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Softcover. Montreal, Drawn and Quarterly , 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover. The master of the comic book mash-up finds the POTUS to be his ultimate super-villain R. Sikoryak is famous for taking classic comics and mashing them with famous literature as he did in Masterpiece Comics or even using comics to visualize the iTunes Terms and Conditions contract. Now in these uncertain times, cartoonist R. Sikoryak draws upon the power of comics and satire to frame President Trump and his controversial declarations as the words and actions of the most notable villains and antagonists in comic book history. Reimagining the most famous comic covers, Sikoryak transforms Wonder Woman into Nasty Woman; Tubby Tompkins into Trump; Black Panther into the Black Voter; the Fantastic Four into the Hombres Fantasticos and Trump into Magneto fighting the Ex-Men.

Hardcover. Carbondale IL, Southern Illinois University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 265 pages, b&w illustrations. The Urban Millennium focuses upon the spatial adaptation of cities as a factor in urbanization. Konvitz explores how the evolution of city building strategies has accompanied and facilitated other aspects of urban development. By taking a long historical perspective, he shows that cities were more easily adapted to changing circumstances before and dur-ing the industrialization. Konvitz also draws out the implica-tions of his analysis for contemporary urban problems. He challenges many contemporary assumptions of architec-ture and city planning and suggests that we should learn to appreciate an ap-proach to building which allows for the continual modification of individual structures and districts, and which places more control over the environ-ment in the hands of the users. Blacked out name on front fly leaf, otherwise clean.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, brown cloth with black lettering, dust jacket with edgewear and chipping, 308 pages. Rear dj lists to Wild Horse Mesa. Missing front fly leaf, clean copy.

Hardcover. NY, Baker & Taylor Company, 2nd pr., 1910, Book: Very Good, Dust Jacket: None, Decorated olive cloth covers with titles in black in ruled border. Titles on spine in orange. 396 pages. Five black & white illustrations plus frontispiece with tissue guard by F.R. Gruger. Bookseller's label on front end paper. Rubbing to corners and spine. Otherwise clean.

Hardcover. Hartford, Joel Barlow, 1st, 1787, Book: Very Good, Dust Jacket: None, 258 pages. Red leather covers with gilt lines along cover edges, and decorations on spine. Covers with light rubbing to edges and at corners. Title on spine in gilt on black. Marbled endpapers. Previous owners name on preliminary page and at top of title page. Includes Dedication to The King of France, and Introduction. All edges gilt.

Softcover. Madison WI, Coda Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Square softcover. Two titles bound in one volume, texts in English and French. The Voice in the Closet by Raymond Federman has text in English. Bound upside down at other end of book is La Voix Dans le Cabinet de Debarras by Federman, now in French, plus Echoes by Maurice Roche, also in French. English cover is white; French cover is black. INSCRIBED BY AUTHOR on the title page.

Hardcover. NY, Jewish Publication Society, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover in black cloth, lacks dust jacket, 256 pages. A major treatise of Levi ben Gershom of Provence (1288-1344), one of the most creative and daring minds of the medieval world. It is devoted to a demonstration that the Torah, properly understood, is identical to true philosophy. Volume 1 ONLY. Clean copy.

Hardcover. NY, Doubleday Page & Co., 1st, 1924, Book: Good, Dust Jacket: None, Hardcover, black cloth, title on spine faded, 306 pages. Stated first edition. Signs of former library book but clean internally. Previous owner's name on front fly leaf.

Softcover. NY, Vintage Crime/Black Lizard, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 245 pages. In a rundown house in Santa Monica, Mrs. Samuel Lawrence presses fifty crumpled bills into Lew Archer's hand and asks him to find her wandering daughter, Galatea. Described as 'crazy for men' and without discrimination, she was last seen driving off with small-time gangster Joe Tarantine, a hophead hood with a rep for violence. Archer traces the hidden trail from San Francisco slum alleys to the luxury of Palm Springs, traveling through an urban wilderness of drugs and viciousness. As the bodies begin to pile up, he finds that even angel faces can mask the blackest of hearts.Filled with dope, delinquents and murder, this is classic Macdonald and one of his very best in the Lew Archer series. Clean copy.

Hardcover. Bologna IT, Damiani, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 100 pages. Original publisher's illustrated laminated boards. Issued without dust jacket. Copiously illustrated in color and black and white throughout. Beatrice Haverich believes that "trees embody life. They show us the seasons in a city landscape, and they provide us with wood, food and shelter. Their silence demands our respect." Her subjects, for whom she has the utmost sympathy, are survivors, stalwarts: for example, the Yew trees in Kingsley Vale, UK, are 4,000 years old. Among these portraits, she observes branches molded by the wind into lopsided hairstyles, and roots exposed by the rain. Some trees survive in cement planters or remain in the bounds of their sidewalk squares, but others reclaim their habitat, taking over old greenhouses and popping the glass panes one by one as they grow. Up from sand and boulders and cliffs and pavement, Haverich's trees are shaped by their landscape, but they persist in shaping it as well.

