Art

Softcover. New York , NBM/Eurotica, 1st US, 1999, Book: Very Good, Dust Jacket: None, Softcover, 48 pages illustrated in color by Manara. ADULT CONTENT

1901, Two color art of party with woman descending stairs by George Gibbs. 11 X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Powerhouse Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages, color illustrations. The history of American comics through the stories of comics' most important and influential creators -- tracing the medium's journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Featuring artists such as Jerry Siegel, Will Eisner, Jerry Robinson, Al Jaffee, Neal Adams, Peter Kuper, Stan Lee and many more.

Hardcover. Paris, Dargaud , reprint, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 64 pages illustrated in color by Savard. Light waviness to early pages. Clean, very good. FRENCH TEXT.

1932, Color portrait of Mr. and Mrs. Lion side-by-side. Illustration by Lynn Bogue Hunt. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Rochester, NY, Home Institute, 1939, Book: Very Good, Dust Jacket: None, Softcover, stapled 2-color wrappers, 40 page booklet, b&w illustrations throughout. Not credited but presumed the author. Nice period drawings.

Softcover. Agoura CA, Fantagraphics, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, magazine format with stapled binding, color wraps, b&w illustrations, 66 pages. Articles on Jack Kent's King Aroo, the wild west of Harold Gray and Little Joe, the slum kids of Percy Crosby. Clean, bright copy.

Softcover. London, Dulwich Picture Gallery, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 209 pages, fine fold over card covers. Color throughout. This volume exhibits a remarkable collection of select original works spanning six decades, providing a comprehensive look at his career and including all of his vintage Saturday Evening Post covers. This catalogue was published in conjunction with the exhibition by the same title, on view at Dulwich Picture Gallery in London, England. SIGNED LETTER FROM EDITORS laid in as well as related ephemera, articles.

Hardcover. Seattle, Fantagraphics Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's third volume collecting Segar's original Popeye (Thimble Theatre) covers 1932-1934 includes the never-republished extra-large strips set at the Chicago World's Fair and an insightful scholarly essay by Donald Phelps.

Hardcover. London, Thames and Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, blue cloth with bright silver titles to spine. Published to accompany 2013/14 Exhibition at National Maritime Museum. 288 pages with Foreword by Keven Fewster, Introduction, 7 Chapters, Notes, Bibliography, Credits and Index. Large collection of color plates. Clean copy.

Hardcover. NY, Abrams, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, off-white cloth over boards; b&w image on front cover and black lettering on spine; 200 pages. 52 color, 240 b&w plates and figures. Includes a chronology of Brancusi's life, as well as an essay, by Geist; Wonderfully illustrated and with a tipped-in plate opposite the title page. Lacks dust jacket.

Hardcover. New York, George Braziller, 2nd pr., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 89 pages. Front board features reproduction of front cover of artist's original work. Illustrated in color throughout. Dust jacket with light wear. Slight yellowing to edges. Clean inside. Splendid reproduction of works from Kiefer's trip to Norway.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in b&w by Falk. Clean, bright copy.

Hardcover. New York , Harper and Brothers, 1st, 1955, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers, black cloth spine. Cartoons from the golden age of the New Yorker, including many covers reproduced in color. Clean, very good. Lacks dust jacket.

Hardcover. NY, powerHouse, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. During the early 80s, New York's Lower East Side was a hotbed of creative activity. Unknown artists were synthesizing the fertile ground at the legendary New York nightclubs Studio 54, the Mudd Club, Club 57, Palladium, and Danceteria while on their way to international fame and acclaim. Among those emerging were Madonna, Jean-Michel Basquiat, Grace Jones, Keith Haring, Kenny Scharf, Vincent Gallo, Anna Sui, Exene Cervenka, Kid Creole, and Diego Cortez. Maripol was part of a collective of artists, graffiti writers, street dancers, and performers who all thrived together in the explosive downtown eccentricity. As an image maker and stylist for Madonna during her "Like a Virgin" days, jewelry designer, art director, and producer Maripol relentlessly documented the movers and shakers of the early 80s scene through the lens of her instant Polaroid SX-70. Collected for the first time in Maripolarama, Maripol's photographs vividly depict the extraordinary personalities that inhabited the "forever" hip, arty Manhattan clubland during the post-punk era when hip hop was in its earliest stages and graffiti covered the landscape. Whether it's Andy Warhol, Debbie Harry, Basquiat, or Madonna modeling a bright pink wig, Maripolarama provides lively and inspiring insight into a time long gone.

