Art

Hardcover. NY, Reagan Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. Through striking illustrations and stunning photographs, Bohemian Modern explores the unique structural and interior designs that have put California's ultra-chic Silver Lake neighborhood at the forefront of a new style phenomenon. One of the country's most renowned modernist architects, Barbara Bestor has fully embraced and perfected Silver Lake's "bohemian modern" style: a practical philosophy that is Californian in origin but achievable anywhere. It is a look that favors raw, authentic materials, brilliant colors, creative space planning, and a natural flow between indoors and outdoors. The results, as Bohemian Modern presents, are striking: a flawlessly restored Neutra house decorated with both whimsy and restraint, a rooftop constructed for viewing the stars, a lavish outdoor garden delicately integrated into the surrounding architecture, a double-sided bookcase that soars three stories and serves as a functional art installation...there is no limit to the creativity and beauty of Silver Lake style.

Hardcover. NY, Gallimard, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 392 pages. Profusley illustrated, this book explores a hitherto overlooked topic in Chagall studies - the connection between Chagall and music. This intimate relationship, which ran deep in both his family history and the Jewish culture of his native city, was particularly meaningful in Chagall's creations for the stage. His works for the Jewish Theatre (Moscow, 1919-1920) and the ballets 'Aleko' (Mexico, 1942), 'The Firebird' (New York, 1945), 'Daphnis et Chloe' (1958) and 'The Magic Flute' (New York, 1967) celebrate the links he established between music, large-scale set design, and the material design of costumes. Chagall's monumental projects in the 1960s, such as the ceiling of the Paris Opera (1964) and his decorative architectural program for the Metropolitan Opera at Lincoln Center in New York (1966), are a reflection of his notion of 'total art', and his explorations in the universality of music and its translation into the spatial dimension. Music was a constant source of inspiration to Chagall. Clean, bright copy. No dust jacket.

Hardcover. Seattle, Fantagraphic Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Orange cloth boards. Comic strips by McCay reproduced in color. Nice, crisp copy in a dust jacket.

1952, Color art of grandad with kids carrying pumpkins through hatstacks by John Falter. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. illustrated in b&w, some color. Arthur Wesley Dow (1857-1922) was an American artist and educator. This monograph traces his life and work in nine chapters: Beginnings; Paris and Brittany; The Return; Japanese Currents; The Pratt Institute and the Launching of Composition; Ipswich and the World; Teachers College; and Conclusion. With extensive notes, bibliography, and 94 illustrations. Clean copy.

Softcover. Los Angeles, UCLA Fowler Museum , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in bright wrappers, 446 pages. This abundantly illustrated anthology brings together 16 essays by scholars, artists, and ritual experts who examine the sacred arts of Haitian Vodou from multiple perspectives. Among the many topics covered are the 10 major Vodou divinities, the paintings of Hector Hyppolite, the multimedia pieces of Pierrot Barra, sequined bottles and sequined flags, and the work of the Brooklyn Priestess Mama Lola. Like new. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 440 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.

Hardcover. NY, Columbia University Press, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacker with a closed tear. 297 pages, color plates. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century's great artists through a series of interviews with key figures in his life-family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators' reminiscences in conversation, with a focus on the relationship between Rauschenberg's intense social life and his art. The book opens with a prologue by Rauschenberg's sister and then shifts to New York City's 1950s and '60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg's eventual move to Florida's Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others' art.

Hardcover. NY, New York Graphic Society, 1st US, 1966, Book: Very Good, Dust Jacket: Good, 251 pages. Hardcover with dust jacket. 2 color, 69 black & white plates. Light edgewear, chipping to dj. Tight copy.

Softcover. Park Forest IL, Ken Pierce, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in b&w by Romero. Edited by Catherine Yronwode. From the British newspaper strip which ran in the London Daily Express starting in 1981. Color wrappers, clean, bright copy.

Hardcover. New York , Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Like new in publisher's shrink-wrap. In the 1940s Joe Simon and Jack Kirby started their partnership and created memorable characters such as Captain America and Sandman. This book includes artwork from Joe Simon's private archive, some of them have never been seen.

