Art

Hardcover. New Haven, Yale University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 146 pages of text followed by large section of black & white photographic illustrations. Hardcover. Previous owners name at top right corner of front endpaper. Dust jacket worn, with chipping along edges, fading to spine. Clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. David Macaulay's large format architectural volumes are always instructive in their detail. This volume amps up that opportunity. On the 25th anniversary of the his publication, "Cathedral: The Story of Its Construction", Macaulay published this volume literally illustrated with the step-by-step development of that book. So, here are the quick drawings, smudges, early drawing drafts, hand-written and typed copy, reproduction proofs, revision notes, and more. Intriguing.

Hardcover. Seattle, Fantagraphics, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 236 pages, b&w art throughout. Jack Kamen's stories for The Vault of Horror, Tales From the Crypt, and The Haunt of Fear favored unnerving creepiness over gruesome shock. With his penchant for deft delineations of scheming women, jealous husbands, murderous love triangles, and not-so-innocent children, Kamen's pen laid down a precise, sure line that brought each story's shock ending into sharp relief. This volume features 27 Kamen favorites, drawn at the peak of powers, including:"Kamen's Kalamity," our title story, featuring the "true" origin story of the artist himself! Clean copy.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 56 pages illustrated in b&w by Falk. Clean, bright copy.

Softcover. Utica NY, Munson-Williams-Proctor Institute, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Illustrated in b&w and color. Published on the occasion of the multi-venue exhibition held from 1994-1996 featuring masterworks on paper by Copley, Kensett, Audubon, Blakelock, Bluemner, Storrs, Cadmus, Pollock, and many others. Clean copy.

Hardcover. Hermes Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 190 pages. When cartoonist Elzie Segar created Popeye, as a minor character ten years into the run of the Thimble Theatre strip in 1929, little did he know that the world's most famous sailor would still be around over ninety years later and still being offered as a Sunday feature.To celebrate Popeye, the character, the comic strip and his universe, a feature cartoonist Charles M. Schulz described as "perfect... consistent in drawing and humor," Hermes Press is publishing the definitive art monograph on the subject.This book features a comprehensive essay written by pop culture historian R.C. Harvey accompanied by over 350 illustrations of original strip and comic book art, animation art, illustrations, advertising art, products, the Robert Altman film, and everything Popeye. Every aspect of Popeye is explored, from Olive Oyl and Eugene the Jeep to Wimpy and Bluto. Clean, bright copy.

Hardcover. Berkeley CA, University of California Press/Dia Art Foundation, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages, b&w and color plates. Essays and interview with the artist, bibliography, pictorial boards. In publisher's shrinkwrap.

Hardcover. Lewes, DE, GILES, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy. Like new still in publishers shrinkwrap. In addition to color plates of all works in the exhibition--nearly one hundred paintings, works on paper, and sculptures--this volume features essays by exhibition curators Douglas Dreishpoon and Tyler Cann, as well as poet and critic Raphael Rubinstein, and an illustrated chronology by academic and granddaughter of the artist Cary Cordova. From his early Abstract Expressionist-inspired paintings to his organic, anthropomorphic figure-ground compositions and later diagrammatical, hard-edged works, Imperfections by Chance charts the full range of Feeley's influential life and career.

Hardcover. Cologne, M. DuMont Schauberg, 2nd pr., 1961, Book: Very Good, Dust Jacket: Very Good, 428 pages, hardcover with dust jacket. Indexed, TEXT IN GERMAN. Illustrated with 41 color plates, 100 fullpage b/w plates. In-depth monograph on the life and work of Kandinsky. Mild edgewear to dust jacket spine. Scratch to rear dust jacket. Dust jacket front flap creased. Tape stains to front and rear flyleaf. Light bumping to spine. First major retrospective monograph. Unmarked. A bright and tight copy.

Hardcover. NY, Epic Comics, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardccover, 76 pages. color art by Frank Miller. The conclusion of Elektra by the master craftsman, Frank Miller, at the top of his game. No comic book collection is complete without it. This may be the best single work that Miller has done for Marvel. Written and with all line art by Miller, and with exquisite colors by Lynn Varley - Elektra Lives Again takes us back to the damaged life of Matt Murdock/Daredevil. Haunted now by the ghost (or is it?) of the woman he loves. Ballet level battles. Elegant panel work. Sharp story telling. Another textbook amalgam of American/European/Asian comics. Full number line, no dust jacket, clean copy.

