Fantagraphics, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 208 pages illustrated in color by Carl Barks. A loony balloon, a fraidy falcon, and a new Woodchuck series! Carl Barks delivers another superb collection of outrageous hijinks, preposterous puzzlements, and all-around comics brilliance. Carl Barks's stories of the Junior Woodchucks starring Huey, Dewey, and Louie - written and penciled by Barks with finishes by internationally acclaimed Duck artist Daan Jippes - debut in this volume! Other stories include: When Gyro Gearloose invents a ten-story-tall Donald Duck balloon - bigger than anything ever seen at the Macy's Parade! - Donald decides to take a ride. But Gyro's "new balloon gas" is stronger than he thought it was, and Donald finds himself out of control, sailing higher and higher, until...Then, Huey, Dewey, and Louie try to help a "fraidy falcon" overcome his fear of flying by getting Donald to help, but Donald has his own ideas... Next, somebody's blowing up experimental rockets at the launchpad, and the nephews are on the trail of the spy, but Donald's sure of who it's not - until he finds himself on board the next rocket to blast-off...

Hardcover. Buffalo NY, Firefly Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, pages illustrated in color and b&w. Hollywood Fashion explores the art and legacy of the cinematic costume designer, starting with the birth of the modern motion picture industry on a prime piece of California real estate known as Hollywood. Readers will discover how film clothing evolved from actors selecting items from their home wardrobes to outfits customized for their roles -- everything from suits of armor to ball gowns to office attire to lingerie, all created by a studio designer and a dedicated staff of costumers.

Hardcover. Seattle WA, Fantagraphics Books, 1st, 2009, Book: Very Good, Dust Jacket: None, First time hardcover complete b&w reprint of the only four issues - originally published by James Warren in 1965 and 1966. Written by Archie Goodwin and drawn by such luminaries as Frank Frazetta, Wally Wood, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall and Gene Colan. 228 pages. No dust jacket issued. Clean and bright.

Hardcover. London, VIVAYS, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. "This volume, based on rarely seen Russian archives, traces the history of the silent film poster in Russia, starting with a poster designed by Paul Assaturov ("Stenka Razin", 1908) in the style of ancient naive Russian imagery to the latest advertise- ment for a silent movie by Yuri Pimenov from 1934. Full-page reproductions of 161 Russian silent film posters are presented here in chronological order - from the very beginning of the 20th century until the 1930s.

Softcover. Camarillo CA, About Comics, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. First published in 1934, in the midst of the Great Depression, these cartoons (by Reuben Award winner Otto Soglow, creator of The Little King, working with David G. Plotkin) gives us an insider's view of that difficult time. Even the title is a sign of the moment; in 1932, the Republican Party tried to convince people that, no matter what they saw around them, the Depression was already in the past, putting "Wasn't the depression terrible?" in big letters in newspaper ads and on billboards along commuter corridors in the northeast. (This failed to convince the Depression to go away.)Content note: This material includes common racial and social caricatures of its day, some of which will be considered inappropriate by modern audiences. Clean, like new.

Softcover. NY, E. P. Dutton & Co., 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 116 pages illustrated in color. Documents the superb and amazing Art Deco buildings of Miami Beach. Bright and beautiful full color photos feature mainly the exteriors of these gems. Clean copy.

Softcover. Springfield, Mass., Museum of Fine Arts, 1st, 1985, Book: Good, Dust Jacket: None, Softcover, 72 pages, b&w illustrations, 8 color plates. Edge wear, small tears to wrappers and spine. Else a clean, tight copy. Of the three great nineteenth-century American trompe l'oeil artists--William Michael Harnett (1848-1892), John Frederick Peto (1854-1907), and John Haberle (1856-1933)--the least well known is Haberle. Haberle approached painting with an informed and sophisticated connoisseurship. A highly original artist, he often alluded to complicated, ingenious, and entertaining aspects of contemporary society. The rarity of his work only adds to its allure.

Softcover. New York, Berry - Hill Galleries, 1st, Book: Very Good, Dust Jacket: None, 176 pages. Softcover. Extensive color illustrations by Everett Shinn throughout. Clean, unmarked copy with only minor wear to wrappers. Illustrated with 55 plates in color and 7 figures in the text.

Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 240 pages, profusely illustrated in color and b&w. Quarter cloth with pictorial paper-covered boards. Like new in publishers shrink-wrap.

Softcover. London , Thames & Hudson, reprint, 2006, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive b&w photography throughout with accompanying notes. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. NY, Thames & Hudson, 1st US, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, in a bright lightly worn dust jacket. A description of the history of the Omega Workshops, a gallery of decorative arts in the Bloomsbury district of London, examines the works exhibited there by artists, including Vanessa Bell, Wyndham Lewis, and Duncan Grant. Clean copy.

Softcover. Neshannock PA, Hermes Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Extensive color and b&w illustrations by Jaro Fabry throughout. Clean, unmarked copy with only minor wear to wrappers. During the Golden Age of Hollywood no illustrator chronicled the great stars, pin-ups and good girls better than Jaro Fabry-he was even engaged to one of the era's hottest starlets! His artwork graced such magazines as Colliers, Harpers, and The New Yorker. Now see his behind the scenes illustrations of Hollywood nightlife in the 1930s through the early 1950s together with glamorous and alluring pin-ups and good girls. The style and romance of this by-gone era are captured in the over 220 full color illustrations presented in this definitive monograph. See finished artwork, drawings, covers, and documentary artwork in this tribute to the Golden Age of Hollywood. The cover features actress and sex symbol Lana Turner!

Hardcover. US, Archie Comics, 1st, 2013, Book: Very Good, Dust Jacket: None, 157 pages, illustrated throughout in color. Light shelf-wear to boards with slight bump to lower edge of spine. Clean, tight copy. A beautifully designed celebration of over 70 years of comic book covers featuring America's reigning cartoon high school icons: Archie, Betty, Veronica and friends. Featuring beautiful full-color artwork by fan favorite artists Dan DeCarlo, Harry Lucey, Bob Montana, Dan Parent and many more in a deluxe, oversize hardcover edition, The Art of Archie: The Covers goes behind the scenes on the all-time best comic book covers in Archie's history with an insider's look at their inspiration, creation and ongoing cultural legacy.

Hardcover. NY, Pantheon, 1st, 2004, Book: Very Good, Dust Jacket: None, Tall vertically oblong folio (14 1/2" ) board book. Speigelman addresses his personal experiences in New York during the attack on the twin towers as he, his wife and daughter walked in New York. He decided on this large format, almost elephant folio sized, board book in his unique graphic illustrated style. A unique attempt at coming to grips with the tragic and frightening events of nine eleven. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. Pasadena CA, Pasadena Museum of California Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 149 pages, illustrated in color. Bright, clean copy in similar dust jacket. Catalog of an exhibition organised by the Pasadena Museum of Californian Art and held there and at the Gibbes Museum, Charleston, South Carolina, in 2005-6. The book presents 77 works, reproduced in excellent colour as half and full page plates, including nudes, figures and urban and rural landscapes. William Gerdts offers a scene-setting Introduction after which Solon provides an in-depth study of the artist's life and work. This includes his marriage, travels abroad including Europe, Panama and Mexico, experience as an aerial photographer in the Great War, return to Southern California and life in Pasadena, a region that was recommended for health reasons, and a final decade marked by ill-health that contributed to the general decline in his reputation outside of the local art community.

Softcover. New York, Derrydale Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 149 pages. Softcover. Extensive b&w and color illustrations throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. San Francisco, Rip Off Press, 1st pr., 1977, Book: Very Good, Dust Jacket: None, Softcover, 52 pages including semi-glossy color covers and b/w interior. Saddle-stapled wraps, 75 cent cover price. Fat Freddy's Cat first appeared in "underground comix" in 1969 in various underground newspapers, usually under Shelton's Fabulous Furry Freak Brothers comic strip. This is one of the five small collections of those strips. Clean, bright copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 326 pages, illustrated in color, b&w. How Constructivist artists in Russia between 1923 and 1925 developed a counterproposal to capitalism's commodity fetish by producing objects meant to be "comrades" in the creation of an egalitarian socialist culture. Very good in a bright dust jacket.

