Art

Softcover. US, Top Shelf Productions, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 285 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. As the NATO bombs fell on his hometown of Pancevo in 1999, Serbian cartoonist Aleksandar Zograf used his diary comics and e-mail to reach out to the world and offer a glimpse at the effects of the attacks. Over the weeks and months of the war, Zograf documented not only how the bombings shattered the lives of his friends and neighbors, but also how the routine of daily life remained unchanged. The most recent attacks on Pancevo's oil refinery are contrasted with the latest local soccer matches -- and American propaganda flyers are as likely to fall from the sky as American comics are to arrive in the mail.

Hardcover. New Haven, Yale University Press, 1st US, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, illustrated throughout in full color and b&w. Light edgewear to dust jacket, faint foxing to bottom edge. Clean, tight copy.

London, 1953, Naval Review Number. The "Golden Hind"-Symbol of a Golden Age. Beautiful painting of a ship under full sail by W.F. Turner. Approx. 9 X 12".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Norton, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages. Black & white photography. Color and black & white artwork by Diego Rivera. Dust jacket is protected by a mylar cover. Remainder mark on bottom book edge.

Softcover. NY, Simon and Schuster, 1st, 1953, Book: Very Good, Dust Jacket: None, Softcover with lightly soiled wrappers, internally clean. Light fraying to paper spine. Stated first printing on copyright page.

Softcover. Berkeley CA, Last Gasp, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover First Edition. The Winter, 1986-87 issue of this comics series created by Robert Crumb, his wife Aline, and others; this issue features a wonderful, full color cover by Crumb, and contributors such as Mark Zingarelli, Kim Deitch, Stephen Calt, Frank Stack, S.Clay Wilson, Penny Moran, a superb, five page story by Robert Crumb, entitled Mother Hulda, and a wonderful letter from Harvey Pekar; this copy is very good plus in stapled wrappers .

Hardcover. US, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 549 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.

Hardcover. NY, Farrar Straus & Giroux, 1st US, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 588 pages, several color plates. Before Picasso became Picasso-the iconic artist now celebrated as one of France's leading figures-he was constantly surveilled by the French police. Amid political tensions in the spring of 1901, he was flagged as an anarchist by the security services-the first of many entries in an extensive case file. Though he soon emerged as the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica in 1937 as a visceral statement against fascism was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Academie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma-as a foreigner, a political radical, and an avant-garde artist. Picasso the Foreigner approaches the artist's career and art from an entirely new angle, making extensive use of fascinating and long-overlooked archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Remainder dot to top edge, otherwise a bright, clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. The great American artist William Merritt Chase (1849-1916) completed a wide variety of portraits over his long career. Among his subjects were presidents, businessmen, celebrities, New York luminaries, and members of his family as well as a number of self-portraits. Chase's ability to capture a likeness was renowned, yet it was his dashing and bravura brushwork that truly set his portraits apart. This highly anticipated book presents the entire collection of Chase's known portraits in oil. Each is gorgeously reproduced, and many are published in color for the first time. This is the second of four volumes cataloguing the complete works of William Merritt Chase.

Softcover. San Francisco, Apex Novelties, 3rd pr., 1970, Book: Very Good, Dust Jacket: None, Soft cover with stapled binding, color covers with b/w internal illustrations, 28 pages. It has nearly every point of the first printing, including a fifty-cent cover price, wording of publishing information on inner front cover ("Printed by Apex Novelties and published by the San Francisco Comic Book Company...") etc.; distinguished as third printing by lack of fading especially at lower left corner of front cover, 6 & 1/3" width of back cover artwork. Mild wear, rubbing.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover. British cartoonist Tom Gauld (Mooncop, You're All Just Jealous of My Jetpack, Goliath) has created countless iconic strips for The Guardian over the course of his illustrious career. A master of condensing grand, highbrow themes into one- to eight-panel comics, his weekly strips embody his trademark British humor while simultaneously opening comics to an audience unfamiliar with the artistry that cartooning has to offer. Funny but serious, these postcards allow Gauld to put his impressive knowledge of history, literature, and pop culture on full display-his impeccable timing and distinctive visual style setting him apart from the rest.

