Hardcover. Springfield, MA, Pond Ekberg, 1st, 1941, Book: Very Good, Dust Jacket: None, 199 pages, illustrated throughout in b&w. Limited edition. #219/500 copies SIGNED BY THE AUTHOR. Blue cloth spine. blue paper boards, gilt titles. No dust jacket. Light wear around edges and spine, front cover slightly sunned with tape mark from old price-sticker. Bookplate. A nice, tight copy.
Hardcover. London, Frederick Warne, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 192 pages illustrated with her superb watercolors. Clean copy.
Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in pictorial color wraps, $1.50 cover price, 48 pages in b&w by Shelton. Clean, bright copy.
Softcover. Berkeley CA, Snow Lion Graphics, 1st, 1993, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Color pictures throughout. Light edgewear to wrappers. A volume of the art work of Stanley Mouse, creator of numerous posters for rock venues in the 60's and other counter culture works, as new, full color illustrations.
Hardcover. New York, Abbeville Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, illustrated throughout with 213 plates in color and b&w. Maroon cloth with white title to spine, pictorial dust jacket. Beautiful copy. Like new. The rich artistic and social history of the Arts and Crafts movement in California, as well as the highly collectible objects it produced. In a brief but intensely prolific period between about 1895 and 1930. Essays by Leslie Greene Bowman, Bruce Kamerling, Cheryl Robertson, Joseph A. Taylor, David C. Streatfield, Karen J. Weitze and Richard Guy Wilson.
Hardcover. NY, Robert M. McBride & Company, 1st, 1945, Book: Very Good, Dust Jacket: Fair, Hardcover, pictorial boards in a worn, chipped dust jacket, 128 pages. A collection of his b&w cartoons, Foreword by Frank Sullivan. Mild stain to dj, interior clean.
Softcover. San Francisco, Rip Off Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, oversized trade paperback. Color art throughout. Some small dates notations on copyright page, light chipping to paper spine otherwise clean.
Hardcover. London, Tate, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color and b&w illustrations. Like new in publisher's shrink-wrap. Provocative and entertaining, Pop Life examines how artists since the 1980s have cultivated their public persona as a product, and conjured a dazzling mix of media, commerce, and glamour to build their own "brands." Beginning with the grandfather of Pop, Andy Warhol, who manufactured mass-produced wares in The Factory in the 1960s, the book explores Jeff Koons' infamous Made in Heaven series-showcasing his marriage and sexual relations with Italian porn-star and latter-day politician Illona Staller (aka La Cicciolina)-and his stainless steel Rabbit sculpture; an iconic array of golden spot and butterfly paintings from Damien Hirst's recordbreaking 2008 auction; and a reconstruction of Keith Haring's Pop Shop in New York. Takashi Murakami's designs for Louis Vuitton are also included, along with works by Richard Prince, Martin Kippenberger, Tracey Emin, and many more.
Hardcover. New York, Applause, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 343 pages. Illustrated with black & white drawings (one section in full color). Clean, tight copy.
Softcover. UK, PS Art Books, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover. Another iconic 52 page facsimile comic book reprinted to match the quality when first produced in 1947. Cover art by Alex Schomburg. The Beasts of Dr. Krafte starring Tygra. The Man-Killer on Mars text story starring Lance Lewis by Edward Hasset. Lance Lewis story. Fighting Yank story, art by Ken Battefield. Jefferson Jones story, art by Hal Sherman. Flash in the Pan text story by Charles S. Strong. The Death Boat starring Don Davis, art by Leonard Sansone. Clean, like new.
Softcover. NY, Farrar, Straus and Giroux, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover. A collection of drawings by Tomi Ungerer on the themes of men, women, and sex. Unpaginated [112 pages]; 109 full-page b&w illustrations; 9.25 x 12.25 inches. Previous owner's inscription on front endpaper, otherwise clean.
Softcover. Seattle, Fantagraphics Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. Light edgewear to wrappers. Black and white pictures throughout.
Softcover. Harrisburg PA, Cameron House, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 16 X 11", Contains 23 vintage beer posters, suitable for framing. There is also included a nice historical writeup of each brewery represented in the book.
