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Hardcover. NY/Chicago, Fleming H. Revell, 10th pr., 1915, Book: Very Good, Dust Jacket: Fair, Hardcover. Black & white frontis photograph of Muir (repeated on dust jacket). 11 other plates plus map. Dust jacket worn, chipped (about half of spine missing).

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 190 pages, Includes chronology, footnotes, selected bibliography, list of exhibited works, index. Profusely illustrated with color and b&w prints. This beautifully illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism's greatest innovators, Josef Albers (1888-1976) and Laszlo Moholy-Nagy (1895-1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists' separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice--Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America.

Hardcover. New York, Abrams, 1st, 1974, Book: Very Good, Dust Jacket: Good, 360 pages. Hardcover. Illustrations in full color and black & white. Previous owners name at top right corner of front endpaper. Maroon streaks along bottom edge of pages 355-356 due to printers error. Dust jacket with moderate wear. Clean, tight copy.

Hardcover. London, Neville Spearman, 1st, 1972, Book: Good, Dust Jacket: Good, 285 pages. Hardcover with dust jacket. Dj has tape repair on top edges, chipping, fraying and rubbing throughout dust jacket. Cover boards show medium wear on corners, as well as spine. Light foxing to fore edge text block. Black and white illustrations.

Hardcover. New York, Scribner, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to edges. Color and black & white images throughout. Tight copy.

Hardcover. Norman, OK, University of Oklahoma Press, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 270 pages illustrated throughout with photographs in sepia and drawings in b&w. Autobiography of a Canadian-born sculptor of Western subjects, considered one of the best sculptors of horses in the world. Black cloth spine with red paper boards, no dust jacket. Black pictorial slipcase with light wear. Beautiful copy. Like new.

Hardcover. Konemann, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. This is the most complete volume published outside of Russia to capture the photographic work of Alexander Rodchenko, one of the former Soviet Union's greatest artists

Hardcover. Edison, Knickerbocker Press, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Washington, D.C., National Collection of Fine Arts/Smithsonian, 1st, 1973, Book: Very Good, Dust Jacket: None, 167 pages. Softcover. Catalog for Exhibition February 23-May 13, 1973. Black & white illustrations. Light wear. Clean, tight copy.

Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Eleven stories of suspense illustrated by Arthur Shilstone, 208 pages. Collected are the following: The Day the Children Vanished by Hugh Pentecost, Through a Dead Man's Eye by Cornell Woolrich, The Disappearance of Mr. Davenheim by Agatha Christie, Green Ice by Stuart Palmer, The Grave Grass Quivers by MacKinlay Kantor, The Case of the Irate Witness by Erle Stanley Gardner, Adventure of the Grice-Paterson Curse by August Derleth, The Headmaster by Michael Gilbert, The Adventureof the Seven Black Cats by Ellery Queen, The Wicked Cousin by Leslie Charteris, The Footprint in the Sky by John Dickson Carr. Clean, bright copy.

Hardcover. New York, National Gallery of Art/Callaway Editions, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 247 pages. Illustrated with black & white photographs. Dust jacket with 2 tape repaired tears at bottom edge of front cover. Clean, tight copy. Alfred Stieglitz was a seminal figure in 20th century art. One of the foremost photographers in the century, he also helped other photographers define what the aesthetic means in photography. He also was a champion for many of the best known photographers, and seriously boosted their careers. In painting, he was an early advocate of important 20th century artists like Arthur Dove and Georgia O'Keeffe. In addition, he published two influential journals about photography, and exhibited art in his famous gallery in New York. Clearly, though, photography was his first love. "I have all but killed myself for Photography." This book focuses on his central vision of photography ("search for objective truth and pure form") which increasingly was about "antiphotographs" or images that move beyond simple representation. This concept is examined both in 73 of his best images and through numerous excerpts from his voluminous writings on the subject (over 200 essays).

Hardcover. Boston, MA, New York Graphic Society, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 335 pages. 134 black-and-white illustrations. Bibliography and index. Dust jacket slightly sun-faded. Examines Steiglitz's revolutionary role in the American avant-garde from the turn of the century to 1917. Clean copy.

Softcover. Indianapolis, Indianapolis Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Exhibition catalogue of Alfred Thompson Bricher. Softcover, 103 pages; plates in black & white; chronology. Cover: "A Pensive Moment" (color). In very good condition.