Hardcover. US, PM Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color illustrations. Like new in publisher's shrink-wrap. A declaration of love to Peter Kuper's adoptive city in which he has lived since 1977, this diary is a vibrant survey of New York City's history. Through Kuper's illustrations, this book depicts a climb to the top of the Brooklyn Bridge, the homeless living in Times Square, roller skaters in Central Park, the impact of September 11, the luxury of Wall Street, street musicians, and other scenes unique to the city. With comics, illustrations, and sketches, this work of art portrays everything from the low life to the high energy that has long made people from around the world flock to the Big Apple.

1938, Book: Very Good, Color cartoon of doorman brining last leaf to man burning leaves. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. West Plains MO, Russ Cochran, 1st, 1979, Book: Very Good, Dust Jacket: None, 5 volumes in a slipcase. The complete run, color covers, inside art in b&w line. All very good. In full color pictorial slipcase replicating the classic EC comic numbers 17 thru 46, each with full color pictorial boards as well as the front cover of each comic issue printed in full color as well.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages.Like new in publisher's shrink-wrap. There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive drawings and watercolors. Au contraire, the inventive shapes and joyful colors recall children's drawings or paintings by the mentally ill. Half-figures of indeterminate gender with staring eyes, big ears and frizzy hair smirk challengingly at the viewer, offering an inventory of possibilities, many of which later find their way into Prince's joke paintings of the same period. This extraordinary little book presents these funny yet sinister works to a larger public for the first time, and allows readers to discover a new side of Richard Prince's oeuvre.

Hardcover. UK, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. American Comics Group. June/July 1950 - January 1951 Issues 11-15. Foreword by Paul Di Filippo.

Hardcover. New York , Metropolitan Museum of Art/Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 305 pages plus bibliography. The richest collection outside of Cyprus of Cypriot antiquities. Built up by General Luigi Palma di Cesnola as the first director of the Metropolitan Museum of Art, he acquired most of the art between 1879 and 1900 with works dating from 2500 B.C. to A.D. 300. Over 450 color images with map of the regions from which the art was acquired, this represents an essential item for a knowledge of the art of Cyprus in antiquity in all its forms.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Benton (1889-1975) is a painter shrouded in paradox and misapprehension. Though pigeonholed as a regionalist chronicler of the Midwest, many of his finest on-site pictures are of Southern blacks and poor whites. Remembered best are his folksy rural scenes and aggressively three-dimensional murals, but the public tends to forget that he ran through the gamut of modernist styles (he was Jackson Pollock's teacher) and that his brilliant abstract color experiments ally him with the modernist movement. Some of Benton's crowded murals of the 1930s reflect his leftist sympathies, yet critics reviled him as politically conservative. These contradictions are illuminated in this catalogue of a touring exhibition curated by Adams. The text stands on its own as a wholly engaging biography, offering an unbuttoned look at a pugnacious, often reckless, artist who valiantly sought to preserve a rural America that was vanishing before his eyes. Clean copy.

Softcover. Canada, The History Press, 1st, Book: Very Good, Dust Jacket: None, 143 pages, softcover. Extensive b&w illustrations throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York , Grove Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, introduction by Stephen King and personal reminiscences by Forrest J. Ackerman, Clive Barker, Robert Bloch, Ray Bradbury, Harlan Ellison and Peter Straub. This volume contains over 500 of the finest vintage film posters of the genres covering a span of nearly 75 years. In a bright dust jacket.

Hardcover. New York , Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages, 173 illustrations, 131 in color. Although he is now seen as a progenitor of the "naive" style, during his lifetime Edward Hicks (1780-1849) was known only as a devout, impoverished Quaker minister who liked to paint. With a few exceptions, his extant body of work is made up of 62 "Peaceable Kingdom" pictures, based on Isaiah's biblical prophecy. Although these paintings, known for their charmingly wide-eyed and sensuous beasts, use potent color and effective design, they are technically unsophisticated and repetitive in the extreme. But they contain a powerfully serene devoutness, a mood probably expressed in compensation for Hicks's guilt about an avocation viewed as frivolous by other Quakers. As the popularity of folk art boomed in the early 20th century, Hicks's homely visions were popularized and became the focus of scholarly attention, and this work is probably the best to date. Weekley, the director of museums at Colonial Williamsburg, shrewdly considers Hicks's "secular" life and art through the filter of his intense piety and copiously illustrates her large-format book with brilliant color plates.

