Hardcover. New York, Kodansha, 1st US, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Illustrated with full color and black & white photographs. Previous owners inscription on front endpaper. Dust jacket shows light edgewear. Clean, tight copy.
Hardcover. London, George G. Harrap & Co. , 1st, 1955, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover. Previous owners name at top right corner of front endpaper. Illustrated with black & white photographs. Light wear to dust jacket - jacket now protected with clear plastic cover. Clean, tight copy.
Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. Once upon a time Eddie played concert piano to reverent audiences at Carnegie Hall. Now he bangs out honky-tonk for drunks in a dive in Philadelphia. But then two people walk into Eddie's life--the first promising Eddie a future, the other dragging him back into a treacherous past.Clean copy.
Hardcover. Boston, Houghton Mifflin Company, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers with stamped desin in black, 231 pages, with illustrations by Barbara Cooney throughout. Minor edge wear and fade, otherwise, clean and tight copy.
Hardcover. Boston, Gregg Press, 1st, 1979, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover. Previous owners name at top right corner of front endpaper. Part of the Gregg Press Science Fiction Series edited by David G. Hartwell and L. W. Currey. Features examples of storyboards from the film production, and black & white stills from the movie. No dust jacket as issued. Light wear. Clean, unmarked text.
Hardcover. NY, Farrar Straus Giroux, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, unclipped. Yorinks' and Egielski's 1st book together. Black & white illustrations by Egielski. Clean copy.
Cleveland, OH, World Publishing Co, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover. 128 pages. Black & white illustrations by Paul Galdone. Edgewear, rubbing to corners and spine. Edgewear, chipping, soiling, rubbing to dust jacket. Price clipped.
Hardcover. NY, Julian Press, 1st, 1958, Book: Very Good, Dust Jacket: None, Hardcover, 207 pages. Black cloth with gilt lettering on spine, decorative device on front cover. According to his biographers, Freud was not comfortable in making hand passes and touching the subject, which were the (limited) techniques available at the end of the 19th century. Freud studied with Charcot and Bernheim (the two schools of thought which conflicted with each other), but later gave hypnosis up in favor of his free association technique. This book begins by discussing the reasons Freud did that. It states that Freud at the end of life regretting not using hypnosis more. His followers balked at hypnosis, erroneously believing the cures were temporary since the ego was being bypassed (and their theoretical beliefs required the ego to be the agent). But this book reveals that Freud did not abandon hypnosis for the reasons commonly thought, and so it is essential reading for all students of Freud. The second part of the book goes into commentary on hypnosis in theory and practice. Small ink doodle to front fly leaf, otherwise clean.
Hardcover. NY, HarperCollins, reprint, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages. Reissued edition. Red woven boards with black vignette of boy playing to lower portion. Black titles to spine. Pristine inside, as new. SIGNED by Maurice Sendak on the half title page without dedication.
Hardcover. NY, Atheneum, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. SIGNED BY AVI on front fly leaf., Black & white illust. by C.B. Mordan and SIGNED BOOKPLATE BY MORDAN laid-in. In the early years of the twentieth century, a Swedish family encounters separation and other hardships upon immigrating to New York City until the son is cast in a silent movie. Bold b/w illustrations, inspired by Charlie Chaplin's soulful expressions.
Hardcover. London, Victor Gollancz, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 219 pages. Black & white illustrations by Harold Jones. Nice, clean condition. Hardbound, dust jacket.
Hardcover. NY, Atheneum, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket, 121 pages. Black & white drawings by Alan Tiegreen. Dust jacket price clipped. Black cloth binding with edgewear. Dust jacket with closed tears, chips. A Cinderella story with a magical feeling, but no actual unreality. Thursey works for her wicked stepmother and stepsisters and dreams of going to the ball and meeting the prince.
