Art

Softcover. Madrid, La Fabrica, 1st, 2013, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. Very clean, unmarked copy with minor wear to wrapper edges. Over 250 full page black and white photographs. Includes photographs of iconic figures such as, John and Jackie Kennedy, Nikita Khrushchev, Martin Luther King Jr., Muhammed Ali, Alfred Hitchcock, Joan Baez, and Salvador Dali.

Softcover. Daegu Korea, Byuk-A Gallery, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 38 pages illustrated in color and b&w. Laid in essay on the Korean sculptor by You Hong June, "A Dialogue with Image and an Aesthetic of Stone". Clean copy.

Hardcover. New York, Workman Publishing, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover, illustrated throughout with Boynton's color cartoons. Stated first printing October 1987 with number line starting with "2". Clean, tight copy. CHRISTMASTIME is Sandra Boynton's humorous and compassionate carol to the season of warmth and giving, celebration and tradition. And tradition, to Boynton, is anything that happens every Christmas without fail: like trimming the tree, a fruitcake from the Rossiters, the crunch underfoot of your most precious ornament, and the customary search for scissors at four A.M. Christmas morning. With guest appearances by Santa and his reindeer, Boynton's familiar menagerie reveals the many joys and satisfactions that make Chrismastime such a universally special season: the thrill of finding the right gift for someone you love, and affording it; the personal gratification of wrapping all the gifts early; and the wonder of Christmas morning, when you realize you forgot to label them.And, in the spirit of giving, Boynton includes her own Christmas recipes: Santa's favorite chocolate chip cookies (with suggested note urging him to "please stack dishes neatly in the sink and wrap uneaten cookies in tin foil"); plum pudding (well worth someone else's time and money); and Wassail, which seems like a great treat if you happen to have 2,640 blanched almonds lying around the house.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.

Hardcover. Mad Cave Studios, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Flash Gordon: Classic Collection Volume 4 reprints the Flash Gordon Sunday strip from 1944-1948. Color illustrated. Flash Gordon returns for another thrilling space-bound adventure as the original guardian of the galaxy, battling to save us all from a host of sinister super-villains determined to dominate, destroy, and wreak havoc--including the fierce and seductive Storm Queen of Valkir! Don Moore was the writer of the Flash Gordon, taking over scriptwriting duties from strip creator Alex Raymond in August 1935. Moore was a former pulp editor. Austin Briggs worked for a while at an advertising agency then became an assistant to the cartoonist Alex Raymond on Flash Gordon and succeeded him on Secret Agent Corrigan. In 1940 he drew a Flash Gordon Daily strip which he stayed on until about 1944. He drew the prestigious Flash Gordon Sunday strip from 1944 until 1948. He was one of the founding faculty for the Famous Artists School. In 1969 he was elected to the Society of Illustrators' Hall of Fame. Clean, bright copy.

Hardcover. NY, Penguin Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket. Kalman's beautiful, exuberant tribute to her dogs. The artist illuminates our cherished companions as only she can. From the dogs lovingly illustrated in her acclaimed children's books to the real-life pets who inspire her still, Kalman's Beloved Dog is joyful, beautifully illustrated, and, as always, deeply philosophical. With humor and intelligence, Kalman gives voice to the dogs she adores, noting that they are constant reminders that life reveals the best of itself when we live fully in the moment and extent unconditional love. Clean copy.

Hardcover. Chicago, Rand McNally & Co., 1st, 1917, Book: Good, Dust Jacket: None, Hardcover, 104 pages + 3 plates (7 photos of the artist); 113 editorial cartoons in text. Tribute by John T. McCutcheon; biographical sketch by Henry J. Smith; appreciation by Charles H. Dennis. Posthumously published collection. Luther joined the staff of The Chicago Daily News after working as a cartoonist in Australia. Shelf wear, hinges cracked, clean internally. Previous owner's inscription, name on front endpapers. Mild soil to covers.

Hardcover. Santa Fe, New MExico, Santa Fe East Gallery, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, 96 pages, illustrated in color and black & white with Ben Shahn works of art; historical black & white photographs of New York City scenes; chronology. Textured, cream-colored cloth with titling in dark gray on the spine & front cover; onionskin-type paper dust jacket with titling in black on spine, and Shahn design on the front panel. Still in original shrink-wrap.