Hardcover. Washingtonb, DC, Philip Wilson, 1st , 1998, Book: Very Good, Dust Jacket: Very Good, A hardcover exhibition catalog. 75 color, 70 black & white illustrations, 240 pages. Clean, bright copy in a similar dust jacket.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Hardcover. Oxford, Bodleian Library, 1st, 2015, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover with no dust jacket. Clean, tight copy with black and white illustrations by Heath Robinson.

Softcover. Middletown, CT, Wesleyan University, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 116 pages. Exhibition catalog. Letter from editor laid in. Black-and-white illustrations throughout. Light sun-fade to covers. Previous owner's signature on front flyleaf. A little mark from paper clip on title page. Clean, tight copy.

Hardcover. Paris, Casterman, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover in pictorial glossy boards. Color art by author. FRENCH LANGUAGE graphic novel. Clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 528 pages, b&w and color photographs throughout. A very clean, tight copy in great condition. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, they discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner.

Softcover. Toronto , Dragon Lady Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 69 pages of b&w Green Beret strips: (5/26/67- 9/17/67) Clean, very good.

Softcover. NJ, Montclair Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. 85 illustrations (41 color). Checklist of 54 exhibits, including 34 works by Bierstadt (28 paintings and oil sketches, 3 sketchbooks, 1 chromolithograph, and 2 stereographs). Foreword by Patterson Sims; Introduction, "The Return of History: America Rediscovers Albert Bierstadt" by Linda S. Ferber; "The Story of the 'Plainfield Bierstadts': Shifting Perspectives, Changing Times" by Diane P. Fischer; "Autumn in the Sierras: A Remote Location Revealed" by John Zielenski; "A Cherokee Artist Looks at The Landing of Columbus at San Salvador" by Kay Walkingstick; chronology; bibliography.

Hardcover. University Park PA, Pennsylvania State University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages illustrated in b&w and color. Beginning in the 1730s, Heather Minor tells us, Rome "began to resemble one huge construction site," with a series of ambitious and expensive new building campaigns that transformed the face and substance of the city. From renovations of the Santa Maria Maggiore and San Giovanni in Laterano and the restoration of the Arch of Constantine to the creation of the Capitoline Museum and the establishment of the papacy's Calcografia, the push for reform not only renewed papal and Church identity but also revived Italian culture as a whole. Based on extensive archival research and full of fascinating stories about the often stormy theological and intellectual debates central to the attempts at reform, The Culture of Architecture in Enlightenment Rome brings to life the personalities of architects, theologians, and intellectuals and links the extensive architectural programs with powerful shifts in the intellectual climate of the time. Clean, bright copy.

Hardcover. New York , Prestel , 1st, 2012-09-25, Book: Near Fine, Dust Jacket: Near Fine, 207 pages, profusely illustrated. One of the most famous and popular photographers of his time, Jeanloup Sieff photographed some of the most beautiful women and men of his era. This wide-ranging collection of his work captures some of his most famous photographs spanning a career of nearly forty years. Like new in publisher's shrink-wrap.

Softcover. Zurich, Graphis Press, 1st, 1975, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Light edge wear to wrappers. Else very good.

Softcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. A collection of some of the independent film genre's most provocative posters includes such examples as Eraserhead and Lost in Translation, in a volume that profiles more than 100 internationally recognized directors and traces the cultural significance of independent films.

Softcover. Washington D.C., National Gallery of Art Washington, 1st, 1982, Book: Very Good, Dust Jacket: None, 271 pages. Softcover. National Gallery of Art publications from exhibition laid in. Color and b/w illustrations throughout. In beautiful condition. Wrapper bright and excellent. Pages clean, binding good. Catalogue to accompany exhibition held from February 7, 1991-May 9, 1982.

Hardcover. London, Mitchell Beazley, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.144 pages. Illustrated with color photos by Dave Young.

