1931, Color art of upscale diners in a swank restaurant by Jay Hyde Barnum. 10 X 13". light tanning ti image. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. US, Rizzoli, 1st, 1988, Book: Very Good, Dust Jacket: Good, 319 pages, illustrated throughout with 235 illustrations, including 150 in full color. Faint soil to fore edge. Light edgewear and rubbing to dust jacket. Small tear on front end paper.
Hardcover. Woodbury NY, Barron's, 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 102 pages, b&w illustrations. Black cloth covers in a brght dust jacket. Clean, no markings.
1907, Book: Very Good, Color art of family Christmas dinner with Black servant holding turkey platter. Painting by W.T. Smedley. 10 1/2 X 15", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York , R.R. Browker Co., 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 290 pages, red cloth covers with gilt lettering on spine. Clean, tight copy.
1931, Book: Very Good, Color art of a smiling little girl wearing a bonnet decorated with fall leaves by Jessie Wilcox Smith. 8 1/4 X 11 1/2". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Jackson MS, University Press of Mississippi, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, b&w illustrations. A reprint of the classic survey published in 1947. In a bright dust jacket, clean.
Hardcover. Boston, Joseph Knight, 1st, 1892, Book: Very Good, Dust Jacket: None, Floral decorated boards with a green cloth spine that has an ornate gilt design. Ten pages printed on thin Japanese tissue tipped to heavier paper. Earliest work by the Victorian photographer Mrs. Mary A.N. Gray Bartlett. The words done in calligraphy. Moderate foxing to title page and some light foxing to a few other pages. Mother Goose page has vertical crease across Mother Goose image, and very fine ripples in paper. Despite the fragility of the plates, all are intact. Scarce.
1939, Book: Very Good, Color cartoon of wealthy customer smelling perfume in a department store by Rea Irvin. 8 1/4 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Koln, Taschen, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 460 pages, without dustjacket, as issued. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.
Softcover. New York , NBM/Eurotica, 3rd pr., 1991, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w by Crepax. ADULT CONTENT.
1912, Book: Very Good, Grandmother mending boy's finger. Two-color art by J. C. Leyendecker. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Harry N. Abrams, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages. 151 illustrations, including 51 plates in full color, displaying beautiful realistic as well as surrealistic paintings. Clean, bright copy in a similar dust jacket.
1947, Color art of disgruntled father leaving Saturday morning matinee with kids. Painting by Stevan Dohanos. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Groningen, Holland, International Art Publishing, 1st, 1962, Book: Very Good, Softcover, illustrated card wraps, 32 watercolors in chromolithography by Molendijk. Introduction by B. Van Der Veen Czn. Spine edgewear. Clean.
Softcover. New York , Marvel Entertainment, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 63 pages illustrated in color by Glanzman. Clean, bright copy.
1917, Book: Very Good, Color art of woman in black hat seated before window by Neysa McMein. 11 1/2 X 14 3/4", mild crease, still very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 952 pages. Traces Caniffs life from the cradle to the grave, marking the milestones in the development of the comic strip (Steve Canyon, and Terry and the Pirates) that Caniff established. Caniff reshaped the medium and set standards by which all storytelling strips were subsequently judged. Although Caniff adapted to changing fashions, he is best known for innovations such as his impressionistic chiaroscuro drawing style that suggested reality economically with shadow rather than with detail. The book examines the artistic innovations and work routines of a nationally distributed cartoonist whose career was central the development of the artform, marking along the way the milestones in the development of comic strip artistry that Caniff established. B&w illustrations.
Softcover. Toronto , Dragon Lady Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 69 pages of b&w Green Beret strips: (5/26/67- 9/17/67) Clean, very good.
Hardcover. London, Agnews Gallery, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, embossed blue cloth covers with silver gilt lettering on spine. 115 pages illustrated in color. "5 essays on the recently discovered drawing of the 'Virgin and Child with a flower on a grassy bench', discussing Durer in the context of the growing cult of Virgin Mary, his relationship to Jakob Fugger, the impact of Cornelisz's 1507 'Crucifiction' and Raphael's interest in Durer's works." Clean copy.
