Hardcover. NY, Harry Abrams, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, 776 illustrations, more than 100 plates in color. Contents include comic strips from the post war years followed by each decade to the nineties concluding with the twenty-first century. Lacks dust jacket but a clean, bright copy.
Hardcover. London, Dennis Dobson, 1st, 1977, Book: Very Good, Dust Jacket: None, UNIQUE COPY. Searle's agent has marked each illustration including cover and flyleaf for a prospective buyer with the price for the original art (in 1978 dollars). 30 pages, hardcover. Illustrated in color. Bottom corners bumped. Cover lightly soiled
Hardcover. Graphis Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages, 250 color plates featuring the best poster art of the year from all over the world. Like new in publisher's shrinkwrap. Outstanding creative works by world-renowned designers, selected from thousands of entries and reproduced in full-color, large format reproductions. As a contemporary reference and source of inspiration for successful promotional graphic design, Poster Annual 2002 is conveniently organized into a range of client categories ? from sports, film, architecture, and fashion, to festivals, museums, retail, public service, competitions, and corporate communications. This edition features extensive captions, detailed indexes, and informative credits, making it a valuable resource for designers, art directors, and clients.
Hardcover. Seattle, Fantagraphics Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 79 pages. Hardcover with no dust jacket. A graphic novel of the German artist's life, b&w art by author. Clean, tight copy.
Hardcover. New York, Funk Wagnalls, 4th pr., 1967, Book: Very Good, Dust Jacket: Fair, Hardcover, 110 pages. Black & white illustrations by Eric Sloane. Dust jacket heavily chipped. Dust jacket is protected by a mylar cover.
Hardcover. US, Disney Editions, 1st, 2013, Book: Very Good, Dust Jacket: None, 1408 pages. 9 Hardcover flipbooks in fabric covered box. Like new in publisher's shrink-wrap. Flipbooks feature tribute to original animators: Les Clark, Eric Larson, Frank Thomas, John Lounsbery, Ward Kimball, Ollie Johnston, Marc Davis, Wolfgang Reitherman, and Milt Kahl. Each flipbook features a scene from an animated Disney feature in its original line-drawn form, having been selected from among a wide range of films for great movement and classic characters.
Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.
Hardcover. US, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 224 pages. Like new in publisher's shrink-wrap. The preeminent children's book artist of the twentieth century, Maurice Sendak and his sixty-year career are celebrated in this full-color catalog of more than two hundred images being exhibited at the Society of Illustrators in New York City from June 11-August 17, 2013. Accompanied by twelve essays by such noted scholars and historians as Leonard S. Marcus, Iona Opie, Steven Heller, and Paul O. Zelinsky, Maurice Sendak: A Celebration of the Artist and His Work showcases the collection of Justin G. Schiller and Dennis M. V. David, prominent authorities on Sendak's artwork, and is a deeply personal and thoughtful tribute to a seminal artist whose singular vision has captured the imaginations of countless children and grown-ups throughout the world.
Hardcover. New York, Meredith Press, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover. Non-paginated. Illustrated with black & white drawings by Edward Gorey. Some light rubbing to cover edges. Price clipped dust jacket with chips of paper missing at top of spine and along edges - dust jacket now protected with clear plastic protective cover. Clean, tight copy.
Hardcover. Santa Fe, Twin Palms Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Large hardcover folio. 180 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. Cambridge MA, MIT Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Surrealism has long been seen as its founder, Andre Breton, wanted it to be seen: as a movement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the crucial categories of surrealism-the marvelous, convulsive beauty, objective chance-in terms of the Freudian uncanny, or the return of familar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism butal so between surrealism and fascism. At this point Compulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he considers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. Compulsive Beauty not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, but also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.
1967, Book: Very Good, Color art by Szanton of a sundial in a summer garden. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Mark Batty Publisher, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Like new in publishers shrink-wrap. Photographic study documenting the development of vending machines around the world.
1964, Book: Very Good, Color cartoon by Barlow of a group of chefs carving turkeys, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Bloomsbury , 1st US, 2004-07-02, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.
1976, Book: Very Good, Color cartoon of man sipping coffee as he watches snow fall from his window. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York/London, Alpine Fine Arts, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages, illustrated throughout in color and b&w. Some edgewear and rubbing to dust jacket. Internally very good. Catalogue raisonne. Translated by Robert Bononno and Pamela Barr.
Softcover. Burlington, VT, Lund Humphries , 1st, 2008, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. A very clean, unmarked copy. Color illustrations throughout. London Transport Posters celebrates a century of outstanding graphic design commissioned by the Underground, London Transport, and its present-day successor, Transport for London. Drawing on newly researched sources in the archives of the London Transport Museum and Transport for London, the book discusses and illustrates the different styles and themes emerging from the posters over the last hundred years. It includes examples of over 250 posters from all periods and will be an invaluable reference book and visual resource for all those with an interest in 20th-century design.
