history

Hardcover. NY, Disney Editions, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Featuring the art and artists used to plan and map out Disney's many classic animated films, a collection of "storyboard" images offers a fascinating retrospective of the company's history of animation, from Snow White to The Hunchback of Notre Dame.

Hardcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. While sheets of paper are disappearing from our homes and offices, the medium is experiencing a renaissance in the worlds of art, design, and architecture. Suddenly, paper is everywhere--but not only in the old familiar places or forms. This fascinating book looks at every aspect of paper: its history, composition, production, application, and trade. Beginning with the anatomy of paper and its earliest forms, this book looks at paper as a symbol of political and economic importance and as a carrier of ideas, from literature to art, design, and music. It looks at the different surfaces, opacities, weights and volumes of paper and how it is used for printing, typography, graphics, and maps as well as a vehicle for origami, architecture, and fashion. Sumptuously illustrated with photographs and drawings, this book includes a variety of papers for readers to examine and feel, highlighting the sensual aspects of this seemingly ordinary product. Engaging, entertaining, and informative, this book contains a wealth of useful and surprising information on every printed, colored, and textured page

Hardcover. New York , De Vinne Press, 1st, 1917, Book: Very Good, Dust Jacket: None, 303 pages. Light blue and white cover. Printed for the Naval History Society. Number 112 of 700 copies. Pages untrimmed. B&w illustration with tissue guard. Worn slipcase. Inside nice and clean. Contains one page insert addressed to Naval History Society members.

Hardcover. Cambridge MA, Belknap Press/Harvard, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 417 pages. As the American colonies grew more restive, and a break with the mother country ceased to be unthinkable, John Adams was forced to spend less and less time with his beloved family. Although burdened by ever-expanding responsibilities in the Second Continental Congress, he found time for an amazing amount of correspondence. The majority of his letters were written to secure the facts that would enable this duty-ridden man to decide and act effectively on the issues being debated. Military affairs, a source of never-ending concern, provide some of the most fascinating subjects, including several accounts of the Battle of Bunker Hill, assessments of various high-ranking officers, and complaints about the behavior of the riflemen sent from three states southward to aid the Massachusetts troops. Clean, tight copy.

Hardcover. Washington, Smithsonian Institution Press, 1st, 1972, Book: Good, Dust Jacket: Good, Hardcover. Volume I only. 496 pages, several b&w illustrations. Light edgewearm soiling to dust jacket, small closed tear on front cover. Foxing, soiling to top and bottom edge. Else clean and tight.

Softcover. London, 1849, Book: Very Good, Dust Jacket: None, This is 64 page extract from a larger volume (pages 443 - 506), possibly London Magazine. This is the original printing and features 4 fold-out plans and illustrations, all in excellent condition. Bound in a clear acetate folder.

Hardcover. NY, John Day, 1st, 1953, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn dust jacket, 372 pages. This book is sub-titled: "A true account, rich in detail about man and nature, of Oklahoma when it was the United States last frontier".

Hardcover. NY, Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. In text and photographs, Paris Deluxe traces the history of the Place Vendome, from the square's beginnings as a high-risk property speculation, to its life in the twentieth century as Paris's center of fashion, jewelry, high finance, and art, a playground for international society that converges at the Paris Ritz, undoubtedly still the most elegant, expensive, and comfortable hotel in the world. The cast of extraordinary personalities who have left their marks on the square covers the spectrum from fashion and jewelry-- names like Coco Chanel, Elsa Schiaparelli, Frederic Worth, Cartier, Boucheron-- to financiers J.P. Morgan and John Law, and every prominent name in art and high society-- Edward, Prince of Wales, the Vanderbilts, Baroness Guy de Rothschild, Lillie Langtry, Rene Lalique and the Crozats, whose art collection was bought by Diderot for Catherine the Great.

Hardcover. NY, Holt Rinehart & Winston, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, 294 pages. Depicts the German occupation of Paris during World War II from the perspectives of both the defeated Parisians and the victorius Germans, accompanied by 116 contemporary photographs in b&w, some color. Clean copy.

Softcover. Fine Arts Museums of San Francisco, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Along with cutting-edge art, literature, and jazz music of 1920s Paris, there was also experimental new dance, exemplified by the Ballets Suedois, the "Swedish Ballet." Choreographed almost entirely by Jean Bsrlin but visualized by 32 painters from 11 nationalities, it boasted costumes and backdrops from the likes of Fernand LZger, Gssta Adrian-Nilsson (GAN), Nils Dardel, and Gerald Murphy, with music by Erik Satie and even Cole Porter, in 23 ballets produced during the company's brief, brilliant existence. Illustrated with 78 archival photos and sketches and 67 color reproductions of posters and production paintings, this catalog is as much an art book as it is a dance history, with works seldom seen in over 80 years.

Hardcover. Paris, Editions de Lodi, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, glossy boards in a matching bright dust jacket. Large format, 484 pages, FRENCH TEXT. A collection of over 500 historical photos of old Paris printed in sepia tone. Around 1832 Parisian-born Charles-Francois Bossu (1813-1879) shed his unfortunate last name (bossu means hunchback in French) and adopted the pseudonym Marville. After achieving moderate success as an illustrator of books and magazines, Marville shifted course in 1850 and took up photography, a medium that had been introduced 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise.By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugene Haussmann. In this capacity, Marville photographed the city's oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city's desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization. Taken as a whole, Marville's photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale. Clean, bright copy.