Hardcover. Burbank, CA, DC Comics, 1st, 2002, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 224 pages illustrated in color. While strip creator Will Eisner was called to serve during World War II, The Spirit was completed by a host of capable assistants, and those strips from January 3 to June 27, 1943 are collected in this volume.
Softcover. Washington, D. C., National Gallery of Art, 1st, 1990, Book: Very Good, Dust Jacket: None, 383 pages. Softcover. Illustrated in full color and black & white. Covers show light wear along edges. Clean, tight copy.Essays by various art historians in the field.
Hardcover. London/NY, Hamlyn, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, black cloth with silver lettering, 96 pages, Illustrated profusely with 59 black-and-white and 40 color illustrations. Clean copy.
Hardcover. Kansas City, Kemper Museum of Contemporary Art , 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, exhibition catalog, unpaginated. New York artist Alex Katz is best known for his eye-catching, large-scale portraits, figures, and landscapes, but in the mid-1950s he painted intimate works, originating the style that would become the hallmark of his mature work. By the early 1960s, he established a procedure of making small sketches using oil paint on Masonite board, which he would enlarge and modify, then make into paper cartoons to transfer to the canvas. He produces one or more small sketches for every large painting. Although Katz considers the large works to be his major productions, small-scale paintings are the underpinning of his work, revealing his initial passion for a subject--a love at first sight before it has fully matured. While his big paintings are akin to a public performance, the small paintings are rehearsals that reveal not only how he works but more importantly why he is interested in a particular subject. This volume focuses on the achievement and significance of Katz's small paintings.
Hardcover. New York, Houghton Mifflin Harcourt, 2nd pr., 2013, Book: Very Good, Dust Jacket: None, 400 pages. Hardcover with no dust jacket. Clean, unmarked copy. Color, black and white pictures throughout. Showcases the work of both established and up-and-coming contributors. Editor Jeff Smith--creater of the classic comic Bone, a comedy/adventure about three lost cousins from Boneville--has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and web comics to create this cutting-edge collection. Color and b&w illustrations.
Hardcover. London, Phaidon, 1st, 1963, Book: Good, Dust Jacket: Fair, Part III of Pope-Hennessy's Introduction to Italian Sculpture. 3 Volumes - Plate Volume - non-paginated. Illustrated with black & white plates. Bump at top of spine. Dust jacket age darkened, wear along edges. Clean, tight copy. Text Volume - 126 pages. Black & white illustrations. Bottom right corner bumped. Dust jacket age darkened, wear along edges. Clean, tight copy. Catalogue Volume - 183 pages. Dust jacket age darkened, wear along edges. Clean, tight copy.
Softcover. Berkeley CA, Shambhala, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, red & green patterned wraps. 142 pages with primarily b&w plates, select color & color frontispiece. Clean copy.
UK, Cambridge University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt decoration, lettering, 56 pages plus 111 b&w plates. This 1927 book presents an accessible guide to Gothic foliage sculpture, aimed at visitors to ancient English churches. 186 pages total. Decorative bookplate inside front cover otherwise clean copy.
Hardcover. US, Kerber, 1st, 2013, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Like new in publisher's shrink-wrap. Dual language English and German. Spanning a half-century of painting, this comprehensive catalogue is published on the occasion of the seventy-fifth birthday of Werner Koch (born 1937), who lived for many years in the legendary Chelsea Hotel in Manhattan. Koch is known for his works based on newspapers and pop imagery, and his drawings done on colorful backgrounds.
Hardcover. London, J. Johnson, R. Faulder, J. Walker, etc., 1st Thus, 1805, Book: Good, Dust Jacket: None, 693 pages plus index and errata. Full leather hardcover with gilt decoration, blindstamping, raised bands along spine. Marbled endpapers and edges. Due to cracked hinge, front cover is detached - good candidate for repair as all original paper is present. Previous owners bookplate on inside front cover. Body of book is clean, tight. Good reference copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with price-clipped dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.
