Art

Hardcover. NY, Hudson Hills Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages, 123 color plates. Morisot was a gutsy pioneer among the French impressionists. As a standard-bearer of the avant-garde, she created a scandal by helping to organize a public auction of their works, something very few artists had dared to do. Defying the advice of her parents and Manet, she remained in Paris when Prussian troops besieged the city. In her artistic technique she was no less daring. Around 1874, in pictures of tourists and yacht-filled rivers, she broke through to an abbreviated, shorthand style ahead of her contemporaries. Disregarding her own view that Monet had taken landscape painting to its farthest limits, her late oils of gardens are brilliant fireworks of color. This catalogue of a retrospective exhibition that is to tour the country stands on its own as a valuable study.

Softcover. San Francisco, Rip Off Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, staplebound with $2.95 cover price. 32 pages illustrated in color by Shelton. Clean, bright copy.

Hardcover. UK, PS publishers, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. She may still be everyone's favourite yellow-tressed leopard-skin-clad Jungle Jane but, having made her first appearance almost 80 years ago (courtesy of Will Eisner and 'Jerry' Iger in the British mag Wags #1), Sheena, Queen of the Jungle could be forgiven for being somewhat less spritely swinging through the trees righting wrongs and wielding her knife. In 1938, she made it Stateside with her first showing in Jungle Comics #1 where she settled happily in every issue (plus a decade in her own title) until April 1953. There have been other incarnations, of course, but it's this classic material that strikes at the very heart of Good Girl Art! Collects issues #11-18, Spring 1951 to Winter 1952.

Hardcover. Berkeley, Ca, Ten Speed Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Illustrated throughout with full-color and b&w prints, including full-color fold-outs. Red cloth, pictorial dust jacket with illustrations to back and front. "THE MASTERWORKS stands as the authoritative collection of Parrish's best works. Compiled by long-time Parrish expert and curator Alma Gilbert...." New copy, in shrinkwrap.

Hardcover. NY, Robert M. McBride & Company, 1st, 1944, Book: Good, Dust Jacket: None, Hardcover, pictorial boards, 80 pages. Introduction by Ogden Nash. Edited by Gurney Williams. Rea's cartoons for Colliers, he also contributed heavily to the New Yorker. Paper starting to peel from spine, otherwise clean, sound copy.

Softcover. Barcelona , Ediciones del Serbal, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 147 pages. SPANISH TEXT.

Softcover. New York, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Philip Guston Retrospective is the extensive catalog for his 4 museum retrospective orhanized by Michael Auping. Texts by Auping, Dore Ashton, Bill Berkson, Philip Guston, Andrew Graham-Dixon, Joseph Rishel, Michael E. Shapiro. 271 Pages, paper with stiff wraps. Color and black & white reproductions. 12" x 9 3/4".

Hardcover. Springfield, MA, Pond Ekberg, 1st, 1941, Book: Very Good, Dust Jacket: None, 199 pages, illustrated throughout in b&w. Limited edition. #219/500 copies SIGNED BY THE AUTHOR. Blue cloth spine. blue paper boards, gilt titles. No dust jacket. Light wear around edges and spine, front cover slightly sunned with tape mark from old price-sticker. Bookplate. A nice, tight copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 570 pages. An in-depth history of the American comic strip. From the Civil War era art of Thomas Nast, to the moral panic of the 1950's, the 'Super Hero Boom' of the 60's and 70's, to the rise of complex story telling in graphic novel format. 570 pages with Index, 6-1/2" X 9-1/2". Remainder dot on top of text block, otherwise clean.

Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1990, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Hardcover. New York, Abbeville Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, illustrated throughout with 213 plates in color and b&w. Maroon cloth with white title to spine, pictorial dust jacket. Beautiful copy. Like new. The rich artistic and social history of the Arts and Crafts movement in California, as well as the highly collectible objects it produced. In a brief but intensely prolific period between about 1895 and 1930. Essays by Leslie Greene Bowman, Bruce Kamerling, Cheryl Robertson, Joseph A. Taylor, David C. Streatfield, Karen J. Weitze and Richard Guy Wilson.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. Vivid, passionate, primitive - 113 paintings by the poet Stan Rice. Here, his canvases explore the terrain of his poetry, as he captures the familiar and the mythical, the magical and the everyday. Here are legendary beasts, card players; images inspired by Greek myths, Bible stories, nursery rhymes. Some pay homage to objects - others to living things. They belong to no contemporary school. They are at once childlike, ironic, and darkly humorous - paintings that attest to the original vision of a talented poet and painter.

