Art

Campbell Soup Co., 1932, Book: Very Good, Dust Jacket: None, Art "The Campbell's Kids at the Circus". color comic strip art not credited but modeled after Grace Drayton's characters. 10 1/2 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1976, Book: Very Good, Color art by Mihaesco of indoor plants with lights. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Metro Books, 1st, 2012, Hardcover, 256 pages. Rock on, with more than 500 classic music posters--many unseen for years! Organized chronologically from the 1950s to the present, this gallery of images from the very best illustrators in the genre captures the interplay of music and art, revealing how both evolved over the years. From gritty bar bands to the superstars, from the Fillmore to CBGBs, this is a remarkable visual journey. Includes interviews with key artists such as Stanley Mouse and Alton Kelley of Family Dog; Michael English and Nigel Waymouth of Hapshash and the Coloured Coat; Roger Dean; Dave Little; and Emek. The posters capture the most famous names in music, from R&B to classic rock, metal, punk and rap, including: Muddy Waters, the Beatles, the Rolling Stones, James Brown, the Who, Led Zeppelin, the Grateful Dead, Bowie, the Clash, the Sex Pistols, Springsteen, Pearl Jam, and more--plus cult favorites.. Features on significant music promoters and venues, including Chet Helms, Bill Graham, and CBGBs. Showcases a diverse range of design styles, from letterpress and DIY punk to the rise of computer graphics and the retro illustrations of the modern era.

Hardcover. Santa Fe, Twin Palms Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Large hardcover folio. 180 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.

Meadville PA, Hookless Fastener Co., 1935, Book: Very Good, Dust Jacket: None, Art "Where social judgments are swift...", color art by Leslie Saalburg. 11 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color cartoon by Searle of restaurant chairs stacked on tables including upside-down elderly man. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, 41 color plates. Issued in connection with an exhibition held October 19, 2008 to February 1, 2009, Montclair Art Museum.

Hardcover. US, A&C Black, 1st, 2011-03-01, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages, illustrated throughout color. Clean, unmarked copy with only minor wear to covers. Propaganda Prints reviews the history, cultural diversity and legacy of Art in the service of social and political change.

1920, Book: Very Good, Dust Jacket: None, Summer Furs, man and woman in different summer wear. Art by James Montgomery Flagg. 8 X 11". very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1972, Book: Very Good, Color cartoon of motorcycle police leading a political parade. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. This comprehensive biography presents the achievements of Brion Gysin, a multi-faceted artist whose work has influenced performers such as David Bowie and Mick Jagger. Recalling the heady atmosphere of the so-called Beat Hotel in Paris in the late 1950s and 1960s, it features first-hand reminiscences by contemporaries, plus a biographical essay and chronological listings. productive literary collaboration with William Burroughs. As well as looking at his work as a sound poet and performance artist, it features reproductions of his paintings and graphics, and examples of his permutated poems and other writings.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Doubleday, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages, b&w cartoons by Chon Day. The third collection of Brother Sebastian cartoons which ran in Look Magazine. Dust jacket with light edge wear, price clipped. Clean copy.

1968, Book: Very Good, Color art by Martin of rowboats sitting on shore in the moonlight. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Art In Time is a companion to Dan Nadel's previous book, Art Out of Time. In this engaging and smart volume, Nadel focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange). Art In Time reprints a wonderful selection of complete comic book stories that represent some of the best, but obscure adventure stories from the 1940s through the 1980s. Each comic highlights the fully developed style unique to each artist and celebrate these little known comic gems. Art In Time is designed as a reading book, allowing fans to catch up on some of best, but forgotten, work in comics' history.

Hardcover. Seattle WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, b&w illustrations. Light shelf-wear to boards, else a clean, tight copy.

San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, illustrated throughout in color and b&w. Beautiful copy in a dust jacket, Like new. "Mucking up the pages of the New Yorker , the New York Times , Rolling Stone , Forbes , the Atlantic Monthly , Blab , and more, Gary Baseman has populated the finest publications with his inimitable brand of illustration. Now Dumb Luck , presents the first complete collection of his work, spanning more than ten years. According to Baseman himself, his art inhabits "that muddy spot where the line between genius and stupidity has been smudged beyond recognition."

1968, Book: Very Good, Color art of apple tree in blossom against a red barn. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, Phaidon, 1st, 2005, Hardcover, 360 pages. A compelling insight into Gilbert & George's everyday enigma. The artists' unfailing politeness, consideration for others and open nature exert an irresistible charm. But it's Jonquet's walks with G & G around their home patch of Spitalfields that shed new light on the work, lavishly illustrated with accompanying personal photos.

Hardcover. NY, Harry N. Abrams, 1st, 2004-11-16, Book: Near Fine, Dust Jacket: Near Fine, 175 pages, illustrated throughout with 150 illustrations, including 120 plates in full color. Clean, unmarked copy in excellent condition.