Softcover. NY, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Why did Frankie say "Relax"? Did anyone really want to hurt Boy George? And why didn't anybody walk in L.A.? This Ain't No Disco can't answer all these head-scratchers, but it does bring the New Wave era back with page after totally awesome page of 300 of the best album covers. This rad collection includes covers from the late 1970s to the mid-'80s and will have true believers of a certain generation totally spazzing. New Wave was defined as much by style, fashion, and graphic design as the music itself witness the ruffled cuffs and heavy makeup of the New Romantics, the skinny ties and peg-pants of the neo-Mods, and the unsettling robotic personae of Devo and Gary Numan. Bursting with wild hairstyles, futuristic typography, pastel shapes, and outlandish clothing, these are the album covers that defined an era and continue to influence music and fashion styles today. A nostalgic trek with a mental soundtrack, This Ain't No Disco will inspire readers to don those rubber bracelets once again and proclaim, "Let's dance this mess around!"
Softcover. Seattle, WA, University of Washington Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. Published to accompany traveling exhibit. Color and b/w illustrations and photography throughout. Photographs, sculpture, paintings, and works on paper from: Max Belcher, Beverly Buchanan and William Christenberry. Small rip along spine, cover slightly yellowed with age. Clean inside.
Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 56 pages illustrated in b&w by Falk. Clean, bright copy.
Hardcover. NY, Simon & Schuster, reprint, 1949, Book: Very Good, Dust Jacket: None, Hardcover. 118 of Arno's b&w cartoons from The New Yorker. Clean, bright copy, no dust jacket.
Hardcover. NY, Abrams, 1st, 2004, Book: Very Good, Dust Jacket: None, 128 pages, pictorial boards. A lighthearted exploration of pop culture's fascination with gag and practical joke novelty items celebrates the history of the industry, exploring the originality, if tastelessness, of such items as the Whoopee Cushion, the artificial ink spot, and the rubber chicken.
Hardcover. New Haven, Yale University Press, 1st , 1991, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Transl. from German by John W. Gabriel. Black & white illus. Clean, tight copy.
Softcover. New York , Penguin Books, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 201 pages illustrated in b&w and color by artists like Charles Burns, Kim Deitch, Art Spiegelman, Pascal Doury, others. Clean, bright copy.
Hardcover. NY, Glitterati Incorporated, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Beautiful monograph on artist Don Bachardy with portraits of people associated with Hollywood: directors, writers and actors. Also included are several abstract works. Introductions by Armistead Maupin, Don Bachardy and Tom Ford. Includes portraits of: Charlotte Rampling, Henry Fonda, Mia Farrow, Jack Nicholson, Angela Lansbury, Katherine Hepburn, Robert Downey Jr., Jack Lemmon, Jennifer Jason Leigh, Matthew Modine, Tim Robbins, Julianne Moore, Andie McDowell, Tom Waits, Madeleine Stowe, Simon Callow, Patrick Swayze, Brooke Shields, Melanie Griffith, Joan Rivers, Stockard Channing, Jon Voight, Jane Fonda, Joan Collins, Fred Astaire, Rita Hayworth, Barbara Streisand, Natalie Wood, Marlene Dietrich, John Gielgud, Gore Vidal, John Huston, Ian McKellen, and many, many more. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. NY, Pantheon, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 108 pages in color. With all his literary accolades and awards, it's easy to forget Ware (Jimmy Corrigan) is one of the warmest, funniest cartoonists in America. The Acme Novelty Library collects a few issues of Ware's comic book series by the same name and adds plenty of new pages and visual delights. It is, like all of his work, an utterly immersive experience. You're not just reading his comics, you're inhabiting his world: from fake ads to diagrams for paper models to a lengthy and very funny fictional history of the Acme Novelty Company. These strips combine complex and beautiful visuals with the humor of hapless, often sad characters in ridiculous predicaments. "Rusty Brown", a series of strips based around an obsessive collector who will be the subject of Ware's next graphic novel, is particularly strong. These comics showcase Ware's unusual sensitivity towards his characters, building an incisive, multi-dimensional portrait of Brown and his friend Chalky White. On top of all of these riches there is Ware's own personal "history of art" in cartoon form, and a multi-page story about a naked superhero. Combining surreal humor, cutting satire, stunning visuals, and empathic characters, Ware's latest is a wondrous journey into the universe of a master cartoonist in peak form.
hardcover. Salt Lake City, Gibbs-Smith, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Essay by Daniel Okvent. A collection of the magazine's ground-breaking cover art. 1930-1950. Many by artists like Leger, Ben Shahn, Diego Riveria & others, all in color. 142 pages.