Hardcover. San Francisco CA, California Academy of Sciences, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, an exhibition catalog with 43 color plates. Essays by Donald Hagerty, Dan Dixon, Ansel Adams, others. INSCRIBED BY DAN DIXON (the artist's son) on front fly leaf. Embossed white cloth covers in a matching slipcase. 8 page exhibition brochure listing 118 works is laid in.

Softcover. London, Tate Publishing, 1st UK, 2015, Book: Very Good, Dust Jacket: None, Softcover. VG+. Red and color pictorial wraps, French flaps, 272 pages., many color and BW illus. Issued in conjunction with a 2015-2016 exhibition of pop art from a variety of international artists and sources. With eight thematic and illustrated essays. The illustrated catalogue presents 162 specific pieces.

Hardcover. NY, Abrams, 1st, 2004, Book: Very Good, Dust Jacket: None, 128 pages, pictorial boards. A lighthearted exploration of pop culture's fascination with gag and practical joke novelty items celebrates the history of the industry, exploring the originality, if tastelessness, of such items as the Whoopee Cushion, the artificial ink spot, and the rubber chicken.

Hardcover. London, The Bodley Head, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a in a bright dust jacket except for a sliver of fading to fore-edge, oblong format, unpaginated, illustrated with 52 full color cartoons. Foreword by Mark Boxer. Small owner's stamp on front fly leaf with bottom corner clipped. Uncommon in hardcover.

Softcover. NY, Poster Auctions International, 1st, 2001, Book: Very Good, Dust Jacket: None, 223 pages in illustrated wrappers. Catalogue raisonne with color plates throughout.

Hardcover. London, Frances Lincoln, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 10 x 12", 304 pages. Over 300 color plates. A comprehensive document of the talent and artistry that went into the design and making of European fashion images from the second half of the sixteenth century to the first half of the twentieth century. No dust jacket issued.

Softcover. New York, Four Walls Eight Windows, 1st, 1993, Book: Very Good, Dust Jacket: None, 300 pages. Softcover with light edgewear to wrappers. Black and white pictures throughout.

Softcover. NY, DC Comics, 1970, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 32 pages, 15 cents cover price. Mild wear.

Hardcover. NY, Artabras Publishers, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. A review of all the Batman comics features 224 covers, ranging from the first issue of Detective Comics in 1939 to the mid-1950s.

Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."

Softcover. Milwaukee, Kitchen Sink Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 28 pages including semi-glossy color covers, with b/w interior. Stories include: Cubist Be Bop Comics; Girls Birls Girls strip (where a woman is reduced to legs and vagina); Remember 'Keep on Truckin'?'; The Many Faces of R, Crumb; Fuzzy the Bunny in 'Nut Factory Blues," etc. Stated first printing; conforms to points listed in Kennedy. Saddle stapled comic book. Light shelfwear.

Hardcover. NY, Rizzoli International, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in white. 192 pages, illustrated throughout in color. This Brant Foundation exhibition partially restages three of the artist's critical early shows, including an exhibition of the artist's paintings and drawings of heads at Robert Miller Gallery; his most important canvases from Gagosian Gallery's 1982 show in Los Angeles; and Basquiat's solo show at Fun Gallery in the East Village. Buchhart also considers in-depth the artist's so-called stretcher bar paintings, in which the normally hidden wooden supports for stretched canvases are exposed, works that have yet to be explored at length by scholars.

Hardcover. Museum of New Mexico Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Featuring eighty-two vintage postcards published beginning at the turn of the century, Postcards of the Night traces American cultural life as it was transformed by industrial strength and shifting demographics. The nation increasingly was growing more educated, upwardly mobile, and urban, and the nighttime postcard popularized this modernism for ordinary consumption. Coalitions of city planners and urban developers, politicians and the media utilized the picture postcard to strategize the role of the individual in the rise of the city. It was the birth of leisure and of travel, the new tourist city to which the postcard needed forcefully to speak, in ways that were equal part artifice and art.

1965, Book: Very Good, Color art of patio overlooking vacation coastline by Szanton, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, graphic novel Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. UK, ACC Editions, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial bpards. Felicity Green brought a new, original voice and look to the fashion pages of the '60s' Daily Mirror. For the first time in newspaper history she created fashion pages designed to appeal to both sexes as the circulation soared to more than 5 million copies a day. Great pictures, great photographers, top designers, top models - Felicity made these Swinging '60s fashion stories FUN! bringing the glamor and style of glossy magazines to the Mirror. These award-winning pages broke the fashion mould and captured the stellar time when London fashion conquered the world. Under Felicity Green's by-line comes stories of the stars of the '60s - they're all talking in this original book: Mary Quant, Barbara Hulanicki, Vidal Sassoon, Twiggy, Terry O'Neill, and a sparkling foreword by Barbara Hulanicki, of Biba fame, tells the story of a fashion collaboration/friendship whose gingham dress made fashion history. Still in publisher's shrinkwrap.