Softcover. Chicago, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 327 pages, b&w photographs and illustrations. Light edge wear to wrappers, else a very clean, tight copy.

1963, Book: Very Good, Color art by Steig of yellow bird in tree watching woman in window. 8 3/4 X 12", very good. Faint crease down center. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Hatje Cantz, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. The years from 1945 to 1985 are often identified as the moment in which Los Angeles established itself as a leading cultural center in America. However, this conception of its history entirely excludes the very controversial presence of the Mexican muralists, as well as the work of other artists who were influenced by them and responded to their ideas. It is likewise often thought that Los Angeles' Mexican culture arrived full formed from outside it, when in fact that culture originated within the city--it was in Los Angeles and Southern California that Jose Vasconcelos, Ricardo Flores Magon, Octavio Paz and other intellectuals developed the iconography of modern Mexico, while Anglos and Chicanos were developing their own. David Alfaro Siqueiros, Clemente Orozco, Alfredo Ramos Martinez and Jean Charlot made some of their earliest murals in Los Angeles, influencing the Mexican, Mexican-American and Chicano artists of the 1970s and 80s. MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985 focuses on the construction of different notions of "Mexicanidad" within modernist and contemporary art created in Los Angeles. From the Olvera Street mural by Siqueiros, to the Golden Age of Mexican cinema and the Disney silver-screen productions, to the revitalization of the street mural, up to the performance art of Guillermo Gomez-Pena, MEX/LA explores the bi-national and hybrid forms of artistic practices, popular culture and mass-media arts that have so uniquely shaped Los Angeles' cultural panorama.

Hardcover. New York , Harry N. Abrams, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 277 pages, illustrated throughout in color and b&w. Light shelf-wear to glassine dust jacket, else a clean, tight copy. Nearly three hundred reproductions of the famous illustrator's work over the years, including finished illustrations, sketches, penned fantasies, and stage-set designs, are accompanied by an account of Sendak's life and career.

Softcover. New York, Pantheon, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 197 pages, b&w and color photographs throughout. Light yellowing to edges of wrappers. Else a very clean, tight copy. 39 b&w and 50 color plates; 8.5 x 10.5 inches. An early retrospective of photographs by Cindy Sherman; introduction by Peter Schjeldahl; afterword by I. Michael Danoff.

Hardcover. Annapolis MD, Dead Reckoning, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 221 pages in color. A collection of the best stories from the classic run of Don Winslow of the Navy, one of the most popular comic books running during and after World War II. Edited by Craig Yoe, the selected stories are digitally remastered and contextualized with Yoe's historical research. Preceding the full, colorful tales is a detailed introduction on the creation of the adventurous Don Winslow. The character served to foster recruitment and entertain Navy personnel and the general public alike during World War II and beyond. Winslow fights the Axis and supervillains like The Snake and the attractive, but deadly, Singapore Sal. Clean copy.

Softcover. London, South Bank Centre, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. 83 pages, mostly color illustrations. A National Touring Exhibition organized by the Hayward Gallery, London for the Arts Council of England. Artists Include: Martin Boyce, Willie Doherty, Kendell Geers, Felix Gonzalez-Torres, Johan Grimonprez, Guillermo Kuitca, Maria Lindberg, Tracey Moffatt, Lucia Nogueira, Anri Sala, Ann-Sofi Siden, and Christopher Wool.

Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 273 pages, oblong hardcover illustrated in color and b&w. Frank Benson, a pivotal artist of the American Impressionist movement had three great loves in his long and productive life: his family, his art, and the sporting life. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, after an extremely successful career as a portraitist, he returned to the wildfowl and sporting subjects that were his lifelong passion. Over the next forty years, in etching, lithography, watercolor, and oil and wash, he portrayed birds beloved since childhood, scenes of his hunting and fishing expeditions, and still lives of incomparable delicacy. Whether painting a hunter setting out decoys, a wash of geese by moonlight, a watercolor of a companion poised to gaff a salmon, or an etching of a group of ducks silently gliding in for a landing, Benson conveyed the joy and beauty of a sportsman's life.

Hardcover. NY, Taschen, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 211 pages, b&w and color photographs throughout. Light edge wear, rubbing to dust jacket. Else a clean, tight copy. For adults only.

1973, Book: Very Good, Color art by Karasz of a field of daisies. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Berkeley CA, University of California Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. The prolific talents of painter Joan Brown (1938-1990) inform every page of this shining testament to a singular artist. For Brown, art was a means of self-revelation and self-investigation, a fact made abundantly clear by the autobiographical nature of her work. In the first book to fully explore Joan Brown's artistic career, Karen Tsujimoto provides an overview of Brown's life from her San Francisco childhood to her years as a mature artist and teacher. Jacquelynn Baas focuses on Brown's use of universal and personal symbolism by analyzing one of her most celebrated paintings, The Bride. Both authors make extensive use of interviews that let Joan Brown speak for herself about art and the creative process.