Hardcover. Oxford, Oxford University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 193 pages, 8 color and 100 b&w plates. Examines the approach of the Pre-Raphaelite Brotherhood and their associates to the natural world. It is the first serious examination of the consequences of the Pre-Raphaelite creed of 'exact truth to nature', which led to the ever increasing importance of natural detail in Pre-Raphaelite school of landscape painting. Following a discussion of the developing interest in the precise depiction of nature by the Pre-Raphaelites from 1848 to 1851, chapters on individual artists, many hitherto almost forgotten, trace the history of the Pre-Raphaelite landscape in the 1850s and 1860s and its relation to earlier and later art in England and abroad. Much new light is cast on Ruskin's central role as theorist, patron, and critic of mid Victorian art.

Hardcover. New York, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 496 pages. Hardcover with dust jacket. Color illustrations throughout. Clean, tight copy.

Hardcover. Oslo, Aschehoug & Co., 2nd Ed., 1996, Book: Very Good, Dust Jacket: Good, Large hardcover in a bright dust jacket with light edgewear. Foreword by Donald Kuspit. Illustrated throughout in color with reproductions of the paintings plus many close-up details. 11" square, 346 pages with approximately 130 color and 65 b&w illustrations. Translated by Francesca M. Nichols. Old Master Existensialism: Odd Nerdrum's Paintings: Nerdrum paints isolated figures ensconced in their isolation. His style is at once completely modern with aspects of the surreal subtlety evident, yet he is reminiscent of the old masters for his superb draftsmanship and the dark earth colors he uses. There are 3 short tears repairs to rear dj panel, taped on reverse. Otherwise a bright, clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Washington D.C, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages, illustrated throughout with photos in b&w and color. Pictorial stiff wrappers. Light wear to edges and spine, else a very nice, tight, clean copy.

Softcover. Seattle, WA, Fantagraphics Books, 3rd Edition, 2003, Book: Very Good, Dust Jacket: None, 122 pages. Softcover. B/w illustrations throughout. Binding tight. Pages and edges clean and unmarked. Wrapper very good. One of the most chilling installments in the Love and Rockets series.

Hardcover. Dark Horse, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. First appearing in Al Capp's "Li'l Abner" comic strip in 1948, the oddly shaped (and happily edible) Shmoo became an overnight phenomenon, spawning an unprecedented merchandising frenzy in the late '40s and 50s. As part of the Dark Horse Archives series, ALL Shmoo comic book appearances are being collected for the first time ever in a deluxe hardcover edition! In addition to every issue of Shmoo Comics from 1949 and 1950, rare bonus stories, and Shmoo-centric advertisements from yesteryear, Al Capp's Complete Shmoo: The Comic Books features an introduction and annotations by certified Shmoo-ologist Denis Kitchen. A persistent presence in pop culture, the selfless Shmoo has served humanity for decades - mostly by offering itself as food - but also by entertaining and tickling our funny bones like no other creature can. Treat yourself to these hilarious adventures, featuring Washable Jones, Super Shmoo, Frankenshmoo, Fu Manshmoo and truly a cast of thousands! This archival collection sports a new cover by Peter Poplaski.

Softcover. NY, Whitney Museum of American Art, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 306 pages, b&w and color illustrations throughout, b&w frontispiece. Light edge wear, rubbing to wrappers. Else a very clean, tight copy.

Softcover. Washington DC, National Park Service,, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, The famous cartoonist of WW2's Willie and Joe fame offers his take on America's War for Independence. Small price sticker on cover otherwise clean.

Hardcover. NewYork, Oxford University Press, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black lettering. Features 40 full-page etchings of Civil War scenes with commentary on opposite page.

Hardcover. NY, Mark Batty, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. The volume offers a significant selection from the run of Peel Magazine, which exposes the key influence in the recognition of urban stickers, in particular in the USA.A good overview of artists, thematic selections, are peppered with fair interviews, and other elements of urban culture such as decorated or tuned-up toys, or several forms of street art without losing much track of stickers as such.

