Hardcover. Seattle, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, mostly b&w, some color, 424 pages. Collecting the work of an international icon in the fields of comics, advertising, and erotica. Most of the comics in this volume, spanning 1965 to 1985, have never before been published in English. Crepax's first foray into comics magazines - "The Curve of Lesmo"-introduces our proto-feminist heroine, Valentina, the globe-trotting Milanese photographer. In other stories, she becomes a mother, outwits a gang of jewel thieves, flashes back to her childhood and adolescence, encounters a mysterious cello, and much more. Due to size and weight, DOMESTIC SHIPPING ONLY.
Hardcover. MD, University of Maryland Art Gallery, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in near fine condition with dust jacket in very good condition (minor nicks to front upper edge and spine). 173 pp., 120 illustrations (33 in color), bibliographical references. Exhibition September 1-October 6, 1976, and at four subsequent venues.
Softcover. Athens, Benaki Museum, 1st, 1978, Book: Very Good, Dust Jacket: None, 334 pages, softcover exhibition catalog, b&w illustrations. Printed on glossy stock. Sculpture, pottery, vases, jewelry and other art from ancient Greece and the Cycladic civilization. Previous owner's embossed stamp on front fly leaf, otherwise clean, very good.
Softcover. Auburn CA, Rip Off Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.25 cover price. Color art by Selton inside -"The Idiots Abroad", part 3. Clean, bright copy.
Hardcover. New York , Phaidon, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Unpaginated (432 pages ), with 278 black-and-white plates. 11-3/4 x 8-3/4 inches. An epic collection of poignant and often controversial stories photographed and written by acclaimed social documentary photographer Eugene Richards.
Hardcover. New York, Watson-Guptill Publications, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, includes 40 color plates, (32 full page), as well as 19 b&w illustrations. Introductory biographical essay by author. Clean and well bound in blue cloth, very good condition. Dust jacket shows a little bit of wear around edges.
Hardcover. NY, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages, oblong format. This chapel in Italy's great city of art is home to a marvelous cycle of frescoes, composed by three 15th-century masters: Masaccio, Masolino, and Filippino Lippi. Under the supervision of Masaccio, they moved far beyond Giotto in creating figures more human, in spaces more realistic than ever, providing inspiration for succeeding artists like Leonardo and Michelangelo. More than 32 color plates. Short inscription on front fly leaf, otherwise clean.
Softcover. San Francisco, Rip Off Press, reprint, 1980, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps with $2 cover price, b&w art by Shelton. 32 pages.
Softcover. New York , Abrams, 1st, 1998, Book: Very Good, Dust Jacket: None, Large softcover, 64 pages. 45 large color illustrations, very good+ paperback & cover This facsimile reproduces the look & feel of Cloin's art deco lithographs along with Georges Thenon's (aka Rip's) preface & Baker's own handwritten commentary. Clean, sharp copy.
Softcover. New York, Associated American Artists, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover with blue wraps. Unpaginated. Compiled and edited by Sylvan Cole, Jr., 2 b&w frontispieces, 66 b&w plates, errata slip laid in. A clean, tight copy.
Hardcover. NY, Abrams, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 265 pages, two-color comics throughout. Comics artist Archie Bongiovanni explores queerness in this shockingly frank and funny adult graphic novel. Best friends Chris, Jo, Elise, and Alex work hard to keep themselves afloat. Their regular brunches hold them together even as the rest of their lives threaten to fall completely apart. In an effort to avoid being the oldest gays at the party (like they are at every other queer event in Minneapolis), the crew decides to put on a new party called Grind!, a queer gathering specifically for folks in or over their dirty-thirties. Clean copy.
Softcover. New York , Paris Review, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover journal, 218 pages. Featues an interview with Robert Crumb, Illustrated. Also an interview with David Mitchell.
Softcover. Omaha, Nebraska, Center for Western Studies, Joslyn Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover exhibition catalogue featuring art by Karl Bodmer dedicated to the American Western frontier and its exploration by the German Prince Maximilian of Wied. 103 pages with 69 illustrations, 34 of which are color plates. Very good condition, light rubbing on the covers, otherwise a very bright, clean copy.
Hardcover. NY, Whitney Museum of Art/Abrams, 1st, 1992, Hardcover in a bright dust jacket, 187 pages. Published to accompany a 1992-93 exhibition held at the Whitney Museum of American Art, New York, this book deals with the full scope of Agnes Martin's art. It includes essays that place her work in the context of American and European 20th-century art and culture. Agnes Martin's paintings, constructions, and works on paper provide a link between the chromatic abstraction of artists such as Mark Rothko and Barnett Newman, her generational and ideological peers, and the Minimalist vocabulary of the 1960s. This book reproduces works made between 1957 and 1967, and better-known paintings and constructions created since 1974. A selection of Martin's writings reveals the spiritual philosophy that sustains her painting. Clean copy.
Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 255 color plates. Built for Federico II Gonzaga Duke of Mantua between 1525 and 1536, Palazzo Te is the masterpiece of Renaissance artist, designer, and architect Giulio Romano, the most accomplished and favored of Raphael's pupils.The palace's interiors are replete with frescoes depicting imaginative scenes and trompe l'oeil fantasies of gods and heroes, fictive marble statues, and portraits of the Duke's favorite thoroughbreds. From the erotic scenes of the Sala di Psiche to the famous Sala di Giganti, based on the mythological defeat of the Titans by the gods of Olympus, the High Renaissance ideal of classical harmony and balance is overtaken by breathtaking illusionist techniques and images of giants, falling masonry, and the thunderbolts from the gods.
Hardcover. US, Harry N. Abrams, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 224 pages. Like new in publisher's shrink-wrap. The preeminent children's book artist of the twentieth century, Maurice Sendak and his sixty-year career are celebrated in this full-color catalog of more than two hundred images being exhibited at the Society of Illustrators in New York City from June 11-August 17, 2013. Accompanied by twelve essays by such noted scholars and historians as Leonard S. Marcus, Iona Opie, Steven Heller, and Paul O. Zelinsky, Maurice Sendak: A Celebration of the Artist and His Work showcases the collection of Justin G. Schiller and Dennis M. V. David, prominent authorities on Sendak's artwork, and is a deeply personal and thoughtful tribute to a seminal artist whose singular vision has captured the imaginations of countless children and grown-ups throughout the world.
Softcover. Williamstown MA, Trustees of Williams College, 1st, 1979, Book: Near Fine, Dust Jacket: None, Softcover. Cover features "Self Portrait," by Chuck Close. Features numerous black and white works from 39 artists. Complete with biographical and critical text. Slight wear and blemishes on cover. Interior is clean.
Hardcover. Los Angeles, Art Issues Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 420 pages with index. Christopher Knight is the unprecedented five-time winner of the Chemical Bank Award for Distinguished Newspaper Art Criticism, and was a finalist for the 1990 Pulitzer Prize in criticism. Writing first for the Los Angeles Herald Examiner and now for the Los Angeles Times, Knight has developed a new journalistic approach to American art and culture, in which a radical defense of images stands alongside an incisive critique of cultural institutions. Among the 129 essays and reviews collected here are individual writings on internationally important historical figures, such as Rembrandt van Rijn, Tung Ch'i Ch'ang, and douard Manet; contemporary American masters like Edward Ruscha and Mike Kelley; and significant artists virtually forgotten today, such as California's Henrietta Shore and Mexico's Hermenegildo Bustos. Clean copy.
Softcover. Camarillo CA, About Comics, 1st, 2021, Softcover, 154 pages, b&w cartoons. "Negro America's Favorite Cartoonist" That's what Langston Hughes called Ollie Harrington, whose cartoons and comic strips were a staple of America's Black newspapers for decades starting in the 1930s. In his single-panel series "Dark Laughter," Harrington brought out the vibrancy of Harlem life in its day, while serving some cutting looks at the politics of the time. At the heart of "Dark Laughter" is Bootsie, a cunning, conning, girl-chasing ne'er-do-well who is nonetheless beloved in his Harlem community... if often reluctantly. Bootsie is both the victim of the world's troubles and a frequent cause of them for others. Here's a collection of prime cartoons from the mid-1950s, drawn with the detailed joy that only Ol Harrington (who also worked as Oliver W. Harrington) could bring, finally available to a larger audience.
Hardcover. London, Faber and Faber, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover no dusk jacket issued. Color boards with black and white comics throughout. Light rubbing to rear board.
Hardcover. New York, Harry N. Abrams, Inc., first, 1980, Book: Very Good, Dust Jacket: Very Good, 278 pages. 261 illustrations including 94 plates in full color. Pop-up illustrations not working, but present. Depiction of the life and works of children's illustrator Maurice Sendak. In very good condition, pages a bit faded along edges, overall a clean book with a tight binding. Transparent dust jacket with white lettering, the cover underneath depicts a scene from "Where the Wild Things Are"
Hardcover. NY, Taschen, reprint, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color frontispiece. Black and white fantasy cartoon sketches, many scatological. 11" high X 8" wide, 439 pages. Clean, still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.
Hardcover. New Haven CT, Yale University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres--still life, landscape, portraiture--as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.
Softcover. Seattle, WA, Fantagraphics, 1st, 2003, Book: Very Good, Dust Jacket: None, 216 pages. Softcover with light edgewear to wrappers. Black and white comics throughout.