Hardcover. San Francisco, Chronicle Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 144 pages, color throughout. Delicious Metropolis brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and artists guide the reader through the book via insightful bite-size essays. This gorgeous hardcover offers fans and newcomers a refreshing and accessible way to enjoy the oeuvre of this iconic American painter.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. New York, Clarkson N. Potter, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages, 102 b&w and 22 color plates. Clean, tight copy in a bright dust jacket.

Hardcover. Cambridge MA, The MIT Press , reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An interesting look at the first hamburger chain of restaurants White Towers. Includes numerous black and white images. The pioneering hamburger chain founded in 1926, never felt the need for advertising; it depended on its instantly recognizable building to say it all 189 pages, clean copy.

Hardcover. Los Angeles, CA, Getty Research Institute, 1st, 2008, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Color photographs throughout. California Video presents the first comprehensive survey of the history of video art in California. Since the late 1960s

Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.

Softcover. Tokyo, Shinbaku Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, illustrated in color. The modern era of underground doll-making in Japan began in the late 1960s, with the experiments of Simon Yotsuya and Nori Doi. Directly inspired by the Surrealist Doll constructed by Hans Bellmer in 1932, Simon Yotsuya created a series of ball-jointed, life-sized dolls which featured in his ground-breaking "Eve In The Past And The Future" exhibition in Tokyo, in 1973. Simon Yotsuya's work inspired a new wave of avant-garde Japanese doll-making, headed by artists such as Ryo Yoshida and Katan Amano, which has continued to flourish to the present day. SECRET DOLLeEUR^UNDERGROUND, presented by Yuichi Konno, features dolls by fifteen artists, from Simon Yotsuya onwards, with over 80 full-sized colour photographs never before published outside Japan. It also includes Konno's introductory history of the underground doll in Japan.

Hardcover. New York, Disney Editions, 1st, 2009, Book: Very Good, 272 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor wear to edges. With an introduction by John Lasseter-and very little else in the way of words-this second book in The Artist Series lavishly showcases the most brilliant animation created by such luminaries as Ub Iwerks, Norm Ferguson, Ben Sharpsteen, Hamilton Luske, Dick Huemer, Grim Natwick, Art Babbitt, Fred Moore, Bill Tytla, Frank Thomas, Ollie Johnston, Milt Kahl, Marc Davis, John Lounsbery, Ward Kimball, Eric Larson, Les Clark, Wolfgang Reitherman, John Sibley, Bill Justice, Clyde Geronimi, Ted Berman, Glen Keane, Andreas Deja, Eric Goldberg, Mark Henn and Tony Bancroft.

Hardcover. New York, Taschen, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 460 pages, illustrated with color photographs culled from girlie magazines of the 1950s. Issued without dust jacket, pictorial boards. Still in publisher's shrinkwrap.

Softcover. NY, Crown Publishers, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, color illustrations throughout. A follow-up to the authors first book, "The Cat Made Me Buy It!". 113 color photographs of advertising posters, magazine ads and covers, sheet music, signage, etc., all featuring felines.

Softcover. Los Angeles, CA, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Luis Bunuel, one of the most brilliant representatives of the surrealist movement, chose to make films and was able to make them with unflagging fidelity to his principles for fifty years. After an audacious Parisian showing of Un Chien Andalou in 1929 (Bunuel carried stones in his pockets in case he needed them to fend off the audience), Bunuel's subsequent career in Spain (Las Hurdes), Hollywood and Mexico (Los Olvidados, Robinson Crusoe, El, Nazarin) before returning to France (Diary of a Chambermaid, Belle de jour, The Discreet Charm of the Bourgeoisie, That Obscure Object of Desire), showed that the only subjects he cared to make films about were the three that are never supposed to be discussed in polite society: sex, religion, and politics.

Softcover. Fairfield CT, Cartoonist Profiles, 1981, Book: Very Good, Dust Jacket: None, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on The Yellow Kid by Outcault, Michael Sporn, Russ Heath of The Lone Ranger strip, Hank Fletcher, Joe Kubert on Winnie Winkle, the Muppet comic strip, others.

Hardcover. Seattle, University of Washington Press , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 229 pages, illustrated in color and b&w. At first glance it may appear that this volume is one more in a line of celebratory tributes to the power of the industry, full of the colorful advertisements and optimistic tributes to the railroad as the builder of civilization across a majestic landscape. Nearly every page contains an illustration that invites quick perusal. But the text skillfully interprets the images and balances the story that railroads originally told about the region, one that boosted their properties and promoted settlement and travels along their lines . . . . The authors have effectively distilled a large body of historiography into one readable and engaging volume. Clean.

