Art

Hardcover. NY, DK Publishing, 1st, 2017, Book: Very Good, Hardcover, glossy pictorial boards, 72 pages. Embark on an amazing, visually dazzling adventure across the Golden Age of DC Comics history! The Golden Age heralded the birth of the Super Hero, and DC Comics paved the way. From the big bang debut of Superman in 1938 to the sensational arrival of the Amazon Princess, Wonder Woman in 1942, the face of comics books was to change forever. Profusely illustrated in color. Clean, bright copy.

Softcover. NY, Frank Tousey, 1st, 1906, Book: Fair, Dust Jacket: None, Stapled wraps in color, worn, chipping, short tears to margins of cover but not affecting image. Cover art is bright. Owner's name written in ink above masthead. 30 pages, cheap pulp paper. Offered for cover art.

Hardcover. NY, Posters Auctions International, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 551 posters illustrated in color. Catalog for May 3 2009, sale no. xlviii. no dj issued.

Hardcover. NY, Praeger Publishers, 1st US, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover. 288 pages. 971 illustrations including 64 color plates. Previous owner's inscription, embossed stamp on front fly leaf, some edge wear on dust jacket.

Hardcover. NY, DC Comics, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color throughout. Classic Superman stories from the Silver Age are collected together in this brilliant hardcover omnibus. Fans of the Man of Steel won't want to miss this stunning collection of some of the best tales of the 1950's and 1960's! Superman- The Silver Age Omnibus Vol. 1 contains stories from Action Comics #241-265 and Superman #122-137.

Hardcover. Indianapolis, Bobbs Merrill Company, 1st, 1909, Book: Good, Dust Jacket: None, Hardcover with green cloth covers and gilt lettering. Color illustrations by Howard Chandler Christy throughout. Heavy stock pages, gutter cracked in several places. Glue repair abrasion on first chapter. Cover boards clean with minimal wear.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Hardcover. Charlottesville, VA, University Press of Virginia, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 185 pages. Black cloth cover with silhouette of Jefferson's head embossed to front and gilt lettering to spine, b&w illustrated dust jacket, 60 b&w figures, 8 b&w plates. Light wear to dust jacket; otherwise a very tight, clean copy.

Hardcover. London, The Bodley Head, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a in a bright dust jacket except for a sliver of fading to fore-edge, oblong format, unpaginated, illustrated with 52 full color cartoons. Foreword by Mark Boxer. Small owner's stamp on front fly leaf with bottom corner clipped. Uncommon in hardcover.

Softcover. New York, Quill William Morrow, 1st, 1993, Book: Very Good, Dust Jacket: None, 109 pages. Softcover with light wear to paper wrappers. Illustration in black and white by Callahan. Tight copy.

Hardcover. NY, Assouline, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Internationally renowned artist Bernar Venet continues to challenge himself with a wholly original, fresh collection of furniture. Although designed to satisfy a non-artistic, purely domestic need, furniture fits naturally into the range of Venet's creative activities. Using a blow-torch to cut thick sheets of laminated, crude steel, he sets up a contrast between solidity and fragility, emphasizing rawness and indestructibility. Venet's furniture reflects the artistic vision he has developed throughout his ceuvre. He emphasizes functional simplicity and a plainness underpinned by notions of utilitarianism.

Hardcover. New York, Crown Publishers, inc, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 220 pages. B&w photography throughout. Foreword by Karl Katz, critical evaluation by Dr. Alfred Werner. Dust jacket somewhat edgeworn but protected by mylar covering. Nice clean copy in good shape.

Softcover. NY, DC Comics, 1970, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 32 pages, 15 cents cover price. Mild wear.

Hardcover. NewYork, Viking Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with price-clipped dust jacket. Black and white photographs throughout. Covers lightly bowed.

Hardcover. Insight Editions, 1st, 2008, Book: N, Hardcover, 14 pages. From the demented pages of MAD Magazine comes a depraved and uproarious look at contemporary politics' juiciest scandals. Revel in the salacious animation of our fearless leaders' most embarrassing moments. Hunt with Dick Cheney, learn how to spell with Dan Quayle, take speech lessons with George W. Bush, and find out why Alfred E. Neuman is running for President...again and again and again. Mad About Politics: A Pop-Up Book spares nothing at the expense of our elected officials, highlighting the unbearable truth about who's in charge. With precise pop-up ingenuity American power players have never looked so enjoyably foolish. If you're wondering who to vote for on Election Day let MAD About Politics give you some pointers. Suitable for the sardonic this tome of asinine political parody will have anyone with a sense of humor rolling in the aisles.