Hardcover. NY, Assouline, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Exploring the career of designer Charles James, this work looks at the way in which he revolutionized the fashions of the 1940s and 1950s with his designs, and above all his sculpted dresses.

Hardcover. London, Hamish Hamilton, 1st UK, 1960, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers with mild soil, illustrated throughout in b&w and color. An early title by the famous illustrator featuring satirical cartoons combined with photographic collage. Clean, no dust jacket.

Hardcover. London/NY, Prestel/DelMonico Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Richly illustrated and filled with detailed information about one of the leading artists of the 20th century, this is the first book to explore in depth the Saint Louis Art Museum's outstanding holdings of paintings by Max Beckmann-the largest collection of its kind in the world. One of the greatest German painters of the 20th century, Max Beckmann came to America in the mid-1940s and settled in St. Louis. There he met the retailer and collector Morton D. May. By the time May died, in 1983, he had amassed a comprehensive collection of Beckmann's oeuvre, most of which he bequeathed to the Saint Louis Art Museum (SLAM). The stunning breadth and power of Beckmann's work are explored in this volume, which examines all thirty-nine paintings in SLAM's collection. Featuring some of Beckmann's most celebrated images, this book offers fascinating insights into Beckmann's life and art-in particular his underappreciated early work and previously unexplored aspects of his final years in the United States.

Hardcover. NY, Harry N. Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. More than 500 illustrations with 67 in full color. Here are countless examples of fabled but long-unseen American Sherlockian art: story illustrations, comic strips and cartoons, motion picture advertisements, and business advertisements incorporating the Holmes image. Stories are included also - hilarious American burlesques of Arthur Conan Doyle's Great Detective; and there are critics' reviews of old and new Holmes stage productions and of the many Holmes films. Clean copy.

Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. A great send-up of '50s youth culture and Elvis Presley parody (Daisy Mae almost marries Elvis!) Li'l Abner eats mud mushrooms and becomes the size of a blimp. The Lizard of Ooze menaces Manhattan in a spoof of '50s monster movies. And Fearless Fosdick goes to Paris. Moonbeam McSwine catches Tiny Yokum in the annual Sadie Hawkins Day Race. Also in this volume: Lower Slobbovia, Senator Jack S. Phogbound, Lonesome Polecat and Hairless Joe. Plus a surprise appearance by Phil Silvers (TV's Sgt. Bilko). And don't miss the very entertaining introduction by James Vance which focuses on "cartoonist feuds," a special form of publicity stunt mastered by Capp, pitting himself publicly against such fellow creators as Will Eisner (The Spirit), Allen Saunders (Mary Worth) and Milton Caniff (Steve Canyon). Harvey Kurtzman ultimately parodied the feud schtick in a "Hey Look!" strip reprinted here. [See the Volume 17 introduction for Capp's thinly-disguised attack on fellow cartoonist Ham Fisher.] Heavily ghosted during this period by Frank Frazetta.

Softcover. New York, George Braziller, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Softcover, 174 pages. This catalog, featuring 130 b&w illustrations and 40 color plates cover almost all of Graves major paintings. This is a very nice and clean copy.

Softcover. Auburn CA, Rip Off Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.25 cover price. Color art by Selton inside -"The Idiots Abroad", part 3. Clean, bright copy.

Hardcover. Switzerland, Edita S. A. Lausanne, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio in a bright dust jacket. 278 pages, color and b&w illustrations, many tipped-in color plates. Essay on Gothic tapestry by Pierre Verlet; essay on classical tapestry by Michel Florisoone; contemporary tapestry by Adolf Hoffmeister. An essay titled "The Weaver's Art" is by Francois Tabard. Lacks slipcase. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. An entertaining collection celebrating the work of cutting-edge animation filmmakers features frame grabs, production stills, original artwork, behind-the-scenes photographs, and interviews from twenty-five years of teh Spike & Mike Festival of Animation, with works by Nick Park and Peter Lord of Aardman, John Lasseter, Craig McCracken, Mike Judge, and others.

Softcover. San Francisco , Chronicle Books, 1st, 1992, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. A very clean, unmarked copy with only minor edgewear. A history of American typography and graphic design throughout the industrial age. 200 color illustrations throughout.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in pictorial color wraps, $2 cover price, 48 pages in b&w by Shelton. Clean, bright copy.