Softcover. Phoenix, AZ, Phoenix Art Museum, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog, 71 pages. 47 B&W full page plates & smaller plates throughout. Very slight fading to edges of wrapper. Otherwise a very clean and tight copy.
Hardcover. NY, Abbeville Press, 1st, 1991, Hardcover in a bright dust jacket, 397 pages, illustrated in b&w and color. In this thoughtful and thought-provoking art historical study, Peters first traces strands of Art Nouveau and Symbolist theory in the art of Georgia O'Keeffe. She then discusses other influences, from Arthur Dow as teacher to Paul Strand as photographer and friend. But by far the most sustained study in the text is the relationship between O'Keeffe's painting and the photography and philosophy of her husband, Alfred Stieglitz. Peters argues lucidly and always in accessible language for O'Keeffe's emergence as a great and deeply individual artist while illuminating these many influences and illustrating her points with lavish use of excellent reproductions. Clean copy.
NY, D.A.P., 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 368 pages. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century-indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists-both established and emerging-whose ages span seven decades and who hail from twenty-five different countries. Clean copy.
Softcover. New York, Liveright, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Softcover with light edgewear to wrappers. Duotone comics throughout. Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective. In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don't make anymore.
Softcover. Minneapolis, MN, The Minneapolis Institute of Arts, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 90 pages. B&W and color illustrations throughout. Black pictorial cover with slight wear to spine and both covers. Very slight spotting to top edge. Overall, a clean, tight copy.
Hardcover. Bloomington IN, Indiana University Press, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 138 pages. the complete run of lithographic posters done to promote the South Shore Railroad in the early 20th century by artists such as Will Bradley, Maxfield Parrish, Ethel Reed, J. C. Leyendecker, Edward Penfield etc. Color illustrations.
Hardcover. NY, Ten Speed Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, no dust jacket issued, 201 pages. This sweeping, full-color comic book biography tells the complete life story of Jack Kirby, co-creator of some of the most enduring superheroes and villains of the twentieth century for Marvel Comics, DC Comics, and more. Critically acclaimed graphic novelist Tom Scioli breathes visual life into Kirby's life story--from his days growing up in New York during the Great Depression and discovering a love for science fiction and cartoons to his time on the frontlines in the European theatre of World War II where he experienced the type of action and adventure he'd later imbue his comic pages with, and on to his world-changing collaborations at Marvel with Stan Lee, where the pair redefined comics as a part of pop culture.
Softcover. Paris, Editions Hazan, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 273 pages. Like new in publisher's shrink-wrap. This landmark publication broadens our understanding of Blumenfeld's innovations, reuniting all the media used by the artist throughout his long career: drawing, photography, photomontage, and collage. The motifs of his experimental, sometimes overtly political, black-and-white photographs appear alongside numerous self-portraits and celebrity portraits, as well as the fashion photographs for which he is most known. Presenting some 150 images, this book provides a fresh understanding of Blumenfeld's photography for the commercial worlds of fashion and advertising.
Hardcover. NY, Doubleday Doran & Co., 1st, 1931, Book: Good, Dust Jacket: None, Hardcover, unpaginated. Foreword by Robert Benchley. Green boards with b&w pictorial, black cloth spine with green stamped title, profusely illustrated with b&w New Yorker cartoons. Spine cloth separated and loose from binding but very repairable. lLght rubbing and edgewear to boards, previous owner's signature front endpaper, pages crisp and unmarked.
Softcover. NY, Howard Scott/M-13 Gallery, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 20 pages featuring 6 new works by the artist reproduced in color. Essay by Carter Ratcliff. Clean copy.
Hardcover. Preinceton NJ, Princeton University Press, 2nd pr., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "What is abstract art good for? What's the use-for us as individuals, or for any society-of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the past five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and as the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. 297 pages; approx. 250 color and bw figures. Remains a nice, sharp and bright copy.
Hardcover. New York, Thames and Hudson, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy still in dust jacket. 195 full color and 7 black & white illustrations throughout. Tight copy. In this sumptuous new book, leading figures in the world of fashion- Giorgio Armani, Marc Bohan, Christian Lacroix, Karl Lagerfeld, Ottavio and Rosita Missoni, Miuccia Prada, Zandra Rhodes, Emanuel Ungaro, Gianni Versace, and Viktor & Rolf-are profiled, together with illustrations of their costume designs. Helena Matheopoulos's interviews with many of the designers illuminate the journey that led each to the opera and the challenges of working in a demanding new medium. Costume designs for many well-loved operas-including Don Giovanni, Lucia di Lammermoor, Carmen, Aida, Thai?s, Agrippina, Cosi` fan tutte, Attila, and The Magic Flute-are featured. The opera houses commissioning the costume designs include La Scala, the Metropolitan Opera, the The'a^tre Royal de la Monnaie, the Are`nes de Ni^mes, the Royal Opera House in Covent Garden, and the San Diego Opera, among many others. Hundreds of color illustrations include original designers' sketches, photographs of the finished costumes, and images of the actual productions, many of which feature breathtaking stage sets as well. 195 full-color and 7 black-and-white illustrations
Softcover. Milan, Stanza del Borgo, limited, 1973, Book: Very Good, Dust Jacket: None, Softcover. Number 966 of 1000 copies. 142 pages, b&w illustrations throughout. Edge wear, rubbing to wrappers; spine slightly yellowed. Previous owner's signature on front fly leaf. Light smudges on top edge. Internally a very clean, tight copy.