Hardcover. New York, Harper Design, 2nd printing, 2010-10-26, Book: Very Good, Dust Jacket: Very Good, 220 pages, hardcover illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Examines the minimalist movement in fashion while addressing its confluence with and divergence from similar currents in art, architecture, and design. Organized by decade, the text explores the evolving relationships and influences between fine art and the art of sartorial minimalism.

Hardcover. New York, W. W. Norton, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w illustrations, 16 color plates. A very clean, tight copy. Thomas Eakins, a native of Philadelphia, painted two worlds: one sure of its valuesthe surgeons, inventors, musicians, and athletes of his timeand another that reflected his own struggles with depression and sexual identity. In this evenhanded account of those struggles, William S. McFeely sheds new light on Eakins's genius and on the evocative melancholy of his portraits, particularly of women, which include many of his remarkable wife, Susan McDowell Eakins. Those deeply perceptive paintings may be the greatest expressions of his art.

Hardcover. London, Paul Holberton Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 197 pages. Color and b&w plates throughout. This groundbreaking architectural history examines what people actually wanted in their institutional and private patronage over the last two centuries as opposed to what architects and theorists thought they should want - as seen through the prism of Oxford's principal building contractor and craft practitioner, Symm & Company. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Two hardcovers, 650 pages. The complete WWII cartoons of the greatest cartoonist of the Greatest Generation, in a beautiful, oversized, two-volume slipcased set. During WWII, the closest most Americans ever came to the war was through the cartoons of Bill Mauldin, the most beloved enlisted man in the U.S. Army. Fantagraphics Books brings together Mauldin's complete works from 1940 through the end of the war. This collection of over 600 cartoons, most never before reprinted, is more than the record of a great artist: it is an essential chronicle of America's citizen-soldiers from peace through war to victory. Bill Mauldin knew war because he was in it. He had created his characters, Willie and Joe, at age 18, before Pearl Harbor, while training with the 45th Infantry Division and cartooning part-time for the camp newspaper. His brilliant send-ups of officers were pure infantry, and the men loved it. With their heavy brush lines, detailed battlescapes, and pidgin of army slang and slum dialect, Mauldin's cartoons and captions recreated on paper the fully realized world of the American combat soldier. Their dark, often insubordinate humor sparked controversy among army brass and incensed General George S. Patton, Jr. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects issues nos. 1-6 (Oct. 1952-Sept. 1953).

Hardcover. New Haven, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages. Oversized. Green cloth cover, minor wear to corners and edges. Dust jacket has slight wear to edges. Inside is bright and clean, with many b&w and color illustrations throughout. A nice copy. "More than one hundred paintings, drawings, watercolors, and photographs that convey the highly charged experience of attending vaudeville, early moving-picture shows, and other forms of popular amusements. These works of art reveal much about the beginnings of modernity in the United States and about how artists in early twentieth-century America searched for new pictorial vocabularies to express the profound change and dynamism of their time."

Softcover. Berlin GR, Benedikt Taschen, 1st, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers, 80 pages. Black laminated wraps with 'red Queen' 1954 on the front. Introductory text by Astrid Rossana Conte (grand-niece of Vargas) A monograph dedicated to the Peruvian painter and illustrator Alberto Vargas, famous for his pin-ups and portraits inspired by actresses, which examines four decades of his production, from the 1920s to the 1950s. Parallel texts in German, English and French; well illustrated with two photographs of Vargas, black and white examples of his drawings and many full colour examples of his paintings. Clean copy.

Hardcover. NY, Simon & Schuster, 1951, Book: Very Good, Dust Jacket: None, Hardcover, b&w cartoons from the Master New Yoker artist. No dust jacket.

Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Gilbert Hernandez's first original graphic novel from Fantagraphics follows on the heels of his acclaimed graphic novel, Sloth, from DC's Vertigo Comics in 2006. Chance in Hell tells the story about a little orphan girl who lives in the slum of slums. Nobody knows who she is or where she's from, but her fellow shantytown inhabitants collectively look over her. The three-act story follows our heroine as she is adopted by a decent man who raises her well, and she eventually marries a kind, well-to-do man, only to discover that she can't relate to the good life and the comforts it provides. This is the first in a series of standalone stories depicting the fictional filmography of Gilbert's Love and Rockets character, the B-movie actress Fritz. Hernandez wowed critics in 2003 with his epic work, Palomar, collecting more than 20 years of groundbreaking comics called "the most substantive single work that the comics medium has yet produced," by Booklist. Chance in Hell further establishes Hernandez as one of the great cartoonists of our age.