Lorilard Co., 1938, Book: Very Good, Dust Jacket: None, Art "Leading a Double Life", color art by George Petty. 10" X 13". Esquire Magazine, April 1938. Very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Paris, Librairie Floury, 1st, 1947, Book: Very Good, Dust Jacket: None, Softcover, gray wrappers with black and red lettering, 213 pages. Illustrated with black & white plates. Small tears at foot and crown of paper spine. Clean, tight copy. FRENCH TEXT.
Hardcover. Philadelphia PA, Running Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Two large hardcover volumes in a slipcase, 1200 pages. For the first time ever, here is the complete collection of every piece of art Don Martin published in MAD throughout his extraordinary thirty-year tenure (1957-1987). With all of Martin's strips, covers, posters, and stickers--presented in chronological order--it is nothing less than a masterpiece of comic genius. Complementing Martin's opus of published works are letters, sketches, and rare photos providing an in-depth look at the artist at work. Plus, scattered throughout are notes and original illustrations--commissioned for this volume--paying tribute to the artist and penned by MAD's most-notable personalities, including Al Jaffee, Mort Drucker, Jack Davis, Sergio Aragones, and more. Volume 1, covers 1956-1974 and Volume 2, covers the years 1974-1988. Both volumes are in an excellent condition, excellent binding and internally clean. Like new.
Paperback. Montreal, Drawn & Quarterly, 1st wraps, 2001, Book: Very Good, Dust Jacket: None, Large softcover, 160 pages. Work by Miriam Katin, Nicholas Robel, Canadian war posters, a tribute to Herge (creator of Tintin) in comic strip form, 30 vintage Gasoline Alley Sunday strips, all color.
American Tobacco Co., 1919, Book: Very Good, Dust Jacket: None, Art "Between lunch and golf", color art not credited. 9" X 11", American Magazine, June 1919, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Andrews McMeel, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Alley Oop's color time-traveling adventures continue! Come with Alley as he crashes into the War in the Pacific, becomes a screen star in Hollywood's Golden Age, and more! 139 never-before-reprinted strips are presented in this oversize hardcover (12' x 16'), covering 1942 through August 1944, featuring a foreword from former Alley Oop writer Carole Bender. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Hermes Press, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Long out of print, The Adventurous Decade is now available again, covering the background and art of such strips as Buck Rogers, Flash Gordon, Tarzan, Scorchy Smith, Dick Tracy, Terry and the Pirates, Prince Valiant, The Phantom, Brick Bradford, The Spirit, and Don Winslow together with many seldom-discussed strips such as Bronc Peeler, Tex Throne, Roy Powers, Dan Dunn and Tailspin Tommy. While the text of the book, based on interviews with such comic strip luminaries as Noel Sickles, Milton Caniff, Roy Crane, Alfred Andriola, Dick Moore, Mel Graff, Leslie Turner and other improtant strip artists, remains unchanged (why change a classic?), the book has been totally redesigned in a 9 inch by 12 inch landscape format to showcase the fabulous artwork from these strips. The reprint is printed on deluxe heavy paper stock with all new illustrations, many taken from rarely seen original artwork.
