Hardcover. San Diego, IDW Publishing, 3rd pr., 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, Presenting a deluxe hardcover collection of Chester Gould's timeless comic strip, Dick Tracy. The second volume of this multi-year project includes nearly 500 comic strips from May 1933 to January 1935. This special second volume also features an exclusive essay from Consulting Editor and longtime Tracy writer Max Allan Collins.
Softcover. Berkeley CA, University of California Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. The prolific talents of painter Joan Brown (1938-1990) inform every page of this shining testament to a singular artist. For Brown, art was a means of self-revelation and self-investigation, a fact made abundantly clear by the autobiographical nature of her work. In the first book to fully explore Joan Brown's artistic career, Karen Tsujimoto provides an overview of Brown's life from her San Francisco childhood to her years as a mature artist and teacher. Jacquelynn Baas focuses on Brown's use of universal and personal symbolism by analyzing one of her most celebrated paintings, The Bride. Both authors make extensive use of interviews that let Joan Brown speak for herself about art and the creative process.
1949, Book: Very Good, Dust Jacket: None, Art "He helps to get the message through", art by Norman Rockwell. 10 1/4 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.
Hardcover. New York, Rizzoli, reprint, 2011, Book: Very Good, Dust Jacket: Good, Hardcover, 248 pages. Extensive color photography throughout. Some shelf wear and minor tear to printed acetate dust jacket. Slight rubbing to top corner. Otherwise clean, tight copy. "This book showcases a wide range of styles by such fashion luminaries as Cassini, Chanel, Dior, Armani, and McQueen, among others. The beautiful fashions, photographed by such notable photographers as Patrick Demarchelier, Benno Graziani, Horst, Arthur Elgort, Milton Greene, David LaChapelle, and Irving Penn capture the effervescent spirit that is associated with the wedding dress. The Wedding Dress begins with an overview of the sumptuous wedding gown, chronicling its history from royal weddings to today's celebrities."
1942, Book: Very Good, Color cartoon by Peter Arno of restaurant staff doing a flambe dish at the diner's table. 8 1/2 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Lubbock, Texas, Texas Tech University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 374 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. Each chronological section covers the full range of men's clothing by category, including suits and evening wear, outerwear, sportswear, accessories, sleepwear, swimwear, underwear, and grooming. Documenting the panorama of men's dress with 650 illustrations.
1976, Book: Very Good, Color art by Andre Francois, 8 1/4 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1935, Book: Very Good, Dust Jacket: None, Woman complaining to bored railroad agent about train schedule, art by Harry Beckhoff. 10 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. The third in Gilbert Hernandez's line of original hardcovers featuring Love and Rockets' "Fritz" in her guise as a Z-movie actress (the first two were Chance in Hell and The Troublemakers) is a trippy thriller that stars Fritz in no fewer than three roles. A beautiful waitress (Fritz, of course) and her hospital nurse brother (also Fritz) visit their estranged father, a once successful but now retired writer (amazingly enough, also Fritz), in order to find out the true reason why their mother committed suicide. When dad's health fails, the siblings are then more concerned with the money he might leave them. The story weaves in and out of reality and hallucination and possibly back in forth in time, and to complicate things further, the sister is sexually obsessed with a mysterious man throughout the tale - or is it her brother (at one point posing as his sister so that he might gain his and her inheritance) that is so hot and bothered by this mystery stud? And that's only the tip of the iceberg. There's also a venture into ghost territory, with frauds bilking the gullible and Fritz's character(s) right in the middle. 120 pages of black-and-white comics
1924, Book: Very Good, Dust Jacket: None, Thanksgiving Number, Skippy sruggling with crazed turkey. Cartoon art by Percy Crosby. 8 X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1925, Two-color art of boys shooting marbles while an older gentleman looks on. Painting by J. C. Leyendecker. 10 X 13", small chip at top corner not affecting image. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Harper and Brothers, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a b&w cartoon featuring the Toonerville Trolley gang. Blue cloth spine. Clean and sharp. No credits, commentary or date but undoubtedly reprinted from his syndicated strip Toonerville Folks. There is an ink inscription on the front fly leaf dated 1922. In great overall condition, now protected by an acetate dust jacket.
NY, Simon and Schuster, 2nd pr., 1953, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The fourth collection of Kelly's topical cartoons, b&w comic strip art throughout. Nice
Softcover. Santa Fe NM, Museum of New Mexico Press, 2nd pr, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps. Foreword by George Kubler. Profusely illustrated in color and black and white. 127 pages. 81 artists interpret this masterpiece of 19th century Spanish Franciscan architecture. Map of Taos laid in. Clean copy.
Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Color photographs throughout. This combination of portraiture, still-life and landscape photography mirrors the eclectic influences and materials which Ghesquiere synthesizes in his collections a bold, unconventional flow whereby innovation unceasingly rejuvenates tradition.