Hardcover. Carbondale IL, Southern Illinois University, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 219 pages, b&w illustrations.Prostitute, saint, penitent, woman taken in adultery, the Magdalen--a Venus in sackcloth----has evolved through two thou-sand years of iconography and literature little understood, this original and pro-vocative study shows.The complex intermingling of the Mag-dalen myth in religion and culture pro-vides a fascinating chapter in the history of ideas. This important new book there-fore not only fills a gap in religious and humanistic studies but also deepens our understanding of how the ideas implanted in the Magdalen figure were sustained over the years--from her origins in Scrip-ture and Apocrypha to rock opera in our time.

Hardcover. New York, W W Norton , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Hardcover with clear plastic dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. NY, Universe / Vendome, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A illustrated survey of the career and influence of a master of design showcases some of his most famous and influential works, including the Coca-Cola bottle and truck, the package for Lucky Strike cigarettes, and the Studebaker automobile.Clean copy.

Hardcover. Middletown Conn. , Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages, 94 black/white illustrations. Study of American artists influenced by Dada and their relationship with American avant-garde. Orange cloth, gilt lettering to spine. Pictorial dust jacket shows light wear and rubbing along edges and faded spine, else a very nice, tight, clean copy.

Softcover. Idea & Design Works/ IDW, 1st thus, 2024, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers. EC Comics, under the guidance of publisher Bill Gaines, was--according to the editor of this collection--the greatest line of comics ever done. This once-in-a-lifetime Artist's Edition collects more than 140 EC covers by their best and brightest talents. The luminaries included in this gigantic (12 x 8 inches!) tome include-Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more! Each cover in this collection has been scanned from the original art. While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteout-all of these and more are clearly visible.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 106 bw repros. Essay by John Wilmerding. Catalog, prepared by Elaine Evans Dee, lists 106 works. Includes Drawings, Oils, Etching and Wood Engraving. The vast majority of these drawings were found in Homer's studio after his death and given to the Cooper-Hewitt.

Hardcover. New Haven CT, Yale University Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 336 pages. An exploration of the ways in which some of the most influential artists of the 19th and 20th centuries used photography in their painting and sculpture. Paintings, sculpture and photographs by such artists as Bonnard, Degas, Gauguin, Moreau, Munch, Picasso and Rosso are discussed and reproduced. Illustrated in color and B/W, index. Clean copy.

Hardcover. Neshannock PA, Hermes Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 191 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color throughout.

Hardcover. Munich, Hirmer Publishers, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 288 pages. Oscar Munoz: Invisibilia is Colombian artist Oscar Munoz's first retrospective in the United States. Addressing the entire span of Munoz's career--from the 1970s to 2020--this exhibition catalog is the most substantive book on Oscar Munoz's work in English to date. Invisibilia includes artworks ranging from Munoz's early charcoal drawings to his later conceptual photographic, video, and installation works. The bilingual catalog includes essays in both Spanish and English from a diverse cadre of scholars who offer fresh takes on Munoz's best-known works and illuminate his more obscure experiments. It also features interviews with the artist as well as a recent text he has written on his practice. A comprehensive chronology charts Munoz's artistic evolution alongside the development of the artistic scene in Cali, Colombia, where he began his career and continues to live and work, rooting the artist's works in their cultural and historical context. Clean, still in publisher's shrinkwrap.

Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.

Softcover. Paris, Editions Hazan, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 273 pages. Like new in publisher's shrink-wrap. This landmark publication broadens our understanding of Blumenfeld's innovations, reuniting all the media used by the artist throughout his long career: drawing, photography, photomontage, and collage. The motifs of his experimental, sometimes overtly political, black-and-white photographs appear alongside numerous self-portraits and celebrity portraits, as well as the fashion photographs for which he is most known. Presenting some 150 images, this book provides a fresh understanding of Blumenfeld's photography for the commercial worlds of fashion and advertising.

Hardcover. US, Angelika Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 304 pages. Like new in publisher's shrink-wrap. New York-based German photographer Anna Bauer took pictures of the fashion scene's personalities backstage after the shows in Paris, Milan, London and New York using a heavy large-format camera and black-and-white Polaroids. It's remarkable how natural the models, designers, investors, critics, stylists and fashion photographers look in these pictures, with which Anna Bauer not only captures their surface, but also their souls.

Softcover. Canberra AU, National Portrait Gallery, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, small (6 1/4 X 6 1/4") exhibition catalog, 80 pages illustrated in color. Clean copy.