Art

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Softcover. NY, Watson-Guptill, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. A detailed resource on the comics and collectibles inspired by the classic character provides close-up photography and information on everything Batman, from the history of the character's graphic design to sixteen new pages of obscure memorabilia. Chip Kidd, who also wrote a neat "Batman Animated" coffee able book on the well-loved and critically acclaimed "Batman: The Animated Series" that debuted in 1992, turns here to the hobby (and serious business, for some) of collecting. He includes his own childhood remembrances of Bat-items, as well as wonderfully quirky photography. This book, full-color throughout, is not a "guide" to the collectibles, as it does not include price values or manufacturers (it does give the year and dimensions for each piece pictured). Plus, there is an editorial comment on the Andy Warhol Batman piece that's got a bit of an attitude. Clean copy.

Softcover. Bedford, R.A. Walker, 1st, 1950, Book: Good, Dust Jacket: None, 31 page booklet. Stapled wrappers. (Limited 250 copies for Great Britatin and America). 8vo. Illustrated 7 plates of Beardsley authentic and forged art. Faded tan wrappers, red titles.

Hardcover. Seattle WA, Fantagraphics Books, 1st thus, 2002, Book: Very Good, Dust Jacket: Very Good, Originally released as Minimum Wage Book One and a subsequent series of the Minimum Wage comics with new material added. Bob Fingerman tells the story of Rob and Sylvia, two twentysomethings navigating the labyrinth of contemporary life in New York From pandering and peddling porn, to battling bellicose Brooklyn bozos, grappling with unsatisfactory careers, potential parenthood, nuptials and vicissitudes aplenty."

Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Baywatch Babes on fold-out cover. This month articles feature: Navy flier shows her stuff, breaks the Playboy barrier; Interview with Paul Reiser; Nascar, history of the sexual revolution, 60 to 69 (make love not war), playmate Anne Randalll and more.

Softcover. New York, Avon, 1st, 1982, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light wear to paper wrappers. Light soil to pages. Tight copy.

Softcover. Seattle, Fantagraphics Books, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 200 pages. Like a Velvet Glove... collects all 10 chapters of the serialized story Eightball. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters, including a pair of sadistic cops who carve a strange symbol into the heel of Clay's foot; a horny over-the-hill suburban woman whose sexual encounter with a mysterious water creature produced a grotesquely misshapen, but no less horny, mutant daughter; a dog with no orifices whatsoever (it has to be fed by injection); two ominous victims of extremely bad hair implants; a charismatic Manson-like cult leader who plans to kidnap a famous advice columnist and many more! This edition has a brand new cover, new title and end pages-plus: Clowes being the perfectionist that he is, there are tweaked and re-drawn panels that really make this a transcendent piece of storytelling art!

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1990, Book: Very Good, Dust Jacket: None, 67 pages, illustrated throughout in color and b&w. Light rubbing to edges of spine, minor sun-fade to rear cover. Clean, tight copy. This is the catalog for an unusual exhibition of rare original plasters, most of which were used by foundries to cast in bronze, held at Hirschl & Adler Galleries in New York from March 3 through April 14, 1990. Plasters "frequently represent the last stage of the artist's involvement in the fabrication of a work. . . . plasters have singular qualities: they have a warmth, a beauty, and an approachability, even vulnerability, not often found in the harder media of stone and bronze."

Softcover. Chicago, University Of Chicago Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 386 pages, b&w illustrations. The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics.

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 111 pages. Softcover with paper wrappers. Color pictures throughout. In 1899 Gustav Klimt's painting Nuda Veritas shook up the Austrian public with what many deem to be the painter's most political exploration of the nude female body. Klimt's provocative allegory challenged viewers to consider their own beliefs about the relationship between the nude (female) body and contemporary morality; this "naked truth" was shocking. Transcending accusations of pornography, Klimt's work paved the way for artistic examinations of the nude body as the site through which questions of freedom, desire, beauty, nature, culture, power, and their antonyms could be represented and negotiated. Taking these ideas as one critical point of departure, this volume and the accompanying exhibition feature selected prints, drawings, and watercolors by Klimt, Egon Schiele, Otto Dix, George Grosz, Max Beckmann and Kathe Kollwitz, among others. It explores the conceptions of the human body and the manner of its visualization in the period leading up to and following the First World War, which changed the world's notions of flesh and blood forever.