Hardcover. London, The Nonesuch Press, 1st Ltd. Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover. In patterned paper covered boards, printed title label to spine, 8vo, 38 pages + proofs of Blake's blocks in their original state and sixteen of Blake's designs for the wood-engravings. No. 969 of a limited edition of 1000 copies printed at the Curwen Press. Inserted into a pocket at the rear of the book in a blue paper folder are 17 wood-engravings taken direct from electrotypes of the wood blocks and printed on Japon paper. Small inscription on inside front cover, light wear yo top of spine. Otherwise very good.
Hardcover. NY, Harry N. Abrams, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages with 338 illustrations, including 278 plates in full color. Large heavy folio. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. Boston, Houghton Mifflin , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 290 pages, illustrated in b&w and reddish tones by Bechdel. In a bright, unclipped dust jacket. Alison Bechdel's Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel's own (serially monogamous) adult love life. And, finally, back to Mother -- to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.
Hardcover. Taschen, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 392 pages, 684 illustrations, 664 in color. Text in English, German and French. Large volume, pictorial covers, no dust jacket issued. Menu Design is an omnibus showcasing the best examples of this graphic art. With nearly 800 examples, illustrated in vibrant color, this deluxe volume not only showcases this extraordinary collection of paper ephemera but serves as a history of restaurants and dining out in America. An introduction on the history of menu design by graphic design writer Steven Heller and extended captions by culinary historian John Mariani accompany the menus throughout the book.
Softcover. New Haven CT, Yale University Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, stiff card wrappers firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.
Hardcover. Amon Carter Museum of American Art, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages. The first artist to journey into the heart of the Rocky Mountains, Alfred Jacob Miller (1810-1874) executed more than 100 watercolor and pen-and-ink sketches during an expedition to accompany Scottish nobleman William Drummond Stewart. Strong examines how Miller tailored his work to suit the specific needs and interests of local American audiences and explores how his paintings helped promote a vision of Scottish aristocratic identity.
Hardcover. New York , Knopf, 1st, 1925, Book: Good, Dust Jacket: None, Hardcover, decorated boards, yellow cloth spine with green lettering. Preface by Carl Van Vechten, color frontispiece, b&w caricatures throughout by the artist: Stravinsky, Picasso, Willa Cather, Jack Dempsey, Mary Pickford, Ed Wynn, Babe Ruth ,Will Rogers, Eugene O'Neill, Paul Whiteman, Lillian Gish, Fanny Brice, many more famous personalities of the day. Some light foxing to some pages. Good plus. Clean.
Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.
Hardcover. Toronto, Madison Press Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages illustrated in color. Offering a thrilling introduction to the underworld of stolen art, this investigation reveals the little-known story of modern art theft and shows how the legitimate art market, with its hyped auctions and landmark sales, has ignited criminal interest in these high-end pieces. The photographs, illustrations, and case studies give a fascinating and detailed behind-the-scenes account of the major thefts during the past hundred years?ranging from Edvard Munch's The Scream and looting during World War II and the Iraq wars to a brazen and bizarre theft of a two-ton bronze Henry Moore sculpture. A gallery lists the estimated value of each stolen piece, painting an overview of the cultural, historical, and economic losses. Clean copy, mild fade to spine.
Hardcover. Bloomington IN, Indiana University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 263 pages,16 BW illus., 16 color plates. Takes us into the mind of American abstract painter Ethel Schwabacher (1903-1984). "Comparable to such important literary journals as those of Virginia Woolf and Anais Nin, Schwabacher's record will become a valuable resource for research into the creative process as well as the art history and theory of our time." Clean copy.
Hardcover. London```, Konemann UK Ltd, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, 2 VOLUME SET. 920 pages. Oversize hardcovers. Both volumes very clean and unmarked. Only minor wear to dust jacket edges. In a unique collection of hundreds of photographs, 150 Years of Photo Journalism gives a visual record of the years 1850 - 1918, the last and greatest period of European dominance of the world in culture, science and weapons of destruction. VERY HEAVY- extra charges for overseas shippimg.
Softcover. Los Angeles, Deborah Caplan & Associates, 1st, 1985, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Black and white comics by Matt Groening. True first edition - stated first printing December 1985 0n copyright page. Measures 12" X 12". Bright, clean copy.
Softcover. Ithaca NY, Cornell University Press, 1st, 2005, Book: Near Fine, Dust Jacket: None, Softcover, 304 pages. Like new in publishers shrink-wrap. This ambitious collection treating the Italian Fascists appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini"s Italy. With contributions by art historians.
Softcover. New York , Guggenheim Museum, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 285 pages, b&w and color plates. Art checklist laid in. Half-inch tear at top of spine. Light marking to bottom edge. Else a clean, tight copy.
Softcover. Gent, Netherlands, Museum Voor Schone Kunsten, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, Dutch text. 160 pages, b&w and color illustrations. Frontispiece portrait, many plates & text-illustrations, essays, catalogue of 136 items depicted & described, bibliography, list of exhibitions. Light edge wear, rubbing to wrappers. Else a clean, tight copy.