Softcover. London, Anthony d'Offay Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (46 pages), catalogue of 64 works all illustrated in b/w, 15 full-page color plates and essay 'After Image' by Will Ameringer. Interesting catalog of rarely seen works on paper by Smith, lent by the artist's daughters for this exhibition. Clean copy.

Hardcover. Boston, Houghton Mifflin , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 290 pages, illustrated in b&w and reddish tones by Bechdel. In a bright, unclipped dust jacket. Alison Bechdel's Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel's own (serially monogamous) adult love life. And, finally, back to Mother -- to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.

Hardcover. New York, Morrow, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. In a clean, bright dust jacket. A commercial artist who started out sketching in the 1930s for pulp magazines, Lovell advanced to the glossier "slicks" in the 1950s and has since specialized in Old West, Plains Indian, and Civil War themes. He here presents from that long career his best canvases, among them his famed depictions of Lee's surrender and the Fifty-fourth Massachusetts' assault (in film, the climax of Glory). His spark of inspiration is usually to visualize an incident he has read of in the journals of the first white explorers and trappers, such as those of Lewis and Clark. Whether it's Clark firing his rifle or Indians encountering a cannon lost by Fremont, Native Americans are generally presented as wary but curious about the newcomers; Lovell puts the warfare outside of the frame. Themes aside, he works expertly with natural color, and though not a modern George Caitlin, his attention to the detail of Indian dress, carriage, and equipage is quite affecting, fully reflective of his respect for the cultures of Apache, Sioux, etc. A rich tribute to a captivating artist who evokes the West's vast landscape and its individual braves and traders in moods of exuberance and perseverance.

Hardcover. Buffalo NY, Firefly Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, pages illustrated in color and b&w. Hollywood Fashion explores the art and legacy of the cinematic costume designer, starting with the birth of the modern motion picture industry on a prime piece of California real estate known as Hollywood. Readers will discover how film clothing evolved from actors selecting items from their home wardrobes to outfits customized for their roles -- everything from suits of armor to ball gowns to office attire to lingerie, all created by a studio designer and a dedicated staff of costumers.

Hardcover. Geneva, Albert Skira, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Green cloth boards with gilt lettering. Clean, bright copy with tipped-in color plates throughout, 193 pages.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Founded by Paul Krassner, "The Realist" was a satirical magazine that took aim at American culture during the period of 1958 to 2001. Paul Krassner collaborates with Fantagraphics to create a collection of the best of "The Realist" drawings with contributions by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Wallace Wood and others. Illustrated front board, 291 pages plus annotations, black/white and 2-color images. Volume numbers and year published accompanies each cartoon.

Hardcover. Chicago, University of Chicago Press, 1st, 1946, Book: Very Good, Dust Jacket: Fair, Hardcover, 131 pages of text followed by 126 plates, several in color. Foxing to endpapers. Dust jacket age darkened with chipping and small tears along edges. Clean, tight copy.

Hardcover. Italy, NY University Casa Italiana Zerilli-Marimo, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, white pictorial boards with light gray cloth spine. 30 pages illustrated in color, several fold-out plates. Clean, bright exhibition catalog. Opening essay in Italian and English.

Hardcover. NY, Free Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. No artist looms so large in Western consciousness and culture as Michelangelo Buonarroti, the most celebrated sculptor of all time. And no place on earth provides a stone so capable of simulating the warmth and vitality of human flesh and incarnating the genius of a Michelangelo as the statuario of Carrara, the storied marble mecca at Tuscany's northwest corner. It was there, where shadowy Etruscans and Roman slaves once toiled, that Michelangelo risked his life in dozens of harrowing expeditions to secure the precious stone for his Pieta, Moses, and other masterpieces. Many books have recounted Michelangelo's achievements in Florence and Rome. Michelangelo's Mountain goes beyond all of them, revealing his escapades and ordeals in the spectacular landscape that was the third pole of his tumultuous career and the third wellspring of his art. Eric Scigliano brings this haunting place and eternally fascinating artist to life in a sweeping tale peopled by popes and poets, mad dukes and mythic monsters, scheming courtiers and rough-hewn quarrymen. In showing how the artist, land, and stone transformed one another, Scigliano brings fresh insight to Michelangelo's most cherished works and illuminates his struggles with the princes and potentates of Carrara, Rome, and Medici Florence, who raised intrigue to a high art.

Hardcover. US, Foggy Notion Books/Pasadena Museum of California Art, 1st, 2012, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Like new in publisher's shrink-wrap. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.

Hardcover. New York, George Braziller, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket. Non-paginated. Black & white illustrations by Al Hirschfeld. Introduction by Brooks Atkinson. Previous owners bookplate on front endpaper. Dust jacket with creases, and light wear. Clean, tight copy.