Hardcover. NY, Assouline, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Exploring the career of designer Charles James, this work looks at the way in which he revolutionized the fashions of the 1940s and 1950s with his designs, and above all his sculpted dresses.

Hardcover. London/ New York, Dorling Kindersley, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. A year by year overview of critical science fiction works (and movies and TV series), and a synopsis of all the major writers of serious,quality science fiction up to the mid-1990s (when the book was published). An invaluable reference for the avid science fiction fan, especially one who wishes to learn about the many overlooked, but decent, writers of yesteryear.

Softcover. Chicago, University of Chicago Press, reprint, 1983, Book: Very Good, Dust Jacket: None, Softcover with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's critial essays on the theatre. Originally published in 1970. CONTENTS: The stages: geography of action; A psychological case; From play acting to self; Criticism-action; Actor in history; Guilt to the vanishing point; Missing persons. Clean copy.

Hardcover. New York, Flying Buttress, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Clean, tight copy with color comics throughout. LIght wear to edges.

Softcover. Kitchen Sink Press, reprint, 2009, Book: N, Softcover, 164 pages. In 1958, Al Capp turned his sights on Organized Crime in the outrageoue tale of the Lady in Red, the most beautiful mobster ever drawn, who makes Dogpatch her hideout! America was fascinated with the Mafia after Congressional hearing had exposed its inner workings, and Capp takes readers on a wild ride as the gorgeous gangster impersonates Daisy Me, leaving Abner's long-suffering spouse to pay for her crimes! Also in this volume, Gloria Van Welbilt roars through Dogpatch with her flying pig, Abner is captured by statuesque Amazons and ends up with his head shrunken, and aliens from Planets Pincus try to turn Manhatten into a Disneyland-type amusement park called Crazyland!

Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.

Hardcover. NY, W. W. Norton, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 290 pages, color and b&w illustrations. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a cafe. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Rays reputation as one of the great artists of the modern era. Remainder dot to top edge, otherwise clean.

Softcover. San Francisco, CA, Juxtapoz Art & Culture Magazine, 1st, 2018, Book: Good, Dust Jacket: None, 144 pages. Softcover magazine with light wear to paper wrappers. TIght copy. Featuring Ines Longevial; Julian Schnabel; Theresa Chromati. Color throughout.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 307 pages, 60 color illustrations. 81 halftones. Provides an in-depth look at one artist's intense fascination with the science of astronomy. Joseph Cornell (1903-72) has often been viewed as a recluse, isolated in his home on Utopia Parkway, lost in the fairy tales and charming objects of his collages and assemblage boxes. Less commonly known has been Cornell's vested and serious interest in the history of astronomy and the cutting-edge discoveries made during his own lifetime. In a bright, unclipped dust jacket.

Hardcover. US, Memory/Cage, 1st, 1996, Book: Very Good, Dust Jacket: None, Text in English and German. Previous owner's signature on front end paper. Faint foxing to edges and slight warping to front board, else a clean, tight copy. No dust jacket as issued. Paintings by Christoph Hansli. Text (in German and English) by John Berger. Designed by Barbara Erb. Unpaginated (40 pp.), with 9 four-color plates. 8-1/8 x 12-5/8 inches. This first edition was limited to 1,500 copies.

Hardcover. London, Rodale Press, 1st thus, 1954, Book: Very Good, Dust Jacket: None, Hardcover, publisher's original cream and red pattern paper covered boards, gilt title and author lettering to the black cloth spine. 36 printed pages of text with monochrome illustrations throughout. A small (although not really a miniature) book containing an essay by James which was originally published in the Century Magazine in 1890. Illustrated with a portrait of Honore Daumier and 15 his caricatures. Mild foxing to endpapers otherwise clean.

Softcover. NY, Pantheon, reprints, 1986/1991, Book: Very Good, Dust Jacket: None, Two matching softcover books, illustrated in b&w by Spiegelman, 159, 136 pages. Pulitzer Prize winner. Light shelf wear, clean copies.

Hardcover. Lausanne, Acatos, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket., 206 pages. With photographs and reproductions in color and black and white of Lam's paintings and drawings. With facsimile of small booklet by Andre Breton in pocket inside front cover.

