Art

Hardcover. East Sussex, Ammonite Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 300 pages, color and b&w photographs. Hardcover in a very good dust jacket, clean. As pointed out in the introduction by Elizabeth Roberts, this book isn't aiming to be a history of fashion of the past century. It explores the ideas behind it; the influences of clothing by society we live in, and to convey this the outstanding work of the Press Association is used. This book is a visual, eye-watering history that tells the story of how we've become today.The book is split into five chapters followed by a page-to-page picture index.1. FILMSTARS, FULL SKIRTS AND FUR: POST-WAR GLAMOUR2. ROMANCE AND REVOLUTION: 1960's3. FROM THE QUEEN TO POSH: FASHION ICONS4. ON THE STREETS AND IN THE SHOPS: WHAT WE REALLY WORE5. FANTASY AND REALITY: LONDON FASHION WEEK 2008-2009

Hardcover. Seattle WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, b&w illustrations. Light shelf-wear to boards, else a clean, tight copy.

Softcover. New York, Museum of Modern Art, First Edition, 1987, Book: Very Good, Dust Jacket: None, 344 pages. Softcover published on occasion of the exhibition by the same title, touring various locations including the Museum of Modern Art, February 12 - May 5, 1987. Full page, full color and bw illustrations throughout. Frontis illustration, Twittering Machine, 1922. Light toning to spine. Otherwise clean, unmarked copy.

Softcover. New York , NBM/Eurotica, 1st US, 1999, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color by Manara. ADULT CONTENT

Softcover. US, Detroit Institute of Arts, 1st, 2017, Book: Very Good, Dust Jacket: None, 224 pages. Softcover with publisher's shrinkwrap. Like new. Frederic Church (1826-1900), one of the leading painters of 19th-century America and the Hudson River School, also journeyed around the globe to find fresh inspiration for his highly detailed compositions. Among Church's lesser-known masterpieces are his paintings of the Middle East, Italy, and Greece, produced in the late 1860s through late 1870s, which explore themes of human history and achievement.Taking a closer look at this geographical and thematic shift in Church's practice, this handsome book brings together the artist's major paintings of Athens, Rome, Jerusalem, and the surrounding region. The essays concentrate on a set of six major paintings of architectural and archaeological marvels; one essay also spotlights Olana, Church's home in New York State, which reflects the influence of Middle Eastern design. This impressive volume stands apart in its new approach to the artist's work and its quest to determine why and how this quintessentially American figure was drawn to scenery and themes from the other side of the globe.

Hardcover. New Haven CT, Yale University Press, 2nd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 519 pages, illustrated in color and b&w. This enthralling book views the lives and greatest works of the Renaissance masters through the prism of their ardent rivalry. Rona Goffen, one of the most highly respected scholars of the Italian Renaissance today, brings Michelangelo, Leonardo, Raphael, and Titian to life in this lively account of their passionate strivings to outdo both living competitors and the masters of antiquity.?Who would have thought that the serene masterpieces of the High Renaissance owed so much of their vitality to backstage brawling? Only Rona Goffen knows enough to trace these labyrinthine rivalries. In her book the artists take on cinematic vitality, making us see the artifacts produced by such creative brawlers in entirely new ways. Clean, bright copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Nostalgia Press], 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, A complete story reprinted as it originally appeared in the newspaper comic strips of 1938, b&w illustrations. No. 7 in the publisher's Golden Age of the Comics series. Dust jacket with chunk gone from front top edge.

Softcover. Toronto , Dragon Lady Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 42 pages of Smilin' Jack strips (9/6/39-3/14/40). Clean, very good.

Hardcover. Princeton, Princeton University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 552 pages. Hardcover. Bollingen Series C. Dust jacket with light wear, tears to edges, price clipped. Full color and black & white photographs throughout. Clean unmarked text.

Softcover. 1999, Book: Very Good, Dust Jacket: None, Softcover. Article: Beyond the Blue: The Art of Maxfield Parrish, 11 page article, color illustrations. Related newspaper articl laid-in. Clean, sharp copy.

Hardcover. Antwerp/Paris, Fonds Mercador/Alpin Michel, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages, color and b&w illustrations. Slipcased. Text in Dutch. Original illustrated dustjacket over white quarter paper and black cloth with gilt-stamped lettering on spine and initials on cover. Black illustrated endpapers. Two frontispieces, a Masereel woodcut and 1923 self-portrait woodcut. Sound monograph profusely illustrated with 284 mostly b/w Masereel woodcuts and drawings, two fold-outs and 7 color plates. Includes indices with Masereel's published artwork, partly with b/w thumbnail reproductions and list of illustrations.