Softcover. New York, MOMA, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color illustrations. Light edge wear to wrappers; yellowing to spine. Else a clean, tight copy. Illustrated with eighty-four reproductions, eighteen of which are in color, as well as fifty-one reference illustrations. Bibliography. Index.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Benton (1889-1975) is a painter shrouded in paradox and misapprehension. Though pigeonholed as a regionalist chronicler of the Midwest, many of his finest on-site pictures are of Southern blacks and poor whites. Remembered best are his folksy rural scenes and aggressively three-dimensional murals, but the public tends to forget that he ran through the gamut of modernist styles (he was Jackson Pollock's teacher) and that his brilliant abstract color experiments ally him with the modernist movement. Some of Benton's crowded murals of the 1930s reflect his leftist sympathies, yet critics reviled him as politically conservative. These contradictions are illuminated in this catalogue of a touring exhibition curated by Adams. The text stands on its own as a wholly engaging biography, offering an unbuttoned look at a pugnacious, often reckless, artist who valiantly sought to preserve a rural America that was vanishing before his eyes. Clean copy.

Hardcover. Suffolk, UK, ACC Publishing Group Ltd, 1st, 2010, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with dust jacket. Very clean, fresh, unmarked copy. Black and white images throughout. A collection of photographs from the early sixties taken by John Petty. Tight copy.

Hardcover. Paris, Editions Albert Morance, 1st, 1953, Book: Very Good, Dust Jacket: Fair, 320 pages. Hardcover. Text in French. Illustrated with black & white photographs and drawings of decorative cast iron. Previous owners name and date written on front interior hinge flap. Dust jacket worn with tape repair, chipping along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Softcover. Kiva Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 194 pages illustrated in color. With an estimated 6,000 to 8,000 sites spread throughout its canyons, mountains and deserts, the Grand Canyon state of Arizona constitutes one of the premier rock art theaters in the world. Consisting primarily of engraved images (petroglyphs) on sandstone and basalt, but also offering paintings (pictographs) under overhangs, and ground figures (geoglyphs) on the desert pavements, Arizona's rock art truly commands awe and respect. This book, in a comprehensive survey, presents the full gamut of the state's impressive open-air art from its earliest beginnings until more recent manifestations in the historic era. The Rock Art of Arizona contains more than 380 color photographs, over 130 drawings, and numerous charts and maps,. Gold award sticker on cover, clean copy.

Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From its first issue in April, 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons--even Sesame Street counts a few Lampooners among its ranks. 320 pages, mostly color.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 480 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. 378 color and 10 black & white illustrations. Tight copy. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it-mestizo, hybrid, creole, indo-hispanic, tequitqui-testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time.

Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy.

Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.

Softcover. Cape Town, Planet Paul, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 318 pages including appendix. A celebration of the South African artist Paul du Toit who died of cancer in 2014. Clean, bright copy illustrated in color.

Hardcover. New York, George H. Doran, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, oversized in tan cloth spine with paper label over illustrated paper-covered boards with a two-color cartoon of a boy holding a kitten surrounded by dogs. 223 pages of b&w drawings printed on rectos only. Clean, bright copy.

Softcover. Baltimore MD, C. Grimaldis Gallery, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 20 pages illustrated in color. Essay by Angela Tamvaki. Clean copy.

Softcover. Newark NJ, Newark Museum, 1st, 1931, Book: Very Good, Dust Jacket: None, Softcover, brick-red paper wraps. Exhibition catalogue featuring American folk sculpture, including wood carvings, decoys, and weather vanes. 108 pages with 24 black/white plates to accompany essays and catalogue entries. Near fine condition, some edge wear, small ink mark inside the cover.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. Rome, Institut Suisse De Rome, 1st Edition, 1976, Book: Good, Dust Jacket: Good, 159 pages followed by 46 plates in black & white. Hardcover limited edition to 800 copies in German Text. White cloth boards with brick titles to spine. Previous owner's name to front flyleaf. Spotting, foxing to preliminary pages & edges. Dust jacket with light foxing, now protected with plastic cover. Plates detail fresco cycle of the Oratorio di San Giovanni Decollato in Rome commissioned by the Florentine confraternity of the Misericordia, related drawings & sculptures. Clean, unmarked copy.

Softcover. NY, Sindin Galleries, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in b&w. Introduction by Arnold P. Johson. Wrappers lightly rubbed otherwise very good, clean.

