black

Hardcover. NY, Farrar Straus & Giroux, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust dacket with light fading to spine. Jeremiah, a middle- aged proboscis monkey feels life is passing him by. Wonderful black and white illustrations by the author. Clean copy.

Hardcover. NY, Doubleday, Doran & Co, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, green cloth covers stamped in black, no dust jacket. Second mystery "The Curious Case of Callista" begins on page 133, b&w illustrations by Genevieve Foster. Front cover has fading/discoloration to green cloth, inside clean.

Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Softcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Softcover. New York, W. W. Norton & Company, 1st, 2010-11-01, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Hardcover. NY, Grove Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages, in a lightly worn and price-clipped dust jacket. A novel by the African American poet and essayist set in the American South.

Hardcover. NY, Doubleday and Co., 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover in green cloth with black cloth spine, gilt lettering on spine. 108 pages, green endpapers. "I shall reconsider human knowledge by starting from the fact that we can know more than we can tell," writes Michael Polanyi, whose work paved the way for the likes of Thomas Kuhn and Karl Popper. The Tacit Dimension argues that tacit knowledge--tradition, inherited practices, implied values, and prejudgments--is a crucial part of scientific knowledge. A bright, clean first printing of this classic, lacking the dust jacket.

Hardcover. New York , Dial Books, 10th pr., 1994, Book: Very Good, Dust Jacket: Very Good, 151 pages. Hardcover with dust jacket. Color, B&W illustrations by Jerry Pinkney. Tight copy. A retelling of the Afro-American tales about the adventures and misadventures of Brer Rabbit and his friends and enemies.

Hardcover. NY, Charles Scribner's Sons, reprint, 1961, Book: Good, Dust Jacket: None, Hardcover, red cloth covers stamped in black in a nice dust jacket with mild soil and short closed tears. Illustrations by Helen Sewell. Reprint on the 1954 edition with a small 61 code on copyright page.

Hardcover. Boston, Little, Brown, and Company, reprint, 1928, Book: Very Good, Dust Jacket: None, Hardcover in black cloth with gilt lettering on spine, 298 pages. A collection of articles about the theater by Edward Gordon Craig (1872-1966), a stage designer and theatrical producer and director. Although he directed only a handful of plays, "his controversial theories of scene design and stagecraft gave him eminence in the European and American theater" (The New York Times). For instance, he favored three-dimensional stage effects and more innovative lighting than the traditional footlights. Craig argues that theatre is not just a form of entertainment, but a powerful medium for social and political change. He advocates for a new kind of theatre that is not bound by traditional conventions and that challenges the audience's expectations. Craig also emphasizes the importance of the actor's body and movement, and he proposes new techniques for training actors to be more expressive and dynamic on stage. Previous owner's inscription on front fly leaf, otherwise clean.

London, Rupert Hart-Davis, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 292 pages. Maps on the endpapers. Black and white illustrations by Timothy Birdsall. A illustrated guide to the major theatres in London along with a brief history of each. No dust jacket. A bright, clean copy.

Hardcover. NY, The Viking Press, 1st US, 1950, Book: Very Good, Dust Jacket: None, Hardcover, gray textured boards with red cloth spine stamped in black. No dust jacket. Suspense and action in post-war Vienna. True First which preceded the UK edition. Source for the film noir directed by Carol Reed starring Joseph Cotten and Orson Welles. Greene wrote the story specifically to frame the film and had originally not intended it to be published. Clean copy.

Softcover. Cambridge MA, Harvard University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 997 pages, color and b&w illustrations. A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. Peter Wilson offers the first new history in a generation of a horrifying conflict that transformed the map of the modern world. When defiant Bohemians tossed the Habsburg emperor's envoys from the castle windows in Prague in 1618, the Holy Roman Empire struck back with a vengeance. Bohemia was ravaged by mercenary troops in the first battle of a conflagration that would engulf Europe from Spain to Sweden. The sweeping narrative encompasses dramatic events and unforgettable individuals-the sack of Magdeburg; the Dutch revolt; the Swedish militant king Gustavus Adolphus; the imperial generals, opportunistic Wallenstein and pious Tilly; and crafty diplomat Cardinal Richelieu. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict. By war's end a recognizably modern Europe had been created, but at what price? The Thirty Years War condemned the Germans to two centuries of internal division and international impotence and became a benchmark of brutality for centuries. As late as the 1960s, Germans placed it ahead of both world wars and the Black Death as their country's greatest disaster. Clean, bright copy.

Softcover. NY, Platt & Munk Co., 1st thus, 1934, Book: Very Good, Dust Jacket: None, Softcover. A fresh, clean, well bound copy. 6 leaves (12 pages) including the cover. Color illustrated front cover with interior of alternating spreads of color and black and white. Illustrations by Eulalie Banks. Stapled binding. Pages are clean and bright.

