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Hardcover. Washington D.C., United States Government, 1st Edition, 1889, Book: Very Good, Dust Jacket: None, Volume 1: 666 pages. Volume 2: 875 pages.Volume 3: 883 pages.Volume 4: 869 pages. Volume 5: 881 pages.Volume 6: 1002 pages.Domestic shipping only.Hardcovers. Complete set. Light brown leather cover boards with decorative details, red, black, gilt, raised bands and title on spine, all still bright and without fading. Some agewear to covers, rubbing, light scratches, all usual shelfwear. Pages unmarked, tanning throughout from age. Binding excellent. Spines straight. Beautiful collector's set. DOMESTIC SHIPPING ONLY.

Softcover. Oxford UK, Blackwell, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 630 pages. This is an account of 110 years of turbulence and change. At the offset there were not one, but two revolutions: by intent the first was egalitarian, the second - Bonaparte's - authoritarian. The tension between the two characterized the period and shaped the Republic that in the end emerged from the ruins of the Ancien Regime. Clean copy.

Hardcover. Boston, Roberts Brothers, 1st, 1892, Book: Good, Dust Jacket: None, Hardcover, brown cloth stamped in silver, 143 pages. Black & white illustrations by various artists, including Harriet Roosevelt Richards and E. H. Garrett. Tear to middle of front end paper. Lower part of front hinge cracked. Spine frayed at top & bottom and corners worn.

Hardcover. New York, McGraw-Hill, 1st US, 1967, Book: Good, Dust Jacket: None, Hardcover. Black & white and color illustrations by Edward Ardizzone. Mild soiling to covers. Rubbing to corners. No dust jacket.

Softcover. Columbia SC, S.C. Department of Archives and History, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, b&w illustrations. Clean copy.

Hardcover. Roma, Paolo Buggiani, 1st, 1974, Book: Very Good, Dust Jacket: None, Non-paginated. Full color handpainted covers, with cutout window exposing image of Paolo Buggiani. Illustrated with black & white photographs. Brief text in English. Light wear to covers. Clean, unmarked copy.

Hardcover. New York, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Unpaginated. Color and black & white photography. British artist Long ( Walking in Circles ) takes nature treks--in England's Lake District, the Sahara, Japan, Nepal--and creates site-specific works along the way. He fashions a mud circle in the river Avon, traces a line of snow near a temple in Kyoto and erects a circle of stones on a Swiss mountainside. The spare, deeply meditative photographs that he took en route sometimes call to mind prehistoric British megalithic monuments or Native American earthworks, as if he wants to tune in on planetary patterns of energy. At other times Long simply records what he sees, providing dramatic vistas of Iceland's vast rolling hills, Bolivia's high plateau, Washington's forests and Mount Everest's calm majesty. His images, poetic captions and unobstrusive siteworks reflect an artist who is at once traveler, nature-lover and adventurer.

Hardcover. Koln GR, Taschen, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, 464 pages. Original publisher's faux wood boards, lettered orange at the spine and front cover. Copiously illustrated in color and black and white throughout. Text in English, German and French. Many photographs By Julius Shulman. Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume.

Indianapolis, Bobbs-Merrill, reprint, 1920, Book: Very Good, Dust Jacket: Good, Hardover in a worn dust jacket. Illustrated black & white "Hoosier Pictures" by Will Vawter. 188 pages. Previous owner's signature front end-paper. Dust jacket with chunk gone from top edge. Chips to bottom edges. Scarce in dust jacket,

Hardcover. New York, Doubleday, Doran & Company, Inc., First Edition, 1940, Book: Very Good, Dust Jacket: Good, Hardcover, 239 pages. Tan cloth boards with black titles & horse decorative illustration to spine. Light scuff mark bottom rear edge. Green top edge. Toning throughout. Original dust jacket with moderate wear to edges, light toning, now protected with a plastic cover. Pages untrimmed. Clean, unmarked copy.

Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. First published in 1916, this handsome new edition of a much-loved classic features all twelve of John R. Neill's original color plates as well as his nearly one hundred black-and-white drawings. Afterword by Peter Glassman.

Hardcover. Denver CO, Sundance Limited, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 416 pages illustrated in color and b&w. Handsomely done history of the Rio Grande written by an outstanding railroad author. The book covers the railroad from the very beginnings of the Denver & Rio Grande in 1870 though to the 1970s, as well as its subsidiaries, the Western Pacific, and associated railroads. Illustrated throughout with black and white photographs. With numerous maps, rosters, gradient profiles, timetable, locomotive dispositions and extensive bibliography. 416 pages with index. Note: the cover of the standard 1974 edition shows a Rio Grande diesel; the cover of this Special Limited Edition shows two steam locomotives. The Limited Edition includes many color photos and has a reprint of a "Denver and Rio Grande" pamphlet from 1881 covering grades, distances and elevations in a rear pocket. States Special Limited Edition, but no number, signature or limitation given. Clean copy.

Hardcover. Oxford, Clarendon Press, First Edition, 2006, Book: Very Good, Dust Jacket: Very Good, 356 pages. Hardcover with illustrated endpapers. Black cloth covered boards with gilt titles to spine. Dust jacket with light sunfade to bottom edge. Illustrations in bw throughout. Clean & unmarked copy.

Hardcover. New York, Dryden Press, 1st, 1945, Book: Good, Dust Jacket: Good, 114 pages. Hardcover. Illustrated with 66 black & white photographs. Previous owner has carefully glued-in additional black & white photographic images of related Chinese bronzes to preliminary pages front and rear, and to a few random pages. Dust jacket with chipping along edges - jacket now protected with clear plastic cover.

NY, Farrar, Straus and Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a very worn, chipped dust jacket, 312 pages. This autobiography details the struggle of a young Negroe's struggle to rise from a Knoxville slum to reach the ministry in the first half of the 20th century.

Hardcover. NY, The Century Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in black, 486 pages, b&w photos by the author. A journal with bits of history of the West Indies in the early 20th century. It also covers some of the older history of the islands. There are some pictures of the ruins of Christophe's palace of Sans Souci, and of Cuba's new presidential palace. Bookplate and name on front endpapers otherwise clean.

Hardcover. Racine, WI, Whitman Publishing, 1st, 1935, Book: Very Good, Dust Jacket: None, Pictorial boards, 40 pages. Color, black & white illustrations by the staff of the Walt Disney Studios. Previous owner's inscription on front paste-down endpaper. Tanning to pages. Color illustrations on front and back of paper covered boards. Light edgewear to bottom edges, corners. 4" separation of back spine paper.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. New York, Harry N. Abrams, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover in the dust jacket , 263 page book with color and black & white photo illustrations. Written in collaboration with Bernard Matussiere. Translated from the French by Nicholas Elliot. Focuses on Capa's Paris studio, which he used as a global platform for his work; and explores both his professional and personal adventures.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. Germany, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 100 black and white photographs. Tight copy.

Hardcover. Zurich, Verlag fur Architektur], 1st, 1949, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, lightly soiled dust jacket with a chunk missing from the rear panel. 180 pages. Text in German, French and English, illustrated in black and white throughout. History of Robert Maillart bridges. Previous owner's signature on inside front cover, otherwise clean.

Softcover. New York, Christie's, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. Illustrated with full color and black & white photographs. Clean, tight copy.

Softcover. NY, St Martin's Press, 3rd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, 9 3/4 " - 12" tall. Foreword by Ntozake Shange. 91 full-page plates in black-and-white by Robert Mapplethorpe; from the inside of the front cover: "Mapplethorpe's exquisitely printed pictures of both gay and straight males are explicit and erotic. In their use of flattering lights and lavish deep-toned printing, they openly declare their bold belief in the esthetic equality of the male as model. But Mapplethorpe's pictures ironically confirm the Kenneth Clark doctrine: despite their smart, gleaming finish, they hail the body divine in the most traditional manner--with the sexes swapped." Clean copy