Hardcover. NY, W.W Norton/Whitney Museum, 7th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Hopper is generally considered the major twentieth-century realist. Such paintings as House by the Railroad, Early Sunday Morning, and Nighthawks seem to embody the very character of our time. Yet few people have penetrated the mask of Hopper's public image. Here, Gail Levin has gone beyond the standard evaluations of the man and his work to investigate the authentic identity of the artist and the way his personality informed his art. She has uncovered aspects of Hopper's life (and even unknown works) that provide the first comprehensive view of the artists early development. The fascinating and often poignant story of Hopper's long struggle for recognition gives new insight into his later pessimism. A complex man is revealed, introspective and intellectual, yet romantic, illuminating the many levels of meaning in the paintings of his maturity. In addition to Hopper's watercolors and oil paintings, there are study drawings for his major works and documentary photographs illuminating all phases of his life. 280 color and 220 black-and-white illustrations.

Hardcover. Koln GR, Jablonka Galerie, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 40 pages, photographs and drawings in b&w by Warhol. Small format book for an exhibition held in Germany in the late 1990s. Dust jacket and book in excellent condition.

Hardcover. Essex, Pequot Press, First Edition, 1971, Book: Very Good, Dust Jacket: Very Good, 69 pages. Hardcover. Gray cloth boards with gilt titles to spine. Black & white illustrations throughout. Frontis illustration, The Harpist, A Portrait of Miss Florence by Alphonse Jonghers, tipped-in & in full color. Dust jacket with same full color image on bright blue background. Dj has age related wear to edges. Clean, unmarked. A nice copy.

Softcover. NY, Nancy Hoffman Gallery, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. Essay by Donald Kuspit, text in English, French and German. Mild crease to top corner of pages, clean copy.

Hardcover. Clover Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 11 X 14". Volume 2 of this landmark series-reproduced from Milton Caniff's personal set of color syndicate tabloid proofs-features the iconic 1936 daily and Sunday adventures, which continue their separate paths until the end of August when the stories-and cast of characters-are happily united once and for all.In the Sunday Saga, Pat and Cap'n Blaze have it out across a checker board! Then things get really hot when the Dragon Lady and her men lay siege to Blaze's encampment! A twist of fate puts Pat in charge of the Dragon Lady's forces, but they're mistaken for soldier-of-fortune pirates when the Chinese Army storms their position. It takes timely intervention from a surprising source to gain their freedom.Meanwhile, in the Daily Saga, fists fly when Terry, Connie, and Pat are taken prisoner by the insidious Captain Judas-and sparks fly when the boys have their first meeting with beautiful, blonde Burma! The famous strips from March 16-21 steamed up the national audience and became one of the most imitated sequences in comic strip history. Later, cat claws are unsheathed against the backdrop of plague on the planation run by Stan and Wendy Wingate, Burma takes a dive, and with the daily and Sunday strips integrated into a unified storyline the boys once again confront the Dragon Lady before running afoul (accent on the foul!) of Papa Pyzon.

Hardcover. Germany, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. A thematic presentation of the groundbreaking and provocative art of Jean-Michel Basquiat, this volume offers a new appreciation of his tragic but highly influential career. From his early years spray painting the walls of lower Manhattan to his first solo show in 1982 and his untimely death at the age of 27 in 1988, Jean-Michel Basquiat has become a symbol of the 1980s New York art scene.

Paperback. np, Book: Good, Dust Jacket: None, Unpaginated. Delicate softcover in green wraps, with white spine. 9.5" x 15". Cover is faded with some rubbing. 18 prints on rice paper from the urns at the Mieu Temple in Vietnam. No date or publisher.

Softcover. NY, Denise Bibro Fine Art, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages, 11 color plates. SIGNED BY SPEYER on the front fly leaf. Clean, bright copy.

Hardcover. NY, Harry N. Abrams, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover. Pictorial boards with die-cut window and front mechanism very good. Still in publisher shrinkwrap. introduction by Adam Gopnik. Goldberg (1883 - 1970) was the most famous cartoonist of his time, best known for his comical inventions, which were syndicated in daily newspapers throughout the world. Author Jennifer George celebrates all aspects of her grandfather's career, from his very first published drawings in his high school newspaper and college yearbook to his iconic inventions, his comic strips and advertising work, and his later sculpture and Pulitzer Prize - winning political cartoons. Also included are essays by noted comics historians, rare photographs, letters, memorabilia, and patents, many reproduced here for the first time.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting shows guests enjoying the amenities of the lobby by the huge picture window with the bay as a backdrop. This is a rougher version of a more finished piece the artist did later and is unsigned. Image size: 9 X 9", watercolor on texture white paper. Unpublished.