Art

Hardcover. Gottingen, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap. This volume presents Bruce Davidson's personal selections from his lesser-known color archive, from a period of nearly 60 years. Assignments from various magazines including Vogue, National Geographic and Life, as well as commercial projects led Davidson to photograph subjects as diverse as fashion (in the early 1960s), the Shah of Iran with his family (1964), keepers of French monuments (1988), the supermodel Kylie Bax (1997) and college cheerleaders (1989). He photographed in India and China, but also at home in New York, in Chicago and along the Pacific Coast Highway. In 1968, Michelangelo Antonioni invited Davidson to document the making of his film Zabriskie Point. Davidson also continued to pursue personal projects, such as photographing the Yiddish writer and Nobel Prize laureate Isaac Bashevis Singer (1972-75), the New York City subway (1980) and Katz's Delicatessen (2004). Often staying on in a country after an official assignment, Davidson documented Welsh coalfields, family holidays in Martha's Vineyard and travelled through Patagonia and Mexico.

Detroit MI, General Motors, 1930, Book: Very Good, Dust Jacket: None, Art "All eyes are focusing on the great new Cadillac...", color art not credited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Monte Carlo, Andre Sauret, 1st wraps, 1954, Book: Very Good, Dust Jacket: None, Softcover, illustrated card covers, French text, 13 color plates, b&w plates. Stamped #724 of 2,000 copies. Previous owner's stamp front end paper. Otherwise clean.

Hardcover. Cambridge MA, MIT Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages. This book documents the work of designer Brooks Stevens. It includes 250 illustrations of designs by Stevens and his firm, many in color, detailed studies of individual designs, interpretative essays, and several key writings by Stevens himself. Believing that an industrial designer "should be a businessman, an engineer, and a stylist, in that order," Stevens created thousands of ingenious and beautiful designs for industrial and household products-including a clothes dryer with a window in the front, a wide-mouthed peanut butter jar, and the Oscar Mayer Wienermobile.

Softcover. Boston, Bulfinch, 1st, December 1993, Book: Very Good, Dust Jacket: None, Softcover, 236 pages, b&w and color illustrations throughout. A very clean, tight copy. Resulting from a groundbreaking, four-venue exhibition, Theme & Improvisation features exquisite color reproductions of works from Kandinsky's abstract oeuvre as well as of works by thirty-eight remarkable American artists - some world-renowned, others less well known. Based on important new research into the art of the American avant-garde, and illustrated with many beautiful, often revelatory works of art, this book points the way to a new interpretation of the art of the first half of the twentieth century.

Hardcover. NY, Madison Square Press , 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Shows award winning posters, promotional material, newspaper advertising, packaging, magazine and television advertising, illustrations, book covers, and editorial art. Clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Fairfield CT, Cartoonist Profiles, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on animator Grim Natwick, John Romita the Spider-Man artist, Garfield and Jim Davis, Alfred Andriola, c.omic strip history by Bill Blackbeard.

NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Two-color art of Uncle Sam greeting Woodrow Wilson by C. Budd. Approx. 10 X 12".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Chicago, Argonaut Inc, 1st, 1964, Book: Very Good, Hardcover, stated First American Edition. "A New Illustrated Edition Containing: 'Greek Dress' by Ethel Abrahams; 'Chapters on Greek Dress' by Lady Evans." Edited by Marie Johnson. Navy cloth with gold lettering on the spine. Illustrated with 20 plates and with several full-page and in-text illustrations. Combines two works on the history of ancient fashion.

Hardcover. New York , Arts, Inc., 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages, 128 illustrations, 57 in color, including many tipped-in. Bright dust jacket with price-clipped flap. Previous owner's signature on front fly leaf otherwise clean, very good.

Hardcover. New York, American Federation of Arts, 1st, 1961, Book: Near Fine, Dust Jacket: Very Good, Catalogue of the sculpture of Jose de Rivera, with a chronology and introductory essay. Approximately 50 pages, illustrated with 15 black/white plates in addition to several other illustrations. Small cloth bound book is in near fine condition, dust jacket is slightly faded on the spine but in very good condition.