Hardcover. Berkeley, CA, University of California Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Two hardcover volumes. 339 pages+ plates, 238 pages. 197 illustrations in b&w and color throughout. Red cloth, gilt lettering to spines. Small sealed up tears to front cover of Evolution of an Artist, small chip missing from back dust jacket cover of Catalogue Raisonne. Price clipped. Clean and tight set.

Hardcover. London, The Cresset Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 297 pages + 26 b&w plates. English language edition. Translated from the German and with an introduction by Innes and and Gustav Herdan. Contains very clever and funny remarks on Hogarth's engravings by an 18th century German professor of physics. Small owner's stamp on front fly leaf, otherwise clean.

Hardcover. Paris, Casterman, 1st, 1979, Book: Very Good, Dust Jacket: None, 48 pages. Hardcover with no dust jacket. Laminated cover boards. FRENCH TEXT. Clean, tight copy with comics drawings by Gilles Chaillet.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume concentrates on the architecture and design of the first half of the 1960s, characterized by the coexistence of a number of different styles. The aftermath of the International style and Good Design were still noticeable whereas Organic Design, which had developed in parallel since the late 1940s, gradually lost its influence. From the early 1960s onwards, a new force took its place, geared toward Pop Art and popular culture, leading to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood, pointing the way to completely new designs. Volume V documents this with examples of designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. On the architectural side, the impressive buildings of Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and others./// Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume focuses on the architecture and design of the first half of the 1960s. A new force lead to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. London, Phaidon Press , 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, oatmeal buckram boards with brown lettering. No dj. 46 pages followed by 149 beautifully reproduced full-page b&w plates, then 3 pages of Index of Museums. Donatello, master of sculpture in both marble and bronze, one of the greatest of all Italian Renaissance artists, the greatest Florentine sculptor before Michelangelo. Clean copy. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Softcover. Germany, Gert and Mareidi , 1st, 1980, Book: Very Good, Dust Jacket: None, 300 pages, Softcover with paper wrappers. 170 b/w and 12 color photographs. Front wrapper APPEARS to be removed from spine, lacking publisher glue. Text block tight. Previous owner's signature on front wrapper.

Hardcover. San Diego, Idea & Design Works/IDW, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, illustrated in color and b&w. Master storyteller Milton Caniff's Terry and the Pirates brings 1943-44's battles in the Pacific to life as Flight Officer Terry Lee earns his wings in a Sunday page so powerful, it was entered into the Congressional Record! In this fifth volume of The Complete Terry and the Pirates, old friends and foes cross paths with such major new characters as Terry's comrades-in-arms, Snake Tumblin and the inimitable Hotshot Charlie. There are new romantic interests Willow Belinda, Jane Allen, and Jane McGillicudy -- and neither Madame Shoo-Shoo nor Captain Midi are exactly who they seem . . .

Softcover. New York, Museum of Modern Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, numerous b&w illustrations and 32 plates in full color. Blue pictorial stiff wrappers. Minor bump to lower edge, else like new.

Hardcover. UK, ACC Editions, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial bpards. Felicity Green brought a new, original voice and look to the fashion pages of the '60s' Daily Mirror. For the first time in newspaper history she created fashion pages designed to appeal to both sexes as the circulation soared to more than 5 million copies a day. Great pictures, great photographers, top designers, top models - Felicity made these Swinging '60s fashion stories FUN! bringing the glamor and style of glossy magazines to the Mirror. These award-winning pages broke the fashion mould and captured the stellar time when London fashion conquered the world. Under Felicity Green's by-line comes stories of the stars of the '60s - they're all talking in this original book: Mary Quant, Barbara Hulanicki, Vidal Sassoon, Twiggy, Terry O'Neill, and a sparkling foreword by Barbara Hulanicki, of Biba fame, tells the story of a fashion collaboration/friendship whose gingham dress made fashion history. Still in publisher's shrinkwrap.

Softcover. Seattle, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, Large softcover, 263 pages, b&w photos ad illustrations. In-depth, career-spanning interviews with the cartoonists - Crumb, Shelton, and more - who forever altered the course of American comics with their anthology title, Zap Comix.The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art. Partial color.

Softcover. New York , Dover Publications, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 64 pages with color illustrations. DVD with bonus images. Selected from a national archive, these vivid poster images from the Works Progress Administration date from 1935 to 1943. Promoting public health, travel, and civic activities, this collection features works by such artists as Erik Hans Krause, Richard Halls, Jerome Henry Rothstein, and Katherine Milhous.

Softcover. Rutland, VT, Charles E. Tuttle Company, Reprint, 1969, Book: Near Fine, Dust Jacket: Near Fine, hardcover, 197 pages, illustrated throughout in b&w. Red cloth with gilt lettering to spine. Gray dust jacket, price clipped, with light wear to covers, else like new. In original publishers cardboard slip case.