Hardcover. New York, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. illustrated throughout. Very clean and tight copy. Striptease is the history of unapologetic fun aimed not at the head, not at the heart or even the stomach, but south of all three. Beginning with the birth of the striptease in the mid-19th century and culminating with its garish heyday in the 1950s, this book charts the evolution of the infamous bump and grind, which is, at its simplest, a pretty girl in a pretty dress ... and then not. The only fully illustrated book available on the subject, Striptease tells the history of this provocative form of stagecraft from its birth in vaudeville and burlesque through the "take it all off" attitude for which the term "striptease" was coined. Along the way, the book highlights such performers as Isadora Duncan, Loie Fuller, Maud Allen, Gypsy Rose Lee, Tempest Storm, and Blaze Starr. The witty and well-informed text is illustrated with an array of titillating images, including never-before-published ephemera and illicitly photographed performances in progress. Whether revealing ankles or breasts, playing peek-a-boo or going the full monty, Striptease pays tribute to the women who made a vocation of their sex appeal and shimmied their way into American culture.

Softcover. NY, New American Library, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. Over one hundred photos of Warhol, his friends and activities. Name on front fly leaf. otherwise clean.

Softcover. Allworth Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Ranging from earthworks to conceptual art, this illuminating read offers an integrated view of all the significant artistic developments of one crucial decade, the extraordinary explosion that occurred between 1965 and 1975. The author, a leading art critic, focuses a new lens on this radical movement, showing the nuances that defined Minimalism in its various phases, as characterized by the inflected object, the disintegrated object, the ironic object -then the transition from the object to architecture, space, landscape, cityscape, body, performance, and conceptual art. No other account has documented in such detail the scope and impact of this artistic revolution, which the author argues spanned all mediums and pushed every aesthetic possibility of Minimalism to an extreme.

Hardcover. US, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Volume 7. 288 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. New Haven, Yale University Press, 1st US, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, illustrated throughout in full color and b&w. Light edgewear to dust jacket, faint foxing to bottom edge. Clean, tight copy.

Softcover. NY, Sotheby's, 1989, Book: Very Good, Dust Jacket: None, Softcover, This 499 item catalogue is unpaginated,approximately 500 pages. Color photographs throughout. List of prices realized tucked in. Clean, bright copy.

Hardcover. Santa Cruz, CA, Flesk Publications, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Color illustrations. Clean, unmarked copy with only minor wear to dust jacket. Harvey Dunn was one of twentieth century America's most powerful illustrators, painters and teachers. This comprehensive volume covers a major portion of his illustrations and paintings for the first time. Content includes illustration art, pioneer and western works, and his powerful World War I pieces inspired by his battlefield sketches. Also included are the rarely seen nudes, portraits, and murals. Paintings from museums and private collections showcase the full range of this talented American artist. For this book, many original paintings were tracked down and re-photographed in order to reintroduce the work of this important artist. Until now, most of Dunn's paintings and illustrations have been unavailable to the public in their original form. Locations of pictures in public collections are listed, as are the original publication dates and places. Additionally, a section is devoted to the artist's working and teaching methods. Also included is a reprinting of Dunn's "An Evening in the Classroom," compiled from notes made during critiques, passing on his inspirational teaching philosophy. A comprehensive list of Dunn's students with sample art is included as well.

Hardcover. New York , Prestel, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 320 pages, profusely illustrated, hardcover in a bright, dust jacket. Like new in publisher's shrink-wrap.

Softcover. New York, N.Y. (21 E. 70th St., Hirschl & Adler Galleries, 1st, 1992, Book: Good, Dust Jacket: None, Softcover, 64 pages, illustrated throughout in color and b&w. Light wear and rubbing to spine with slight tear to upper edge. Clean, tight copy.

Softcover. NY, Universe Publishing, 2nd pr., 2006, Book: Very Good, Dust Jacket: None, Softcover, 272 pages illustrated in color and b&w. The first book to capture the philosophy and spirit behind the work of Charles and Ray Eames, An Eames Primer offers an in-depth look at the couple's prolific legacy--one that has placed them among the most important American designers of the twentieth century. Those who know one or two aspects of the Eameses' work are often surprised to learn just how far and vast their range extended. Yet throughout their myriad works, from architecture and furniture to exhibition and design and filmmaking, their core philosphy prevails. An Eames Primer is the first book to illuminate this seamless connection.Author Eames Demetrios explores the rich energy of the Eameses' world from a unique perspective, informed by his close relationship with Charles and Ray. He shares personal anecdotes, previously unpublished photos, and his extensive interviews with former friends and colleagues of the Eameses to make connections between the Eameses' influential philosophy and their widely admired work. For those unacquainted with the designers, the stories behind the design process will inform, entertain, and inspire, while readers with an extensive knowledge of the Eameses' work gain a deeper level of understanding their process.