New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, decorated black cloth, 160 pages. An amazing treasure trove of unpublished images, this intriguing and entertaining book looks at how women explored their identity through popular photography in the 20th centurySnapshots preserve more than individual likeness and memory. Photographs of celebrations, vacations, and gatherings of family and friends are collected with the aim of constructing and preserving a personal identity for future generations. What happens, however, when a snapshot is subsequently discarded or displaced and becomes merely an "anonymous" image? This and many other questions are discussed in this fascinating selection of anonymous images depicting three women. Presumably all taken by nonprofessionals, these snapshots were acquired over time by a private collector interested in their eclectic yet familiar details, who named the grouping after the iconic Greco-Roman motif.

Hardcover. NY, Charles Scribner's Sons, 2nd pr., 1934, Book: Very Good, Dust Jacket: None, Hardcover, green cloth titled in gilt on the front cover and the spine with a vignette in black on the front cover. Scribner seal on copyright page but no "A", copyright 1933, so assumed 2nd Printing. 'The trio of adventurous riders whose exploits are recorded in this novel of life on the Western cattle ranges are 'bad-men,' but 'bad-men' such as the reader has never met before in stories of the West. They are real, human, warm-blooded men, not the triply dyed blood-and-thunder villains of the movies, but men who were 'raised in outlaw country, amongst outlaw men, and they growed with that as natural as a hawk grows with wings.'' Spine faded, previous owner's signature on front fly leaf, otherwise clean tight copy.

Hardcover. Secaucus NJ, Citadel Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 255 pages, many b&w illustrations. The movies featured are: You nazty spy, Three little pigskins, and Men in black. Clean copy.

Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages. In a series of adventures sure to thrill OZ fans both old and new, the Tin Woodman and the Scarecrow journey across the magical Land of Oz in search of the Tin Woodman's long-lost sweetheart, a beautiful Munchkin girl. This deluxe edition of the rare first edition features all twelve of Oz artist John R. Neill's beautiful color plates, along with his nearly one hundred black and white drawings, Afterword by Peter Glassman.

Hardcover. NY, Rinehart and Co., 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth stamped in red and black. No dust jacket. The author's second novel ("The Haploids" was the first), a science fiction about an unseen race living among us, the Capellans, that for millions of years have harvested a crop of their own planting - the thought forces released by humans at death. Now that source is threatened by the advance of science. 244 pages. A tight copy, usual tanning to the pages. Small worm hole to top edge, margin, not affecting text. Clean copy.

Hardcover. Philadelphia, David McKay, reprint, 1889, Book: Very Good, Dust Jacket: None, Hardcover, terra cotta cloth stamped in black and gilt, 362 pages including index. Originally published in 1878, this is the 1889 New Edition with final corrections and additions. A Victorian era study of male sexuality. Clean copy.

Hardcover. NY, Mystery League, 1st, 1931, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in green, 286 pages. Shelf-worn copy, spine faded, but otherwise a clean, sound copy. A man carrying diamonds in his pocket that are worth a fortune, is traveling in a train with only five others in the compartment. The train enters a tunnel and after a few seconds of darkness, emerges into the light. The man has a small red hole in his forehead and the diamonds are gone.

Hardcover. London, Stuart & Watkins, 2nd pr., 1970, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with tape repairs to rear panel, black cloth stamped with gilt. 221 pages. Originally published in 1896, this printing was limited to 500 copies. Clean. Arthur Edward Waite (2 October 1857 - 19 May 1942), commonly known as A. E. Waite, was an American-born British poet and scholarly mystic who wrote extensively on occult and esoteric matters, and was the co-creator of the Rider-Waite Tarot deck.

Hardcover. NY, Harper & Row, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a black-lettered leaf-green cloth spine over grass-green boards; in a illustrated dust jacket with striking artwork by Leo and Diane Dillon. Historical novel of the XVIII dynasty pharaoh, Akhenaten, told from the perspective of his strong, proud mother, Empress Tiye, who effectively ruled Egypt for years. Gedge's earlier Egyptian novel, CHILD OF THE MORNING was hailed by critics.

Hardcover. Philadelphia/NY, J.P. Lippincott, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover in blue cloth covers stamped in black and gilt. Stated First Edition, SIGNED BY PULLEN on a prelim page. Pullen's classic and highly acclaimed book tells how Chamberlain and his men fought at Antietam, Fredericksburg, and Chancellorsville on their way to the pivotal battle of Gettysburg. Small ownership sticker on the front fly leaf, otherwise clean.