history

Hardcover. London/NY, Collins Living, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages, fully illustrated with color reproductions of photographs. Features articles and cover art from October 1969 through December 1987 issues. Fine in original pictorial paper-covered boards and fine pictorial dust jacket.

Hardcover. New York, Charles Scribner's Sons, 1st, 1884, Book: Good, Dust Jacket: None, Hardcover, maroon cloth stamped in red and gilt, 320 pages. Frontispiece, b&w plates and illustrations. Folding map. Spine sunned, light wear to extremities, previous owner's name, inscription on inside front cover, otherwise clean.

Softcover. Beverly Hills, CA, Lawrence Bassoff Collection, 1st, 1997, Book: Very Good, Dust Jacket: None, Large softcover, 159 pages, illustrated throughout in color. Light wear to pictorial covers, else a very nice, tight. clean copy. Foreword by Robert Wise. 100 beautiful reproductions of classic crime film posters.

New York, Van Nostrand Reinhold, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 196 pages. Black & white photography. Reveals the war with Russia, the first war to be extensively recorded by photography. Here are 85 photos and commentary. Many of the photos were taken by two Englishmen, Roger Fenton and William Robertson.

Hardcover. Tokyo, Sophia University, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 87 pages. INSCRIBED BY GEORGE M. WILSON ON FRONT ENDPAPER. Black boards, cream cloth spine with gilt titles, white dust jacket with illustration. Price-clipped, slight rubbing to dust jacket, pages crisp and unmarked; overall, a very clean, tight copy in great condition.

Hardcover. Boston, Little Brown , 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages, b&w photos. In a bright, unclipped dust jacket with a couple closed tears, mild soil.

Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.

Hardcover. New York, Bramhall House, 2nd Printing, 1958, Book: Good, Dust Jacket: Fair, Hardcover. Illustrations throughout, with a treatise on The Balista and Catapult of the Ancients and an appendix on The Catapult, Balista and the Turkish Bow. Dust jacket soiled and worn, foxing on top edge, otherwise, very clean and tight.

Hardcover. Long Beach CA, Long Beach Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover with a nice dust jacket. Since 1970, Mizuno's work has evolved from functional dinnerware to abstract sculptural forms, from playful and humorous trompe l'oeil plates to richly layered sculpture informed by his evocative personal history, paralleling the development of the ceramics field itself in the late 20th century as it evolved from functional forms to a medium of full artistic expression. The exhibition is the first major museum exhibition to survey the work of this artist whose superbly crafted works, while firmly grounded in the traditions of the ceramic arts, extend to new forms in clay that defy traditional categories. This exhibition catalogue designed by Takaaki Matsumoto includes a forward, interview with the artist, a biography and exhibition history, and the exhibition checklist of 48 artworks. The exhibition and publication trace the work of this Japanese-born, Los Angeles-based ceramist from 1971 through 2003. Interview of the artist by Deborah McLeod, foreword by Museum Director Harold Nelson Format: hardcover Dimensions: 8-1/2 x 6-1/4 inches, 96 pages plus cover / 51 color plates. in conjunction with the exhibition of the same title at the Long Beach Museum of Art November 18, 2005 through January 15, 2006.

Hardcover. Long Beach CA, Long Beach Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 95 pages, illustrated with 45 color plates. Like new in publisher's shrinkwrap. Since 1970, Mizuno's work has evolved from functional dinnerware to abstract sculptural forms, from playful and humorous trompe l'oeil plates to richly layered sculpture informed by his evocative personal history, paralleling the development of the ceramics field itself in the late 20th century as it evolved from functional forms to a medium of full artistic expression. The exhibition is the first major museum exhibition to survey the work of this artist whose superbly crafted works, while firmly grounded in the traditions of the ceramic arts, extend to new forms in clay that defy traditional categories. This exhibition catalogue designed by Takaaki Matsumoto includes a forward, interview with the artist, a biography and exhibition history, and the exhibition checklist of 48 artworks. The exhibition and publication trace the work of this Japanese-born, Los Angeles-based ceramist from 1971 through 2003. ISBN 0-97127772-3-0 Published by the Long Beach Museum of Art Interview of the artist by Deborah McLeod, foreword by Museum Director Harold Nelson Format: hardcover Dimensions: 8-1/2 x 6-1/4 inches 96 page plus cover / 51 color plates.