Hardcover. Alexandria VA, Art Service International / Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Comprehensive treatment of Grandma Moses, her life, work, significance, and with a Catalogue of her work. Illustrated in color. Designed for a major traveling exhibition of Moses' work, the hardcover copies were distributed by Yale. Clean copy.

Hardcover. London, Phaidon Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, 222 pages of text, 1478 b&w plates, 39 index pages. Two volume set, textured cloth covers, clean dustjackets, set shows little wear. Cardboard slipcase with paper chipping to edges.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 36 pages illustrated in b&w by Falk. Clean, bright copy.

Hardcover. New York, E.P. Dutton, 1st, 1966, Book: Good, Dust Jacket: Good, 120 pages. Hardcover with dust jacket. Gutter cracked in preliminary pages. SIGNED ON HALF TITLE PAGE BY AUTHOR. Dust jacket shows chipping and small tears. Small sticker on front end paper bottom.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 385 pages. While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan. Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles. He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory. Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent "a cultural, civilized, and vibrant" city "which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees." Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy City's unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest. Harris's substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s. The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features--and even one issue reprinted in its entirety.

Hardcover. New York, Farrar Straus and Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 434 pages, b&w illustrations. Like new condition. When we picture the 1950s, we hear the sound of early rock and roll. The Ten-Cent Plague shows how -- years before music -- comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

Hardcover. New York, Harry N Abrams Inc, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover with dust jacket. Very clean copy with only minor edgewear. Some slight soiling to dust jacket edges. More than 150 illustrations, including reproductions of masterworks spanning the artist's entire career, accompany five critical essays that reveal Remington's complexity and brilliance.

Softcover. Brookville NY, Hillwood Art Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers, 44 pages. Full-color catalog featuring essays and images of traditional and contemporary African sculpture depicting mother and child. Clean copy.

Hardcover. NY, Portland House, reprint, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 100 full-page color plates, each with multiple patterns; additional black & white figures. Originally published in 1867 by S. & T. Gilbert of London. Folio.

Hardcover. New York, Glitterati, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. illustrated in color and b&w. A visual survey of Black style from the 1940s through the 1970s. In publisher's shrinkwrap. This is the 2006 first printing with a different cover than the later reprint.

Hardcover. Milwaukee WI, Hal Leonard, 1st, 2014, Book: Very Good, Dust Jacket: None, Oblong hardcover, 319 pages. Lavishly illustrated with over 700 faithful reproductions of sheet music covers in color. Pictorial boards, issued without a dust jacket.

San Francisco, Last Gasp, 1st, 2015, Book: Very Good, Hardcover, a guide to the characters of the comic series presents information on the role in the strip of and real life models for Tintin, Snowy, Captain Haddock, General Alcazar, Professor Calculus and others. Each is shown in early and late incarnations, b&w and color, with fascinating historical facts and tidbits. 131 pages include index and color throughout.

Hardcover. Croydon UK, Fonthill Media, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. You might be surprised to learn that many of the consumer brands and products we enjoy today exist because of streetcar advertising. The Industrial Revolution of the early 1900's and a massive consumer audience riding over 50,000 streetcars in nearly 3,000 cities and towns in every state of the union provided a great opportunity for Barron Collier, a native of Memphis, Tennessee. He simply used streetcar advertising to bring these two forces together and created the largest streetcar advertising empire in the world. By age twenty-six, he was a millionaire and at one time had business offices in 70 cities with business interests in more than a thousand cities. Most of these advertising cards have remarkable color graphics; over 250 of them are included in this book for your viewing pleasure. While streetcar advertising is definitely not a major advertising medium today, the advertising community might be surprised to learn that the basic principles of consumer advertising have not changed that much in the last one hundred years. Investors might do well to review this book to see which companies are still producing these popular products and brands as they represent some of the most successful businesses in America today.

Softcover. London, Booth-Clibborn Editions, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, a collection of sticker art reproduced in color. Color illustrated wrappers. Today's stickers are the new flyers, a major means of street-based communications, and are used by the hippest advertising agencies and the most underground messengers alike. This is the first book to cover this latest street-art phenomenon, and features truly international coverage of the sticker scene.