Art

Softcover. NY, Denise Bibro Fine Art, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages, 11 color plates. SIGNED BY SPEYER on the front fly leaf. Clean, bright copy.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages, filled with impressive folk art in full color on just about every page. Three essays on the collection by Marshall and Lynne E. Spriggs, High Museum of Art's Curator of Folk Art, Joanne Cubbs, the museum's first curator of folk art, and Lynd Roscoe Hartigan, Chief Curator at the Smithsonian American Art Museum. Forword by Michael E. Shapiro, director of the High Museum of Art. In a bright dust jacket.

Hardcover. US, Andrews McMeel Publishing, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 323 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, otherwise a clean, tight copy.

Softcover. Canada, The History Press, 1st, Book: Very Good, Dust Jacket: None, 143 pages, softcover. Extensive b&w illustrations throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Softcover, 130 plates, color and duotone. Like new in publisher's shrink-wrap. This beautifully produced volume features original, unpublished images by Annie Leibovitz, Richard Misrach, Sally Mann, William Wegman, Lee Friedlander, Mary Ellen Mark, Lynn Davis, Hope Sandrow, William Christenberry, Fazal Sheikh, Karen Halverson, and Terry Evans.

Hardcover. NY, Rizzoli, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Lucian Freud is widely regarded as one of the greatest living artists, and drawing is fundamental to his development as an artist and to how he sees. Speaking recently about his early years he claimed, "I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing." Drawing became an important part of Freud's life from the start and a famous sketchbook, The Freud-Schuster Book, has survived dating back to January 1940, when Freud was in Snowdonia with Stephen Spender, as do sketches from Freud's life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds, and fish was revealed in the famous line drawings he produced for Nicholas Moore's book of poems, The Glass Tower (1944). This volume charts Freud's work on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece, Large Interior W11 (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years.

Softcover. Seattle, Fantagraphics, 2nd printing, 2006, Book: Very Good, Dust Jacket: None, 147 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. London, Black Dog Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover no dust jacket. Clean, unmarked copy with only minor wear to boards.

Softcover. Zach Feuer Gallery, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 70 pages. Priya Bhatnagar in Flash Art has written "Threatening to unravel pop culture's abstractions, Hawkins's images call into question the socially coded nature of its identities, icons, meanings and values while contesting its homogenization of beauty and fashion. Joel Sternfeld's foreword calls this survey of recent work "an achievement of the first magnitude." Inviting friends and strangers in Nepal to pose for the camera, Blue Eyes includes three photographic series and three video projects that reveal the ubiquity of American media culture while underscoring certain behaviors as they pertain to global capitalism and race. Each image investigates the experience of cultural imperialism as seen through the eyes of those living in the developing world. Hawkins highlights the visual dialogue that comprises consumer and popular culture and asks the viewer to consider a world of differences increasingly veiled by surface similarities.

Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, 164 illustrations (76 in color). Essays by Henry Adams, Kathleen A. Foster, Henry A. La Farge, H. Barbara Weinberg, Linnea H. Wren, and James L. Yarnall. John La Farge was not only a painter of still lifes and landscapes in watercolor and oil, but he created extraordinary decorative schemes and revolutionary stained glass art for some of the country's most impressive churches and mansions as well.

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Softcover. Muncie, Ind., Ball State University, 1st, 1985, Book: Very Good, Dust Jacket: None, 72 pages, b&w and color illustrations. Light rubbing to wrappers, small tear to rear cover, else a very clean, tight copy.

Hardcover. NY, Rizzoli, 1st, 2008, Book: Very Good, Dust Jacket: None, Illustrated boards, 528 pages. Closely based on Haring's own concept for the monograph he wanted to publish before his untimely death, this volume represents more than a decade of research and contains a wealth of unpublished photographic and written material including drawings, studio photographs, and journal entries. From chalk drawings deep in the New York City subways to murals in Pisa and Berlin; collaborations with William Burroughs and the famous body painting of Grace Jones, this book follows the incredible trajectory of Keith Haring's artistic career: how a young man from a small town in rural Pennsylvania came to revolutionize the art world--and the course of art history--within little more than a decade. An incredibly prolific artist, Keith Haring created countless bold, provocative, endearing, and unforgettable images that continue to inspire artists--and delight children--worldwide. Tracing the arc from his early subway "tags" to his poignant work on social issues as diverse as AIDS, illiteracy and apartheid, this visually stunning book is the definitive work on Keith Haring.