Hardcover. New York, Oxford University Press, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, black leather with red gilt lettering on spine. 203 pages, gilt all edges, SIGNED BY AUTHOR on title page. It seemed that foreign governments were on the verge of recognizing the Confederacy and legitimizing its cause, and the Emancipation Proclamation had been shelved indefinitely. America's most eminent Civil War historian, James M. McPherson argues that the Union victory at Antietam sharply reversed all that. He paints a masterful account of this pivotal battle, the events that led up to it, and its aftermath. Spotless and tight copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1933, Book: Good, Dust Jacket: None, Hardcover, red cloth with cover and spine lettered in gilt, 16 pages of b&w plates. Popular memoirs of Alice Roosevelt Longworth (1884-1980), eldest child of President Theodore Roosevelt and Alice Hathaway Lee Roosevelt. Rubbing and fading to boards and spine. Internally clean, Sound copy.

Hardcover. Chicago, Poole Brothers, 1st, 1894, Book: Good, Dust Jacket: None, 125 pages. Hardcover. Title and decoration in silver on cloth cover - darkening to edges. Illustrated with Sepia photographs. All edges gilt. Front hinge tender. Clean, unmarked copy.

Hardcover. NY, Scribner, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-century America into an instantly recognizable and popular aesthetic. Now, for the first time, Dan Nadel, delivers a "gripping and essential account" (The Boston Globe) of how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact. Braiding biography with "cultural history and criticism...that honors the complexity of [its] subject, even, perhaps particularly, when it gets ugly" (Los Angeles Times), Crumb is the story of a richly complex life at the forefront of both the underground and popular cultures of post-war America. Including forty-five stunning black-and-white images throughout and a sixteen-page color insert featuring images both iconic and obscure. Clean copy.

Hardcover. NY, Scribner, 2nd pr., 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-Century America into an instantly recognizable and popular aesthetic. Now, for the first time, Dan Nadel, delivers a "gripping and essential account" (The Boston Globe) of how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact. Braiding biography with "cultural history and criticism...that honors the complexity of [its] subject, even, perhaps particularly, when it gets ugly" (Los Angeles Times), Crumb is the story of a richly complex life at the forefront of both the underground and popular cultures of post-war America. Including forty-five stunning black-and-white images throughout and a sixteen-page color insert featuring images both iconic and obscure. Clean copy.

Hardcover. NY, Pegasus, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 338 pages, b&w illustrations. A remarkable literary hybrid--part biography, part detective story--about the enduring figure of Robinson Crusoe. January 1719. A man sits at a table, writing. Nearly sixty,Daniel Defoe is troubled with gout and mired in political controversy and legal threats. But for the moment he is preoccupied by a younger man on a barren shore--Robinson Crusoe. Several miles south, another old man, Robert Knox, sits bent over a heavy volume--published nearly forty years before.Knox's Historical Relation was a best seller when it was published in 1681, just a year after he escaped from Ceylon and returned to England. Where did Crusoe come from? And what is the secret of his endurance? Crusoe explores the intertwined lives of two real men, Daniel Defoe and Robert Knox, and the character and book that emerged from their peculiar conjunction. It is the biography of a book and its hero: the story of Defoe, the man who wrote Robinson Crusoe, and of Robert Knox, the man who was Crusoe. Clean copy.

Hardcover. Cambridge MA, Harvard University Press , 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 586 pages, b&w illustrations. Cuba's Revolutionary World examines in forensic detail how the turmoil that rocked a small Caribbean nation in the 1950s became one of the twentieth century's most transformative events. Initially, Castro's revolution augured well for democratic reform movements gaining traction in Latin America. But what had begun promisingly veered off course as Castro took a heavy hand in efforts to centralize Cuba's economy and stamp out private enterprise. Embracing the Soviet Union as an ally, Castro and his lieutenant Che Guevara sought to export the socialist revolution abroad through armed insurrection. Castro's provocations inspired intense opposition. Cuban anticommunists who had fled to Miami found a patron in the CIA, which actively supported their efforts to topple Castro's regime. The unrest fomented by Cuban-trained leftist guerrillas lent support to Latin America's military castes, who promised to restore stability. Brazil was the first to succumb to a coup in 1964; a decade later, military juntas governed most Latin American states. Thus did a revolution that had seemed to signal the death knell of dictatorship in Latin America bring about its tragic opposite. Clean copy.

Hardcover. NY, Street & Smith, 1st, 1898, Book: Good, Dust Jacket: None, Hardcover. Book is divided into 4 sections: Cuba, Porto Rico, The Philippines, & Hawaii. Each with a fold-out color map. 178, 171, 174, & 178 pages respectively. All maps present and in very good condition. Previous owner's inscription on front fly leaf. The pale green covers suffer from rubbing and abrasions causing discoloration, fading. Internally very good.