Softcover. Zurich, Graphis Press, 1st, 1975, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Spine faded. Else very good.

Hardcover. Groundwood Books , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Graphic novel.

Hardcover. New Haven CT, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. This beautiful book examines the art of Pieter de Hooch, one of the most famous and innovative painters of Holland's Golden Age. It discusses de Hooch's position in Dutch genre painting, his favorite themes and their cultural context, his artistic development, and his approach to narration. The book was the catalogue for an exhibition at the Wadsworth Atheneum in Hartford. A 75-page text covering the artist's life and techniques and themes of his work is followed by nearly 100 pages presenting plates of works in the show; eight entries bring the catalog raisonne up to date. Sutton has achieved the rare feat of creating a work that is both a significant addition to scholarship and a reader-friendly introduction for those not already familiar with the artist. Clean copy.

Hardcover. NY, Abrams, 3rd Ed., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket, still in publisher's shrink wrap. Iconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious: these are just some of the words to describe Robert Rauschenberg (1925-2008) and the art he made over his career. From the age of 38, when he received the grand prize at the Venice Biennale in 1964, Rauschenberg was a pivotal figure in the creative explosion of art following WWII. This revised edition of the classic biography of the artist adds a new chapter covering the significant moments in the final years of his life, and offers an in-depth look at his legacy and continued influence on the postmodern art world. It includes new photography and interviews with friends, colleagues, critics, and art historians.

Softcover. Princeton WI, Kitchen Sink, 1st, 1976, Book: Very Good, Softcover, color cover art by R. Crumb. 32 b&w pages with art by Justin Green, Joel Beck, others. Stories by Harvey Pekar, Ted Richards.

Hardcover. New York, Clarkson Potter, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 682 pages. Hardcover with dust jacket. Features over 750 illustrations, including 300 in full color. Light edgewear to dust jacket, faint foxing to top edge. Clean, tight copy.

Hardcover. NY, The Museum of Modern Art, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, 154 pages, hardcover with dust jacket. The works and writings of the Futurist artists in their most creative period, 1910-1916. 141 Illustrations (22 in color). Tanning to wraps, light edgewear. Mild foxing to top edge text block. Unmarked. A clean and tight copy.

hardcover. London, Phaidon Press, 2nd, 1954, Book: Very Good, Dust Jacket: Fair, Hardcover. 139 pages. Contains numerous color plates tipped-in. Also contains black & white prints. Some rubbing to corners and spine edge. Dust jacket with edgewear, chipping, soiling, small tears.

Softcover. San Francisco, Argonaut Book Shop, 1982, Book: Very Good, Dust Jacket: None, Stapled wrappers, 48 pages. A Selection of Vintage Photographs Original Art and Related Material. As a photographer, Carl Moon photographed a total of twenty-nine tribes and villages. He studied the Indian from all sides and at close range. He lived in his camps and villages, became his friend and recorded a way of life that is no more. This catalog details 103 items of his work.

Hardcover. NY, Cooper Square Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 432 pages. The most popular painter of his day, yet an artist whose reputation has fluctuated among art scholars and critics of the succeeding centuries, Peter Paul Rubens (1577-1640) is chiefly remembered today for his large canvases of sensual gardens, religious scenes, and voluptuous "Rubenesque" women. In Oppenheimer's account of his life, Rubens emerges not only as a talented painter but also as an intellectual with a unique conception of beauty that proved very influential and ahead of his time. Oppenheimer explores Rubens' ideas as he tells the story of his life, which included years as a diplomat, and illuminates his response to the humanism of the Renaissance in which he lived.

Hardcover. Washington DC, Dumbarton Oaks Research Library, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 310 pages. John Evelyn (1620-1706), an English virtuoso and writer, was a pivotal figure in seventeenth-century intellectual life in England. He left an immensely rich literary heritage, which is of great significance for scholars interested in garden history and the histories of intellectual life and architecture. Evelyn is perhaps best known for Sylva, a compilation of thoughts on practical estate management, gardening, and philosophy, and the first book published by the Royal Society in London. As one of the group of learned men who founded the Royal Society in 1660 to promote scientific research, discussion, and publications, John Evelyn was at the center of many of the vital intellectual currents of the time. "Elysium Britannicum," Evelyn's unpublished manuscript of almost a thousand pages of densely packed drafts, rewrites, and projects, was perhaps something of an enigma to his contemporaries, who nevertheless urged its publication. It remains for scholars today a treasure-trove of fascinating insights on Evelyn and his milieu. Clean copy.