Hardcover. NY, Watson - Guptill, 1st , 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 88 pages. Brown cloth cover with very little wear. Dust jacket has some wear to corners and edges. 32 full-page color reproductions, and b&w illustrations throughout. A bright, clean copy.

Softcover. Prescott AZ, Gladstone/Another Rainbow, reprints, 1992-95, Book: Very Good, Dust Jacket: None, 64 softcover books, all illustrated in color by Barks. Title and numbers breakdown: Walt Disney's Comics and Stories No. 2 through 40, (missing only #1) then issue No. 46. Walt Disney's Donald Duck Adventures #1-4, 6-17, 22. Walt Disney's Gyro Gearloose # 1,3,4,5, & 6. Walt Disney's Uncle Scrooge One Pagers #1&2 (complete). All 64 books in like new condition vary from 44 to 68 pages, printed on high quality paper.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 557 pages, b&w and color illustrations. In this brilliant second and final volume of the definitive biography of Lucian Freud--one of the most influential, enigmatic and secretive artists of the twentieth century--William Feaver, the noted art critic, draws on years of daily conversations with Freud, on his private papers and letters and on interviews with his friends and family to explore the intimate life of Freud, from age forty-five to his death in 2011 at the age of eighty-nine. The final forty years of Freud's life were a period of increasing recognition and fame, and of prodigious output. He was obsessed with his art, and with the idea of producing paintings that "astonish, disturb, seduce, convince." He was equally energetic and ambitious in his private life. This book opens with his dramatic affair with Jacquetta Eliot, which led to some of his most intimate portraits and to the start of two important, lifelong friendships, with Jane Willoughby and Susanna Chancellor. Freud talks about his art at all stages, how it changed in the seventies and his first retrospective in London in 1974. Small remainder dot on bottom edge otherwise clean.

Hardcover. NY, Pantheon, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 108 pages in color. With all his literary accolades and awards, it's easy to forget Ware (Jimmy Corrigan) is one of the warmest, funniest cartoonists in America. The Acme Novelty Library collects a few issues of Ware's comic book series by the same name and adds plenty of new pages and visual delights. It is, like all of his work, an utterly immersive experience. You're not just reading his comics, you're inhabiting his world: from fake ads to diagrams for paper models to a lengthy and very funny fictional history of the Acme Novelty Company. These strips combine complex and beautiful visuals with the humor of hapless, often sad characters in ridiculous predicaments. "Rusty Brown", a series of strips based around an obsessive collector who will be the subject of Ware's next graphic novel, is particularly strong. These comics showcase Ware's unusual sensitivity towards his characters, building an incisive, multi-dimensional portrait of Brown and his friend Chalky White. On top of all of these riches there is Ware's own personal "history of art" in cartoon form, and a multi-page story about a naked superhero. Combining surreal humor, cutting satire, stunning visuals, and empathic characters, Ware's latest is a wondrous journey into the universe of a master cartoonist in peak form.

Hardcover. NY, Privately printed, 1st , 1908, Book: Very Good, Dust Jacket: None, Hardcover, 292 black & white reproductions. 3/4 leather, marbled boards & end papers. All edges gilt, raised bands on spines, gilt lettering. Author's complimentary card tipped on front paste-down. Previous owner's inscription name, stamp on blank prelim page. Exceptional condition.