Hardcover. New Haven CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 328 pages, 267 b&w and color illustrations. "The only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. In detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock, the authors take the reader through the layers of a painting, from canvas or panel to varnish, in clear, readable language, de-mystifying the world of the conservator for art historians, dealers, collectors, or curators." Clean, bright copy.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. New York, Pantheon Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Graphic novel in boxed set, comprising 14 discrete books, booklets, magazines, newspapers and pamphlets. Unopened, still in shrink wrap. Follows the inhabitants of a three-flat Chicago apartment house: a thirty-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple who wonder if they can bear each other's company for another minute; and finally an elderly woman who never married and is the building's landlady. 246 pages.

Softcover. Gottingen, Steidl, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover. Extensive color photographs by Sam Taylor-Wood throughout. Clean, unmarked copy with only minor wear to dust jacket. Published on the occasion of the exhibition Sam Taylor-Wood, Hayward Gallery, London 25 April - 21 June 2002.

Hardcover. New York, Pantheon, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover with a lightly worn, unclipped dust jacket. SIGNED BY KOREN on title-page. A collection of his New Yorker drawings.

Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags.

Hardcover. Seattle, Sasquatch Books, 1st, 2002, Book: Very Good, Dust Jacket: None, 216 pages. Hardcover no dust jacket. Color drawings. Clean, unmarked copy with only minor wear to covers.

Hardcover. Seattle, Fantagraphics , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 214 pages. Perverted, Insane, Degenerate, Brilliant. Artist Drew Friedman pays tribute to the great underground comix creators from Z (Zap) to A (Arcade).With the publication of R. Crumb's debut issue of Zap in 1968, the Underground Comix revolution exploded, creating a major paradigm shift and blowing the lid off the traditional comic book. Maverix and Lunatix features 101 full page portraits (and more) by a cartooning icon in his own right, Drew Friedman, spotlighting the essential artists, writers, and editors who defined one of the great art and countercultural movements of the 20th century. Featuring R. Crumb, Gilbert Shelton, S. Clay Wilson, Melinda Gebbie, Art Spiegelman, Vaughn Bode, Trina Robbins, Bill Griffith, Jay Lynch, Sharon Rudahl, Larry Gonick, Rick Veitch, Joyce Farmer, Justin Green, "Grass" Green, George DiCaprio, Diane Noomin, Harvey Pekar, Robert Williams, Howard Cruse, Dan O'Neill, Spain Rodriguez, Shary Flenniken, Richard Corben, and so many others... all of whom helped to reinvent an entire artistic medium and became icons of underground comix.Featuring a foreword by Marc Maron (WTF with Marc Maron) and an afterword by historian Patrick Rosenkranz (Rebel Visions: The Underground Comix Revolution 1963-1975), each portrait in Maverix and Lunatix is also accompanied by a short biography of its subject by Friedman, making the book both a gorgeous art book and a valuable historical resource.

Softcover. Shelburne VT, Shelburne Museum, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 60 pages illustrated in color. For whatever reason, a scarce exhibition catalog. Clean, bright copy.

Hardcover. NY, Watson Guptill, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 161 illustrations (8 color plates), 232 pages. Dust jacket with front flap creases otherwise very good.

Hardcover. Tucson AZ, HP Books, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. A pictorial biography of one of Disney's most popular creations. Color and b&w illustrations, filmography and bibliography. Clean in a bright dust jacket.

Hardcover. Neshannock PA, Hermes Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Included in this volume are two more years of the strip, from 1934 to 1936 and features five complete adventures. Volume Four also features a special 16-page introductory essay by noted science-fiction writer and pop culture historian Ron Goulart, and an afterword detailing interesting details about the history of the strip and its impact on science fiction.

Softcover. Newport Beach CA, Newport Harbor Art Museum, 1st, 1977, Book: Very Good, Dust Jacket: None, Unpaginated, softcover exhibition catalog, illustrated in color and b&w. Essay by Betty Turnbull. Clean, tight copy. David Park, an artist who fused representational figuration with abstract expressionism and was one of the creators of the Bay Area Figurative style is featured here in a career retrospective exhibition containing work from throughout his life.

Hardcover. Boston, MA, Houghton Mifflin Company, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 324 pages. Hardcover. Color and b/w illustrations throughout. Cover boards bound in green cloth, gilt title stamped on spine and decoration on front cover. Black endpapers. Binding tight, spine straight. Dust jacket unclipped, has a touch of tanning from age, but still in excellent condition. Pages' outer edges are very slightly tanned, but otherwise clean. This is a beautiful volume that examines an artist's technique, while also telling a story through word and paint brush, about the German immigrants with whom he was living.

