Art

Hardcover. NY, Farrar, Straus and Giroux, 2nd pr, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 312 pages, color and b&w illustrations. A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss, who, from the early years, was a member of the group that shifted the center of the art world from Paris to New York. Schloss was born in Germany and moved to New York City during World War II. She became part of a thriving community of artists and intellectuals that included Elaine and Willem de Kooning, Larry Rivers, John Cage, and Frank O'Hara. She married the photographer and filmmaker Rudy Burckhardt. She was both a working artist and an incisive critic, and was a candid and gimlet-eyed witness of the close-knit community that was redefining the world of art. In Italy she spent time with Giorgio Morandi, Cy Twombly, Meret Oppenheim, and Francesca Woodman. Remainder dot to top edge otherwise clean.

Hardcover. New York, Abrams ComicArts, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Throughout his 25-year career, alternative cartoonist/screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. Clowes has been praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times-bestselling creator. It includes all of Clowes's best-known illustrations as well as rare and previously unpublished work, all reproduced from the original art.

Hardcover. Washington DC, Smithsonian Institution Scholarly Press , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. At least since the Renaissance, artists have created wonderful images of themselves. Some self-portraits are the equivalent of a painter's "signature," while others were inspired by the need to establish social status or gain a commission. In the twentieth century, however, self-representation turned inward, becoming a means by which artists sought to navigate passageways of the mind. In Reflections/Refractions, some of the greatest modern artists--including Andy Warhol, Edward Hopper, Grant Wood, Jasper Johns, Robert Rauschenberg, Jacob Lawrence, Louise Bourgeois, David Hockney, Alexander Calder, and Alex Katz--use sinuous line and gorgeous color to trace the intricacies of their personalities, whether dark and gloomy or bright and fanciful. The book is at once a catalog of twentieth-century self-portraits in the collection of the National Portrait Gallery, Smithsonian Institution, and an exploration of how modern artists view themselves and the world. Eighty color illustrations--drawings and paintings--are accompanied by lively and informative captions, making this volume an endlessly fascinating book. Clean copy.

Hardcover. New York, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated throughout in color. Still in publisher's shrinkwrap. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.

Softcover. London, Phaidon, reprint, 2005, Book: Very Good, Dust Jacket: None, 356 pages, softcover with mostly color, some b&w photos by the English photographer. Remainder mark on bottom edge.

Softcover. Edinburgh, Luath Press Ltd, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Color and b&w illustrations. In 1923 Charles and Margaret Mackintosh escaped Britain for France.Monsieur Mackintosh is the only book available on Mackintosh's years in France. With reproductions of 40 of his French paintings alongside photographs of the actual locations today, and images from the period 1923-1927, this is a comprehensive and pictorial account. Written in close collaboration with experts from Glasgow University, the National Gallery of Modern Art and the Glasgow School of Art, and edited by Professor Pamela Robertson, author and leading expert on Mackintosh, Monsieur Mackintosh includes new research and is written with the French and English translations side-by-side. Published to coincide with and accompany a major exhibition of Mackintosh's work in France Monsieur Mackintosh contains more than 250 images reproduced in full colour throughout.

Hardcover. Zurich, Scalo, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 104 pages. In 1999, acclaimed German multimedia artist Rebecca Horn created Concert for Buchenwald, a large-scale, two-part installation in Weimar/Germany commemorating the horrors of genocide and emigration. This darkly intense work evokes both the shoah and the mass murders in former Yugoslavia. The first part of the installation is set in an abandoned train depot. Its walls are lined with glass panes behind whose shiny surfaces you can make out layer upon layer of ashes. Running alongside one of the walls, railroad tracks are blocked up by densely entangled heaps of various stringed instruments, reminiscent of the piles of corpses that were discovered in Buchenwald. The second part of Concert for Buchenwald is installed in Schloss Ettersburg, an 18th century palatial residence. Here, the humming sound of panicked bees is audible from hives suspended from the ceiling of an opulent ballroom, and suggests memories of expulsion and escape. This book includes several essays that explore various aspects and interpretations of Horn's installation, as well as her own notes tracing the origins of the installation's prominent metaphors. Essays by Doris von Drahten, Boris Groys, Rebecca Horn, Bernd Kauffmann, and Martin Mosebach. Clean copy.