Hardcover. NY, Harcourt Brace Janovich, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 275 pages. Blue cloth lettered in silver and copper on the spine; endpaper maps; illustrated with black and white drawings by the author. In 1896, three survivors from a whaling misadventure are nursed back to health by Eskimo villagers who share their food, women, and way of life with the strangers. In return, the foreigners introduce to the villagers the spirit of competitiveness that rules the white man's world. Clean copy.

Softcover. NY, Prentice Hall, 1st pbk, 1970, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. Revealing and disturbing study of the racist ideas and fantasies of southern whites after the Civil War and examines their racial fantasies and the social and psychological roots of those fantasies. He reveals how a complex set of anxieties and repressions in Southern life led whites to need "Negro" Inferiority." Name on title page otherwise clean.

Hardcover. NY, Bloomsbury Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages, b&w illustration. INSCRIBED BY STRATTON on the title page. For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Clean copy.

Hardcover. San Francisco, McSweeneys Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with black cloth spine. SIGNED BY AUTHOR on the half-title and additionally INSCRIBED on the title page. Dave Eggers retelling of the Maurice Sendak picture book, follows Max on his journey through a world that he cannot control. His awkwardness & frustrating discomforts reflect his growing pains. Clean.

Hardcover. NY, Dodd Mead, 3rd pr., 1943, Book: Very Good, Dust Jacket: None, Hardcover, bright red cloth stamped in black. Endpapers map, b&w photographs. 410 pages. The widow of Carl Akeley, naturalist, tells the story back of the exhibits for which he was responsible in the Natural History Museum in New York. This is virtually a biography, with that as a focus; it is a record of the uphill struggle to get the chance to do the thing for which he was gifted and trained; the experiences securing his speciments, adventures in the wilderness, African jungles, the Belgian Congo, the Uganda frontier -- and the immense concentration on details to get the exhibits together and to present them with complete fidelity. Clean copy.

Hardcover. NY, Macmillan, 1st , 1931, Book: Good, Dust Jacket: None, Hardcover in yellow cloth stamped in dark green.Color frontis, black & white illustrations by E. Boyd Smith. Light edgewear to yellow cloth, fraying to top of spine. Youth classic set in the American prairie; era of roaming buffalo, log cabins, Sioux. Mary Anne's mother does not allow her outside their gate at their log cabin; she is afraid of the wild. Mary Anne's father has a trading post, and the Sioux are among his customers. One day a young boy is comes to visit, and carves a willow whistle for Mary Anne. Her world is widening.

Hardcover. NY, New Directions Books, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title on spine. Collected stories and essays "not for readers who hate to think," Mild shelf wear, clean.

Hardcover. Boston, Houghton Mifflin, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, blue cloth covers with black decoration. Illustrated in 3-colors by Ward. Dust jacket with light soil, price-clipped. Previous owner's inscription on front fly leaf.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1929, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, faded on spine, 315 pages. Science fantasy adventure involving the resurrection of a Viking woman, who has been frozen for a thousand years, by a lost community of Vikings in the far north.

Hardcover. NY, Harper & Brothers, reprint, 1915, Book: Good, Dust Jacket: None, Hardcover, tan cloth with boards illustrated in red and black. 318 pages profusley illustrated with b&w drawings by Pyle. Previous owner's inscription on inside front cover.

Hardcover. NY, Harper & Brothers, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, rose-colored cloth with black and red design on front cover. 24 short tales illustrated in b&w by Pyle. Verses by Katherine Pyle. Originally published in 1887, appears to be a 1940s reprint. Mild soil, inscription on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth, cover label with blackberry and fern design, 126 pages. B&w illustrations by Helen Sewell. The fifth book of Sally's story, in which, released by the sultan from service to the White Lalla, she returns home to Maine. How Five Bushel Farm is saved and how Sally, and Andrew, and Pierre grow up. Bookplate on front fly leaf, otherwise clean. No dust jacket.

Hardcover. NY, Simon and Schuster, 1st, 1957, Book: Good, Dust Jacket: Good, Hardcover, illustrated throughout by Marc Simont in blue & black. Stated First Printing. In a lightly soiled dust jacket that's price-clipped. Small scar to front endpaper otherwise clean

Hardcover. NY, Museum of Modern Art , 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Two Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. Appendixes include Berenice Abbott's typewritten copy of Andre Calmette's handwritten letter to her (late 1928). Maroon cloth with debossed title blind-stamped on cover and in gilt on spine, with dust jacket. 192 pp. with 116 plates and 84 black and white reference illustrations. Printed by The Meriden Gravure Company from halftone negatives made by Richard Benson. Clean, tight copy.