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Hardcover. NY, powerHouse, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Established in 1866, the Ku Klux Klan still remains one of America's most secretive organizations. New York photojournalist Anthony Karen first transcended that secrecy several years ago when he got the opportunity to photograph a KKK cross-lighting ceremony. Since then, Karen has been documenting Klan organizations throughout the country. In The Invisible Empire: Ku Klux Klan, those photographs are compiled to form an absorbing document of one of the most notorious groups in history. Taken with unrestricted access, Karen's images bring us deep inside America's most private white nationalist organizations. Beginning with a brief introduction into the history of the Klan, the book provides detailed visual accounts of modern-day Klan life, including candid shots of rallies, individual portraits of Klansmen and women, as well as a look at the naturalization process for new members. Presented in intimate profiles are: a functioning Klan ministry, a group that has merged National Socialism with Klan ideologies, and a 58-year-old seamstress who makes custom Klan robes, among others. Accompanied by quotations from the late Dale Fox, Imperial Wizard of The Brotherhood of the Klans, The Invisible Empire: Ku Klux Klan offers an unprecedented glimpse into the shadowy society and its mysterious inner workings.

Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 484 pages illustrated in color. In the 1950s, between his legendary EC work and his celebrated Marvel comics, John Severin joined with Mad artist Will Elder and Two-Fisted Tales writer Colin Dawkins to introduce a new level of historical accuracy to the comic-book Western. While Native Americans had generally been vilified or left in the shadows of gun-slinging cowboy heroes, the American Eagle stories featured in Prize Comics Western were built around action-packed tribal intrigues and a heroic Crow warrior.Collected here for the first time are all of the American Eagle stories drawn by Severin from Prize Comics Western #85-#113. Plus Severin-drawn stories featuring The Fargo Kid, Black Bull and The Lazo Kid. More than 55 exciting, gorgeous, Western tales of bullets vs. arrows, stampedes, tribal warfare, prospectors, buffalo hunters, broken treaties, gun battles, cavalry charges, wagon trains, and warriors on horseback. Thanks to Severin's famously exacting art, you'll be able to smell the leather and gunpowder. With commentary by comics historian Howard Leroy Davis. Clean, bright copy.

Hardcover. London, Frederick Warne and Co, reprint, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. 76 pages, seven color plates & numerous b/w illustrations by L. Leslie Brooke. No date, probably 1950s. Small ownership stamp on front fly leaf, otherwise clean.

Hardcover. NY, Harper Design, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. In the early 1960s, Richard Avedon was commissioned by Harper's Bazaar to create Observations, a column that consisted of a series of nine photographic essays. The subject of the first essay was John F. Kennedy and his young family, who sat for formal black-and-white portraits just three weeks prior to Kennedy's presidential inauguration. Six images appeared in the magazine's February 1961 issue.That same day, Avedon created more informal color portraits of Kennedy and his family at the Kennedy compound in Palm Beach. One of these images ran as the cover of LOOK magazine's February 28 issue, with photographs by Avedon inside. Just before the magazine hit the newsstands and was delivered to over 6.5 million people, a set of photographs, comprised mostly of the LOOK images, was released by the White House and appeared in newspapers across the country.During his lifetime, Richard Avedon donated more than two hundred images to the Smithsonian Institution, including all of the photographs of the Kennedy family sitting for Harper's Bazaar. Smithsonian curator Shannon Thomas Perich has culled more than seventy-five images from that donation for The Kennedys: Portrait of a Family, making these stunning photographs available for view for the first time. Perich's introductory essay--accompanied by a wealth of archival photographs of both Avedon and the Kennedy family--provides historical background on the two sittings within a political and cultural context and critically examines the work of one of the finest photographers of the twentieth century. A foreword by Robert Dallek, distinguished historian and author of the bet-selling An Unfinished Life: John F. Kennedy, 1917-1963, provides authoritative and compelling insight to one of the most fascinating presidents in American history.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. Lou Ford is the deputy sheriff of a small town in Texas. The worst thing most people can say against him is that he's a little slow and a little boring. But, then, most people don't know about the sickness--the sickness that almost got Lou put away when he was younger. The sickness that is about to surface again.