Hardcover. New York, Rizzoli, New York / South Street Seaport Museum, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout in full color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover in near fine condition (some discoloration to black laminated covers). 112 pages, b/w and color illustrations of fashion from 1907 to 1967. Annotated catalogue of an exhibition from the Metropolitan Museum of Art, New York held at the National Gallery of Victoria and the Art Gallery of New South Wales.

Hardcover. New York, NY, Collins Design, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 205 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges. Minor soiling to dust jacket rear and top edge of front. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Match Prints is a visual and editorial dialogue between two renowned photographers of music and film celebrities, Jim Marshall and Timothy White. Marshall, one of the foremost photographers of the rock music scene in the 1960s and 1970s, shot some of the most iconic images of the era, including Jimi Hendrix burning his guitar at Woodstock; White, one of the most in-demand music and Hollywood photographers working today, has built an equally impressive portfolio of photos in his 20 year career. Match Prints features images from the worlds of film and music, compares the work of the two photographers, and provides first-hand behind-the-scenes anecdotes. With an introduction by renowned music writer Anthony DeCurtis.

Hardcover. NY, Sotheby's, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, lots # 501- 618. The jewels and personal possessions of the Honorable Clare Boothe Luce, (1903-1987). Editor, playwright, Congresswoman, war correspondent, ambassador and more, Luce was one of the most versatile and accomplished women of her time. A biography and photos of Luce are included, along with photos and descriptions of 618 lots of jewelry, ornamented boxes, and other precious objects that she had collected. Prices realize list laid in. Clean copy.

Hardcover. New York, Alfred A. Knopf, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 179 pages, with photographs throughout by Martha Swope. Minor dust jacket edge wear and rub, otherwise, very clean and tight copy.

Hardcover. New York, Harry N. Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 135 pages, 111 illustrations, including 48 tipped-in color plates.

Hardcover. Middletown CT, Wesleyan University Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 180 pages illustrated in b&w, some color. The life & work of a 19th century American folk artist Brings together for the first time all of Stock's extant papers-his will, one lengthy letter to his brother, various newspaper notices concerning him, and his remarkable journal written sometime after 1846. In addition, it includes reproductions of all known surviving Stock paintings. Clean copy.

Hardcover. London, Max Parrish, 7th pr., 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 128 pages, illustrated in b&w by Ronald Searle. Dust jacket with light soil, price-clipped. Previous owner's inscription on the front fly leaf.

Softcover. Washington D.C., Smithsonian Institution Press, 1st, 1976, Book: Good, Dust Jacket: None, Softcover. Exhibition catalog, 216 pages. Color and B&W plates and photographs throughout. Some light soiling to wrapper. Otherwise a clean and tight copy.

Hardcover. University of Nebraska, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with minor fading to edges, b&w illustrations, 179 pages. Contemporary feminist critics have often described Surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as Andre Breton, Francis Picabia, and Paul Eluard. She labels that image "Automatic Woman"--a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zurn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton's own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists.

Softcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A quarterly anthology of literary comics. Contributors include

Hardcover. Atlanta, High Museum of Art/Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover. Full color illustrations. Bright, clean copy. This illustrated book, published to commemorate the centenary of the artist's death, addresses Whistler's extraordinary legacy and establishes his pivotal place in the history of American art. array of pictures by 38 other American painters-including Henry Ossawa Tanner, William Merritt Chase, and John Singer Sargent-to demonstrate how Whistler's American contemporaries were affected by his techniques, colour palette, compositions and subject matter. with American artists and the reception of his work in the United States. The essays that follow discuss Whistler's Venetian sojourn and its effect on the American artists who flocked to that city, his relationship with Philadelphia's art community, the Whistler Memorial Exhibition held in Boston in 1904, and much more. Clean, bright copy.

Softcover. Colorado Springs, Colorado, Colorado Springs Fine Arts Center, 1st, 1977, Book: Good, Dust Jacket: None, Softcover. Exhibition catalogue featuring the Hispanic art of the American Southwest. 118 pages, 21 black/white plates, 105 other black/white illustrations of pieces, and 36 black/white photographs of featured artists. Good condition, some soiling/light discoloration on the cover, top right corner bent.

Hardcover. Bobbs-Merrill, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated. The cartoonist's first book is rich with his portrayal of people's foibles, goofs, and misinterpretations, as seen originally in the New Yorker, Playboy, and Punch. Introduction bu Whitney Balliett. Dust jacket with small tape repair, price-clipped.

Hardcover. NY, Tudor Publishing , 2nd pr., 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 308 pages, b&w illustrations. Zorach famously participated and exhibited in the groundbreaking now legendary Armory Show show of 1913 which was the first large-scale exhibition of modern art in America. Clean, bright copy.