Hardcover. Hatje Cantz, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 511 pages. Clean, unmarked copy in excellent condition. From the earliest days of the Cuban Revolution, the Revolutionary High Command was intensely aware of the power of the photographic image to advance the ideals of the Revolution, at home and abroad. If portraying the human side of its leaders was an important part of the Revolution's visual ideology, so too was its conception and depiction of the Cuban populace: as early as 1959, the High Command organized mass rallies in Havana assembling more than a million Cubans from throughout the island to celebrate the victory of the Revolution. Cuba in Revolution captures the complexity and the energy of this moment in all its contradictory beauty. It gathers a colossal array of photographs by both known and anonymous photographers into five thematic, chronologically overlapping sections: "Pre-Revolutionary Cuba: 1933-1959"; "The Years of Struggle and Victory: 1953-1957"; "Sierra Maestra: The Revolutionary Movement: 1956-1959"; "Bay of Pigs 1961"; and "Picturing the Revolution: 1959-1968." From Constantino Arias' portraits of poverty and wealth in pre-revolutionary Havana to the photographs of the dead Che Guevara in Bolivia, this volume offers an epic photo-narrative of the Cuban story. Iconic pictures of Che Guevara by Alberto Korda and Rene Burri are complemented by snapshots of Fidel Castro playing golf or hunting in the Soviet Union. Raul Corrales' pictures of revolutionaries playing the conga drums during the Cuban Missile Crisis also reveal a different face of the Revolution; portraits of individual Cubans by Henri Cartier-Bresson present an equally fluid vision of everyday life in Cuba; and the political and the personal merge in startlingly intimate portraits of Che Guevara by Andrew Saint-George and images of the forbidden pop culture of the mid-1960s by Jose Figueroa. Throughout the publication there is an exhilarating tension between the heroic portrayal of the leaders-Castro, Guevara and Cienfuegos-and the dramatic portrayal of a people in the midst of revolutionary transformation.

Hardcover. Washington, D. C., Smithsonian, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 58 pages. Illustrated with full color photographs. Clean, bright copy.

Softcover. Fonthill Media, reprint, 2017, Book: Very Good, Dust Jacket: None, Softcover, 144 pages illustrated in color. Cuba Cars and Cigars is full of glorious color images of the rare and varied Cuban-owned 1950s American and European automobiles, trucks, and station wagons that were imported before 1961. Among the famous Marques that feature are Cadillacs, Chevys, Buick, Dodge, Oldsmobile, Ford, Packard, De Soto, Pontiac, Plymouth, Edsel, Mercury and Metropolitan, Hillman, Singer and Austin, Nash Sedans, a Lloyd 600 German 2-cylinder/4-stroke 596cc car, Ramblers and SAABs, Mercs, Humber, Standard Vanguard, Ford Consul/Zephyr, Hillman Husky and Minx, Singer Gazelle and Austin. Most of these vehicles are still in running order, and are passed down from generation to generation. Trucks include Fords, a Fargo, Dodges and Chevys, not forgetting cigars, street urchins, and the lovely ladies of Havana. Clean copy.

Softcover. US, Prestel, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 424 pages, color and b&w illustrations. Like new in publisher's shrink-wrap. No dust jacket, as issued. From the exhibition produced by the Montreal Museum of Fine Arts in partnership with the Museo Nacional de Belias Artes and the Fototeca de Cuba in Havana. A comprehensive history of Cuban art and design.

Hardcover. Pound Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Photographing the intersection between culture and nature for over 25 years, Virginia Beahan creates luminous and finely detailed images with an 8x10 view camera that describe the complexities of this relationship in diverse geographic settings. Her eight-year project in the waning years of Fidel Castro's revolutionary Cuba resulted in a major 2009 monograph entitled CUBA singing with bright tears. The images depict a country both tragic and beautiful, struggling beneath the weight of history. Larger-than-life images of revolutionary heroes Che Guevara and Jose Marti populate the island. The Bay of Pigs is sublime and treacherous; an atmospheric body of water rimmed with jagged black coral is the same unwelcoming shore that greeted invading CIA-trained Cuban exiles over forty-seven years ago. On a billboard, Fidel Castro reminds us that the US might invade again, and if so, he "will die fighting." Virginia Beahan's work falls within the tradition of great American photographers such as Walker Evans and Robert Adams. Her luminous and detailed large-format photographs reveal a landscape imbued with nuanced stories of culture shaped by geography and human action. Cuba's long and complicated relationship with the United States is part of this unfolding drama. Clean, bright copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue and red, 360 pages. 116 b&w photos throughout, color maps in rear. In 1898 America intervened in the Cuban War of Independence, leading to conflict with Spain. This is a detailed account of this campaign, together with American military sea and land operations on the island of Puerto Rico during the Spanish American War. Cloth spine darkened otherwise clean, tight copy.