Hardcover. NY, Abrams Image, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages illustrated in color. Brought to you by the subscription club of the same name, Vinyl Me, Please: 100 Albums You Need In Your Collection is a vibrant visual guide to curating must-have records for any music lover's shelf. Celebrating artists as varied and influential as Bikini Kill, Aretha Franklin, Wilco, and beyond, each entry includes an album's artwork, a short essay from a contributing music writer, and further suggestions to help you expand your taste and build your collection. This sleek compendium even includes recipes for possible cocktail pairings to complete your listening experience. Perfect for both new collectors and die-hard wax-spinners, Vinyl Me, Please revels in the album as art form and exudes the style, expertise, and passion that all crate-diggers share.

Hardcover. France, Diffusion Glenat, 1st, N/A, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Sunfading to dust jacket spine. An otherwise very clean, unmarked copy. SIGNED AND INSCRIBED BY AUTHOR ON FRONT FLYLEAF.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 216 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects issues #12 through #16 of comic book "Tomb of Terror" published by Harvey from November 1953 to July 1954.

Hardcover. Cambridge MA, MIT Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color. Antonin Artaud (1896-1948)-stage and film actor, director, writer, and visual artist-was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theater, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again. This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thevenin and the philosopher Jacques Derrida. Still in publisher's shrinkwrap.

Hardcover. New York, Felicie, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Lavishly Illustrated with 300 color and 50 black & white plates. Previous owners stamp embossed on title page. Light sun fading along top edge. Otherwise clean, tight copy.

Hardcover. UK, PS Artbooks, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, illustrated throughout in color. Clean, tight copy. Collects February 1952 to January 1953.

Hardcover. US, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 3. 256 pages, illustrated throughout in color. Clean, tight copy.

Softcover. Hanover, Brandeis University Press, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 338 pages, a study of Alice Neel and her paintings. Illustrated with b/w photographs and color plates, with notes, bibliography, and index. Clean, bright copy.

Softcover. New Haven, Yale University Art Gallery, 1at, 1992, Book: Very Good, Dust Jacket: None, Softcover, 253 pages, b&w and color illustrations, illustrated end paper. Bottom front left corner slightly bumped. Light marks to bottom edge. Else a very clean, tight copy. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words.

Hardcover. NY, Bloomsbury USA, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 96 pages. Clean, unmarked copy with only minor wear to dust jacket. Readers can't get enough of Roz Chast. Together, these cartoons, which originally appeared in The New Yorker, Scientific American, Redbook, and other publications, constitute a spot-on record of our increasingly absurd existence. The book is a powerful reminder of how lucky we are to have Roz Chast among us to tackle some of the toughest themes of the times with uproarious humor: genetically altered mice, birthday parties from hell, and comfort drinks in the age of insecurity.

Hardcover. NY, Atheneum, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 353 pages. This is the first book-length survey of the international illicit trade in antiquities, and of the worldwide destruction of what is left of our civilized past. Museums, dealers, tomb-robbers, police, and scholars form the cast of a story that moves from tropical jungles to Madison Avenue galleries, from a rifled temple to a collector's private museum. A centerpiece of the book is a detailed consideration of the Metropolitan Museum of Art's acquisition of the beautiful calyx krater by Euphronios, which the Italian authorities are claiming was taken illicitly from an Etruscan tomb in 1971. 24-page b/w photo section. Index. Extensive, 23 page Bibliography. Clean copy.

Hardcover. New York, Greenwich House, Reprint, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. 185 photographs, including more than 100 in full color. Brown leatherette. gilt lettering to spine. Pictorial dust jacket. Minor wear to edges, otherwise like new. Journeys through the world of Carl Faberge to explore some of his elaborate and exquisite gold pieces and to provide information on his craftsmen, art, and aristocratic patrons.

Hardcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Reproduces all 728 of the magazine's covers and includes behind-the-scenes stories and excerpts from articles and interviews with the idols of rock and rythym-and-blues.

Hardcover. San Francisco, CA, Fraenkel Gallery, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. In the early 2000s, Richard Misrach (born 1949) began a series titled On the Beach, a body of work that traveled extensively and has been highly influential. These color photographs deal with the human figure seen at a distance, on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach has continued this work, while vast changes in photographic technology over the intervening decade have caused a shift in approach, both conceptually and technically. Untitled is an artist book based on two photographs: the one made by Misrach and the other made concurrently, at the time of exposure, by the subjects of his photograph. The extreme detail explored in this work concisely summates both the artist's concerns and the ubiquity of digital technology as we are portrayed and portray ourselves.

Softcover. NY, Babcock Galleries, 1s, 2010, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color. Published in conjunction with the exhibition of the same name; Includes images of and images by African-Americans, including William Sidney Mount, Thomas Worth, Edward Mitchell Bannister, Lyell E. Carr, Sol Eytinge, Eastman Johnson, Sheldon Orrin Parsons, and others. Clean copy.

Hardcover. Boston, MA, Houghton Mifflin Co., 1st, 1947, Book: Very Good, Dust Jacket: Good, 216 pages+63 b&w prints of the Hudson River artists. Green cloth, gilt titles to front and spine. Pictorial dust jacket only good and price clipped. Still a nice, tight copy.

Softcover. Hong Kong, The Urban Council, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 146 pages. Illustrated in b&w, some color. Clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Gilbert Hernandez's first original graphic novel from Fantagraphics follows on the heels of his acclaimed graphic novel, Sloth, from DC's Vertigo Comics in 2006. Chance in Hell tells the story about a little orphan girl who lives in the slum of slums. Nobody knows who she is or where she's from, but her fellow shantytown inhabitants collectively look over her. The three-act story follows our heroine as she is adopted by a decent man who raises her well, and she eventually marries a kind, well-to-do man, only to discover that she can't relate to the good life and the comforts it provides. This is the first in a series of standalone stories depicting the fictional filmography of Gilbert's Love and Rockets character, the B-movie actress Fritz. Hernandez wowed critics in 2003 with his epic work, Palomar, collecting more than 20 years of groundbreaking comics called "the most substantive single work that the comics medium has yet produced," by Booklist. Chance in Hell further establishes Hernandez as one of the great cartoonists of our age.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Over 100 etchings, woodcuts, lithographs, and serigraphs by New Mexicans or relating to New Mexico, are accompanied by a review of the art over the past century. Clean copy.

Hardcover. New York, Farrar, Straus & Young, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover, Illustrated throughout, previous owner's inscription on front fly leaf, dust jacket price clipped, minor dust jacket edge wear, otherwise, very clean and bright.

Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.

Softcover. Hanover NH, University Press of New England, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 679 pages, b&w illustrations. Georgia O'Keeffe is arguably the 20th century's leading woman artist. Coming of age along with American modernism, her life was rich in intense relationships -- with family, friends, and especially noted photographer Alfred Stieglitz. Her struggle between the rigorous demands of love and work resulted in extraordinary accomplishments. Her often-eroticized flowers, bones, stones, skulls, and pelvises became extremely well known to a broad American public. The New York Times Book Review named this richly detailed and moving biography a Notable Book of the Year. Clean, bright copy.

Softcover. Seattle, Fantagraphics, 1st, 2025, Book: Very Good, Dust Jacket: None, Softcover, 76 pages in color. The first half of Milo Manara's two-volume epic biography of the hot-tempered Italian master painter. It depicts Caravaggio's early years in Rome as he struggles to capture truth on canvas, only to have his art condemned to be burned by the Church. He then is forced to flee the city when he kills a man in righteous fury over the death of a prostitute. Discover the bawdy, swashbuckling life of one of the greatest painters in history through Manara's passionate, personal tribute to his artistic idol, Michelangelo Merisi, whom the world would come to know as Caravaggio.

Softcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 185 pages, color illustrations. Contemporary designers, artists and scientists explore the evolution of this ubiquitous and endlessly malleable material, through its trademarked names - Spandex, Teflon, Nylon, Rayon, Formica, Tupperware - through to looking at how its function and reputation have changed over its lifetime. It is an essential book for designers, academics and everyone interested in our consumer culture.

Hardcover. Rutland VT, Charles E. Tuttle, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 149 pages, illustrated throughout with over 70 plates including 44 in full color. Light edgewear and chipping to dust jacket, else a clean, tight copy.

Softcover. Boom! Studios, 1st thus, 2011-2012, Book: Very Good, Dust Jacket: None, 20 softcover volumes, like new, all pristine condition. Various artists, authors.

Softcover. Athens, Benaki Museum, 1st, 1978, Book: Very Good, Dust Jacket: None, 334 pages, softcover exhibition catalog, b&w illustrations. Printed on glossy stock. Sculpture, pottery, vases, jewelry and other art from ancient Greece and the Cycladic civilization. Previous owner's embossed stamp on front fly leaf, otherwise clean, very good.

Softcover. Washington DC, National Geographic, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 191 pages, illustrated with dozens of rare aeronautical posters in color. Includes foreword by Herb Kelleher, Epilogue, and Index.

Softcover. San Francisco, Rip Off Press, 1st pr., 1977, Book: Very Good, Dust Jacket: None, Softcover, 52 pages including semi-glossy color covers and b/w interior. Saddle-stapled wraps, 75 cent cover price. The main art on the cover is the same as #2 in the series. The rest is all new. This is one of the five small collections of those strips. Small ink notation at top of copyright page otherwise a clean, bright copy.

Softcover. Fairfield CT, Cartoonist Profiles, 1981, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on the Dallas comic strip, Preston Blair on the animation in Fantasia, Hank Ketcham, editorial cartoonist Duncan Macpherson, Tex Avery, Jay Darling (Ding), Johnny Hart, Grim Natwick, others.

Softcover. NY, Da Capo Press, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 449 pages, b&w illustrations. Man Ray was the quintessential modernist figure - painter, sculptor, photographer, filmmaker, poet, and philosopher. One of the most fascinating of the Surrealists who transformed the Paris art world during the 1920s, Man Ray was an enigma - a Dadaist who revered the Old Masters, an anarchist pursued by wealthy patrons. Driven to make his mark in as many art forms as possible, he struggled bitterly to win acceptance as a painter even as his skill as a photographer brought him world wide fame. Remainder line to bottom edge, otherwise clean.

Hardcover. San Francisco, Fine Arts Museum of San Francisco, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Two Volume Set. Volume I of the set, "Documentation: Reviews" is 485 pages in length and is divided into eight sections, one for each of the original impressionists. Volume II of the set, "Documentation: Exhibited Works" is 300 pages in length and consists of black and white photographic illustrations of the works that were presented at the eight exhibitions, along with annotations and references to the original reviews, as well as other sources of documentation.

Hardcover. Christie's, 1987-1989, Book: Very Good, Dust Jacket: None, Complete 7 volume set including index, bound handsomely in red cloth over boards with gilt lettering and insignia to front covers, gilt titles to spines. Part I, Eighteenth Century Books Including the Gutenberg Bible; Part II, Medieval and Renaissance Manuscripts; Part III, Printed Books and Manuscripts Including Western Americana; Part IV, Printed Books and Manuscripts Including Early Printing, Literature, and Fine Bindings; Part V, Printed Books and Manuscripts Including Americana, Literature, and Fine Bindings; Part VI, Printed Books and Manuscripts Concerning William Morris and His Circle; Index and Price Lists. (12" x 9"). 302pp, 125pp, 320pp, 344pp, 316pp, 102pp, 99pp. Color and b/w plates throughout.