Softcover. NY, OK Harris, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, b&w illustrations. Essay and interview by Linda Chase. Works in marble by the Egyptian sculptor.
Hardcover. New York, Arcade Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 440 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. A pioneer of modern art and founder of Cubism, Georges Braque was a creative genius and tireless innovator, constantly pushing back the boundaries of the possible. In this magisterial work, Alex Danchev taps a wide range of new sources to reveal the heart and mind of one who helped usher in the greatest revolution in the ways of seeing since the Renaissance and changed the face of modern art. Chapters include: "Memories in anticipation:" The Confirmed Painter, "Mon vieux Wilbourg:" The Encounter with Picasso, "If I should Ide Out There:" The Great War, The prong of the rade" : Late Braque. And much more.
Softcover. Atlanta, GA, Bull Moose Publishing, 1st, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Slight creasing on bottom right corner of front wrapper. Black and white illustrations throughout. Includes a rare, long, previously unpublished interview from 1937 with the artist, George Herriman.
Softcover. Montpelier VT, Laughing Bear, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color photos throughout. A collection of various artworks, collages, sculptures and constructions by the artist. INSCRIBED BY LEVIN on the title page. Clean copy.
Hardcover. London, Pall Mall Press, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, very good copy in original pictorial cloth (designed by the artist), no dust jacket. Preface by Rene Char. 405 illustrations in monochrome, sepia & color. A remarkable record of the astonishing output of Picasso in his mid-eighties, featuring many of his favourite themes: 'the artist and his model, the sultan and his harem, the circus, the pastoral flute player, nude men and women engaged in the games of love'. Mild foxing to front endpapers, otherwise clean.
Softcover. Chicago, Indiana Society of Chicago, 1st, 1940, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with red plastic comb binding. 40 full-page b&w cartoons by various artists, all honoring McCutcheon at the 29th Annual Dinner of The Indiana Society on Dec. 14, 1940: Fontaine Fox, Webster, Fitzpatrick, Milton Caniff, Shoemaker, Chester Gould, many others. Cover by Paul Plaschke. Bright, clean copy. Scarce.
Hardcover. Monaco, Christie's, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in a green cloth slipcase. Both in bright dust wrappers. Large color photographs throughout. All very bright and clean.
Softcover. Daegu Korea, Byuk-A Gallery, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 38 pages illustrated in color and b&w. Laid in essay on the Korean sculptor by You Hong June, "A Dialogue with Image and an Aesthetic of Stone". Clean copy.
Hardcover. NY, Abrams ComicArts, 1st, 2018, Hardcover, 26 pages fold-out accordion style, all in color by the author. "By focusing on the narrative of one immigrant worker, Tonatiuh breaks the mammoth issues of immigration and workers rights into an easy-to-swallow bite, allowing the reader to easily engage with an often intimidating topic. The personal is again political. Highly recommended." In a cardboard slipcase with a color label. Like new.
Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.
 "Maurice Prendergast: Art of Impulse and Colorby: University of Maryland Art Gallery")
 "Charles Demuthby: Eiseman, Alvord L.")
 "Agnes Martin by: Barbara Haskell, Anna Chave, Rosalind Krauss")
 "Palazzo Te: Giulio Romano's Masterwork in Mantuaby: Ugo Bazzotti")
 "Documents, Drawings, and Collages: Fifty American Works on Paper from the Collection of Mr. And Mrs. Stephen D. Paineby: Hiram Carruthers, Butler, et al.")
 "R. Crumb Sketchbook. Volume 2 Sept. 1968-Jan. 1975 by: Crumb, Robert")
 "Gluck: Art and Identityby: Amy de la Haye, Martin Pel, et al.")
 "Becoming O'Keeffe: The Early Years by: Sarah Whitaker Peters")
 "Landscape Painting Now: From Pop Abstraction to New Romanticism by: Barry Schwabsky (Author), Todd Bradway (Editor), Robert Shane (Contributor)")
 "Saga of a Hoosier Boy: A Collection of Pictorial Tributes by the Contemporaries of John T. McCutcheonby: Cleveland (Ed.), Chester W.")
 "Undocumented: A Worker's Fightby: Duncan Tonatiuh")
