Hardcover. Scalo, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages. Selected as the United States representative to the 2001 Venice Biennale, the sculptor and installation artist Robert Gober has, thanks to several major museum exhibitions in recent years, established himself as perhaps the most important artist of his generation, thanks to his symbolically charged re-creations of everyday objects that he makes into installations that question the ideals and values of childhood, family, home, and religion. This catalogue presents his work for the United States pavilion at the Biennale.
Hardcover. Kent, U.K., Midas Books, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, 407 pages, with b&w illustrations throughout. Very slight foxing on top edge and minor edge wear, otherwise, very clean and tight copy.
Hardcover. Suffolk UK, Antique Collectors' Club, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 103 pages. A monograph prepared by Carrington's husband to accompany the memorial exhibition of her work in 2005 at the Thackeray Gallery. Clean copy with a mild musty odor.
Hardcover. New York, E.P. Dutton & CO, reprint, 1955, Book: Good, Dust Jacket: None, 125 pages. Hardcover with no dust jacket. Heavy soil on cloth covers. Previous owner's name on end paper. SIGNED AND INSCRIBED WITH SKETCH ON FRONT FLY LEAF. Spine shows small tears and soil/wear. Front hinge tender.
Hardcover. NY, Knopf, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Guston's daughter shares her memories of her father, describes his career as a painter, and depicts his attitudes towards art.
Hardcover. East Petersburg PA, Fox Chapel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Cigar box labels in the late 19th and early 20th centuries were not only amusing and beautiful to admire, they were a testament to the printing process of chromolithography and an important precursor to today's methods of product advertising. Labeling America: Popular Culture on Cigar Box Labels showcases the unique collection of John Grossman which covers 90 years of cigar box labels and bands printed by four generations of George Schlegel Lithographers. What makes this archive unique is that the Schlegel Company kept meticulous sample albums and files showing an unbroken record of American graphic style evolution. The work of many other lithographers of that era either destroyed or irreversibly dispersed their work.Now housed at the Winterthur Museum in Delaware, the carefully cataloged Grossman collection gives a glimpse into life at the turn of the century, when over 5 billion cigars were being sold in the United States via boxes with colorful labels depicting everything from women, animals, and sports icons to actors, heroes, and political figures. This book takes these beautifully printed slices of American culture and combines them with the history of chromolithography into an interesting story of America's changing tastes. Clean, bright copy.
Chicago, The Western Co., 1923, Book: Very Good, Dust Jacket: None, Art "Each soft caress adds loveliness", color art by Coles Phillips. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Toronto CA, McClelland and Stewart, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 264 pages, 125 color, 135 black & white. Published in conjunction with an exhibition. "A major study of the artistic traditions of Canada's Native peoples and of their place in the cultures and belief systems in which they originated. Here, for the first time, is Native Canadian work from museums and private collections around the world. The works, and the essays that describe their contexts, bring to life the spiritual and aesthetic identity of the craftspeople and their societies. From richly ornamented costumes displaying the wealth of their owners to practical techologies that enabled the peoples to thrive in their environments, these treasures reflect Native life at the time of contact with Europeans." Clean copy.
Akron OH, B.F. Goodrich Co., 1948, Book: Very Good, Dust Jacket: None, Art "No damage - they're Koroseal", color photo of black porter dropping a load of suitcases. 10" X 13". very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Berlin GR, Benedikt Taschen, 1st, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers, 80 pages. Black laminated wraps with 'red Queen' 1954 on the front. Introductory text by Astrid Rossana Conte (grand-niece of Vargas) A monograph dedicated to the Peruvian painter and illustrator Alberto Vargas, famous for his pin-ups and portraits inspired by actresses, which examines four decades of his production, from the 1920s to the 1950s. Parallel texts in German, English and French; well illustrated with two photographs of Vargas, black and white examples of his drawings and many full colour examples of his paintings. Clean copy.
Hardcover. UK, Pi Global Publishing Limited, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards, Drawn from Opie''s unrivalled collection, this scrapbook illustrates song sheets, magazine covers, comic postcards, fashion and food, games, propaganda posters and a wealth of British wartime ephemera whose very survival is remarkable. Due to size (10 1/2 X 15"), DOMESTIC SHIPPING ONLY.
Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. An illustrated history of the fabulous pulp magazines from 1896 to 1953. After tracing the birth of the pulps back to the 1882 launching of Golden Argosy magazine, printed on pulpwood pages, Server organizes his unwieldy subject into categories of pulps: adventure, romance and sex, horror and fantasy, private eye, weird menace, science fiction. Each receives a lively capsule history that covers trends, reader (and sometimes, as in the case of the ``Spicys,'' government) response, and writers' bios--which, though sketchy (Hammett's Hollywood experience gets one sentence), resurrect a number of relatively obscure but seminal and fascinating figures, like Conan- creator Robert E. Howard, who shot himself dead at age 30 on the day his mother died, and Frederick Faust (a.k.a. Max Brand), who sometimes wrote around the clock, piling up two or three million words a year. Server attributes the pulps' demise to, among other factors, the advent of TV, paperbacks, and comic books, and he winds up with a note on pulp-collecting. For all of the author's savvy, though, it's above all the eye- popping illustrations (100 color, 57 b&w) that will have readers beaming. Magazine covers (some lurid, some of eerie beauty), sample pages of text and ads (``Raise Giant Frogs'')--the pulps come alive once again here, in all their eccentric glory.
Softcover. NY, Thames & Hudson, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. This comprehensive biography presents the achievements of Brion Gysin, a multi-faceted artist whose work has influenced performers such as David Bowie and Mick Jagger. Recalling the heady atmosphere of the so-called Beat Hotel in Paris in the late 1950s and 1960s, it features first-hand reminiscences by contemporaries, plus a biographical essay and chronological listings. productive literary collaboration with William Burroughs. As well as looking at his work as a sound poet and performance artist, it features reproductions of his paintings and graphics, and examples of his permutated poems and other writings.
Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages. The years 1930-1970 were the Golden Age of both American sports and American comic strips, and we turn your attention to a neglected part of the art form "sports cartooning "and to its greatest practitioner, Willard Mullin. Willard Mullin's Golden Age of Baseball: Drawings 1934-1972 collects for the first time Mullin's best drawings devoted to baseball. Mullin was to baseball players what Bill Mauldin was to soldiers: advocate and critic, investing them with personality, humanity, dignity, and poignancy; Mauldin had Willie & Joe and Mullin had the Brooklyn Bum, his affectionate 1939 character representing the bedraggled figure of the Brooklyn Dodgers.
Detroit MI, Ford Motor Co., 1925, Book: Very Good, Dust Jacket: None, Art "The trail in the wilderness...", color art signed but unreadable. (Seaton?), 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Chicago, Playboy Press, 1997, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. 188 pages. Full of beautiful women, as always. Kelly Marie Monaco, Joey Heatherton, Vincent Bugliosi, Howard Stern, etc. A copy that may have a few cosmetic defects.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of little girl enticing squirrel in tree holding a nut. Art by Arthur Dove. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Grosset & Dunlap, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 118 pages, illustrated in color and b&w. Erotic illustrations from the pulps with a chart in the back identifying the artists. Mild musty smell, clean copy.
Hardcover. NY, Art Directors Club, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. No marking, clean text. About 500 pages. Illustrations, some color, of advertisements, publications, record albums, calendars, menus, letterheads, packaging, posters, books, photographs, television. 12x9". NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, Morrow, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in full color. Still in shrink wrap. Beautifully illustrated with 68 full color reproductions, several double page spreads and two foldouts. Impressive paintings of cowboys, Indians, buffalo, cavalry, mountain men, immigrant wagons, spectacular rock formations and vistas, etc. McCarthy was a successful book cover and movie poster illustrator before becoming one of our finest Western artists.
Softcover. Fairfield CT, Cartoonist Profiles, 1981, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on I. Klein, David Low, Jack Markow, Zim autobiography, The Katzenjammer Kids, Rafael deSoto pulp cover artist, Grim Natwick, others.
Softcover. First Second, 1st, 2013, Book: Very Good, Dust Jacket: None, Two softcover volumes in a pictorial slipcase, pages. The Boxers & Saints Boxed Set from Gene Luen Yang, one of the greatest comics storytellers alive, brings all his formidable talents to bear in this astonishing work. In two volumes, Boxers & Saints tells two parallel stories. The first is of Little Bao, a Chinese peasant boy whose village is abused and plundered by Westerners claiming the role of missionaries. Little Bao, inspired by visions of the Chinese gods, joins a violent uprising against the Western interlopers. Against all odds, their grass-roots rebellion is successful.But in the second volume, Yang lays out the opposite side of the conflict. A girl whose village has no place for her is taken in by Christian missionaries and finds, for the first time, a home with them. As the Boxer Rebellion gains momentum, Vibiana must decide whether to abandon her Christian friends or to commit herself fully to Christianity.
