history

Hardcover. Chicago, Art Media Resources, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 305 pages. Hardcover with dust jacket. Light edgewear to cover boards, otherwise clean bright copy. Color pictures throughout. 12x12x1 dimensions. Numbering over 250 works spanning nearly 1500 years, the Dewey collection of ancient Chinese tomb sculpture is exceptional for its breadth and outstanding quality. Representing nearly all figural types, stylistic traditions and themes, it provides a comprehensive visual record with fascinating insights into the customs and fashions, inventions and superstitions of ancient China's ruling elite during the golden age of the Great Silk Road.

Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 498 pages, index, B&W photos and illustrations culled from studio archives and privste collections, show the image of New York city in the world of film. Clean, bright copy in a dust jacket.

Hardcover. NY, Overlook Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 317 pages. For seventy-five years, the kidnapping and murder of Charles Lindbergh's infant son has gone unsolved. Evidence, opinion, and logic have discredited the notion that Bruno Richard Hauptmann --electrocuted in 1936 --acted alone. In this meticulous and authoritative account of the crime, the trial, and the times of the Lindbergh kidnapping, Robert Zorn clears away decades of ungrounded speculation surrounding the case. Inspired by his father's relationship with the actual accomplices --including the mastermind --he presents the clearest ever picture of a criminal partnership, which would shake every class and culture of American society. Using personal possessions and documents, never-before seen photographs, new forensic evidence, and extensive research, Robert Zorn has written a shocking and captivating account of the crime and the original "Trial of the Century." Thin black remainder line on bottom edge otherwise a clean, bright copy.

Bellows Falls, VT , A. N. Swain, 1st, 1874, Book: Very Good, Dust Jacket: None, Hardcover, 169 pages. B&W illust. Lots of genealogical information. Original brown cloth with gilt lettering on cover and spine, spine color faded

Hardcover. Montpelier, VT , Argus & Patriot, 1st, 1878, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages, b&w illustrations. Back hinge slightly cracked otherwise book is very good. Previous owner's inscription pasted to front end paper. Original green cloth binding with gilt design & lettering on spine. On front cover the North in "Northfield's First Century" is partially rubbed, the gilt design is undamaged.

Softcover. Bowie MD, Heritage Books , 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 398 pages. Colorfully depicts colonial life in Pennsylvania, New Jersey, New York, Delaware and Maryland as reported in the newspapers and journals of the region. 'Feel the pulse of the people by reading the same items and advertisements presented in their weekly newspapers; the same words, the same spellings, the same compositions as they were written by Colonial compositors and publishers.' These pages are 'filled with newspaper abstracts concerning runaway slaves and indentured servants, the near frontier, piracy, ships and mariners, plantations, land and home sales, and many more happenings and items of interest to the highborn as well as the common tradesman.

Softcover. New York, Rizzoli, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 216 pages, 347 illustrations, 85 in color. A comprehensive guide with factories, artists, potters and techniques all covered. Near fine in a similar dust jacket in a cardboard slipcase.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 176 pages. In the 1980s, London-based Welsh artist Cerith Wyn Evans, born in 1958, worked as an assistant to filmmaker Derek Jarman, soon gaining a reputation for his own experimental shorts and his collaborations with the dancer Michael Clark. Since the 1990s, Wyn Evans has also been creating installations, often inspired by cinema history or literature, that incorporate elements like philosophical texts, mirrors, neon lights, fireworks, plants and Morse code to form a constellation of meanings that unravel into myriad poetic associations. Evans' desire to animate knowledge and reconceive the materials of the past make him analogous to Marcel Broodthaers, his erstwhile mentor Derek Jarman or even William Blake. This publication includes essays that delve into the artist's use of language and his experiments with time and perception. On the subject of Evans' purposeful inscrutability, critic Jens Asthoff has written, "Evans wants to go beyond that which we describe as understanding, to reach the untranslatable elements hidden in all experience. 'I hate the idea of being accessible,' he says." This volume includes nearly 200 images of the artist's installations, films, wall texts and sound works.

Hardcover. NY, Gallimard, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, 392 pages. Profusley illustrated, this book explores a hitherto overlooked topic in Chagall studies - the connection between Chagall and music. This intimate relationship, which ran deep in both his family history and the Jewish culture of his native city, was particularly meaningful in Chagall's creations for the stage. His works for the Jewish Theatre (Moscow, 1919-1920) and the ballets 'Aleko' (Mexico, 1942), 'The Firebird' (New York, 1945), 'Daphnis et Chloe' (1958) and 'The Magic Flute' (New York, 1967) celebrate the links he established between music, large-scale set design, and the material design of costumes. Chagall's monumental projects in the 1960s, such as the ceiling of the Paris Opera (1964) and his decorative architectural program for the Metropolitan Opera at Lincoln Center in New York (1966), are a reflection of his notion of 'total art', and his explorations in the universality of music and its translation into the spatial dimension. Music was a constant source of inspiration to Chagall. Clean, bright copy. No dust jacket.

Softcover. Ann Arbor MI, University Microfilms, reprint, 1974, Book: Very Good, Dust Jacket: None, Softcover, 211 pages. Reproduction of a thesis written in 1970 for a PHD at Syracuse University. Previous owner's signature on front fly leaf.