Hardcover. NY, Vendome Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages. Best-selling French author Perrault provides moving personal reminiscences of his childhood in occupied Paris. The brief but eloquent narrative is accompanied by hundreds of previously unpublished photos from French and German archives, collected and cataloged by Parisian art historian Azema. Together, text and photos present a graphic portrait of everyday life, recording daily human struggles to find food and fuel, the psychological warfare waged by the occupiers, and the methods of German economic exploitation. As artists, the authors place special emphasis on the arts under the occupation and document the heroism of the writers' resistance. In sum, they show how Paris "kept alive a sense of the enemy."

Hardcover. Cambridge MA, Harvard/Belknap Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright price-clipped dust jacket, 493 pages, illustrated in b&w and color. In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. In examining the myths and counter-myths of Paris that have been created and re-created over time, Higonnet reveals a magical urban alchemy in which each era absorbs the myths and perceptions of Paris past, adapts them to the cultural imperatives of its own time, and feeds them back into the city, creating a new environment. Clean copy.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 100 pages. No dust jacket issued. Eugene Atget, Jacques Henri Lartigue, Andre Kertesz, Brassai, Henri Cartier- Bresson, Robert Doisneau? -some of the greatest photographers of Paris? were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to conceiving the photographic image. In the 1920s and 1930s, the generation of photographers after Atget responded not only to the physical city itself but also to a new sensibility of time as a spontaneous act. Masterworks by these now-famous visionaries of the medium are featured in this elegant book of photographs of Paris from the 1850s to the 1950s, drawn from the remarkable collection of the Art Institute of Chicago. Clean copy.

Hardcover. NY, Flammarion , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 221 pages. Color and b&w illustrations.

Softcover. Steidl, 2008, 2008, Book: Very Good, Dust Jacket: Very Good, Softcover. Like new in publisher's shrink-wrap. The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.

Hardcover. London, Chapman & Hall, 1st, 1912, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with gilt lettering, 325 pages including index. Front endpaper glued to inside cover, Clean copy. Memoirs of a journalist who covered the British Parliament for 45 years.

Hardcover. Colombia SC , Univ of South Carolina Pr, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 415 pages. Hardcover. B&w photographs throughout. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Cambridge MA, Harvard University Press, 3rd pr., 1971, Book: Very Good, Dust Jacket: None, Softcover, blue wrappers, 200 pages. Name on half-title page, otherwise clean. Some fading to cover wrappers.

Hardcover. Milan, 5 Continents, 1st, 2007, Book: Very Good, Dust Jacket: None, 142 pages, b&w photographs taken by Muller. Illustrated boards, no dust jacket issued. A Passage to Congo is a collection of photographs taken by Doctor mile Muller (1891-1976) in the Congo provinces of the Kasa< and Katanga, territories of the Chokwe, Luba, Bashibushong and Basalampasu tribes. For these people, he was not the boss, but he who cured, who gave relief, who listened. He could move easily between the tribes without having to tackle the reticence that has denatured so many ethnic photographs. The privileged witnesses of esoteric ceremonies that are rarely photographed, his images are precious from an ethnographic and historical point of view, and reveal a fine aesthetic sense and profound humanity. Veritable living masks, as in the remarkable portraits of young Chokwe girls, astonishing initiation rites, scenes of divination, wild rhythmic dances responding to the beat of the large slotted drums, sculptural bodies decorated with tattoos and refined headgear recall the beauty and riches of these cultures, now lost in the modern world. 

Softcover. privately printed, 1st, Book: Very Good, Dust Jacket: None, Softcover, 63 pages, illustrated with many b&w photos. Clean copy. No date but appears to be mid-1970s.

Softcover. Bloomington IN, Indiana University Press, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 852 pages. The life and art, the folklore, history, and common work of a rural community in Northern Ireland-through the eyes and pen of gifted folklorist Henry Glassie. Glassie regards the people of Ballymenone with respect and affection, allowing them to describe their ideas, life-ways, and values on their own terms, not his. Recognizing that theirs is a mindset and lifestyle that must be seen as an integrated whole, Glassie studies everything about Ballymenone from traditional songs to entertainment to religious beliefs to architecture, liberally quoting from the people who welcomed him into their homes over his extended stays. Some of his insights are pure brilliance, such as recognizing the way the poets and storytellers of a rural Irish district have adapted ancient Gaelic metrics to the English they use today. You will learn more about Ireland and its people in this one book than in a host of others. Clean copy.

Hardcover. Orlando FL, Academic Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with some discoloration along edges. 299 pages, b&w illustrations. This book contains a selection of papers from the Third International Conference on Hunting and Gathering Societies held in Bad Homburg, Germany, in 1983; these papers combine archaeology, history, and ethnography to explore the relationship between prehistoric and living hunter gatherer societies; they look for both continuity in these societies through time and for the effects of changing degrees of contact with surrounding farmers, herders, traders, and settlers. Clean copy.