Softcover. Urbana IL, University of Illinois Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 433 pages. From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, enslaved people created expansive forms of music from the United States to the West Indies and South America. Dena J. Epstein's classic work traces the course of early black folk music in all its guises. Anchored by groundbreaking scholarship, it redefined the study of black music in the slavery era by presenting the little-known development of black folk music in the United States. Her findings include the use of drums, the banjo, and other instruments originating in Africa; a wealth of eyewitness accounts and illustrations; in-depth look at a wide range of topics; and a collection of musical examples. This edition offers an author's preface that looks back on the twenty-five years of changes in scholarship that followed the book's original publication. Clean copy.
NY, Farrar Straus Giroux , 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Velma Ilsley, 93 pages. Light edgewear to dust jacket and light soil. Small tear to back pastedown. Story about Christmas giving and the true meaning of Christmas. Mr. Frisco isn't on his corner selling newspapers. So Charlie buys him a pair of gloves for a Christmas present and goes looking. Clean copy.
Hardcover. New York , Viking, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 160 pages, Hardcover with dust jacket. including index. Black and white illustrations by Michael McCurdy. Clean, tight copy.
Hardcover. NY, Little Brown, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is a biography of C.L. Franklin, one of the black preachers in American history. It tells the story of black migration and activism, alongside the rise of gospel, blues, and soul music, with a cast of characters including Martin Luther King, Jr., B.B. King, Art Tatum, and Coleman Young.
Softcover. Medford OR, Webb Research Group, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 127 pages, b&w illustrations. Fascinating history of the Rogue River Valley Railway which connected Jacksonville and Medford, Oregon and the Southern Oregon Traction Co., an electric street railway that served Medford. Illustrated throughout with black and white photos. With maps, locomotive roster, timetables, and bibliography. 127 pages with index. Clean copy.
Hardcover. London, Longman, Orme, Green & Longmans, 1st, 1841, Book: Very Good, Dust Jacket: None, Hardcover, leather bound, two volumes in one: 631 plus 480 pages. All edges gilt, ribbon marker, spine has black calf label with gilt lettering, raised bands with gilt decoration. Both covers with gilt design around edges, elaborate bookplate on inside front cover. A small notation dated 1854 on last page states the publication of the work was discontinued. So never a Volume 2. Covers with light scars, some discoloration to rear board, otherwise a spectacular copy of a very scarce book.
Hardcover. London, Hamish Hamilton Ltd, First Edition, 1991, Book: Very Good, Dust Jacket: Very Good, 350 pages. Hardcover. Black cloth boards with silver titles to spine. Previous owner's signature to front flyleaf. Black & white illustrations throughout. Bright dust jacket with light marginal wear. Clean & unmarked text. A nice copy.
Hardcover. NY, Oxford University Press, 1st US, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Translated from the French by Gwen Marsh. 175 pages. Black & white illustrations by Joan Kiddell-Monroe. Gift inscription on front fly leaf. Dust jacket is protected by a mylar cover.
Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Black and white art by Selton inside. Clean, bright copy.
Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Black and white art by Selton inside. Clean, bright copy.
Hardcover. Chicago, Albert Whitman, 1st, 1922, Book: Good, Dust Jacket: None, Hardcover, orange cloth with cover label, 96 pages. Illustrated with drawings in color and black & white by Haidee Zack Walsh. Previous owners signature on front endpaper in pencil. Light marking in pencil on contents page. Cover has bumped corners and light ring stain in center, pencil marking on back cover.
Paperback. Bear Creek NC, Blackie Bear Corp., 1st, 1940, Book: Very Good, Dust Jacket: None, 58 pages, spiral-bound. B&W illustrations by the author throughout. Some rust on binding. Heavy paper cover exhibits some edgewear, bottom fore-edge corner bumped. Small water damage stain to the bottom corner of the spine. Large pencil mark on page 29. Otherwise clean edition. Sixth in a series of Blackie Bear books for children about anthropomorphized, clothes-wearing animals of the Smoky Mountain region. Blackie Bear introduces children to nature through his woodland antics and wildlife adventures.
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