Hardcover. Dupuis, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 56 pages illustrated in color by Hermann. French text. A graphic novel about the conflict in Sarajevo. Clean copy.

Softcover. Philadelphia, Pa. , Pennsylvania Academy of the Fine Arts, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 211 pages, illustrated throughout in color and b&w. Pictorial gray stiff wrappers. Light wear and rubbing to edges and spine, lower front corner dog-eared, else a very nice, tight copy.

Hardcover. Hatje Cantz, 1st, 2014, Hardcover in pictorial boards with a red cloth spine, Andy Warhol (1928-1987) flew to Beijing (via Hong Kong) in 1982, recording his impressions in brief journal entries while also photographing. His presence in China electrified Beijing's avant-garde, and his photographs record both his own delight in encountering the city's artists and their delight i30 color plates. Text in English and Chinese. Clean copy, still in publisher's shrinkwrap.

Hardcover. NY, Phaidon, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. This monograph explores the life and work of one of the most important artists in the history of the West, Raphael (1483-1520). Its scope covers Raphael's origins, his early influences, his important Urbino period and subsequently the extraordinary series of frescoes and portraits of his last phase in Rome. No dust jacket.

Softcover. Rutland VT, Charles E. Tuttle, 1st, 1959, Book: Very Good, Dust Jacket: None, Thick card covers with integral color printed dust jacket, 32 pages, on thick art paper, 12 large tipped-in plates - 2 b/w and 10 color. Clean, bright copy.

Softcover. New York, Abbeville Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Volume of the definitive work of George Segal. Softcover, 128 pages, 118 b&w and color illustrations. In very good condition, shows some rubbing on cover. Chronology. Bibliography. Index. Discusses the full range of Segal's work. Includes photographs of the artist at work. Topics include early cast sculpture, fragments and painted plasters, public commissions, and more. George Segal (1924-2000) was an American painter and sculptor associated with the Pop Art movement.

Hardcover. NY, Praeger, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth covers with black lettering, 152 pages. 419 b&w photos of mid-sixties furniture. Text in English, French and Spanish.

Hardcover. Boston, Houghton Mifflin, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. David Macaulay's large format architectural volumes are always instructive in their detail. This volume amps up that opportunity. On the 25th anniversary of the his publication, "Cathedral: The Story of Its Construction", Macaulay published this volume literally illustrated with the step-by-step development of that book. So, here are the quick drawings, smudges, early drawing drafts, hand-written and typed copy, reproduction proofs, revision notes, and more. Intriguing.

Softcover. Milwaukee, Dark Horse Comics, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 231 pages, color art throughout. Fully remastered in magnificent digital color, this far-out volume includes twenty unbelievable tales from a stellar collection of writers and artists- Jack Oleck, Al Feldstein, Wally Wood, Bernard Krigstein, Joe Orlando, Jack Davis, Roy G. Krenkel, and Al Williamson. Featuring a foreword by Mark Evanier!. Incredible Science Fiction issues #30-#33 and Weird Science-Fantasy issues #30 -#33.

Hardcover. London, Osprey Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 134 pages, a collection of 250 illustrations from the archives of the Illustrated London News. Black cloth spine and boards, no dust jacket issued.

Softcover. Bethel CT, Apple Comics, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 28 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.

Hardcover. NY, Metropolitan Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 144 pages. Degas's major surviving photographs are analyzed and reproduced for the first time. "These days, Degas abandons himself entirely to his new passion for photography," wrote an artist friend in autumn 1895, the moment of the great Impressionist painter's most intense exploration of photography. Degas's major surviving photographs little known even among devotees of the artist's paintings and pastels, are insightfully analyzed and richly reproduced for the first time in this volume, which accompanies an exhibition at The Metropolitan Museum of Art, The J. Paul Getty Museum, and the Bibliotheque Nationale de France. Clean copy.