Softcover. Seattle, Fantagraphics, 2nd printing, 2006, Book: Very Good, Dust Jacket: None, 147 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Softcover. US, Stichting Kunstboak , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Softcover, 135 pages.Like new in publisher's shrink-wrap. Norbet Hostyn, curator of the Museum of Fine Art in Ostend, has produced a fascinating and comprehensive account of the world and ideas of the by turns celebrated and vilified James Ensor (1860-1949). He offers an illuminating introduction to the artist's life and oeuvre, accompanied by a selection of fifty representative works, each comprising a large, color reproduction and an art-historical commentary. It is the story of a striking and controversial painter who was initially the focal point of a new school, but later became an eccentric with a finely tuned sense of image and business.

Softcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover,

Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, 164 illustrations (76 in color). Essays by Henry Adams, Kathleen A. Foster, Henry A. La Farge, H. Barbara Weinberg, Linnea H. Wren, and James L. Yarnall. John La Farge was not only a painter of still lifes and landscapes in watercolor and oil, but he created extraordinary decorative schemes and revolutionary stained glass art for some of the country's most impressive churches and mansions as well.

Softcover. Baltimore, Walters Art Museum, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Like new in publisher's shrink-wrap.

Softcover. Charlotte, NC, Mint Museum Department of Art, 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, 120 pages. Color and B&W plates throughout. some B&W photos of artist throughout. Light soiling to wrapper and slight bending to bottom right corner. Some light edge wear. Otherwise a tight and clean copy.

Hardcover. NY, Rizzoli, 1st, 2008, Book: Very Good, Dust Jacket: None, Illustrated boards, 528 pages. Closely based on Haring's own concept for the monograph he wanted to publish before his untimely death, this volume represents more than a decade of research and contains a wealth of unpublished photographic and written material including drawings, studio photographs, and journal entries. From chalk drawings deep in the New York City subways to murals in Pisa and Berlin; collaborations with William Burroughs and the famous body painting of Grace Jones, this book follows the incredible trajectory of Keith Haring's artistic career: how a young man from a small town in rural Pennsylvania came to revolutionize the art world--and the course of art history--within little more than a decade. An incredibly prolific artist, Keith Haring created countless bold, provocative, endearing, and unforgettable images that continue to inspire artists--and delight children--worldwide. Tracing the arc from his early subway "tags" to his poignant work on social issues as diverse as AIDS, illiteracy and apartheid, this visually stunning book is the definitive work on Keith Haring.

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Hardcover. Birmingham AL, University of Alabama Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. William Christenberry is enjoying wide exposure of his artistic body of work. Since the early 1960s, he has plumbed the regional identity of the American South, primarily centering on his early home in the Black Belt counties of Alabama, His poetic elucidation of Southern vernacular landscape and architecture using the media of photography, drawing, painting, collage, sculpture, and miniaturization reveals how history, the very story of place, is at the heart of his lifelong project.

Hardcover. New York, Pantheon Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Graphic novel in boxed set, comprising 14 discrete books, booklets, magazines, newspapers and pamphlets. Unopened, still in shrink wrap. Follows the inhabitants of a three-flat Chicago apartment house: a thirty-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple who wonder if they can bear each other's company for another minute; and finally an elderly woman who never married and is the building's landlady. 246 pages.

Hardcover. New York, D.A.P./Distributed Art Publishers, Inc., 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. 168 pages. 84 black and white photos. Edited by: Sharon Helgason Gallagher. "Lee Friedlander`s exploration of one of photography`s most enduring genres began almost by chance, in the late 1970s, when a teacher colleague at Rice University in Houston lined up a regular schedule of nude models for his students. Almost immediately, Friedlander found that he preferred to photograph the models at their homes, and ingeniously deployed household objects such as bedside lamps, potted plants and sofa fabrics to play off against the angular poses of the models and the emphatic framing of the overall composition. "

Hardcover. NY, Tudor - Shorewood, 1st , Book: Very Good, Dust Jacket: Good, Hardcover. Commentary by Regina Shoolman. Color and b&w illustrations. Dust jacket with tape repairs, piece gone from rear panel. Book is clean, bright, very good.

Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.

Hardcover. New York, Doubleday Graphic Novels, 1st, 2002, Book: Very Good, Dust Jacket: None, 153 pages. Hardcover. Extensive color illustrations by Jason Little throughout. clean, tight copy.