Softcover. New York, Thames and Hudson, 2012, 2012, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 700 illustrations in black & white and color throughout.

Softcover. NY, The Pace Gallery, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover exhibition catalogue with textured tissue paper, front and rear end papers, 24 pages of color plates. Has a 'Manifesto' written by Noguchi in which he describes his way of being thus: ' I am challenged by the unknown, by accidents, from which to extricate something beyond preconception. My effort has been to expand this area of challenge'. Mild wear, thin spine area with sun fade. No markings.

Softcover. New York, Abbeville Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Light wear to edges and covers, else a very nice, tight, clean copy.

Hardcover. Washington DC, National Portrait Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. For this exclusive collection of postcards, David Bailey, one of the worlds most distinguished and distinctive photographers, has chosen a selection of images from his archive some familiar, others previously unseen. This box of 36 portraits, reminiscent of Baileys acclaimed Box of Pin - Ups (1965), demonstrates the extraordinary range of people that he has captured during his long career;

Softcover. Bedford, R.A. Walker, 1st, 1950, Book: Good, Dust Jacket: None, 31 page booklet. Stapled wrappers. (Limited 250 copies for Great Britatin and America). 8vo. Illustrated 7 plates of Beardsley authentic and forged art. Faded tan wrappers, red titles.

Hardcover. NY, Taschen, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, A color facsimile of the complete pages of George Herriman's Krazy Kat 1935-44. One of the first comics to be considered a work of art, Krazy Kat delights with its characterization and visual-verbal creativity alongside the slapstick shenanigans between Krazy and Ignatz the mouse. This book comes with an illustrated introduction by Alexander Braun. The premise is simple: a black cat loves scheming a white mouse who incessantly throws bricks at the cat's head, which police dog Officer Pupp, secretly harboring a passionate love for the cat, tries to prevent. George Herriman endlessly plays with the above formula in his legendary newspaper strip Krazy Kat, published from 1913 until his death in 1944. Clean, bright copy, still in publisher's shrinkwrap.

Softcover. Storrs CT, The William Benton Museum of Art , 1972, Book: Very Good, Dust Jacket: None, Softcover, 59 pages. Includes introduction and selected bibliography. The catalog is separated into three sections: one each for Ralph Earl, James Earl, and R.E.W. Earl. 21 b&w reproductions throughout. There is slight water damage to the top left corner of the front cover, otherwise a nice, clean, tight copy.

Hardcover. New York, Rizzoli , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. Like new in publisher's shrink-wrap. Valentina was the twentieth century's first American fashion designer celebrity, working and living on equal social footing with the clientele she dressed (Greta Garbo, Gloria Swanson, Katharine Hepburn, Millicent Rogers, and Audrey Hepburn, among others). One of the few designers who proved that America could live without the Parisian haute couture, her career is a much needed missing link in the history of American fashion. Beyond merely turning out show-stopping evening gowns, Valentina's exotic beauty, dramatic personality, and incomparable style earned her a legendary reputation. Kohle Yohannan explores the carefully constructed persona and lore of this designer who helped define American Couture. Published in association with the Museum of the City of New York's exhibition Valentina: New York Couture and the Cult of Celebrity, this book includes photographs, never-before-seen personal ephemera, sketches, and original platinum prints from master photographers such as Cecil Beaton, Horst P. Horst, and George Hoyningen-Huene.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 2 only. Hardcover, 312 pages. Color illustrated throughout. Minor shelf-wear to covers, else a clean, tight hardcover.

Hardcover. NY, Harry N. Abrams /Miriam and Ira D. Wallach Art Gallery, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 208 pages, Index. Full white cloth, embossed letters. Near fine condition in excellent dj except for fading to spine. (remainder mark - star - on lower edge of text block). Essays by David Rosand, Arthur C. Danto, Stephen Addiss, and Mary Ann Caws. With 169 illustrations - 101 in full color. Clean copy.