Softcover. NY, Crown Publishers, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, color illustrations throughout. A follow-up to the authors first book, "The Cat Made Me Buy It!". 113 color photographs of advertising posters, magazine ads and covers, sheet music, signage, etc., all featuring felines.

Hardcover. Shambhala, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 174 pages, color plates. Little known during his lifetime, the Japanese biologist and artist Iwasaki Tsuneo (1917-2002) created a strikingly original and exquisitely intricate body of modern Buddhist artwork. His paintings depict themes ranging from classical Buddhist iconography to majestic views of our universe as revealed by science--all created with the use of painstakingly rendered miniature calligraphies of the Heart Sutra, one of the most important scriptures of Mahayana Buddhism. In this groundbreaking book, Paula Arai presents over fifty of Iwasaki's paintings, elucidating their Buddhist contexts and meanings as well as their intimate connections to Iwasaki's life as a war survivor, teacher, scientist, and devout Buddhist practitioner. Having been posthumously recognized by His Holiness the Dalai Lama, Iwasaki's paintings are sure to be regarded as an innovative and heartfelt contribution to the artistic legacy of twentieth-century Buddhism.

Hardcover. Seattle, Fantagraphics Books, 1st, 2023, Hardcover, pictorial boards. During a golden moment in the early 1950s, EC Comics lovingly adapted 25 classic Ray Bradbury stories into comics form, scripted by Al Feldstein and brilliantly interpreted and illuminated by all of EC's top artists: Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Frank Frazetta, Graham Ingels, Jack Kamen, Roy Krenkel, Bernard Krigstein, Joe Orlando, John Severin, Angelo Torres, Al Williamson, and Wallace Wood. This special companion collection to our EC Comics Library series features all 25 official adaptations plus an additional ten related stories with stunning art reproduced in generously oversized coffee table dimensions! Highlights in this singular volume include: "Home to Stay"- a clever combination of two Bradbury science fiction stories that Bradbury himself proclaimed topped his originals (available in no other form or medium), masterfully woven together by Al Feldstein and Wallace Wood. "A Sound of Thunder" - the classic time-travel-gone-wrong story brilliantly illustrated by Al Williamson and Angelo Torres. "Touch and Go" - an obsessive psychological thriller tautly executed by Johnny Craig. And many more, including "The Million Year Picnic" (Elder), "I, Rocket" (Williamson and Frazetta), "Zero Hour" (Kamen), "Mars Is Heaven" (Wood), and "There Will Come Soft Rains..." (Wood). Plus a cornucopia of bonus features, including introductions and commentary by Greg Bear, Ted White, Dr. Benjamin Saunders, Bill Mason, and Thommy Burns; a wry reminiscence by Ray himself; and two full-color paintings by Frank Frazetta. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Rochester VT, Park Street Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. A lavishly illustrated history of coca wine and the revolutionary advertising methods that made it a world-wide success. Follows 19th-century pharmacist Angelo Mariani's interest in coca from medical uses to the development and healing effects of his world-famous coca wine, Vin Mariani. In this full-color illustrated history of coca wine, the first of its kind, author Aymon de Lestrange follows Mariani's interest in coca from its medicinal applications to the creation of the tonic wine. The author explores the botany of coca, how it differs from cocaine, its traditional use in pre-Columbian America, and scientific studies on coca from the 17th through 19th centuries, including from Sigmund Freud, who was a known user. He describes the introduction of coca in the U.S. and France and the many coca preparations then available at drugstores. He also studies the introduction of cocaine in these two countries and the prohibition laws that followed.

Hardcover. New York, Thomas Y. Crowell & Co., 1st, 1905, Book: Good, Dust Jacket: None, B&w illustrations with comments pertaining to automobiles from Life magazine. Corner and edge wear and fade, otherwise, spotless and tight copy.

Hardcover. NY, Prentice-Hall, 1st, 1965, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped in black, b&w cartoons by Gurney. SIGNED WITH A DRAWING OF A SMILING CAT BY GURNEY. An amusing look at pampered pets of all types with 150 very amusing drawings by the author.

Softcover. Assouline, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. German-born Ingo Maurer is one of the most prolific and respected artist/designers working today. Fascinated by what he calls the magical and mystical properties of light, Maurer constructs luminous atmospheres that play with traditional concepts of color, brightness, and shadow. Since 1966, Maurer has created more than 150 different lights and lighting systems, and designed for diverse international venues, including fashion runways, public buildings and monuments, and private commissions. Maurer uses unexpected materials and found objects to create light, and he is among the first designers to experiment with halogen and light-emitting diodes.

1909, Book: Very Good, Two color art of bear sniff at leaning totem pole by Charles Livingston Bull. 10 X 13". Mild soil. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.