Softcover. Fairfield CT, Cartoonist Profiles, 1983, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on James Swinnerton, Harrison Cady, Broom Hilda by Russell Myers, comic book artist Dick Ayers, Zim autobiography, others.

Hardcover. New York, Pantheon, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated, b&w cartoons by Lorenz which originally ran in The New Yorker. Bright dust jacket, unclipped, with a touch of wear to bottom of spine.

Hardcover. Boston, MA, Houghton Mifflin Company, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 525 pages, b&w illustrations. The first full-length biography of one of the fathers of American art. Light green cloth, gilt titles to spine and front cover. Blue pictorial dust jacket with minor wear to spine and edges. Overall a very nice, clean copy.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Softcover. NY, Rizzoli, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 87 pages, b&w and color photographs. Price sticker on rear wrapper. Top left corner slightly bumped. Else a clean, tight copy. "This photographic journal records the collaboration of Robert Motherwell and his studio assistants in the creation of the artist's monumental painting Reconciliation Elegy, a commission for the East Building, National Gallery of Art, Washington, D.C."

Hardcover. NY, Basic Books, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages. Translated from the French by Olivier Bernier. Preface by Virgil Thomson. The autobiography of a Jewish painter who fled from Bolshevik Russia to Spain, moved to France and who was imprisoned during WWWII by the Germans and who moved eventually to the U.S.

Hardcover. NY, Independent Curators Incorporated, 1st, Book: Very Good, Dust Jacket: None, Board covers with a red label on front. Non-paginated, ca 50 pages. B&w illustrations. Previous owner's signature on front end paper, else a clean, tight copy.

Softcover. New York, Dover, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, large format. 45 color posters by the German artist. Excellent condition.

UK, Cambridge University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt decoration, lettering, 56 pages plus 111 b&w plates. This 1927 book presents an accessible guide to Gothic foliage sculpture, aimed at visitors to ancient English churches. 186 pages total. Decorative bookplate inside front cover otherwise clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 198 illustrations including 73 plates in full color with text throughout. An in-depth study and illustration of the role of animals in American Art. Clean copy.

Softcover. NY, Pamela Auchincloss Gallery , 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. 11 color plates. Exhibition catalog, essay by Pamela Auchincloss. Clean.

Softcover. Berkeley, CA , Ginko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 221 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Fashion Show explores the ideas and inspirations that have driven Paris fashion through the ages, and it investigates why, in an era of globalization, this venerable city remains an undisputed Mecca. Color photographs throughout.

Hardcover. New York, Harry N. Abrams, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover, 233 pages. Profusely illustrated with 189 drawings, including 32 in color. Red, black, and white illustrated dust jacket with clear plastic guard. Introduction by Lloyd Goodrich (of New York's Whitney Museum). Dust jacket spine with light fading, previous owner's inscription on half-title page. Otherwise clean.

London, National Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 71 pages illustrated in color. A key member of the Hudson River School, Frederic Church (1826-1900) rose to fame as the creator of some of America's most iconic landscape paintings. He also traveled abroad extensively, making trips to Jamaica, South America, Europe, and the Middle East. At home and away, Church made numerous plein air oil sketches of the landscapes he saw, some magnificent, some humble, many of them later subjects for his full-scale paintings. Frederic Church and the Landscape Oil Sketch features some thirty sketches Church executed during his career. Many of these wonderful works come from Olana, the artist's magnificent home overlooking the Hudson River. As Andrew Wilton's essay explains, these informal and often spontaneous sketches played a vital role in the practice and pedagogy of landscape painting in American art just as they did in European art of the 19th century. Clean copy.