Hardcover. San Francisco, Chronicle Books, 2nd printing, 2010-06-23, Book: Very Good, Dust Jacket: Very Good, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Created by McSweeney's in celebration of their 11th anniversary, this book showcases the independent literary publisher's award-winning art and design across all its activities, including McSweeney's books, quarterly journals, Wholphin DVDs, and The Believer magazine. Hundreds of images - from napkin sketches to final objects - offer insights into McSweeney's creative process, and a narrative history in interviews explores the incidental, accidental, and deliberate ways they have helped transform the visual experience of reading. hundreds of photos and illustrations, and interviews with the staff and writers and artists such as Rick Moody, Sarah Vowell, John Hodgeman, Lawrence Weschler, Michael Chabon, Chris Ware, Ben Katchor, Charles Burns, and many more.
Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, 64 color and 17 b&w illustrations. Clean, tight copy in a bright, unclipped dust jacket.
Hardcover. NY, Harry N Abrams, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Pulp Power gives fans a rare glimpse into the pre-war pulp novel decade of the 1930s, a period of bold action and adventure storytelling that ultimately led to the creation of the comic book and the superheroes we know and love today. This period, a pre-Batman, pre-Superman golden era of American creativity and artistic excellence, starred two main characters in leading roles: The Shadow and Doc Savage. In more than 500 novels written between 1930 and 1940, The Shadow, Doc Savage, and the Street & Smith universe of characters captivated a generation of Americans with their heroic exploits and inspired a new generation of writers to create a pantheon of comic book superheroes in their mold. Street & Smith, the renowned publisher of these novels, commissioned leading artists to provide bold and original cover artwork for their publications, and in Pulp Power, hundreds of these eye-catching covers are reproduced as a collection for the first time. Comics legend Dan DiDio provides context for the cover illustrations alongside a narrative discussion of the influence of the Street & Smith superhero universe on legendary creators such as Orson Welles, Truman Capote, Michael Chabon, George Lucas, Agnes Moorehead, James Patterson, Walter Mosley, Dwayne Johnson, Frank Miller, James Bama, Jim Steranko, Jim Lee, Gail Simone, and many more. Bright, clean copy.
Hardcover. New York, Skira Rizzoli, 1st, 2011, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 264 pages. Like new in publishers shrink-wrap. Known for her life-size sculptures made entirely of beads, Liza Lou has had audiences and critics spellbound since her debut exhibition fifteen years ago. In this comprehensive volume devoted to her work, illustrated with two hundred photographs, writers, critics, and scholars explore her work in depth.
Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.
1967, Book: Very Good, Color art of summer tableau by Francois, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. La Fabrica, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 391 pages, profusely illustrated. This excellent catalog contributes a wealth of new information, providing a valuable contribution to our understanding of Man Ray. The treasure trove of images and objects collected here is drawn from the large archives of the Man Ray Trust in Long Island, New York, and includes little known early works, documents and objects from his private life, working drawings and sketches for major works as well as innumerable familiar masterpieces.
Hardcover. NY, Grove Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover. Marbled boards and black spine lettered in gilt. the complete set of copper plate engravings Zichy made in an edition of 200 for private sale in 1911. He then destroyed the plates. This is from one of the rare original copies and contains 40 of the most exquisitely executed works of erotica ever made. Claen copy. No dust jacket.
1967, Book: Very Good, Color art of antique store at night with lamps glowing. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Milan Italy, Jaca Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 315 pages, color illustrations. Like new in publishers shrink-wrap. The Panza Collection has gathered together a critical assembly of the art of the 50s, 60s and 70s. This book traces the history of Giuseppe Panza''s life as an art collector and includes an illustrated section of works by various artists like Donald Judd, Robert Ryman, Louis Cane and many others. Color and black and white illustrations. Bound in original gray boards. Housed in white pictorial dust jacket.
Hardcover. NY, Da Capo Press, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright yellow price-clipped dust jacket. 18 pages of text, frontis portrait, plus 157 plates. All of the best drawings of Beardsley's early period, including the illustrations for "Salome". Reprinted from the second London edition of 1911. Previous owner's initials on front fly leaf, otherwise clean.
1964, Book: Very Good, Color art by Birnbaum of winter scene of birds watching woman at birdfeeder. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.
Hardcover. New York, Aurora, 1st, Aurora, Book: Good, Dust Jacket: Good, Hardcover, 459 pages, 1430 illustrations, including 705 plates in full color. Light edgewear and rubbing to dust jacket with small scratch to front cover. Excellent reference copy.
1964, Book: Very Good, Color art of Japanese torch bearer done in classic woodcut style by Kovarsky. Celebrating the Tokyo Olympics. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Philadelphia PA, Philadelphia Museum of Art , 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 397 pages, 127 color plates, many bw plates. Issued in conjunction with a series of 1984 exhibitions. "The Dutch in the seventeenth century placed a premium on naturalistic accounts of their surroundings, be they in the form of portraits, landscapes, still lifes, or scenes of everyday life -- what we have come to call 'genre' painting. With this art, the painter recorded the look, the manners, the character of those quotidian events, which comprise day-to-day existence." This book features essays on both the artists and on life and culture during this time. The catalogue addresses 127 paintings: first, in color plates, and secondly, with lengthy annotations and small BW illus. The concluding bibliography is substantial. Clean copy.
Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.