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Hardcover. Duke University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, b/w illustrations throughout. Dust jacket unclipped, excellent. Black cover boards, gilt title on spine. Binding tight. Spine straight. In great shape. Claiming that our culture has yet to come to terms with the bungled legacy of Victorian sexuality, Kincaid examines how children and images of youth are idealized, fetishized, and eroticized in everyday culture.

Hardcover. New York, Clarkson Potter, Reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Illustrated in full color and black & white. Beautiful examples of costume and set design by Erte. A bright, clean copy.

Softcover. Paris, Editions Hazan, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 273 pages. Like new in publisher's shrink-wrap. This landmark publication broadens our understanding of Blumenfeld's innovations, reuniting all the media used by the artist throughout his long career: drawing, photography, photomontage, and collage. The motifs of his experimental, sometimes overtly political, black-and-white photographs appear alongside numerous self-portraits and celebrity portraits, as well as the fashion photographs for which he is most known. Presenting some 150 images, this book provides a fresh understanding of Blumenfeld's photography for the commercial worlds of fashion and advertising.

Softcover. Mexico, 1st, 2003, Book: Very Good, Dust Jacket: None, Articles in English and Spanish. 108 pages plus advertisements. Color illustrations throughout. Black pictorial cover with wear to edges and covers. Overall, a clean, tight copy.

Hardcover. New York, Hamlyn Publishing Group, Ltd., 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Illustrated guide to historical and modern Eskimo art. 96 pages, illustrated with more than 100 photographs, both color and black/white (many full-page). Book and dust jacket are in very good condition, dust jacket shows some light edge wear.

Hardcover. NY, Garden City Publishing, 2nd, Book: Very Good, Dust Jacket: Good, 20 pages illust. in color, black & white by Oscar Howard. Scarce in a nice dust jacket with moderate chipping to spine.

Paris, Honore Champion, 1st thus, Book: Very Good, Dust Jacket: None, Hardcover, pale blue boards stamped in black and blue, 1086 pages. Translated to French by Pierre Coste, edited by Georges Moyal. Name on front fly leaf, otherwise clean.

Hardcover. Paris, Chez Castel, 2nd pr., 1858, Book: Very Good, Dust Jacket: None, Hardcover, VIII-352 pages plus a 70 page supplement. Title printed in red & black. Original 1/2 leather, with marbled boards, spine in compartments with raised bands, gilded decorations. This is the 2nd. and much enlarged edition. A very useful volume in the scarce field of book repair. FRENCH TEXT. Leather corners show light wear, small scar to front panel, otherwise a very good, clean volume.

Hardcover. NY, D. Appleton & Company, 1st, 1852, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title to front board and to spine. 261 pages, publisher's ads. Contains of an early review of Harriet Beecher Stowe's bestselling novel, Uncle Tom's Cabin, as well as accounts of travels to the Nubian Desert and Arctic, a history of Spanish literature, and literary essays and reviews of works by Dickens, Tennyson, Thackeray, and Hawthorne. Mild foxing, some light chipping and wear to spine.

Hardcover. Oxford University Press, reprint, 1944, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 480 pages. Reprint of the 1914 first edition. Later essays by this important British philosopher, mostly published in Mind in the 1900s & 1910s. Bradley is best-known for his influential book Appearance & Reality; in a brief concluding remark he notes the essays appearing here are all linked by his idea of Reality, which, he says, his opponents have failed to understand.

Hardcover. London, England, Oxford at the Clarendon Press, Reprint, 1962, Book: Very Good, Dust Jacket: None, 480 pages. Hardcover. Previous owner's bookplate on front endpaper and names written on front flyleaf. Light pencil notes and underlining. Spine straight. Black cover boards, gilt title on spine. Split at gutter on title page, but binding good. Bradley was a leading member of the philosophical movement known as British idealism.

Hardcover. London, SCM Press Ltd., 1st, 1955, Book: Very Good, Dust Jacket: Poor, Hardcover, bound in original publishers gray fleck cloth, with black title/design labels. 337 pages. Dust jacket chipped, bottom third of spine gone. Internally clean.

Hardcover. New York, Rockefeller Institute Press, 1st, 1960, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth stamped in gilt and black, 395 pages. Previous owners name on inside front cover. Clean, tight cover.

Hardcover. Jefferson NC, McFarland, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, 223 pages, b&w photos. Eugene Jackson became a child star in 1924 playing "Pineapple" in the original "Our Gang" comedy shorts. Join him as he shares his life story -- a story that preserves the history of vaudeville and early Hollywood as well as chronicles the African American experience in the entertainment business.

Hardcover. NY, Te Neues, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 109 pages. This is a high-quality publication with printing on heavy stock paper with incredible depth to its black and white plates of Atget's iconic images of Paris; and some less common ones too. Clean, like new.

Softcover. NY, Solomon Guggenheim Museum, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 114 pages. This posthumous exhibition presents not only a deeper look into Eva Hesse's work but also undertakes an examination of her biography to discern her working practices and artistic motivations. The catalogue includes two essays. Critic Robert Pincus-Witten begins with an examination of Hesse's Post-Minimalist aesthetic, while curator Linda Shearer explores the last of Hesse's work before her untimely death. Both essays highlight excerpts from the artist's notes and personal writings on her art and process. The catalogue also includes a section of images depicting Hesse's works in color and black and white, a brief chronology of the artist's life, a bibliography, a list of works in the exhibition, and a list of past exhibitions.