Hardcover. New York, George Braziller, 1st, 1974, Book: Very Good, Dust Jacket: Good, 189 pages. Hardcover. Black & white illustrations. Dust jacket with spine fading, light wear at corners, edges. Clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.

Hardcover. NY, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color illustrations. Jack Kirby created or co-created some of comic books' most popular characters including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, Darkseid, and The New Gods. More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well-the authorized celebration of the one and only "King of Comics" and his groundbreaking work.

Hardcover. NY, Rizzoli, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."

Softcover. Bethel CT, Apple Comics, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 28 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.

Hardcover. Zaltbommel NL, European Library, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, green cloth boards with black lettering to spine and front board, no dustwrapper. Old Photograph inlaid into front cover. Introduction followed by 108 old photographs (one to a page) with short caption notes. Bookplate on inside front cover, small name stamp on front fly leaf.

Hardcover. NY, Random House, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Features 100 B&W and color automobile ads from 1905-1976. Clean copy.

Hardcover. New York, George Braziller, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 191 pages, 65 color plates. The only complete study of the artist's pastels. Like new in a bright dust jacket.

Hardcover. New York, PowerHouse Books, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. With sumptuous black-and-white photographs that recall the religious fervor of El Greco and the anguish of Francis Bacon, The Face of Forgiveness: Salvation and Redemption takes us inside evangelical meetings across the world and bears witness to the driving emotional faith of Christian revival, where emotion and love pours from the eyes and mouths of the faithful, praying and thanking the Lord.

Hardcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards, 200 pages. In 1949, the ambitious Charles Biro - who had previously co-created the realistically brutal comic Crime Does Not Pay - edited and wrote an oversized comic aimed at adults, called Tops. Like several other radical adult comics projects that would follow, it proved to be a commercial failure and lasted only two Life magazine-sized issues. The original comics have since become a legendary holy grail among comics fans and historians, fetching as much as $6,000 on the collector's market: written about but rarely seen and never reprinted. Until now.Fantagraphics' Tops collects both issues of these oversized experimental comics in their entirety. Some of the best craftsmen working in comics at that time drew these pulpy, sexy, and melodramatic stories: Dan Barry, George Tuska, and others. It includes two stunning pre-EC crime tales illustrated by Reed Crandall, reminiscent of his Crime SuspenStories work. Actor Melvyn Douglas (believe it or not) takes the reader on a tour of utopia, entitled "How Would You Live Under A World Government?" - a positive spin on global Socialism! A treasure trove of fascinating and revelatory comics history for scholars and fans, this compilation includes an introduction by the editor, the historian and cartoonist Michael T. Gilbert, as well as several other essays providing background on the creation of the series and the publisher, editors, and cartoonists who realized it. It includes a chronicle in essay form of experimental, adult comics endeavors throughout the first half of the 20th century. Tops is a landmark work of historical importance and a mind-boggling reading experience from a bygone era meticulously restored and reproduced in a deluxe hardcover in its originally published dimensions. Full-color illustrations throughout.

Hardcover. Seattle, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, mostly b&w, some color, 472 pages. These erotic comics stories span 1968-1986. "The Man from Harlem" is Crepax's ode to boxer Joe Louis and jazz. In other tales, Valentina attempts to balance new relationships with lovers Bruno and Effi alongside the domestic life she shares with Phil. Bonnie and Clyde, Louise Brooks, and the globetrotting photographer Valentina (a movie and TV star herself!) take center stage in this collection of erotic comics stories.

Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."