Hardcover. NY, Simon & Schuster, reprint, 1949, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 118 of Arno's b&w cartoons from The New Yorker. Clean, bright copy in a fair dust jacket. Clean copy.

Hardcover. West Plains MO, Russ Cochran, 1st, 1980, Book: Very Good, Dust Jacket: None, Some of the most beautiful visions of 1950s science fiction from artists Al Feldstein, Wally Wood, Al Williamson, Harvey Kurtzman, Joe Orlando, Jack Kamen & others. From 1952 writer Ray Bradbury's stories were adapted & several are featured here. Other science fiction writers were also sampled without their knowledge. 4 volume slipcased set. Published originally by William M. Gaines (1950-53). Black and white reproductions of the comics with color reproductions of the covers. Books and slipcase clean, very good.

Softcover. New York, Kennedy Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. Unpaginated, illustrated throughout with 86 plates in color and b&w. Pictorial stiff wrappers. Slight wear to edges and spine, else a very nice, tight copy.

Softcover. San Francisco , Chronicle Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, color illustrations. Stephen De Staebler's evocative rendering of the human body is epitomized by the life-size figures and torsos represented in more than seventy full-color illustrations in Stephen De Staebler: The Figure, the first full-length monograph on this major American artist. Noted critic Donald Kuspit, a contribut-ing editor of Art in America, discusses how De Staebler's use of clay and bronze reflects the metaphysical foundations of his art. De Staebler's "archaic" figures evoke a sense of the past, while at the same time raising questions essential to modern human existence. Clean copy.

Softcover. NY, Albright-Knox Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, This solid, authoritative presentation of Gorky's pivotal art of the 1940s accompanies an exhibit of paintings and drawings showing this year at the National Gallery in Washington, D.C., as well as Buffalo and Fort Worth. Biographical and art-historical essays by Auping, a Modern Art Museum of Fort Worth curator, as well as Dore Ashton and Matthew Spender summarize the critical consensus of Gorky, placing him between Surrealism and Abstract Expressionism in the development of 20th-century art. Excellent reproductions of the paintings and drawings in the show are supplemented by close-ups from several paintings, photographs of Gorky, and selections from Gorky's letters. While not a comprehensive or groundbreaking work, this volume is an excellent summary of or introduction to Gorky for both general and informed lay readers. Clean copy.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, auction catalogue with beautiful pictures of posters in color. An exceptional copy in the original title-blocked cloth.

Hardcover. Paris, Braun & Cie, 1st, 1946, Book: Very Good, Dust Jacket: None, Non-paginated. Introduction by Jaime Sabartes. 24 full color plates. Clean, tight copy.

Hardcover. Miami, Mad Cave Studios, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards,, oblong format, 205 pages in color by Raymond. Introduction by Doug Murray. More magnificent Sunday pages by one legendary master artist. Five complete adventures, each one legendary : Beast Men of Mongo, Outlaws of Mongo, Tyrant of Mongo, Ice Kingdom of Mongo and Power Men of Mongo! Escalating tensions between Flash and Ming threaten to bring about a full-scale planetary war...and only Ming's estranged son-in-law, Prince Barin, can avert it. Considered Raymond's artistic peak period! Clean, bright copy, no dj issued.

Softcover. Philadelphia, Philadelphia Museum of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. 40 color, 65 bw repros. photo. Issued in conjunction with a 1985 exhibition of Mary Cassatt's artwork. With an essay by Suzanne G. Lindsay. The illustrated catalogue presents 51 pieces, scattered throughout the text. A very well put-together catalogue.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover with pictorial boards. No dj issued. In the second volume of Tove Jansson's humorous yet melancholic Moomin comic strip, we get four new stories about jealousy, competition, child rearing, and self-reinvention. The Moomins try to hibernate in the fashion of their ancestors but insomnia places them smack-dab into a winter carnival with the winter-sports-loving Mr. Brisk. The fickle and eternally lovestruck Mymble and Snorkmaiden find themselves in competition over a thrilling new man. Moominmamma meets her new neighbor, the Fillyjonk, causing her to hire the depressed and secretive Misabel as her new maid. Mymble's mother arrives on the Moomin family's doorstep with her seventeen new children. Finally, a prophet arrives on the scene declaring that the happy Moomins are in fact not happy at all and need to get back to nature and be free. Moomin, of course, becomes more and more miserable the freer he gets.

Hardcover. Providence RI, Brown University Press, 1st, 1963, Book: Very Good, Dust Jacket: None, Original gray boards, large format. Non-paginated (43 pages). William Blake's illustrations for Robert Blair's 'The Grave'. Some rubbing and lightly bumped corners on covers. Spine/hinge paper with narrow paper separation on upper 4". Clean, tight copy.