Hardcover. New York , George Braziller , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, illustrated throughout with 65 plates in full color. Clean, unmarked copy with only minor wear to dust jacket. This volume gathers together all the extant pastels of Eugene Delacroix (1798-1862), the leader of the French Romantic movement in painting, the greatest colorist and the most versatile master of the first half of the nineteenth century. These beautiful pastels, housed in collections from London to Los Angeles to Cairo, are rarely exhibited due to their fragility.

1909, Book: Very Good, Boy giving class speech under watchful eye of teacher. Two-color art by J. C. Leyendecker. 10 X 13", mild soil. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This is the sequel to caricaturist Drew Friedman's collection of portraits of famous comics creators.Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books-publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color. Full-color illustrations throughout.

Hardcover. NY, Johnson Reprint Corporation, reprint, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages, illustrated with 22 color plates and 177 in b&w. Contents: 1). Preface. 2). Major events in Leonardo's life. 3). The river. 4). The fiction. 5). Hercules. 6). Leda. 7). Bacchus. 8). Epilogue. 9). Bibliography. 10). Index. Smaller ownership sticker on inside front cover otherwise bright and clean.

Softcover. New York , Penguin Books, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 201 pages illustrated in b&w and color by artists like Charles Burns, Kim Deitch, Art Spiegelman, Pascal Doury, others. Clean, bright copy.

Hardcover. Bruxelles, Dargaud , reprint, 1987, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 72 pages illustrated in color by Jacobs. Clean, very good. FRENCH TEXT.

Softcover. New York , Museum of Modern Art , 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages, illustrated in color and b&w. Softcover exhibition catalog. The Stenberg brothers, like their contemporaries Aleksandr Rodchenko and El Lissitzky, were artists of immensely varied interests and eclectic skills. They were sculptors, architects, and stage and costume designers, and were enamored of the film and montage theories developed in the suddenly burgeoning Soviet film industry. As seen in this book's superb color plates, they brought to film poster design an extraordinary compositional dynamism, originality, and contrast of scale, employing many of the artistic conventions of the Constructivist movement to great effect.

Hardcover. Naples, Banco Di Napoli, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 542 pages, Illustrated in color and b&w. Clean and tight copy.

Hardcover. np, New Texture, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, 188 pages, color and b&w illustrations. A lushly-illustrated book that showcases the unique career of the blonde Swedish model and actress Eva Lynd, with text written by Eva herself or taken from conversations with her. Millions of men saw photographs of Eva taken by the best "glamour girl" photographers of the era in dozens of different bachelor magazines published in the '50s and '60s.She was also a popular artist's model for paperback covers and illustrations done for magazines in the men's adventure genre that flourished in those decades. Like new, issued w/o a dust jacket.

Hardcover. Paris, Casterman, reprint, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 68 pages illustrated in color by Rossi. Clean, very good. FRENCH TEXT.

Softcover. Seattle, Fantagraphics Books, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 144 pages, b&w drawings throughout. The Compleat Cannon reprints the entirety of cartoonist Wally Wood's classic sex and violence strip from the 1960s. Super-spy John Cannon is the American's answer to James Bond, fighting the Cold War with a license to kill.Wally Wood is of course the legendary cartoonist known for his contributions to the original Mad magazine. Always regarded as one of comics' great craftsmen, Cannon is simply one of the most beautiful strips ever produced. Featuring outrageous parodies of pop culture icons of the time, the Cold War, and the secret agent genre, Cannon is Wood at his most gregarious and incisive, working on one of the few projects in his career where he had no editorial constraints.Like Fantagraphics' The Compleat Sally Forth, also by Wood, this oversized collection includes a section of never-before-seen Cannon ephemera in the form of sketches, notes and annotated information about the strip.

Hardcover. NY, Golden Press, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, A book of essays and cartoons given out by Volkswagen dealers to their customers. Contributions by artists and writers such as Charles Addams, Harry Golden, William Steig, Jean Shepherd, Virgil Partch, George Price, Roger Price, Charles Saxon and others. Photos of a number of the contributors. Clean copy.