Hardcover. Seoul, Royal Asiatic Society, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages, b&w illustrations. Five decades of North American missionary work in Korea are revealed in this book, giving readers a glimpse into the profound struggle for cultural and spiritual identity that often accompanied the Christian missionaries' foray into unbaptized territory. Most could not make the necessary leap from their own backgrounds to their new home culture; a few did, and came away from the experience with a sharper perception of self, society, and the sometimes problematic nature of their work. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 2nd pr., 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Blending biography and social history, this portrait of one of the first Black Americans to win fame and respect in the twentieth century draws on new interview material and translations from German press coverage. 330 pages, b&w illustrations.

Hardcover. Burlington VT, Pediment Publishing, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages, b&w photos throughout. Clean copy.

Hardcover. NY, McGraw-Hill, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 792 pages, b&w illustrations. David Robinson who was given unbridled access to Chaplin's records documents Chaplin's life from his childhood in London to his death in Switzerland. Great attention is given to his film making methods especially the great classics. The book contains many photos and over a hundred pages of appendices.

Softcover. UK, Cambridge University Press, 1st pbk., 1987, Book: Very Good, Dust Jacket: None, Softcover, 692 pages. Charles Darwin's On the Origin of Species is unquestionably one of the chief landmarks in biology. The Origin (as it is widely known) was literally only an abstract of the manuscript Darwin had originally intended to complete and publish as the formal presentation of his views on evolution. Compared with the Origin, his original long manuscript work on Natural Selection, which is presented here and made available for the first time in printed form, has more abundant examples and illustrations of Darwin's argument, plus an extensive citation of sources. Name on title page otherwise a clean, sharp copy.

Hardcover. Norman OK, University of Oklahoma Press , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 238 pages. b&w and color illustrations. Pictorial dust jacket. Decorative endpapers. Minor edge wear. A very nice. clean and tight copy.

Hardcover. NY, King's Crown Press/Columbia university, 1st US, 1951, Book: Good, Hardcover in blue-gray cloth, 337 pages. Ex-lib with stamping, bookplate on endpapers. Clean interior.

Hardcover. New York, Clarendon Press, 1st Edition, 1989, Book: Very Good, Dust Jacket: Very Good, 554 pages. Hardcover. Dust jacket unclipped, glossy, excellent. Previous owner's embossed stamp on front flyleaf. Cover boards bound in blue cloth, gilt title on spine. A touch of soil to foreedge, otherwise clean. Pages bright and unmarked. Binding tight. Spine straight. In beautiful condition.

Hardcover. Philadelphia, The American Philosophical Society, 1st, 1939-47, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes. 293+468 pages. B&w illustrations throughout both volumes. Blue cloth, gilt lettering to spine and front cover. Dust jackets in protective mylar cover, some pieces missing from spine and some dark age stains on vol. 2. Both copies excellent shape, volume 1 looks almost new, while volume 2 has aged gracefully. A very nice, tight and clean set.

Hardcover. NY, Corinthian Publications, 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated, illustrated with over 50 b&w photogravures, many full page. Foreward and captions by E. Milby Burton.

NY, Doubleday, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped, 324 pages, b&w illustrations. The inside story of baseball's most colorful team and it's controversial owner. "Ambitious, obnoxious, passive-aggressive, unpredictable and never satisfied with anyone but himself. He built the 1970s Oakland A's dynasty then proceeded to tear it apart by his own relentless meddling. He drove staff and managers out of town by the busload. His own players, tired of his interference, bullying and cheapskatery, bided their time at the dawn of free agency and signed elsewhere at the first chance." Clean copy.

Hardcover. New York, The Monacelli Press, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 383 pages, b&w illustrations. Like new in publishers shrink-wrap. "Born in Paris in 1903, she was hired as an assistant to the famously visionary modern architect Le Corbusier when she was just twenty-four. She soon became one of his closest collaborators, and their ten year working relationship yielded some of the best-known icons of modern furniture. Perriand went on to become a world renowned designer in her own right, at a time when that was almost unheard of for a woman."

Softcover. San Francisco, Backbeat Books, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 271 pages, b&w illustrations. Chasin' That Devil Music has the feel of a documentary about the making of a thrilling motion picture. The main focus is on the Delta blues singers of the early 20th century--artists such as Charley Patton, Tommy Johnson, Son House, and Blind Lemon Jefferson who've achieved near-mythic status in blues circles. In addition, many of the articles gathered in this splendidly illustrated volume capture the process and people involved in tracking long-lost recordings nearly as elusive as the performers who made them. Here, for example, is the story of author/blues scholar Gayle Dean Wardlow's three-year hunt for the death certificate of Robert Johnson, the celebrated Mississippi bluesman and a figure whose legend has grown greater with each year since his much-debated death in 1938. The text here is nearly as raw in spots as the music that sparked it, but, as with those sounds (which can be heard on a terrific CD sampler included with the book), enthusiasts will find Chasin' That Devil Music riveting. Clean, bright copy.

Hardcover. NY, Bloomsbury, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 284 pages, color illustrations. Winfred Rembert grew up in a family of Georgia field laborers and joined the Civil Rights Movement as a teenager. He was arrested after fleeing a demonstration, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. During that time he met the undaunted Patsy, who would become his wife. Years later, at the age of fifty-one and with Patsys encouragement, he started drawing and painting scenes from his youth using leather tooling skills he learned in prison. Chasing Me to My Grave presents Remberts breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert calls forth vibrant scenes of Black life on Cuthbert, Georgias Hamilton Avenue, where he first glimpsed the possibility of a life outside the cotton field. Pulitzer Prize sticker on dj. Foreword by Bryan Stevenson. Clean copy.