Lorilard Co., 1938, Book: Very Good, Dust Jacket: None, Art "A Swell Package", color art by George Petty. 10" X 13". Esquire Magazine, March 1938. Very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Harry N. Abrams, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 354 illustrations, including 205 color plates. Name, date on front fly leaf, otherwise clean, bright copy. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Vanguard, 1st, 2008, Book: Very Good, Softcover, 208 pages. Fantastic reference for artists; great entertainment for fans. The work of Frank Frazetta--THE greatest heroic-fantasy artist of all time--has influenced generations of artists, fans, designers, and movie directors. Now more than 400 of his unforgettable images have been collected in Frazetta, The Definitive Reference. With essays by experts and collectors, this one-of-a-kind volume traces the entire arc of Frazettas career. From his early 1950s comics; to his breathtaking book covers featuring Tarzan, Pellucidar, King Kong, and John Carter of Mars; to his 1960s monster mags, including Creepy, Eerie, and Vampirella; to his major movie posters, including After the Fox, The Night They Raided Minsky's and Whats New Pussycat?; and, of course, his revolutionary Conan paintings--its all here. Frazetta - The Definitive Reference overflows with fantastic images, an index of every published Frazetta work and insightful commentary on this fantasy-art icon. Compiled by James A. Bond (no relation to the international spy). Edited by J. David Spurlock and Andrew Steven with a foreword by Frazetta close personal friend Dr. David Winiewicz.

New Heven, Dumont/Yale Univ. Press, 1st , 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color, black & white illustrations. 365 pages. Scholarly essays on the four artists.

New York, Lorillard Co., 1940, Book: Very Good, Dust Jacket: None, Art "Just hatched - and a Pippin!", color art by George Petty. 10" X 13". Very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with lavender cloth spine. 160 pages in color. The audacious exploits of ten great adventurous female stars from the Golden Age of comic strips.In the 1920s they were socialites and flappers. In the 1960s they were homemakers and heartthrobs. But from the late 1930s to the early 1950s, female stars of the newspaper comic strips were detectives, spies, soldiers of fortune, even superheroes. Accomplishing everything the male comics stars of the time achieved, except they did it in high-heels and flowing skirts. Follow the daring exploits of these smart, tough, independent AND sexy Dauntless Dames.Both a product of their era and ahead of their time, the women in these stories gave their audience just what they needed. Through the Sunday Comics readers could escape from the woes of the Depression, travel to exotic foreign lands, feel the glamor and gangsters of the entertainment world, and support the Allied efforts in World War II. Presented in an extra-large format, here are the colorful, pulse-pounding tales of ten incredible women, both known and unknown to comics fans - and most are reprinted here for the first time in three-quarters of a century! The book also includes a special bonus: an insert section with a dozen paper doll cutouts starring the most popular women comic strip characters of the day. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.

Softcover. Paris, E. Teriade, 1st wraps, 1937, Book: Very Good, Dust Jacket: None, Includes: Original Cover by Matisse; Writing by Dos Passos, Lorca, Malraux, Gide, Michaux; Art by Maillol, Leger, Klee, Miro, Matisse; Photos by Guichard, Brassai, Man Ray. Others. Despite minor short cover tear along spine, exceptional condition.

New York, Liggett & Myers, 1948, Book: Very Good, Dust Jacket: None, Art "With the stars, it's Chesterfield", color photos of stars from the movie The Paradine Case. Includes Gregory Peck, Charles Coburn, Ann Todd, 3 others. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1967, Book: Very Good, Color cartoon of man putting seeds in flower bed behind glass windows. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 280 pages. Our big-eared hero is back with more edge-of-your-seat adventures: traveling from Umbrellastan to Texas - and duking it out with villains like Dr. Vulter, Pegleg Pete, and malicious miser Eli Squinch! In this volume, you'll saddle up for Gottfredson's two most famous Wild West epics: a "Race for Riches" amid rockslides and rustlers, then a dead-shot showdown with the brutal "Bat Bandit!" Back home in Mouseton, the mayhem continues when Mickey, Donald, and Goofy run a crime-fighting newspaper - and face trouble with mobsters and speeding black sedans!

Hardcover. Novato, CA, Underwood Miller, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages. Black & white illustrations by Virgil Finlay. Dust jacket is protected by a mylar cover.

Chicago, Channell Chemical Co., 1917, Book: Very Good, Dust Jacket: None, Art "Furniture and woodwork to look its best...", color art of maid polishing tabletop, not credited. 9" X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1967, Book: Very Good, Color art of man on horseback jousting with giant pineapple. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Every day, beginning in 1964, painter John Evans created a collage from found objects ranging from clippings, business cards, product stickers or labels, and ticket stubs to bits of ephemera or anonymous snapshots found on the streets of his East Village neighborhood. Using colored inks, he built upon and embellished the collage elements, creating lively, vibrant compositions. His astonishing work continued through the end of 2000, which seemed an appropriate date to stop. Apart from their beauty, Evans collages are mini-time capsules that mark the end of the Vietnam war, the fiscal crisis in New York City during the 1970's, the burgeoning economy, club scene and are market of the 1980's, and the AIDS crisis. They are also autobiographical with postcards, snapshots, and other connections to Evan's daily life. The 365 collages selected for this monograph, focusing on the 1970s through the 1990's, represent a year, but are drawn from different years. They illustrate the full range of Evans' mastery of his medium and attest to the artist's self discipline in adhering to the demanding regimen of creating a college every day. 365 color plates.

