history

Hardcover. NY, McGraw-Hill, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The story of one remarkable summer when Joe DiMaggio's 56-game hitting streak captured the imagination and attention of the country. 260 pages, b&w illustrations.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. The street allows photographers to conceal cameras and catch subjects unaware, in informal settings. By contrast, the studio permits both photographers and subjects to present carefully composed images to the world through elaborate staging and technical tricks. In recent years, with celebrities posing in the street and the studio being used for more informal, intimate shots, both traditions have undergone a transformation. This stunning collection features many of the greatest street hotographers of all time--Atget, Brassai, Cartier-Bresson, Arbus, Frank, as well as studio-based artists such as Carlo Ponti, Edward Steichen, Richard Avedon, Annie Leibovitz, and Jurgen Teller.

Softcover. NY, Columbia University Press, 1st pbk., 1997, Book: Very Good, Dust Jacket: None, Softcover, 232 pages, b&w illustrations. Focusing on the immediate pre-revolutionary period and the first decade of the Islamic Republic, Bayat discusses the economic and political strategies of 'ordinary'[Iranian] people, mainly in Tehran.... He demonstrates that, for these people at least, the populist revolution did not bring about the changes that they needed or wanted. Clean copy.

Hardcover. Harrisburg, Stackpole Company, 1st, 1961, Book: Good, Dust Jacket: None, 322 pages. Hardcover. Features 16 pages of black & white photographs. Notations in red pencil on 2 maps - pages 92 and 97. Light wear to yellow cloth covers. No dust jacket.

Hardcover. Baltimore, The John Hopkins Press, 3rd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on spine. No dust jacket, clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. illustrated throughout. Very clean and tight copy. Striptease is the history of unapologetic fun aimed not at the head, not at the heart or even the stomach, but south of all three. Beginning with the birth of the striptease in the mid-19th century and culminating with its garish heyday in the 1950s, this book charts the evolution of the infamous bump and grind, which is, at its simplest, a pretty girl in a pretty dress ... and then not. The only fully illustrated book available on the subject, Striptease tells the history of this provocative form of stagecraft from its birth in vaudeville and burlesque through the "take it all off" attitude for which the term "striptease" was coined. Along the way, the book highlights such performers as Isadora Duncan, Loie Fuller, Maud Allen, Gypsy Rose Lee, Tempest Storm, and Blaze Starr. The witty and well-informed text is illustrated with an array of titillating images, including never-before-published ephemera and illicitly photographed performances in progress. Whether revealing ankles or breasts, playing peek-a-boo or going the full monty, Striptease pays tribute to the women who made a vocation of their sex appeal and shimmied their way into American culture.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works' attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy.

Hardcover. New York , D. Appleton and Company, 3rd, 1901, Book: Very Good, Dust Jacket: None, Hardcover, 366 pages, fold-out maps. Red cloth with gilt titles to spine. Light wear and tearing to maps. Light edgewear and rubbing to covers with slight bumping to corners. Clean, tight copy.

Softcover. NY, Center for Migration Studies, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 289 pages, b&w illustrations. Clean, bright copy.

Hardcover. London, Methuen & Co., 1st, 1912, Book: Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering. Black and white illustrated plates throughout. 345 pages + 31 pages publisher's ads. Frontispiece and title page starting to separate from binding. Previous owner's bookplate on inside cover.

Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.

Hardcover. Seattle, Fantagrahics, 1st thus, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 202 pages. Book presented in both English and French in a collaboration between Fantagraphics and Editions de l'An 2. Preface by Thierry Smolderen. A. B. Frost born in 1851. An anthology of Frost's works Stuff and Nonsense (1884), The Bull Calf and Other Tales (1892), and Carlo (1913). Comics in B/W. Most have both English and French translations. No DJ (as issued).