Hardcover. NY, Harry N Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, illustrated throughout in color and b&w. Faint foxing to edges and end papers. Clean, tight copy. 60 color plates, 53 BW illus., 47 sepia duotone, one fold-out. Considers the work of Modern Realist Philip Pearlstein (b. 1924). With a foreword by the artist, known for his "...larger-than-life nudes [posed] under a cold light, motionless and abstracted, in slashing diagonal compositions, often veering off the canvas entirely." Includes one page of notes, chronology and list of exhibitions, selected bibliography and index.

Softcover. NY, BisPublishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps with flaps. 393 pages. Infiltrate is a comprehensive collection of contemporary, cutting-edge New York design. It features established and emerging studios together with some extraordinary, little known companies and individuals. Each of the 30 ground-braking designers is interviewed and all artwork is captioned. Infiltrate is full of creative energy, experiments, challenging ideas and unexpected solutions. Clean copy.

Softcover. Washington DC, National Park Service,, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, The famous cartoonist of WW2's Willie and Joe fame offers his take on America's War for Independence. Small price sticker on cover otherwise clean.

Hardcover. Cambridge, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 328 pages with bibliography and index. A revised and abridged version of Watkins earlier work on Soane (1753-1837), concentrating on the twelve lectures the eminent architect gave to the Royal Academy between 1810 and 1820, dealing with the huge scope of the lessons to be gained from world architecture.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. This catalogue raisonne of Picasso's lithographic work contains 855 pieces with entries for every printed sheet as an individual work, including test and state printings, and unpublished sheets. Scholarly essays from various contributors. Light fraying to bottom spine cover.

Hardcover. Cambridge MA, The MIT Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in boards, 208 pages, illustrated in color. Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With this generously illustrated book, artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall.Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York "residency" or his notorious Dismaland of 2015, a full-scale dystopian "family theme park unsuitable for children" dedicated to the failure of capitalism. Clean copy.

Hardcover. NY, W. W. Norton, 1st, 1990, Hardcover in a bright dust jacket, 208 pages. From the late 1880s to around 1915, Childe Hassam, America's foremost impressionist, frequently visited the Isles of Shoals, the site of a summer resort popular with many American artists and writers. Paintings from Hassam's Isles of Shoals series are among the most familiar icons of late nineteenth-century American art. But until now, a comprehensive selection of these beautiful works had not been collected in one place. David Park Curry's informative text provides the background essential to a full appreciation of these works. 105 full-color reproductions and100 black-and-white photographs.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, auction catalogue with beautiful pictures of posters in color. An exceptional copy in the original title-blocked cloth.

Hardcover. Berkeley, CA , University of California Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black and white illustrations throughout. This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.

Hardcover. Gloucester MA, Peter Smith, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 100 pages, b&w illustrations. A checklist of 387 paintings, lithographs, watercolors and drawings, with appendix including excerpts from Lane's will and bibliography. One of Wilmerding's first of many works, this is a pioneering monograph on the artist, best known for his luminous marine paintings. Clean copy.

Hardcover. NY, Thames & Hudson, 1st US, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, in a bright lightly worn dust jacket. A description of the history of the Omega Workshops, a gallery of decorative arts in the Bloomsbury district of London, examines the works exhibited there by artists, including Vanessa Bell, Wyndham Lewis, and Duncan Grant. Clean copy.

Softcover. Archie Comics, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, color throughout

Hardcover. New Haven, Yale University Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover set. Volume I: 558 pages. Cloth boards. Illustrated with black & white reproductions of works by Hogarth. Dust jacket quite worn along edges with some tape repair to small tears. Clean, tight copy. Volume II: 557 pages. Cloth boards. Illustrated with black & white reproductions of works by Hogarth. Fore-edge shows slightest foxing. Dust jacket worn along edges with small tears and creases. Clean, tight copy. NOTE: DUE TO WEIGHT AND SIZE, DOMESTIC SHIPPING ONLY.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, dark red cloth/dark red DJ. 144 pp. 108 bw plates. All of Falconet's major works and attributions are illustrated in gravure, with many details. Includes a translation from the French of Falconet's Reflections sur la sculpture by Eda Mezer Levitine.

Softcover. St. Paul MN, Minnesota Museum of Art, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Paintings; Drawings; Watercolors; Prints 1949 - 1975. 50 color and b&w illustrations.