Hardcover. New York, Rizzoli, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, 216 Illustrations, 120 in color. Master Drawings from the Cleveland Museum of Art is a sumptuous introduction to one of the great American collections of works on paper. An introduction by the museum's chief curator, Diane De Grazia, and commentary by senior staff, lead the viewer through works spanning more than 500 years. Included are studies by Michelangelo and Durer; key drawings of the early Baroque by Barocci and Guercino; masterpieces of social observation by Goya and Daumier; and outstanding sheets by the great nineteenth-century French masters, from Gericault to Degas and Toulouse-Lautrec. Twentieth-century masters such as Picasso and Paul Klee are also represented.

New York, Ethyl Gasoline Corp., 1938, Book: Very Good, Dust Jacket: None, Art "There's three kinds of fishin'...", color cartoon art featuring Skippy by Percy Crosby. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1964, Book: Very Good, Color art of inside a flower greenhouse by Stevenson. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, Avon/Flare, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 137 pages. Black and white illustrations throughout. Introduction by Nat Hentoff.

Hardcover. New Haven CT, Yale University Press, 1st, 2010-11-09, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.

1918, Book: Very Good, Dust Jacket: None, Three infantry men in the trenches, art by Harold Brett. 10 1/2 X 15", mailing label, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1965, Book: Very Good, Color art of construction site with workers in deep hole. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Kitchen Sink Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 168 pages, b&w reprints of the early strips.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy with only minor wear to boards. Hardcover, 128 pages with 120 color plates featuring the conceptual artist's graffiti-like images. Claw was the first famous graffiti artist who later expanded her work into the world of fashion.

1932, Book: Very Good, Dust Jacket: None, Portrait of seated woman in riding clothes. art by McClelland Barclay. 10 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1961, Book: Very Good, Color art by Getz of workmen on the street at dawn. 8 3/4 X 12", crease down center. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Hardcover, 112 pages. Fully half of this volume of Hal Foster's epic masterpiece -- again scanned from superb syndicate proofs -- is devoted to the remaining chapters of "The Winning of Aleta," a 20-month (!) epic in which Valiant obsessively pursues his bride to be. Not surprisingly this is followed by a sequence called "Matrimony," which ends with a newly wed queen adjusting to the luxurious, exciting court life at Camelot. But Val's marriage does not signal an end to his adventures. In "War in the Forest" Val is sent out to spy on encroaching Saxons -- unknowingly aided by Aleta, who, disguised as a small knight (and dubbed "Sir Puny") helps prevent disaster. But the 1946 strips end with Val and Aleta unable to return to Camelot and the displaced couple journeying to Thule. Half the strips in this volume also include the delightful "The Medieval Castle," Foster's chronicle of two young boys growing up during the time of the First Crusade -- but by the end of the 1945 strips this series has ended and the Valiant portion resumes its full-page glory.

Hardcover. GR, Editorial RM, 1st, 2009-07-31, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, Like new in publishers shrink-wrap. With an all-black velvet cover and beautifully printed inside, Health and Efficiency is a sexy little book. The pieces are all derived from a pile of old nudist camp magazines he picked up in Brick Lane market in East London. In the original clippings nubile porcelain-white maidens pose puritanically next to ponds and lillies. But in Lakra's versions they have sailor tattoos and get skewered by monochrome skeletons and mugwumps.

New Orleans LA, Wesson Oil, 1928, Book: Very Good, Dust Jacket: None, Art "There couldn't be anything nicer"..., color art by Rene Clarke. 10 1/2 X 13", very good. McCall's March 1928. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1977, Book: Very Good, Color art of singing bird surrounded by flowers and bees. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.