Hardcover. Berkeley CA, University of California Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. James Rosenquist's paintings, with their billboard-sized images of commercial subjects, are utterly emblematic of 1960s Pop Art. Their provocative imagery also touches on some of the major political and historical events of that turbulent decade--from the Kennedy assassination to the war in Vietnam. In the first full-length scholarly examination of Rosenquist's art from that period, Michael Lobel weaves together close visual analysis, a wealth of archival research, and a consideration of the social and historical contexts in which these paintings were produced to offer bold new readings of a body of work that helped redefine art in the 1960s. Bringing together a range of approaches, James Rosenquist provides a compelling perspective on the artist and on the burgeoning consumer culture of postwar America.

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."

Hardcover. NY, Flammarion, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume--which features an open spine binding so that it lays flat to show off the photographs to their best advantage--showcases Doisneau's best photographs for Vogue Paris. Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the cafe society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life--from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau's photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux's personal homage to the photographer--who was her friend and colleague--offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

Softcover. New York, Pantheon Books, 1st, 1982, Book: Very Good, Dust Jacket: None, 74 page catalog of 44 rich works of Kentucky quilting heritage. 63 color plates and 12 b&w photographs. A comprehensive collection of 19th century Kentucky quilting.

Hardcover. NY, Taschen, reprint, 2017, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, color throughout. Due to size and weight, DOMESTIC SHIPPING ONLY.

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Hardcover. London, Philip Wilson Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, color and other plates, chronology, catalogue, bibliography, index. Approx. size 11" by 9". Small tape repair to verso of rear panel otherwise excellent condition. Ford Madox Brown had already pioneered a style of painting which came to be known as Pre-Raphaelite before the Pre-Raphaelite Brotherhood was founded in 1848. His beautifully observed landscapes anticipated the open-air effects of the Impressionists. His art was anti-academic, rejecting easy solutions, prettiness, and conventional Victorian formulae. He depicted children without sentimentality and poor people without condescension. This major monograph provides a general introduction to Brown's art based on new research; all of his important paintings are included, and each one is illustrated and described.

Hardcover. New Haven CT, Yale University Press, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color plates. Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.

Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Holiday anniversary issue. Grant Hill interview. Billy Bob Thornton's outrageous ex; Bettie Page's story. Teri Hatcher 20 questions. How smart are you about Seinfeld. Queen of the B's, Shannon Tweed. Shel Silverstein's Street Smart hamlet. playmate review. Centerfold: Heather Kozar.

Hardcover. Prion, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages. In terms of both words and images the world had never seen the like of the American comic book. They were bizarre, morbid, lurid, risque and bursting with subconscious desires of burgeoning youth culture. By the time 1954 arrived their were 500 different comics being published by 35 different companies, selling over 60 million copies a month between them. This is the history of the era and the art it produced. The book looks at the pioneers of the comic book and the comic's founding links with sleazy pulp magazines; the campaign for censorship; the fraught relationship between the comic book artists and their publishers; how what they did was rarely recognized as art at the time - and of course the comics themselves.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The first collection of the work of Joe Eula, the foremost illustrator of the late twentieth century, featuring more than 200 black-and-white and full-color sketches and illustrations, the majority of which have never been published before.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 284 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Orange ribbon marker. Black and white comics throughout. Red Barry was one of the most visually innovative adventure strips of the mid-1930s, combining fluid brushwork and noir shadows (in bold blues and purples) with figures that were constantly inventive.

Hardcover. NY, Pantheon, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards in an oblong format. 80 pages. Color art by Clowes. The fan-favorite Eisner Award-winning story, originally seri-alized in The New York Times Magazine, now collected and with forty pages of new material. Meet Marshall. Sitting alone in the local coffee place. He's been set up by his friend Tim on a blind date with someone named Natalie, and now he's just feeling set up. She's nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem-ployed, with next to no prospects, Marshall isn't ex-actly what you'd call a catch. Twenty minutes pass. A half hour. Marshall orders a scotch. (He wasn't going to drink!) Forty minutes. Then, after nearly an hour, when he's long since given up hope, Natalie appears--breathless, apologiz-ing profusely that she went to the wrong place. She takes a seat, to Marshall's utter amazement. A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name. Clean copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 362 pages, hardcover in a bright dust jacket. Generously illustrated account [435 b/w photo reproductions] of the photogrphy produced by various well-known Bauhaus associates such as Laszlo Moholy-Nagy, Lucia Moholy, T. Lux Feininger, Florence Henri, Herbert Bayer, and others during the mid-1920s and early 1930s. An invaluable compilation of images and information about the work of this dynamic group of artists, designers, photographers and their students who had such an important impact on Western aesthetics and culture throughout the subsequent decades of the 20th century.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Hardcover. New York, Hudson Hills, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Very large hardcover in jacket, about 12 x 14, contains numerous full-color illustrations of Rivera's works. Excellent monograph.