Hardcover. New York , W. W. Norton, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 237 pages. Numerous b&w illustrations, including portrait frontispiece, 14 color plates. Thomas Eakins, a native of Philadelphia, painted two worlds: one sure of its values - the surgeons, inventors, musicians and athletes of his time - and another that reflected his own struggles with depression and sexual identity. This book presents an account of Eakins' struggles, his genius, and the evocative melancholy of his portraits.

Hardcover. Boston NY, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, 83 color plates, 53 duotone plates. Foreword by David Levy. Rivers, one of the original Pop artists on the 1950s art scene, is known for his bold and eclectic style. Inspired by sources as diverse as the impressionists, Napoleon, and Hollywood movies, Rivers' work shows a keen sense of history and an adventurous spirit.

Hardcover. NY, Harry N. Abrams, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with light tanning to spine edge. Book is bound in textured brown boards with a gnome holding a lantern embossed in gilt on front. 212 pages, all in color, hundreds of illustrations, maps, and diagrams. First published in 1976 in the Netherlands titled Leven en werken van de Kabouter. Small inscription on front fly leaf otherwise a clean, tight copy.

Hardcover. University of Washington Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Over the Line: The Art and Life of Jacob Lawrence includes essays by eight distinguished art historians examining the ways in which Jacob Lawrence's art speaks so powerfully to different audiences. It is the first multi-author, in-depth probe of the artist's entire career: the nature of his work, his education, the critical climate in which he worked, and his use of materials and techniques. It reproduces, in full color, more than 200 works, most of which have not been published in color, or at all, in other books on the artist.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 286 pages, a comprehensive and inspirational guide to editorial design packed with contemporary examples of sophisticated and effective solutions for virtually any design challenge. Moser's thorough understanding of the process, combined with intriguing juxtapositions of layouts, no-nonsense comments and original insight make for an entertaining and useful book. Chapters range from Grid Systems and Formats to Covers, Logos and Inside Pages, Types of Page and Themes, even a section on the design of magazine spines-illustrated with over 1500 examples from publications around the world, and drawn from the author's personal collection of over one million magazines! A great reference book for all graphic designers, art directors and editorial writers.

Hardcover. New York, Farrar & Rinehart, Inc, 1st, 1938, Book: Very Good, Dust Jacket: Very Good, Hardcover. Unpaginated, over 40 b&w full page cartoons, cloth-bound cover, acetate-protected dust jacket. Wear and fading to edges and corners of dust jacket, price-clipped, discoloration to endpages, foxing on cloth cover; still, a neat and tight copy overall. Paul Webb"s hillbilly cartoons were a popular feature in Esquire Magazine in the 30s and 40s.

Hardcover. NY, Whitney Museum of American Art]/Yale, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 249 pages, Illustrated throughout, including 386 in color. Publishers' oatmeal cloth with black and orange titles to spine and upper board, with pictorial endpapers, in unclipped pictorial dust-jacket featuring Study for "Nighthawks". Clean and bright with no annotation or inscriptions. In-depth visual overview and study of the work of Edward Hopper (1882-1967), one of the greatest American artists of the twentieth century, and his working methods. Multiple illustrations on virtually every page, featuring working sketches, photos of the artist at work, notebooks and final artworks. A brilliant reference work to Hopper's art and methodology. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Harry N. Abrams , 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Large hardcover volume in a bright dust jacket, 240 pages. The author and illustrator gives his special imaginative touch to the most famous animal story through more than two hundred full-color paintings and a lively text. This is the larger first US printing, not the 1992 reprint in a smaller format. Clean, like new.

Hardcover. New York , Grove Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, introduction by Stephen King and personal reminiscences by Forrest J. Ackerman, Clive Barker, Robert Bloch, Ray Bradbury, Harlan Ellison and Peter Straub. This volume contains over 500 of the finest vintage film posters of the genres covering a span of nearly 75 years. In a bright dust jacket.

Hardcover. New York, Harry N. Abrams, Inc, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. 189 illustrations, including 98 plates in full color. Light brown cloth. Clean, bright copy. As good as new. Peale painted thousands of canvases and that provided a superb record of colonial and federal society. In mid-life Peale turned to the study of nature and assembled a museum in Philadelphia that was, at its time, the most important institution of its kind in the country.