Hardcover. NY, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, color and b&w images. This first volume in a major new series of illustrated biographies of Magnum photographers traces the life and achievements of Eve Arnold, who captured an incredible array of subjects with remarkable clarity and compassion. Eve Arnold (1912-2012) was born to a poor immigrant family in Philadelphia and became a photographer by chance. In 1950 Arnold was a 38-year-old Long Island housewife when she enrolled in a six-week photography course that led to her groundbreaking photo essay on black fashion models in Harlem. She went on to become the first woman to join Magnum Photos and, eventually, one of the most accomplished photojournalists of her time. Filled with reproductions of Arnold's acclaimed photographs, shot in both color and black and white, as well as previously unseen archival images, this biography relates Arnold's bold images to the fascinating story of their making. Renowned for her intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, Arnold was equally comfortable documenting the lives of the poor and dispossessed. "I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens." To her images of migrant workers, disabled veterans, and protesters for civil rights in the US and against apartheid in South Africa, she brought an unflinching eye and a strong sense of social justice. This highly engrossing narrative tells a compelling story of an intrepid artist whose life's purpose was to report on the lives of others.

Hardcover. US, Damiani, 1st, 2007, Book: Very Good, Dust Jacket: None, 96 pages. hardcover. Like new in publisher's shrink-wrap. English and Italian language. No dj issued. Eve is a reportage by Italian photographer Giovanni Marrozzini about the way of life of Wolayta women in Ethiopia. About 70 black and white photos describe the tough daily existence of these women: weaving, washing, ploughing, seeding fields, carrying huge wooden faggots, giving birth, looking after their children, etc. The world in which these women live is entirely controlled by men, that in Wolatya society hold a privileged and dominant position. In particular, Eve deals with the subject of infibulation, documenting with photos this tragic reality that marks women's entry into adulthood, the fulfillment of their social position and their pray for fertility and desirability in the eyes of men. By looking at these women, Marozzini tells the story of a small part of the 100/140 millions women around the world, above all in Sub-Saharian Africa, suffering genital mutilations or alterations.

Hardcover. Everett, City of Everett, 1st, 1893, Book: Good, Dust Jacket: None, 134 pages. Hardcover. Black & white photographs and illustrations. Preliminary ad pages with darkening, light soil. 2.5" horizontal closed tear on foredge of pages 45-48. Moderate wear to black cloth covers. Clean, unmarked text. Scarce.

Hardcover. Boston, The Page Company, 3rd, 1919, Book: Very Good, Dust Jacket: None, 706 pages. Hardcover. Features over 700 black & white illustrations. Red cloth covers with attractive titles and decorations. Light wear. A nice copy.

Hardcover. NY, Ecco, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 454 pages, b&w, color illustrations. Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple--Dennis Hopper and Brooke Hayward--lived out the emblematic love story of '60s L.A. The home these two glamorous young actors created for themselves and their family at 1712 North Crescent Heights Boulevard in the Hollywood Hills became the era's unofficial living room, a kaleidoscopic realm--"furnished like an amusement park," Andy Warhol said--that made an impact on anyone who ever stepped into it. Hopper and Hayward, vanguard collectors of contemporary art, packed the place with pop masterpieces by the likes of Roy Lichtenstein, Ed Ruscha, and Warhol, and welcomed a who's who of visitors, from Jane Fonda to Jasper Johns, Joan Didion to Tina Turner, Hells Angels to Black Panthers. In this house, everything that defined the 1960s went down: the fun, the decadence, the radical politics, and, ultimately, the danger and instability that Hopper explored in the project that made his career, became the cinematic symbol of the period, and blew their union apart--Easy Rider.

Hardcover. NY, Ecco, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 454 pages, b&w, color illustrations. Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple--Dennis Hopper and Brooke Hayward--lived out the emblematic love story of '60s L.A. The home these two glamorous young actors created for themselves and their family at 1712 North Crescent Heights Boulevard in the Hollywood Hills became the era's unofficial living room, a kaleidoscopic realm--"furnished like an amusement park," Andy Warhol said--that made an impact on anyone who ever stepped into it. Hopper and Hayward, vanguard collectors of contemporary art, packed the place with pop masterpieces by the likes of Roy Lichtenstein, Ed Ruscha, and Warhol, and welcomed a who's who of visitors, from Jane Fonda to Jasper Johns, Joan Didion to Tina Turner, Hells Angels to Black Panthers. In this house, everything that defined the 1960s went down: the fun, the decadence, the radical politics, and, ultimately, the danger and instability that Hopper explored in the project that made his career, became the cinematic symbol of the period, and blew their union apart--Easy Rider.

Hardcover. NY, The Monacelli Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped in black. SIGNED BY STERN on the hslf-title page. Robert A. M. Stern is the founding partner of Robert A. M. Stern Architects and dean of the Yale School of Architecture. He is the author of the monumental five-volume history of New Yorka??s architecture and urban development, culminating with New York 2000. Major current architectural projects include the new residential colleges at Yale University and the George W. Bush Presidential Center in Dallas. 400 pages; well illustrated with black and white as well as color images. No dust jacket issued.

Hardcover. London, Blackie & Son Limited, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, maroon leather stamped with an ornate gilt design. Two titles from the publisher's "Beautiful England" series, here rebound in a single volume. Each 64 pages with 12 color plates by E.W. Haslehurst. Decorative endpapers. ribbon marker. Bookplate on a blank prelim page, spine leather faded to brown, but gilt decorations and lettering are bright. Two related photographic cards laid in.