Softcover. Ann Arbor, MI, Published for U. New Hampshire by University Microfilms International, 1980, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. Biographical history of Paul Rosenfeld, his artistic, musical, and literary criticisms and his contemporaries. Slight bumping to corners, otherwise a tight and clean copy.

Hardcover. Woodbury, NY, Barron's, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 81 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout.

Hardcover. Philadelphia, David McKay Company,, 1st, 1941, Book: Good, Dust Jacket: None, Color illustrated boards, 64 pages illustrated with b&w cartoons by Dunn. A homorous look at the stress and comedy of impending fatherhood. Cardboard cover has wear at extremities, clean internally.

Hardcover. US, The British Library, 1st, 2004-01-01, Book: Very Good, Dust Jacket: Very Good, Hardcover. Clean, unmarked copy in excellent condition. Explores the influence of the Bauhaus and modernism on typography and book design. 159 pages Size: 9 x 9 1/2 "

Softcover. Hong Kong, Bonhams, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 328 pages illustrated in color. Auction catalogue for Bonhams Hong Kong 29 May 2023 sale - Fine Chinese Ceramics and Works of Art Sale 28274, Lots 801 - 997. Text in English/Chinese. Printed in Hong Kong. Clean copy.

Softcover. Seattle, Fantagraphics Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The enduring cultural phenomenon of comic book heroes was invented in the late 1930s by a talented and hungry group of artists and writers barely out of their teens, flying by the seat of their pants to create something new, exciting, and above all profitable. The iconography and mythology they created flourishes to this day in comic books, video, movies, fine art, advertising, and practically all other media. Supermen! collects the best and the brightest of this first generation, including Jack Cole, Will Eisner, Bill Everett, Lou Fine, Fletcher Hanks, Jack Kirby, Jerry Siegel, Joe Shuster, and Basil Wolverton. If the reader is expecting to find an All-American group of altruistic do-gooders, he in for quite a jolt. As Jonathan Lethem writes in his Foreword, "A collection like Supermen! works like a reverse-neutron bomb to assumptions about the birth of the superhero image: it tears down the orderly structures of theory and history and leaves the figures standing in full view, staring back at us in all their defiant disorienting particularity, their blazing strangeness." Beautifully designed and produced in full color, Supermen! contains twenty full-length stories, ten full- sized covers, and a generous selection of vintage promotional ads, and is indispensable to anyone interested in the origins of superheroes and the history of the comic book form.

Hardcover. US, Foggy Notion Books/Pasadena Museum of California Art, 1st, 2012, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Like new in publisher's shrink-wrap. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.

1963, Book: Very Good, Color art by Price of fans in stands viewing Florida spring training baseball. 8 3/4 X 12", very good. Faint crease down center. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Hermes Press/Aristo , reprint, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 144 pages. The Iron Devil was Frank's most erotic and ambitious masterpiece - it's full of mouth-watering surprises! This series was originally printed in the 1990s, and has risen again in a deluxe hardcover. It also includes the three-issue sequel, The Devil's Angel! Featuring original art from the short lived series, this will bring the XXX-treme action back to a wider audience! Features an essay and original art. Adults only. Still in publisher's shrinkwrap.

Hardcover. NY, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. This book accompanies a major traveling exhibition that showcases works by some of the most visionary designers and architects, from chairs and tables to jewelry and entire buildings.

Hardcover. Bloomington, IN, Indiana University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White's photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.