Hardcover. Atlanta, Whitman Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, 120 pages. Full color illustrations. Covers show minor wear. Clean, tight copy. Hardcover, no dust jacket.

Softcover. New York, Pantheon Graphic Library, reprint, 2003, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light edgewear to cover wrapper. Color comics throughout by Chris Ware. Clean, tight copy. This first book from Chicago author Chris Ware is a pleasantly-decorated view at a lonely and emotionally-impaired "everyman" (Jimmy Corrigan: The Smartest Kid on Earth), who is provided, at age 36, the opportunity to meet his father for the first time. An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.

Hardcover. New York, Pantheon, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, INSCRIBED BY CHRISTO on title page to "Eeva annd Elvia" dated 1986. Color and black & white photographs throughout, light dust jacket edge wear and fade, otherwise, clean and tight copy.

Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.

Softcover. US, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, 180 pages, illustrated throughout in color. Volume 3. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Camden SC, Briar Patch Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 200 pages, illustrated in color and b&w. Oblong folio, 11 X 12, embossed blue cloth binding stamped in gilt. Dust jacket has some fading to colors at the edges. Book is clean, very good.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century.

Hardcover. Boston, The Peabody Museum / Little Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages. 168 full-page black-and-white illustrations and 16 color plates. Light sun-fade to dust jacket spine and flaps, as well as minor chipping along edges and wear along spine. Otherwise, clean, tight copy. This handsome book is the first full study of American marine painting ever published. In it are drawn together representative works by more than sixty painters from Colonial times to the present, including such diverse figures as John Smibert, John Quidor, John Marin, Albert Bierstadt, Geroge Bellows, Thomas Chambers, and Andrew Wyeth. Mr. Wilmerding discusses the development of these artists' concern with marine subjects, the influences (both native and European) on their styles and approaches, and the meaning of their achievement for American art in general.

Softcover. Montclair, NJ, Montclair Art Museum, 1st, 2005, Book: Very Good, Dust Jacket: None, Paperback. 90 pages, color and b&w illustrations. An exhibition catalog, not published in hardcover.

Softcover. Berkeley CA, Last Gasp Eco-Funnies, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover. Comic Book. Standard Format and Size. First Printing. This is the #2 issue of the series, published December 1977 with a washtub on the cover. Cover price $1.00. Art by R. Crumb and his longtime girlfriend, Aline Kominsky.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. One of the most prolific and successful artists of the Golden Age of American Illustration, J. C. Leyendecker captivated audiences throughout the first half of the 20th century. Leyendecker is best known for his creation of the archetype of the fashionable American male with his advertisements for Arrow Collar. These images sold to an eager public the idea of a glamorous lifestyle, the bedrock upon which modern advertising was built. He also was the creator instantly recognizable icons, such as the New Year's baby and Santa Claus, that are to this day an integral part of the lexicon of Americana and was commissioned to paint more Saturday Evening Post covers than any other artist. Leyendecker lived for most of his adult life with Charles Beach, the Arrow Collar Man, on whom the stylish men in his artwork were modeled. The first book about the artist in more than 30 years, J. C. Leyendecker features his masterworks, rare paintings, studies, and other artwork, including the 322 covers he did for the Post. With a revealing text that delves into both his artistic evolution and personal life, J. C. Leyendecker restores this iconic image maker's rightful position in the pantheon of great American artists.

Hardcover. New Haven CT, Yale University Press, 1st, 1990, Hardcover in a bright dust jacket. 247 pages with 105 plates (many color)."Annibale Carracci, Nicolas Poussin, and Claude Lorrain were the masters of ideal, or heroic, landscape painting in the seventeenth century. In this original and highly sophisticated book, Margaretha Lagerlof interprets these paintings in a new way, examining them from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism, and metaphysics."

Softcover. Washington D.C, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages, illustrated throughout with photos in b&w and color. Pictorial stiff wrappers. Light wear to edges and spine, else a very nice, tight, clean copy.