1977, Book: Very Good, Color cartoon of 10 Koren creatures carrying decorated Christmas trees. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York , White Stokes & Allen, 1st, 1886, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, 12mo. Decorative pale green cloth stamped with gilt and maroon design, top edge gilt, floral end papers. Original etching frontispiece by R. Swain Gifford (The First Plate Etched in The New York Etching Club). Includes lists of American Etchers and Notable Collections of Prints.
Hardcover. Washington DC, National Gallery of Art, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 367 pages 337 illustrations 267 in color. Foreword by Earl A. Powell III. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC 29 March-12 July 1998. Exhibition History by Alexander S.C. Rower. Selected Bibliography by Alexander S.C. Rower.
1970, Book: Very Good, Color art of bare trees in a winter landscape by Preston. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New Haven, Yale University Press, 1st, 1975, Book: Very Good, Dust Jacket: Fair, Hardcover, 303 pages. Hardcover. Illustrated primarily in black & white - one section in full color. Bottom corner of page 275 wrinkled with short tear. Dust jacket worn. Clean, tight copy.This is the landmark work on American artist Martin Johnson Heade (1819-1904), the first catalogue raisonne. The narrative is accompanied by many examples of his work. The full catalogue of 402 items appears at the rear of the book, with light annotations and small BW illustrations. An updated edition was published in 2000; and this one is useful to consult in order to compare the differences.
Hardcover. Montreal, Drawn and Quarterly, reprint, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 48 pages in color by Clowes. Teen outcast Andy is an orphaned nobody with only one friend, the obnoxious-but loyal-Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can, and as he learns the extent of his new powers, he discovers a terrible and seductive gadget-a hideous compliment to his seething rage-that forever changes everything. The Death-Ray utilizes the classic staples of the superhero genre-origin, costume, ray gun, sidekick, fight scene-and reconfigures them in a story that is anything but morally simplistic. With subtle comedy, deft mastery, and an obvious affection for the bold pop-art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche. Originally published as a paperback in Eightball #23 in 2004, here beautifully reproduced on heavy stock with new end paper illustrations and a new cover.
Hardcover. Penn State Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages. The name of the architect Victor Baltard is inseparable from the Halles Centrales of Paris, the complex of iron-and-glass pavilions built between 1854 and 1874 in the historic heart of the city. Making Modern Paris is the only comprehensive study to address systematically not only the role Baltard played in the markets' design and construction but also how the markets relate to the rest of Baltard's work and professional practice. Christopher Curtis Mead interprets the Central Markets as a cogent expression of Baltard's professional experience as he adjusted his academic training to new criteria of municipal administration, urban planning, and building technology. Considering his entire career over the three decades he worked for the Prefecture of the Seine, this investigation of how architectural and urban practice came together in Baltard's work offers a case study of the historical process that produced modern Paris between 1840 and 1870.
1972, Book: Very Good, Color cartoon of Florida tourist snapping pictures of flamingos by Saxon. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1939, Color art of turkey awaiting his fate as farmer sharpens ax, Painting by J. C. Leyendecker. 10 X 13', very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
W.A. Taylor and Co., 1927, Book: Very Good, Dust Jacket: None, Art "The Sultan"s Secret", color art by Shanks. 8" X 11'', very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color cartoon by Searle of restaurant chairs stacked on tables including upside-down elderly man. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. NY, Sotheby's, 1989, Book: Very Good, Dust Jacket: None, Softcover. Pictorial binding with silver lettering on cover and spine in good condition, still glossy, with minor wear. 407 Items illustrated in color. Clean, bright copy.
Softcover. Northhampton, MA, Kitchen Sink Press, 2nd printing, 1994, Book: Very Good, Dust Jacket: None, 56 pages. Softcover. Wrapper very good, glossy, vibrant. Wrapper has a touch of rubbing to the back. Color illustrations throughout. Pages clean and unmarked. Binding tight. In great condition. The first complete collection of the legendary work of one of comics' all-time greatest cartoonists.
hardcover. Salt Lake City, Gibbs-Smith, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Essay by Daniel Okvent. A collection of the magazine's ground-breaking cover art. 1930-1950. Many by artists like Leger, Ben Shahn, Diego Riveria & others, all in color. 142 pages.
Softcover. IDW/Idea & Design Works, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, the smaller (8 1/4 X 12") Artisan Edition. Collects more than 140 EC covers by their best and brightest talents. The luminaries included in this elegant tome include: Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more. Each cover in this collection has been scanned from the original art. While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteoutall of these and more are clearly visible. Clean, bright copy.
Hardcover. NY, Applause Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 343 pages, hardcover with dut jacket. Drawings and photographs throughout. Minor dust jacket edge wear, otherwise, very clean and tight copy. Over 400 Hirschfeld drawings and photographs - many never before collected. Includes essays by Whoopi Goldberg, Arthur Miller, Mel Gussow, Kurt Vonnegut, Grace Mirabella, Louise Kerz Hirschfeld and more! Commentary by Hirschfeld throughout.