Hardcover. New York, Farrar, Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor dust jacket wear. Illustrated with never-before-seen photographs, cartoons, and drawings, Cartoon County brings the postwar American era alive, told through the relationship of a son to his father, an extraordinarily talented and generous man who had been trained by Norman Rockwell. Cartoon County gives us a glimpse into a very special community-and of an America that used to be.

Softcover. Paris, Nathan Image, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated. Approximately 175 pages, mostly color reproductions of Avery's storyboard drawings from his glory years at Warner Bros. and MGM. FRENCH TEXT. This lavishly illustrated reference is shot from the original storyboards of Avery's various cartoons shorts. These are annotated by Avery in pencil. For any fan of American cartoon shorts & Tex Avery in particular, this is an essential guide.

Los Angeles, circa 1980, Book: Very Good, A valentine greeting drawn with pen and color markers on white paper stock and signed 'Bill M." Approx. Bill Melendez was a animator who started at the Disney Studios in the late 30s and later became famous for directing the Peanuts animated specials for TV in the 1970s. The recipient of the card, Flanzy Lewis, was a reporter for Rona Barrett's Hollywood Magazine who interviewed Melendez.

Softcover. London, Tate Publishing, 1st UK, 2015, Book: Very Good, Dust Jacket: None, Softcover. VG+. Red and color pictorial wraps, French flaps, 272 pages., many color and BW illus. Issued in conjunction with a 2015-2016 exhibition of pop art from a variety of international artists and sources. With eight thematic and illustrated essays. The illustrated catalogue presents 162 specific pieces.

Hardcover. Dublin, Hodges Figgis & Co., 1st, 1908, Book: Good, Dust Jacket: None, 106 pages, 51 plates, 6 in color. Large format, bound in green cloth covers with gilt lettering. Ex-library with usual stamping and residue to end papers, sticker to bottom of spine. Covers show corner wear, top of spine frayed with a one inch tear to cloth at top. Interior of book is clean and tight. Green of cloth spine faded.

Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Chronicle Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages illustrated in color. As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan.

Hardcover. Monteal, Montreal Museum of Fine Art, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 345 pages plus 8 pages in rear. Large, hardcover exhibition catalog profusely illustrated with DaVinci's drawings. Some color fade to the dust jacket spine otherwise very good.

NY, Harper & Bros., 1911, Book: Very Good, Dust Jacket: None, Color painting of a seated woman in a black evening gown, holding her pearl necklace. Painting by Walter Tittle. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, Art / Books Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. Terence Donovan was one of the foremost photographers of his generation--among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography, and--alongside David Bailey and Brian Duffy (photographers of a similar working-class background)--he captured and helped create the Swinging London of the 1960s. Donovan socialized with celebrities and royalty, and found himself elevated to stardom in his own right, and yet, despite his success and status, there has never been a serious evaluation of Donovan's fashion work: he allowed no monographs to be published during his lifetime. Terence Donovan Fashion is therefore the first publication of his fashion photographs. Arranged chronologically, and with an illuminating text by Robin Muir (ex-picture editor of Vogue), the book considers Donovan in the social and cultural context of his time, showing how his constant experimentation not only set him apart, but also influenced generations to come. Designed by former art director of Nova magazine and Pentagram partner David Hillman, and with images selected by Hillman, the artist's widow Diana Donovan and Grace Coddington, creative director of American Vogue, this volume is indisputably a landmark publication in the history of fashion photography.

Hardcover. New York , Watson Guptill, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages illustrated in color. The author was a successful New York illustrator and tells us her working methods in this instructional book. Bright, clean copy in a similar dust jacket.

NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Two-color art of Uncle Sam greeting Woodrow Wilson by C. Budd. Approx. 10 X 12".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, National Gallery London, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 360 pages. Softcover with dust jacket. Slight soiling to dust jacket. An otherwise clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. Park Forest IL, Ken Pierce, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in b&w by Romero. Edited by Catherine Yronwode. From the British newspaper strip which ran in the London Daily Express starting in 1981. Color wrappers, clean, bright copy.