Hardcover. Philadelphia, John C. Winston Company, 1st, 1940, Book: Good, Dust Jacket: None, Hardcover, red cloth stamped in black. 117 pages, b&w illustrations by Tony Sarg, Stories of David and his friends having fun during the summer in a small town, Book has mild shelfwear.

Hardcover. New York , E.P. Dutton, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, 88 pages, illustrated with b&w photographs, gray cloth covers with black lettering. Review slip laid in. Mark from paper clip no longer present. Otherwise clean, very good.

Hardcover. teNeues, 1st, 2012, Book: Very Good, Hardcover in a bright dust jacket, 216 pages. Eve Arnold didn't even consider photography until a boyfriend gave her a Rolleicord when she was 34. But her talent and daring brought her immediate recognition and she was picked up by Magnum Photos only 5 years later. Arnold may be best known for her black and white images of Marilyn Monroe, but she has chronicled figures as diverse as migrant potato workers and heads of state in addition to screen icons during her assignments, which involved everything from politics, social issues, travel, to current events and a little glamour. Guided by her own words, this volume features Arnold's now iconic photographs as well as many never-before published images. teNeues Press has published this magnificent monograph, with a superb introduction by Liz Jobey who details the important steps in Eve Arnold's life, career and artistic impact.

Hardcover. teNeues, 1st, 2012, Book: Very Good, Hardcover in a bright dust jacket, 216 pages. Eve Arnold didn't even consider photography until a boyfriend gave her a Rolleicord when she was 34. But her talent and daring brought her immediate recognition and she was picked up by Magnum Photos only 5 years later. Arnold may be best known for her black and white images of Marilyn Monroe, but she has chronicled figures as diverse as migrant potato workers and heads of state in addition to screen icons during her assignments, which involved everything from politics, social issues, travel, to current events and a little glamour. Guided by her own words, this volume features Arnold's now iconic photographs as well as many never-before published images. teNeues Press has published this magnificent monograph, with a superb introduction by Liz Jobey who details the important steps in Eve Arnold's life, career and artistic impact.

Hardcover. New York, Duell, Sloan & Pearce, 1st, 1944, Book: Very Good, Dust Jacket: Very Good, Hardcover, 101 pages. Illustrated with black & white drawings by William Steig. Dust jacket shows wear with small chunks missing at top and bottom of spine and chipping along edges. Dust jacket now protected with clear plastic cover.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. New York, Atheneum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages. Color illustrations by Ashley Bryan. Musical arrangements by David Manning Thomas. Very good in a bright, unclipped dust jacket.

Softcover. New York, New Modern Age Book, 1st, 1939, Book: Good, Dust Jacket: None, Unpaginated. Soft cover with heavy chipping on fragile paper wrappers. Front gutter shows separating. 65 black and white drawings by Luis Quintanilla.

Hardcover. Garden City, Doubleday, Doran & Company, Reprint, 1938, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover. Previous owners inscription on title page. Black & white illustrations by Kurt Wiese. Full color dust jacket with light wear, minor chipping along edges - jacket now protected with clear plastic cover. Clean, unmarked text.

Hardcover. NY, Pegasus Books, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 519 pages. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time.' (Amanda Foreman) and a truly brilliant researcher has produced a most remarkable social history revealing the power, the pain and the pleasure involved in adorning the female body. She asks how custom, colour, class and sex fit into the picture, and shrewdly charts how the advances made by feminism collided with the changing shape of desirability. Full of surprising facts - the feminist plastic surgeon, the radioactive corset - alongside stories of the 'New Women' who discovered freedom by bobbing their hair, those who were the early adopters of trousers, and early Black beauty entrepreneurs, this book chronicles the codes, the contradictions, the lies and the highs of beauty.

Hardcover. NY, New York Review Comics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 280 pages. Before Charles Johnson found fame as a novelist and won the National Book Award for Middle Passage in 1991, he was a cartoonist, and a very good one. Taught via correspondence course by the comics editor Lawrence Lariar, mentored by the New Yorker cartoonist Charles Barsotti, and inspired by the call of the poet Amiri Baraka to celebrate and depict Black life in America, Johnson crafted some of the fiercest and funniest cartoons of the twentieth century. Clean copy.