Hardcover. NY, Viking Press, 1st, 1954, Book: Very Good, Dust Jacket: None, Hardcover, two-tone blue cloth covers, 120 pages. The blackly comic play about the oppressed lives of women in 1950s New York. One of literature's leading humorists, Dorothy Parker drew from the dark side of her imagination to pen The Ladies of the Corridor, a searing drama about women living on their own in a New York residence hotel. Loosely based on Parker's life, and co-written with famed Hollywood playwright Arnaud d'Usseau, The Ladies of the Corridor exposes the limitations of a woman's life in a drama teeming with Parker's signature wit. This copy INSCRIBED BY FRANCES STARR on the front fly leaf who had a leading role in the play as Mrs. Nichols.

Hardcover. Ontario CA, Hanover Square Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Uncovers the life and work of Milicent Patrick--one of Disney's first female animators and the only woman in history to create one of Hollywood's classic movie monsters As a teenager, Mallory O'Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon , featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre, there was little information available. For, as O'Meara soon discovered, Patrick's contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive. As a young woman working in the horror film industry, O'Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick's contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney's first female animators. And at last, O'Meara discovered what really had happened to Patrick after The Creature's success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O'Meara's The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.

Hardcover. London, John Murray, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 227 pages. "In North Africa, between the Sahara and the Mediterranean, [are] four...States...Libya, Morocco, Tunisia, and Algeria. Together they form what the Arabs call 'The Maghrib', and Sir Geoffrey Furlonge calls 'The Lands of Barbary'." Black and white photographic plates.

Hardcover. NY, Charles Scribner's Sons, 1st Illust. thus, 1926, Hardcover in black cloth with color label on front cover, gilt lettering on spine. First printing with these illustrations. A title in the Scribner's Classic series, illustrated by F.C. Yohn with a pasted-on cover illustration, pictorial endpapers and title page plus 9 inserted color plates. A lovely edition of this classic set in the days of the Roman Empire and early Christianity. Clean copy.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. Tough, hard-boiled, and brilliantly suspenseful, The Last Good Kiss is an unforgettable detective story starring C. W. Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares. aclean copy.

Hardcover. NY, Charles Scribner's Sons, reprint, 1950, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with color pastedown. Endpapers illustration, title page, cover label illustration and 9 color plates by N.C. Wyeth. Owner's bookplte on front endpaper. Otherwise clean.

Hardcover. NY, Holiday House, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 152 pages. Black and white illustrations by Victor Ambrus. Events, including the massacre of his father, force young Eduardo to roam the countryside on the Gaviota. He survives for two months in the midst Spanish Civil War. Unlike his Nationalist relatives, he learns to understand many sides of the conflict. Clean copy.

Hardcover. Berkeley CA, University of California Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages, b&w illustrations. When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immortality--for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. INSCRIBED BY LOVING ("Jerry") on the half-title page. Clean copy.

Hardcover. NY, Appleton-Century-Crofts, 1st, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering on black title blocks, 650 pages. "This is the only complete history of the Latin American Republics that takes into account the important subject of inter-American relations in the present war {World War II}. It brings Latin American history down to the conferences in which Under-Secretary of State Sumner Welles helped to cement North and South solidarity." The book presents, in separate chapters, the history of each of the twenty Latin American nations since independence. Bookplate and name on front endpapers, otherwise a clean, tight copy.

Hardcover. NY, Columbia University Press, 1st, 1939, Book: Very Good, Dust Jacket: None, Six matching volumes, red cloth bindings with black/gilt titling on spines, gilt initials on front board. Covers Emerson's letters from 1813 to 1881. Ralph Waldo Emerson (1803-1882) was an influential American essayist, philosopher, and poet, known for leading the Transcendentalist movement. His works emphasized individualism, nature, and self-reliance, significantly impacting American literature and thought. NOT ex-lib, clean complete set. Due to weight DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Chronicle Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 200 pages, large format. Profusley illustrated with color photographs of trees. Trees are vital- without them we simply wouldn't be here. Not only essential, they have been an inspiration throughout our history. In breathtaking photographs and stories we are taken on a journey from the boreal forest at the edge of the Arctic to the rainforests girdling the planet; from ancient bristlecones to fresh-leaved seedlings; from the charming and familiar to the scary and rare. An elegantly written and highly accessible text is complemented by an extraordinary collection of images created by some of the world's leading nature photographers.