Hardcover. NY, Disney Editions, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. One Joe was in his ninety-seventh year when he died in 2005; the other Joe died the same year at age forty-five. Both died before their time. This book explores the interplay between personal creativity and the craft of animation storytelling, as seen through the lives and art of two of its greatest practitioners: Joe Grant and Joe Ranft.Grant and Ranft were unique influences on storytelling at two major studios during important periods in the history of animation. Joe Grant, in fact, straddled two eras. A gifted newspaper caricaturist, he contributed ideas for Mickey Mouse and Silly Symphony shorts as well as classic masterworks like Snow White and the Seven Dwarfs; Pinocchio; Fantasia; and Dumbo. As Walt Disney's confidant, Grant played a leading role in defining Disney's pioneering animation legacy. He returned to the studio at eighty-one after a fortyyear hiatus, his creative spirit and abilities undiminished, and made significant contributions to Beauty and the Beast; Aladdin; Mulan; and The Lion King, among others.Joe Ranft built on the traditions of the past forged by Grant and others to become the top animation storyboard artist of his generation, working on Tim Burton's The Nightmare Before Christmas; The Brave Little Toaster; Who Framed Roger Rabbit; James and the Giant Peach; The Little Mermaid; and Beauty and the Beast, among other films. As one of Pixar's creative founders and a close friend of John Lasseter's, Ranft had a major influence on the studio's signature originality, warmth, and irreverent humor, through his contributions to Toy Story; Toy Story 2; A Bug's Life; Monsters, Inc.; and Cars.

Hardcover. New York, DC Comics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 478 pages, hardcover. Extensive color illustrations throughout. Illustrated covers. Clean, unmarked copy with only minor wear to dust jacket. A collection of comics from the 60s - the early 80s, with numerous stories, several covering Shade and another short lived character of his, Stalker.

Softcover. Chicago, Playboy Press, 1997, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear to bottom of rear cover 10 pages in rear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Claudia Schiffer on cover. Full of beautiful women as always including supermodels.Highlights: Lynn Thomas as Miss May, Donald Trump Article, Saul Bellow interview, 20 Questions for Lucy Lawless, and more.

Hardcover. San Diego, Museum of Contemporary Art San Diego, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 79 pages, 56 illustrations 50 in color. Published on the occasion of the exhibition from January 17-March 28, 1999. A previously unpublished interview with Francis Bacon by the author from August 13, 1973. Includes acknowledgments, checklist, and chronology.

Hardcover. New York, Simon and Schuster, 1st US, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 367 pages, a graphic novel illustrated in color by Igort. Color illustrated boards, no dust jacket issued. After spending two years in Ukraine and Russia, collecting the stories of the survivors and witnesses to Soviet rule, masterful Italian graphic novelist Igort was compelled to illuminate two shadowy moments in recent history: the Ukraine famine and the assassination of a Russian journalist. Now he brings those stories to new life with in-depth reporting and deep compassion. In The Russian Notebooks, Igort investigates the murder of award-winning journalist and human rights activist Anna Politkoyskaya. Anna spoke out frequently against the Second Chechen War, criticizing Vladimir Putin. For her work, she was detained, poisoned, and ultimately murdered. Igort follows in her tracks, detailing Anna's assassination and the stories of abuse, murder, abduction, and torture that Russia was so desperate to censor. In The Ukrainian Notebooks, Igort reaches further back in history and illustrates the events of the 1932 Holodomor. Little known outside of the Ukraine, the Holodomor was a government-sanctioned famine, a peacetime atrocity during Stalin's rule that killed anywhere from 1.8 to twelve million ethnic Ukrainians. Told through interviews with the people who lived through it, Igort paints a harrowing picture of hunger and cruelty under Soviet rule.

Softcover. NY, Scala, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. The diversity of New York City's people, cultures, religions, and backgrounds make it the indicator of American sexuality. It is black, white, gay, straight, rich, poor, rough, and tender all at once. From Margaret Sanger's dissemination of birth control to the Stonewall riot of 1969, New York City has repeatedly seen its sexual dynamics changed and American and international culture follow suit. Published to coincide with the much-anticipated opening of the Museum of Sex in New York, NYC Sex features conversations between major cultural figures and historians on sexual topics, including Grady T. Turner on "Sodom on the Hudson"; Martin Duberman and Joan Nestle on queers; Timothy J. Gilfoyle, Xaviera Hollander, and Tracy Quan on whores; Karen Finley, Luc Sante, Gene Simmons, and Art Spiegelman on the underground; and Vanessa del Rio, Legs McNeil, and Annie Sprinkle on porn. And what's a book about sex without pictures? In between the steamy conversation, NYC Sex posts photographs by Mapplethorpe, Ferrato and Gatewood; 19th-century drawings and photographs; film stills; posters; magazine pin-ups; and images of sex symbols past and present. It's a treat the whole family can enjoy. NYC Sex is the official book of the inaugural exhibition of the Museum of Sex, which will open in New York in September.

Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. In the vein of earlier comics-to-multimedia stars Buck Rogers and Flash Gordon, Atlas Comics launched their own pulp hero in 1951, looking ahead to the futuristic year 2000. Across five issues of Space Squadron (and one of Space Worlds), headline talents including George Tuska, Werner Roth and Allen Bellman (with back-up features by Joe Maneely, Christopher Rule, George Klein and Vern Henkel) showed Captain Jet Dixon and his Space Squadron blasting into action, facing cosmic threats like "The Armada of Death," "The Space Demons," "Terror from the Deep," "The Temptress of Jupiter," and "The Midnight Horror."Come 1953, Hank Chapman and Joe Maneely gazed further into the future, envisioning the distant year 2075 and the adventures of Speed Carter, Spaceman. Scripted throughout by Chapman, Maneely launched and drew the first three issues before handing off one issue each to Mike Sekowsky, George Tuska and Bob Forgione, with back-up features by John Romita, Maneely, and Bill Savage. As other aspects of the Atlas line leaned into the peak of pre-Code horror, the Captain of the Space Sentinels and young cadet Johnny Day battled monstrous aliens with stories including "The Space Trap," "A Slaughter in Space," "Die, Spaceman, Die," and "The Thing in Outer Space." Unseen in 70 years, scanned in high resolution, restored to perfection and packaged as one extra-sized, beautiful hardcover volume, In the Days of the Rockets! will open a wormhole to the early cold-war four-color era of futuristic science fantasy.

Hardcover. New York , Rizzoli, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Full-color photo-illustrated paper over boards, backed in gilt-stamped cloth; clear plastic dust jacket with full-color illustrations on flaps; 4to; 112 pages, illustrated in full-color throughout. With contributions from Donna Karan, Calvin Klein, Etro, Todd Oldham, Carolina Herrera, John Galliano, Oscar de la Renta, Sonia Rykiel, Manolo Blahnik, Philip Treacy, and others. Clean, bright copy.

Hardcover. Koln GR, Jablonka Galerie, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 40 pages, photographs and drawings in b&w by Warhol. Small format book for an exhibition held in Germany in the late 1990s. Dust jacket and book in excellent condition.

Softcover. Seattle, WA, Fantagraphics, 1st, 2003, Book: Very Good, Dust Jacket: None, 216 pages. Softcover with light edgewear to wrappers. Black and white comics throughout.

Hardcover. London, Phaidon Press , 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, oatmeal buckram boards with brown lettering. No dj. 46 pages followed by 149 beautifully reproduced full-page b&w plates, then 3 pages of Index of Museums. Donatello, master of sculpture in both marble and bronze, one of the greatest of all Italian Renaissance artists, the greatest Florentine sculptor before Michelangelo. Clean copy. DUE TO SIZE, DOMESTIC SHIPPING ONLY.

Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. In this first year of JFK / John F. Kennedy's presidency/ Capp turned his satirical sword on the Cold War. In a wild satire of international cultural exchange programs, Mammy Yokum flies to Moscow to drive Nikita Kruschev crazy with her Trumpappy. Back home Abigail van Homewrecker tells Daisy Mae that Li'l Abner is suffering from "marital restlessness." Fearless Fosdick retires! Plus: Lower Slobbovia, Senator Jack S, Phogbound, Kickapoo Joy Juice and more. The introduction is an excerpt from Al Capp's autobiographical "My Well-Balanced Life on a Wooden Leg," This is the LAST Li'l Abner volume published by Kitchen Sink Press. This is the final volume partially ghosted by fantasy master Frank Frazetta.

Hardcover. Germany, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. A thematic presentation of the groundbreaking and provocative art of Jean-Michel Basquiat, this volume offers a new appreciation of his tragic but highly influential career. From his early years spray painting the walls of lower Manhattan to his first solo show in 1982 and his untimely death at the age of 27 in 1988, Jean-Michel Basquiat has become a symbol of the 1980s New York art scene.

Hardcover. Seattle WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, b&w illustrations. Light shelf-wear to boards, else a clean, tight copy.

Hardcover. London, SelfMadeHero, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. In the mid-1970s, Klimowski's fearlessly original artwork caught the eye of leading Polish theatre and film companies, for whom he designed some of the period's most influential and iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art, Polish Surrealism and the work of his mentor at the Warsaw Academy, Henryk Tomaszewski, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama and originality. The Klimowski Poster Book compiles the best of his Polish work, while also tracing his career after his return to London, where he remains Emeritus Professor of Illustration at the Royal College of Art. Clean, bright copy.