Softcover. Boston, Kitchen Sink Press/Little Brown, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 250vpages. This first-ever retrospective of the legendary underground artist's work features his characters Keep on Truckin', Fritz the Cat, Devil Girl, and Mr. Natural, as well as unpublished rarities and personal reflections from the artist himself. Bright, clean copy.
Hardcover. New York, Skira Rizzoli, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy still in shrink wrap. Full color, full page photographs throughout. Dust jacket designed to look torn with trash underneath. Tight copy. The work of counterculture artists Tim Noble and Sue Webster, whose art is a complex punk-rock take on modern consumer culture. Enormous neon signs, intricate silhouette portraits constructed of trash heaps, and a work titled Instant Gratification: British artists Tim Noble and Sue Webster thrive on the thrills of illumination, love, language, shadows, garbage, and cash. British Rubbish showcases their work in all its splashy glory. Their art evokes both gaudy Vegas culture and down-and-dirty punk rock: a combination of cynical extravagance and a defiant, rebellious sensibility. Extravagant, irreverent, sometimes coarse, and always sharply clever, British Rubbish is both a paean to and sly denunciation of conspicuous consumption.
Hardcover. Cleveland, World Publishing Company, 1st, 1966, Book: Very Good, Dust Jacket: Good, 336 pages. Hardcover. Previous owners name on front endpaper. Includes cartoonists: John Held, Jr., Charles Keene, George Herriman, A. B. Frost, Peter Arno, Saul Steinberg, Charles Addams, Virgil Partch, William Steig, Gerald Scarfe, Shel Silverstein, Tomi Ungerer, and more. Black & white illustrations. Dust jacket with chipping along edges. Clean, unmarked pages.
Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. Philadelphia, Running Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Don Martin is of MAD Magazine's most recognized, most irreverent, and most influential artists. During his 32 years at MAD, he influenced a generation of writers and illustrators, and became known as "MAD's Maddest Artist." Don's ability to translate animated slapstick comedy to the printed page brought readers from around the world into his world, a world where hinged feet, enormous noses and low IQs ruled. Inside are over 200 of Martin's funniest and zaniest works from his lengthy career, along with every "GOOSH," " SPROING" and "POIT" that made his cartoons great. Also included in this one-of-a-kind collection is a generation of his color work, as well as his best portraits, posters and stickers created as bonuses for MAD Specials, and a foreword by longtime MAD editor Nick Meglin.
Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.
Hardcover. New York, Holt, Rinehart, and Winston, 1st, 1975, Book: Very Good, Dust Jacket: None, 412 pages. Hardcover with NO dust jacket. Fading to spine of laminated boards. Foxing to text block, otherwise clean and bright internally. Color pictures throughout.
Hardcover. NY, Bloomsbury USA, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 96 pages. Clean, unmarked copy with only minor wear to dust jacket. Readers can't get enough of Roz Chast. Together, these cartoons, which originally appeared in The New Yorker, Scientific American, Redbook, and other publications, constitute a spot-on record of our increasingly absurd existence. The book is a powerful reminder of how lucky we are to have Roz Chast among us to tackle some of the toughest themes of the times with uproarious humor: genetically altered mice, birthday parties from hell, and comfort drinks in the age of insecurity.
Softcover. Washington DC, Smithsonian Books, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 512 pages plus index, b&w photographs, map end papers. Previous price sticker on back cover. Light edge wear to wrappers. Else a clean, tight copy. A unique reference for those interested in American heritage sculpture and architecture. This book was published in both paperback and clothbound editions. Photography by David Blume.
Softcover. Des Moines IA, Des Moines Register & Tribune, 1st, 1916, Dust Jacket: Very Good, Softcover, folio, 120 pages, great collection of b&w political cartoons leading up to World War l. Gray paper wraps with drawing of giant eagle confronting small dove with olive branch in mouth. Spine with paper loss to bottom 1 1/2 inch. Internally, bright and clean.