Hardcover. Boston, Houghton Mifflin, reprint, 1923, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with cover illustration paste-down, 435 pages. Numerous illustrations by E. Boyd Smith, including 12 color plates. Clean copy. Gilt spine lettering faded.

Hardcover. GR, Steidl, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Sid Grossman (1913-55) and his work were largely forgotten after his untimely death in 1955. Labeled as a communist by the FBI after the war, his hard-earned reputation as a free-thinking photographer quickly fell into oblivion for the rest of the century and beyond. Grossman was one of the founders of the famous New York Photo League and a notoriously demanding and capricious teacher who always challenged his students. This monograph, the first comprehensive survey of Grossman's life and work, contains more than 150 photographs that demonstrate Grossman's enduring talent. The images range from his early social documentary of the late 1930s to the more personal, dynamic street photography of the late 1940s, as well as later experiments with abstraction in both black and white and color. It features an essay by renowned historian Keith F. Davis, and concludes with excerpted transcripts from recordings of a course Grossman taught in 1950.

Hardcover. NY, Oxford University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Illustrated with black & white photographs, a few by Roy DeCarava with whom Hughes published "The Sweet Flypaper of Life" and a portrait by Henri Cartier-Bresson. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st, 1955, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 309 pages. A collection of essays from the famed literary critic. Clean copy.

Hardcover. NY, Platt & Munk, reprint, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth covers stamped in black. The kindness and determination of the Little Blue Engine have inspired millions of children around the world since the story was first published in 1930. Cherished by readers for over ninety years, The Little Engine That Could is a classic tale of the little engine that, despite her size, triumphantly pulls a train full of wonderful things to the children waiting on the other side of a mountain. Illustrated in color by George and Doris Hauman. Clean, no dust jacket.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 64 pages. Yarbrough weaves a beautiful story in picture-book format about the role of music in the lives of Africans and shows how it was transformed on American and Caribbean soil. The tale revolves around a "Roots of Rhythm and Blues" concert attended by a sister and brother and their parents, great grandmother, and elderly neighbor. At the park, the father tells his children about slavery and the "culture baggage" the slaves carried with them from Africa. With a compelling delivery that echoes the rhythmic chanting of the griot, the man speaks about concepts such as spirit power and the tree of life that at first are hard for his young son to grasp. The performance begins with a song of praise for the strength and endurance of a transplanted people. By the end, the youngsters understand more about their heritage and the role spirituals played and continue to play in it. Geter's pencil-and-charcoal illustrations are richly imaginative, evoking images of Africa, slavery, roots, and soaring trees. Clean copy.

Hardcover. New York, Harper & Row, 1st US, 1966, Book: Very Good, Dust Jacket: None, Cloth spine with pictorial boards. Black & white illustrations by Paul Flora. Light edgewear, chipping and soil to covers. No dust jacket.

Hardcover. NY, W. W. Norton & Company, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From the Pulitzer Prize-winning biographer John Matteson, an account of the "Susan Sontag" of nineteenth-century America.A brilliant writer and a fiery social critic, Margaret Fuller (1810-1850) was perhaps the most famous American woman of her generation. Outspoken and quick-witted, idealistic and adventurous, she became the leading female figure in the transcendentalist movement, wrote a celebrated column of literary and social commentary for Horace Greeley's newspaper, and served as the first foreign correspondent for an American newspaper. While living in Europe she fell in love with an Italian nobleman, with whom she became pregnant out of wedlock. In 1848 she joined the fight for Italian independence and, the following year, reported on the struggle while nursing the wounded within range of enemy cannons. Amid all these strivings and achievements, she authored the first great work of American feminism: Woman in the Nineteenth Century. Despite her brilliance, however, Fuller suffered from self-doubt and was plagued by ill health. John Matteson captures Fuller's longing to become ever better, reflected by the changing lives she led. 28 black-and-white illustrations. Smallbump to top corner otherwise like new.