Hardcover. Borealis Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Men wearing suits jousting with sailfish. Head-on bridge collision. Men with linoleum. Kitchen murder-suicide. Firemen playing donkey baseball. Ideal woman in apron. Through more than 10,000 images, Irwin Denison Norling, the unofficial town photographer for Bloomington, Minnesota, captured the strange juxtapositions, incongruities, and dark corners of the developing suburban America of the 1950s and '60s. A competitive amateur glued to his police radio, Norling spent years examining the light and darkness, tragedies and desolation, rituals of community and celebration through the lens of his camera, deftly capturing the uneasy dichotomy between the familiar and subversive--the familiarly subversive. "That was the way it was. And the way it was, that's what I was after."In 2002 veteran journalist Brad Zellar unearthed Norling's negatives from the archive of the Bloomington Historical Society. Compelled by the work of this man who had all but drifted into obscurity, Zellar collects the best of these images in Suburban World, a fascinating window into the uneasy contradictions in Norling's unforgettable and unselfconscious, funny and gritty, not-too-distant past.

Hardcover. NY, Clarkson Potter, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. In celebration of the New York City subway system?s 100th birthday, Diehl offers up this easy-to-read, informative history. From its beginnings as an underground amusement ride, to the development of the IRT, BMT and IND rail systems, to its crime-ridden and graffiti-covered fall in the 70?s and, finally, to its current revival, the system has had a more colorful history than most straphangers and tourists realize. Diehl?s well-pitched nostalgia leads readers to appreciate the wonder of the subway?s nascent period and to imagine how incalculably different New York would be today had the transit option that is so taken for granted not been created how and when it was. As Diehl shows, the subway and the cities of New York and Brooklyn grew up together and gave each other character. Tracks weren?t always laid to reach existing neighborhoods. Often neighborhoods sprung up as subway service pushed out farther from the city, while the areas below the elevateds (now long gone) developed a reputation for shadiness in every sense of the word. Those familiar with the layout of the city will most appreciate the implied differences between then and now but any fan of trains, history, New York or grand public works will enjoy the ride. Although Diehl?s tribute is not the definitive work on the subject, this book passes on enough fascinating tidbits, evocative depictions and serious history to have wide appeal. 60 b/w and 20 color photos.

Hardcover. Brattleboro VT, Stephen Greene Press, 1, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 99 pages. A collection of colonial, pioneer, and frontier American tombstone inscriptions. Previous owners name at top right corner of front end paper. Clean, tight copy.

Hardcover. London, Argus Books, 1st, 1930, Book: Very Good, Dust Jacket: Good, 391 pages. Hardcover with dust jacket. B&w illustrations by Frank Pape. Dust jacket faded on spine, chipped. Cover boards have minor wear to black covers. Gilt lettering. Numbered 1490/1500 American copies. Internally good, and over all clean tight copy.

Hardcover. Albany, State University of New York Press, 2nd pr., 1973, Book: Very Good, Dust Jacket: None, Hardcover in glazed boards, 184 pages with index. The renowned Islamic scholar combines his research into Sufi doctrine and history with a rich account of the spiritual and metaphysical significance of sufism as a living tradition. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 179 pages, b&w photos. In the Dominican Republic baseball is not only a game but a national obsession. Exported from the United States and still controlled by it, the game is also a crucial arena of intercultural relations. Sugarball describes how Dominican baseball fosters national pride and competition with the United States while at the same time promoting acceptance of the North American presence in the country. Clean copy.

Hardcover. London, John Murray, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 248 pages with index. This text sets out to explore the sexual motives of travel. It argues that the British have inherited from the 19th century three main versions of the tourist - the connoisseur, pilgrim or rebel - these identities having both a sexual as well as a cultural life. Clean copy.

Softcover. Portand ME, Maine Citizens For Historic Preservation, 1st, 1993.00, Book: Very Good, Dust Jacket: None, Softcover, 104 pages, oblong format, b&w photos. Scarce monograph on the historical architecture of the reclusive summer colony on the Maine coast. Prominent families such as the Cabots, Saltonstalls, the Lamonts and the Morrows transformed the small fishing village into an exclusive summer retreat and the homes erected for these "rusticators" are examined in detail. Clean, bright copy.

Softcover. NY, Hans P. Kraus, Jr., 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. Black and white reproductions of photos throughout. A catalog of early photographs offered for sale by Hans P. Kraus, Jr., focusing on the work of photographer William Henry Fox Talbot. This includes scholarship on his life, work and associates. Clean copy.

Hardcover. Berkeley, University of California Press, 2nd pr., 1970, Book: Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 412 pages with index. Frontis. map. Ex-lib with stamping to edges and endpapers, name on front fly leaf.