Hardcover. London, Punch Office, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover, Beige cloth titled in red, cover soil, spotting, else clean internally. A decade of May's work which originally appeared in Punch Magazine. 111 b&w drawings. Published on the ocassion of his death in 1903.
Hardcover. Clover Press , 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The saga continues in Terry and the Pirates Volume 8, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs. Pat Ryan's bittersweet reunion with the entire Sandhurst family including young daughter Merrily is cut short when they are captured and placed in a Japanese prisoner of war camp. Even worse, human weasel Tony Sandhurst is revealed as an Axis conspirator! Pat revs up an escape for Normandie, Merrily, and himself, but their path to freedom intersects with the Dragon Lady. When the Sandhurst women find themselves on their own behind enemy lines, their privations finally end in the same U.S. Army camp hospital where Terry Lee is recuperating! Terry has happy encounters with nurse Taffy Tucker and aviator Flip Corkin, and a less-pleasant encounter with the conniving redhead known only as Rouge! This tabloid-sized Volume 8 containing the 1942 dailies and Sundays is an unparalleled upgrade that no Terry fan can afford to pass up. Sill in publisher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
1968, Book: Very Good, Color cartoon by Arno of mama and baby polar bear in the zoo. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 696 pages illustrated in color, b&w. Tells of Fantagraphics Books' key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana the way insiders share the saga with one another other: in anecdotal form, in the words of the people who lived it and saw it happen. Comics historian and critic Tom Spurgeon and longtime Comics Journal editor Michael Dean assemble an all-star cast of industry figures, critics, cartoonists, art objects, curios, and groundbreaking publications to bring you a detailed account of Fantagraphics' first 40 years.
Hardcover. New York, NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 151 pages, illustrated throughout with plates in full color. Illustrated boards, no dust jacket issued. Light wear to edges of spine, else a clean, tight copy.
Hardcover. New York, E.P. Dutton - New York, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, profusely illustrated throughout in full color. Large folio. Clean, unmarked copy with only minor wear to dust jacket. A stunning showcase of Erte"s graphics completed at the time of publication with an additional 27 graphics added since the first edition (Erte at Ninety). Erte was a leading light in the Art Deco style and this book belongs in the library of anyone with an interest in the genre.
1969, Book: Very Good, Color art by Kovarsky, an aerial viwe of a beach parking lot. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1913, Two-color art of lady Sunday School teacher with two boy students by Chas A. MacLellan. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages. Foreword by Jimmy Breslin. B&w and color illustrations throughout. This first volume introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols.
Hardcover. Hudson NY, Princeton Architectural Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 143 pages. We are all critics now. From social media "likes" to reviews on Yelp and Rotten Tomatoes, we're constantly asked to give our opinion and offer feedback. Everyone's a Critic is a curated collection of the best and brightest New Yorker cartoonists celebrating the art of the drawn critique, whether about restaurants, art, sports, dates, friends, or modern life. Featuring the work of thirty-six masters of the cartoon, including Roz Chast, Sam Gross, Nick Downes, Liza Donnelly, Bob Mankoff, Michael Maslin, and Mick Stevens, over half the cartoons in this book appear in print for the first time. No dust jacket issued. Clean copy.
1929, Book: Very Good, Color art of young woman feeding two squirrels on a branch by Neysa McMein. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
 "Audubon: Early Drawingsby: Audubon, James John and Scott Edwards")
 "Cracker Barrel, Theby: Sloane, Eric")
 "Walt Disney's Nine Old Men: The Flipbooksby: Docter, Pete")
 "Performing/Guzzling: Kim Gordonby: Gordon, Kim and Hinton Als")
 "Fictionsby: Goicolea, Anthony")
 "Vending Machines: Coined Consumerismby: Salyers, Christopher D.")
 "Home Grown Funnies by: Crumb, Robert")
 "Tales to Astonish: Jack Kirby, Stan Lee, and the American Comic Book Revolutionby: Ro, Ronin")
 "Maxfield Parrishby: Ludwig, Coy")
 "London Transport Posters: A Century of Art and Design by: Bownes, David & Oliver Green")
 "Alexander Calder 1898-1976by: Prather, Marla; Pierre, Arnauld")
 "The Death-Rayby: Clowes, Daniel")
 "The Comic Strip Art of Lyonel Feininger: The Kinder-Kids: Wee Willie Winkie's Worldby: Lyonel Feininger, Bill Blackbeard (Editor/Introduction)")
 "Fortune - The Art of Covering Businessby: (Graphic Art)")
 "Hirschfeld On Lineby: Hirschfeld, Al")
 "Sketches from Punch by: May, Phil")
 "Education of Mr. Pipp, Theby: Gibson, C.D.")
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