Hardcover. New York, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, 470 color and b&w plates. Clean, tight copy. Published on the occasion of the exhibition from The Menil Collection, Houston TX December 15, 1992-February 21, 1993. Bibliography and Index. Exhibition catalogue written in conjunction with the Magritte catalogue raisonne.
Softcover. New York, Da Capo, 1st, 1977, Book: Good, Dust Jacket: None, Softcover, 14 pages + 100 prints in b&w. Green pictorial stiff wrappers with some wear to spine and slight rubbing to covers, otherwise a nice, tight copy.
Softcover. Seattle, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, Large softcover, 263 pages, b&w photos ad illustrations. In-depth, career-spanning interviews with the cartoonists - Crumb, Shelton, and more - who forever altered the course of American comics with their anthology title, Zap Comix.The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art. Partial color.
Hardcover. Chihuly Workshop, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Chihuly: On Fire encompasses four decades of his breathtaking work in an extensive, illustrated chronology with 177 illustrations, including 166 full-color plates and a comprehensive essay by art historian and acclaimed author, Henry Adams. This publication will take you on a visual journey through the artist's most important series: Cylinders, Baskets, Seaforms, Macchia, Soft Cylinders, Persians, Venetians, Putti, Ikebana, Jerusalem Cylinders, Rotolo and many more. Clean copy.
Hardcover. New York, Harry N. Abrams, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages. 151 illustrations, including 51 plates in full color, displaying beautiful realistic as well as surrealistic paintings. Clean, bright copy in a similar dust jacket.
Hardcover. Philadelphia PA, Philadelphia Museum Of Art, 1st, 2000-06-01, Book: Very Good, Dust Jacket: Good, Hardcover, 198 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket with two faint damp stains to front panel. Clean, tight copy.
Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enriquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquin Torres-Garcia,Jose Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.
Hardcover. Lee Publishers Group, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Preface by Jean Mailey; Introduction by Zhang Ding. Designs in blue and white, fine bright tight copy, unmarked, very good slightly edge-rubbed dj. Collected from the remote areas of China's southwestern provinces, each decorative pattern is rich in beauty and meaning. This royalty-free volume will be an invaluable resource for artists, designers, craftspeople, and any lover of traditional Chinese folk art. Clean copy.
Hardcover. Boston/New York, Atlantic Monthly Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 347 pages, color and b&w plates. A clean, tight copy in a bright, unclipped dust jacket. "A landmark volume, revealing for the first time the full glory of Picasso's hidden sketchbook masterpieces in over 700 color, duotone, and black-and-white reproductions, representing Picasso's astounding range and diversity."
Hardcover. Los Angeles, CA, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book brings together Salgado's photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.
Hardcover. NY, Atlantic Monthly Press, 1st revised, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover. An illustrated guide to collecting colorplate bird books. 52 full-page color illustrations, 180 pages. A reprint of the 1953 edition with a revised text. An excellent reference book.
Softcover. NY, Rizzoli, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, large oblong format, 304 pages. Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. NY, Princeton Architectural Press , 2nd pr, 2002, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, color illustrations throughout. This book is the first and only compilation of more than 200 45 record covers from all genres of music. Unpaginated, includes brief historical essays by collectors and graphic designers. Covers the 50s through the 90s. Clean, bright copy.
Hardcover. NY, Free Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. No artist looms so large in Western consciousness and culture as Michelangelo Buonarroti, the most celebrated sculptor of all time. And no place on earth provides a stone so capable of simulating the warmth and vitality of human flesh and incarnating the genius of a Michelangelo as the statuario of Carrara, the storied marble mecca at Tuscany's northwest corner. It was there, where shadowy Etruscans and Roman slaves once toiled, that Michelangelo risked his life in dozens of harrowing expeditions to secure the precious stone for his Pieta, Moses, and other masterpieces. Many books have recounted Michelangelo's achievements in Florence and Rome. Michelangelo's Mountain goes beyond all of them, revealing his escapades and ordeals in the spectacular landscape that was the third pole of his tumultuous career and the third wellspring of his art. Eric Scigliano brings this haunting place and eternally fascinating artist to life in a sweeping tale peopled by popes and poets, mad dukes and mythic monsters, scheming courtiers and rough-hewn quarrymen. In showing how the artist, land, and stone transformed one another, Scigliano brings fresh insight to Michelangelo's most cherished works and illuminates his struggles with the princes and potentates of Carrara, Rome, and Medici Florence, who raised intrigue to a high art.