Softcover. NY, Viking Press, 1st pbk., 1973, Book: Very Good, Dust Jacket: None, Softcover, 221 pages with b&w illustrations. A clean, unmarked and solid copy. A title in the series 'The Documents of 20th Century Art'. Essays, written between 1920 and 1953, by Fernand Leger, an influential, modern painter, on the purpose of art in modern life. Translated by Alexandra Anderson; Edited by Edward F. Fry; Preface by George L. K. Morris.

Hardcover. NY, Loring & Mussey, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers. A collection of full-page gag cartoons of a somewhat risque nature. The first book by this author/illustrator (full name Clarence William Anderson), who later became well known for his books about horses, which he also illustrated. Clean. No dust jacket.

Softcover. Baltimore MD, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 326 pages, b/w illustrations, softcover. These 4 cartoonists worked at the New Yorker between 1925 and 1975, mocking the status quo without alienating that magazine's readers. For many aficionados of the New Yorker magazine, the drawings of Peter Arno, William Steig, Charles Addams, and Saul Steinberg epitomize its sophisticated wit and disarming humor. In The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg, the first full-scale scholarly study of the subject, Iain Topliss considers the work of each artist, traces the development of his art, and recalls the cultural and social context in which it was created.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, in a lightly worn dust jacket. Non-paginated. Black & white cartoons by W. Miller, mostly from The New Yorker. Clean, tight copy.

Softcover. Woodbury NY, Barron's , 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, color illustrations. English language edition. Paintings of France and Holland by Dutch artist, Johan Barthold Jongkind [1819-1891]. A volume in the series, 'Les Carnets de dessins'. Clean copy.

Hardcover. Amon Carter Museum , 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages. Illustrated with 119 plates (some color), b/w text drawings and photos + 1 map (3 panel fold-out). 4to. Catalogue Raisonne by Karen Reyn.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 374 pages. This beautifully typeset and illustrated book offers a singular collection of 35 in-depth articles on typography and the printing arts, from the earliest type design techniques to the latest in digital typeface and design development. Originally printed in Matrix, the renowned and highly respected journal of the printing arts, the articles cover a number of individual typefaces, techniques of making type using both historical and contemporary means, and arguments for the continuing use of obsolete printing technologies. Here too are detailed examinations of book design, ornamentation, and mathematical and other non-Latin typography.

Hardcover. Paris, Editions Albert Morance, 1st, 1953, Book: Very Good, Dust Jacket: Fair, 320 pages. Hardcover. Text in French. Illustrated with black & white photographs and drawings of decorative cast iron. Previous owners name and date written on front interior hinge flap. Dust jacket worn with tape repair, chipping along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. NY, Harry N Abrams , 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good, unclipped dust jacket. Foreword by Betty Bailinine. Very large, sturdy book, cream cloth covers with a bright embossed gilt illustration of two fairies leapfrogging at center front, gilt lettering bright on spine, heavy glossy unpaginated pages with 185 illustrations, 147 in full color. The fairies range from ugly to pretty, some anatomically correct. Edited by David Larkin, with Extracts from Arthur Conan Doyle's "The Coming of the Fairies." Some light tanning to spine of dj and along edge of spine. Otherwise a clean, tight copy of the first printing.

Hardcover. NY, Gallimard, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 392 pages. Profusley illustrated, this book explores a hitherto overlooked topic in Chagall studies - the connection between Chagall and music. This intimate relationship, which ran deep in both his family history and the Jewish culture of his native city, was particularly meaningful in Chagall's creations for the stage. His works for the Jewish Theatre (Moscow, 1919-1920) and the ballets 'Aleko' (Mexico, 1942), 'The Firebird' (New York, 1945), 'Daphnis et Chloe' (1958) and 'The Magic Flute' (New York, 1967) celebrate the links he established between music, large-scale set design, and the material design of costumes. Chagall's monumental projects in the 1960s, such as the ceiling of the Paris Opera (1964) and his decorative architectural program for the Metropolitan Opera at Lincoln Center in New York (1966), are a reflection of his notion of 'total art', and his explorations in the universality of music and its translation into the spatial dimension. Music was a constant source of inspiration to Chagall. Clean, bright copy. No dust jacket.

Hardcover. NY, Blast Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 110 pages. Melvin Burkhart the Anatomical Wonder; Zip the Pinhead; Chang and Eng, the original Siamese twins; Johnny Eck, the King of the Freaks; Koo Koo the Birdgirl; and 45 more fascinating sideshow freaks both famous and obscure are immortalized in Drew Friedman's color portraits.