Hardcover. New York, Harcourt Brace Jovanovich , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Two hardcovers in a red cloth slipcase. Vol. 1: 234 illustrations., 76 in color, 356 pages. Vol. 2: 307 illustrations, 79 in color, 366 pages. Translated from French by Jean Stewart. Clean set. Some plates, and some photo panoramas, are foldout. A labor of love for the poet who knew Matisse well, and who worked for 27 years on this project. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Peoria IL, Hiram Walker & Sons, 1939, Book: Very Good, Dust Jacket: None, Art "You could have floored me with a feather", color art by Floyd Davis. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1964, Book: Very Good, Color art by Getz of evening diners by large open window. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. London, Royal Academy Publications;, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages. In recent years renowned artist David Hockney has returned to England to paint the landscape of his childhood in East Yorkshire. Although his passionate interest in new technologies has led him to develop a virtuosic drawing technique on the iPad, he has also traveled outdoors with a traditional sketchbook, an invaluable tool as he works quickly to capture the changing light and fleeting effects of the weather. Executed in watercolor and ink, these panoramic scenes have the spatial complexity of finished paintings--the broad sweep of sky or road, the patchwork tapestry of land--yet convey the immediacy of Hockney's impressions. For those who know the East Yorkshire Wolds, the location of the sketches is unmistakable; for those who don't, its features will come to life in these pages.
Paperback. Long Beach, CA, Pacific Comics Club, 1st wraps, 1981, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Black & white illustrations by Frank Robbins. Daily strips Feb. 10 1947 to Nov. 15 1947. Clean.
Detroit MI, Ford Motor Co., 1929, Book: Very Good, Dust Jacket: None, Art "Winter days are happy days...", color art by James Williamson. 9" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1967, Book: Very Good, Color art by Getz of barman lowering awning on city street. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Every day, beginning in 1964, painter John Evans created a collage from found objects ranging from clippings, business cards, product stickers or labels, and ticket stubs to bits of ephemera or anonymous snapshots found on the streets of his East Village neighborhood. Using colored inks, he built upon and embellished the collage elements, creating lively, vibrant compositions. His astonishing work continued through the end of 2000, which seemed an appropriate date to stop. Apart from their beauty, Evans collages are mini-time capsules that mark the end of the Vietnam war, the fiscal crisis in New York City during the 1970's, the burgeoning economy, club scene and are market of the 1980's, and the AIDS crisis. They are also autobiographical with postcards, snapshots, and other connections to Evan's daily life. The 365 collages selected for this monograph, focusing on the 1970s through the 1990's, represent a year, but are drawn from different years. They illustrate the full range of Evans' mastery of his medium and attest to the artist's self discipline in adhering to the demanding regimen of creating a college every day. 365 color plates.
Hardcover. New Havn CT, Yale University Press, 1st , 2001, Book: Very Good, Dust Jacket: Very Good, 333 pages. Hardcover with dust jacket. Illustrated in color, B&W. Clean, tight copy. Few painters lived the intellectual adventures of the early twentieth century as intensely as Albert Gleizes. At the centre of the public scandal over Cubism that broke out in Paris in 1911, he was with Marcel Duchamp and Francis Picabia in New York during the war and was one of the first European avant-garde artists to respond to the scale and vigour of New York life. Gleizes was also one of the few French painters of the 1920s to recognise nonrepresentational painting as the logical development of Cubism. His work as a painter is accompanied by an immense body of theoretical work, addressing the question posed so starkly by Duchamp and Picabia: why should we paint? What is the justification for the work of art? Over his life he touches on many spheres of human activity - religious, political and cultural history, physics and the philosophy of work. This book follows Gleizes' argument as it evolves, drawing on painting, and both published and unpublished writings. It reveals Gleizes, not just as a significant historical personality, but as a man whose work and thinking remains surprisingly fresh and relevant to the needs of our own time.
Toledo OH, Willys-Overland , 1925, Book: Very Good, Dust Jacket: None, Art "This fine car's luxury...", color art not credited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1977, Book: Very Good, Color art of lake with boats stacked alongside by Martin. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
 "Story of O, The - Volume 3by: Crepax, Guido; Reage, Pauline; Guadiano, Stefano")
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 "Courbet: To Venture Independenceby: Herding, Klaus")
 "Hollywood: Don Bachardyby: Garson Kanin; Bachardy, Don")
 "Fortune - The Art of Covering Businessby: (Graphic Art)")
 "Drawn & Quarterly #4by: (Comic art)")
 "Henri Matisse: A Novel (2 vols.)by: Aragon, Louis")
 "Johnny Hazard - Danger A La Carteby: Robbins, Frank")
 "Albert Gleizes - For and Against the Twentieth Century by: Brooke, Peter")