Hardcover. Rome, Leonardo-De Luca, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 236 pages, illustrated in color and b&w. Italian text. Dust jacket with light edgewear.
Lorilard Co., 1935, Book: Very Good, Dust Jacket: None, Art "Stymied By a Stupid?", color art by George Petty. 10" X 13". Esquire Magazine, February 1935. Very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. NY, Frank Tousey, 1st, 1909, Book: Fair, Dust Jacket: None, Stapled wraps in color, worn, chipping, short tears to margin, chipping of cover but not affecting image. Cover art is bright. Owner's name written in ink above masthead. 30 pages, cheap pulp paper. Offered for cover art.
Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: Good, 403 pages. Hardcover. 65 illustrations, 40 in full color. Price clipped dust jacket worn with tape repairs, fading - jacket now protected with clear plastic cover. "An account of the life and death of an art, of the men who made it and of the lusty age in which they flourished. 65 illustrations, including 40 in full color." Index, glossary, bibliography, appendices, artist biographies, chronology. Clean, tight copy.
Pittsburgh PA, H.J. Heinz Co., 1926, Book: Very Good, Dust Jacket: None, Art "What's back of Heinz Ketchup?...", art by Rene Clarke. 11 X 13", very good. Woman's Home Companion, May 1926. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Guerneyville CA, Eclipse Comics, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in color by Jones. Part 4 of 4. ADULT CONTENT. Clean, bright copy.
Hardcover. London, Victoria & Albert Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, White boards with pink lettering on spine; Color illustrated dj.; 362 pp.; 250 color, 100 bw illustrations. Accompanied a major exhibition at the Victoria & Albert Museum; Includes works by Salvador Dali, Man Ray, Alexander Calder, Max Ernst, Rene Magritte, and others; Extensive annotations; Great overview of the subject.
Hardcover. NY, Hudson Hills Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The American son of great German Surrealist master Max Ernst, Jimmy Ernst (1920-1984) developed a distinct style, marrying abstract, crystalline form to sirituality, influenced by jazz and Native American culture. 166 pages, 44 b&w, 62 color plates. Considers the life and work of German-born American expressionist Jimmy Ernst (1920-1984). Brings together reproductions of his finest paintings, along with a tribute by Kurt Vonnegut, two revelatory interviews, poems by Louis Simpson, a selection of the artist's own writings, and a monographic essay by Donald Kuspit. Includes a chronology, exhibitions and collections histories, and a bibliography. Features an essay combining biography, art criticism, and psychological analysis, interviews, and more. Preface by Kurt Vonnegut. Clean copy.
Hardcover. Seattle, Wa, Fantagraphics Books, 1st, 2016, Book: Very Good, 242 pages. Hardcover with no dust jacket. A very clean, unmarked copy. Color illustrations throughout by Carl Barks. Donald and his nephews visit an Old West ghost town that was suddenly abandoned when the sheriff vanished while in hot pursuit of a passel of outlaws. Now the remains of the town are haunted - and it's up to the plucky nephews to solve the mystery of "The Ghost Sheriff of Last Gasp" before it's too late! Then, Donald is made stationmaster for a tiny out-of-the-way railroad station, but his first delivery is 10,000 baby turkeys - and they're all hungry! And when the Coast Guard announces it found the wreck of a steamship that sank with Uncle Scrooge's gold on board, the race is on to recover it ahead of Scrooge's rivals. Scrooge hustles Donald and the nephews into his private submarine - but it's Christmas Eve, and the boys are afraid Santa won't be able to find them to deliver their presents. The boys appeal to Uncle Scrooge, but - well, his name is Scrooge.Plus lots more stories with Barks favorites, including the wacky inventor Gyro Gearloose, the irritatingly lucky Gladstone Gander, and the ever-glamorous and sensible Daisy Duck. Carl Barks delivers another superb collection of outrageous hijinks, preposterous situations, and all-around cartooning brilliance. Over 200 pages of stories, each meticulously restored and newly colored. Insightful story notes by an international panel of Barks experts. Clean, bright copy.
Softcover. New York , NBM/Eurotica, 1st US, 1999, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color by Manara. ADULT CONTENT