Hardcover. New York, The Vendome Press, Reprint, 1980, Book: Very Good, Dust Jacket: Very Good, 204 pages. Hardcover. Purple covers with gilt titles to black cloth spine, gilt vase design to cover. Full page, full color and bw illustrations throughout. Dust jacket with light marginal wear to edges. Clean & unmarked pages throughout. Glass from the turn of the 19th - 20th century; the "Belle Epoque" era. Features many glass artists, including Philippe-Joseph Brocard, Auguste Jean, Ernest-Baptiste Leveille, Emile Galle, Les Freres Daum, Henri Cros, Albert Dammouse, Francois Decorchemont, and several others.
Softcover. Carrara Italy, privately printed, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (48 pages), illustrated in color and b&w. Contains reproductions of Tallarigo's stone sculptures created from 1990-1995. Text in Italian and English.
Hardcover. NY, Watson-Guptill, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Frank Schoonover, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life. 208 pages. 10 1/2 X 11 1/4. 48 color plates. 150 black-and-white illustrations. Chronology. Index.
Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.
Hardcover. Seattle, WA, University of Washington Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover black cloth with silver lettering. 410 pages. 32 pages of color plates; near 1000 black-and-white photographs. Bibliography and index. Authoritative guide to the collections at the University of British Columbia. Clean copy in a bright dust jacket.
Softcover. NY, Air Gallery, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in color and b&w. Essay by Flavia Rando. Clean copy.
Hardcover. Kopenhagen, Forlaget Nytteboger, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, paper covered boards with red pattern, in a matching cardboard slipcase. Features 100 drawings of couples in various embraces by Hansen, 3 in color. Limited text in Norwegian/Swedish. No dust jacket. Spine lightly nicked, otherwise very good.
Hardcover. Los Angeles, CA, Getty Research Institute, 1st, 2008, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Color photographs throughout. California Video presents the first comprehensive survey of the history of video art in California. Since the late 1960s
Hardcover. Austin, TX, Texas Monthly Press, 1st, 1981, Book: Very Good, Dust Jacket: Good, A book devoted to the various forms of folk art that have developed in Texas. Includes over 200 illustrations, approximately half of which are in color. Also contains biographical notes on the various featured artists. Very good condition, some wear to the edges and spine of the dust jacket.
Softcover. Wayne NJ, William Paterson College, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, gray illustrated wraps with black lettering; French flaps. 86 pages with 43 b&w illustrations. Divided into four sections: Sitting on the Gate, Ways and Means, The Aged, Aged Man, and Haddock's Eyes; includes a list of illustrations, and with supplementary footnotes. Clean copy.
Softcover. Decatur IL, Illustrated Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 80 pages illustrated in color. Covers the life and work of this iconic American illustrator.
Hardcover. New York, Disney Editions, 1st, 2009, Book: Very Good, 272 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor wear to edges. With an introduction by John Lasseter-and very little else in the way of words-this second book in The Artist Series lavishly showcases the most brilliant animation created by such luminaries as Ub Iwerks, Norm Ferguson, Ben Sharpsteen, Hamilton Luske, Dick Huemer, Grim Natwick, Art Babbitt, Fred Moore, Bill Tytla, Frank Thomas, Ollie Johnston, Milt Kahl, Marc Davis, John Lounsbery, Ward Kimball, Eric Larson, Les Clark, Wolfgang Reitherman, John Sibley, Bill Justice, Clyde Geronimi, Ted Berman, Glen Keane, Andreas Deja, Eric Goldberg, Mark Henn and Tony Bancroft.
Hardcover. Berkeley, CA, Zephyr Press, 1st, 1983, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 127 pages. Illustrated with nearly 100 color plates of various carousel animals, as well as other color and black/white photographs. Cloth bound book is in near fine condition, dust jacket shows some rubbing and slight curling at the edges. Shows horses and menagerie animals carved out of wood for American and European carousels, traces the history of carousel rides, and looks at some prominent manufacturers.
Softcover. NY, Whitney Museum of American Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, profusely illustrated in both color and black and white. 300 pages. 4to, glossy pictorial wrappers. Extensive monograph of artist's life and work. Published to accompany the exhibition held in NY: Whitney Museum of American Art, February 29 to June 2, 1996; two additional venues. Two exhibition mailings laid in, one addressed to film director Bob Rafelson. Clean copy.