Hardcover. NY, Robert Silver Associates, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Shows award winning posters, promotional material, newspaper advertising, packaging, magazine and television advertising, illustrations, book covers, and editorial art. 820 pages. The Art Directors Club of New York:

Hardcover. New York, Bulfinch, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 112 pages. 100 black and white illustrations. Faint yellowing to dust jacket top edge. Otherwise a very clean, unmarked copy with only minor wear to dust jacket. People on every step of the corporate ladder will identify with the 100 hilarious business cartoons from New Yorker cartoonist Barsotti. / Charles Barsotti, formerly the cartoon editor of the The Saturday Evening Post, has been a staff cartoonist at the New Yorker since 1970. His work has also appeared in Playboy and Fast Company, among other publications.

Softcover. New York , Epic/Marvel Comics, 1st US, 1988, Book: Good, Dust Jacket: None, Softcovers, unpaginted. Color art throughout by Moebius. Three books, the complete series. Clean, bright set.

1932, Book: Very Good, Color art by H.J. Soulen of Oriental warrior with sword and shield. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.

Softcover. New York , NBM, 1st, 1994, Book: Good, Dust Jacket: None, Softcover, 64 pages illustrated in color by Hampton. Clean, bright copy.

Hardcover. Chicago, University Of Chicago Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 182 pages. The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster's famous Paradise Gardens, his journey--of which The Colorful Apocalypse is a masterly chronicle--is an unparalleled look into the lives and visionary works of some of Finster's contemporaries: the self-taught evangelical artists whose beliefs and oeuvres occupy the gray area between madness and Christian ecstasy. With his prodigious gift for conversation and quietly observant storytelling, Bottoms draws us into the worlds of such figures as William Thomas Thompson, a handicapped ex-millionaire who painted a 300-foot version of the book of Revelation; Norbert Kox, an ex-member of the Outlaws biker gang who now lives as a recluse in rural Wisconsin and paints apocalyptic visual parables; and Myrtice West, who began painting to express the revelatory visions she had after her daughter was brutally murdered. These artists' works are as wildly varied as their life stories, but without sensationalizing or patronizing them, Bottoms--one of today's finest young writers--gets at the heart of what they have in common: the struggle to make sense, through art, of their difficult personal histories. Clean copy.

Softcover. San Diego, CA, IDW Publishing, Reprint, 2018, Book: Very Good, Dust Jacket: None, 308 pages. Softcover. A very clean, unmarked copy with only minor edgewear. This book is a centennial birthday bash hosted by Dean Mullaney, Bruce Canwell, and Brian Walker, with contributions by Brendan Burford, Lucy Shelton Caswell, Jared Gardner, Ron Goulart, Jeffrey Lindenblatt, Carl Linich, Paul Tumey, and Germund von Wowern. More than just comics, it's a celebration of the profound impact that King Features has had on popular culture!

Softcover. Guerneyville CA, Eclipse Comics, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in color by Jones. Part 2 of 4. ADULT CONTENT. Clean, bright copy.

1945, Book: Very Good, Color art of mother hanging wash as children play in yard. Painting by John Falter. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Houghton Mifflin Harcourt, 1st, 2011, Book: Very Good, Dust Jacket: None, 332 pages. Hardcover with no dust jacket. Color, black and white pictures throughout. Features excerpts from graphic novels, newspapers, webcomics, and other sources and features work by up-and-coming contributors as well as such established artists as Joe Sacco, Jeff Smith, and Dash Shaw. Last 16 pages have a light tan stain (coffee or tea?) along bottom edge, about 1/4'' at worst down to just a sliver. Otherwise clean, unmarked.

Softcover. Bethel CT, Apple Comics, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 28 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.

1908, Book: Very Good, Two-color art by Guernsey Moore. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Simon and Schuster, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 140 pages, color cartoons on end papers, b&w cartoons from The New Yorker, a great collection of Arno's work from the mid-sixties. Bright, clean copy in an unclipped dust jacket.

Hardcover. New York, D.T. Valentine, N/A, 1856, Book: Very Good, Dust Jacket: None, B&w lithographic print of New York street scene for a proposed pedestrian overpass on Broadway, allowing horse-drawn vehicles to pass underneath. Image size 9 1/2" X 6 1/2", with matte 10 X 12". Two vertical creases where it was once folded. Matte has light soiling.