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Hardcover. New York, Schiffer, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Color photographs throughout. Clean, tight copy.

Softcover. New York, Fleischmann & Co., 1893, Book: Very Good, Dust Jacket: None, 47 pages, printed in brown ink, black textured paper wrappers with gilt lettering. Mostly baking recipes from the famous yeast maker. String tie binding a little frayed but overall very good.

Hardcover. Cambridge MA, Wexner Center and MIT Press, 1sr, 2007, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial boards, Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with La Jetee (1962)-a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include Le Jetee, Sans Soleil, Cuba Si!, and The Case of the Grinning Cat), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's Ran, a woman seen on a street in Siberia). The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies. Still in publisher's shrinkwrap.

Hardcover. London, John Bennett, reprint, 1832, Book: Very Good, 366 pages photocopied from the 1832 Seventh Edition, xeroxed two leafs per page with the reverse side blank. Bound in oblong black cloth covers. Volume 1 only (of 2).

Hardcover. Oxford, England, Oxford University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 328 pages. Hardcover. B/w illustrations throughout. Previous owner's name on front flyleaf. Black cover boards, gilt title on spine. Binding tight. Spine straight. Pages clean, unmarked, bright. Dust jacket unclipped, excellent, glossy. Assesses the comexity and fluidity of Christian identity from the reign of Elizabeth I and the early Stuart kings through the English Revolution, and into the Restoration, which the English Church and monarchy were restored.

Hardcover. Philadelphia, Lippincott, reprint, n.d., Book: Very Good, Dust Jacket: Good, 147 pages, illustrated with 12 color and 18 b&w plates by Arthur Rackham. Original red cloth cover with black design, a few small areas where red is flaked, leaving white. Illustrated endpapers. Rear end papers have some light foxing. All plates with tissue guards with red lettering. Dust jacket spine darkened but design and lettering still readable., no price on jacket flap. A tight, clean copy of this reprint. No date but would have to be after 1926.

Hardcover. Garden City, NJ, Garden City Publishing Co., 1st Edition, 1941, Book: Very Good, Dust Jacket: Good, 63 pages. Hardcover. Color and b/w illustrations throughout by Shinn. Dust jacket unclipped, has some agewear. Decorated cover boards and endpapers. Pages clean, pages and edges have a touch of tanning from age, but otherwise unmarked. Binding good. Spine straight. In this beautiful book are collected all the outstanding "Christmas" passages from Dickens' writings, accompanied by Shinn's 12 superb full color drawings, as well a many imaginative and characteristic black and white sketches.

NY, Thomas Y. Crowell, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth covers, Black & white illustrations by Garry MacKenzie. Front fly leaf corner clipped. A Christmas story told in poetry. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover. 128 pages. Color frontis, black & white illustrations by Louise Roberts. Green cloth covers with red & black decorations, lettering. Light wear to spine bottom edge, corners.

Hardcover. New York, Charles Scribner's Sons, 1st, 1912, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt and black, 119 pages. Eight color and six b&w plates by Florence Storer. Previous owner's signature on front fly leaf, otherwise clean.

Hardcover. New York, Pantheon, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, INSCRIBED BY CHRISTO on title page to "Eeva annd Elvia" dated 1986. Color and black & white photographs throughout, light dust jacket edge wear and fade, otherwise, clean and tight copy.

Hardcover. Edinburgh, Floris Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Oblong glazed boards, color plates throughout by author. Christopher meets the spirit of September in the garden, and is introduced to all the harvest folk: the Gooseberry girls and boys, old man Black-Currant, the misses Plum and the proud Strawberries. First published in Sweden in 1920, this is the first English language edition. Clean, bright copy.

Hardcover. Fleischmanns, NY, Purple Mountain Press , 1st, 1999, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover with no dust jacket. Light soil on front and back covers. Black and white illustrations throughout. SIGNED ON TITLE PAGE, numbered 10/60.

Hardcover. New York, Harmony Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 346 pages. Hardcover with dust jacket. Clean, tight copy. Black and white pictures throughout.

Paperback. New York, Prestel, Revised, 2007, Book: Very Good, Dust Jacket: Very Good, 335 pages. Oversize hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Now available in a revised and expanded edition, this book offers the first comprehensive critical examination of one of America's most celebrated living artists. Chuck Close reinvented portraiture almost four decades ago with a series of nine-foot-tall, black-and-white likenesses of himself and fellow artists, which astonished an art world dominated by minimalism and conceptualism. Close has since explored an array of mediums. This lavish, large-format volume is the first to deal with all aspects of Close's career and to place them in a biographical context. Christopher Finch's insight into CLose's achievement comes by way of hundreds of studio visits and thousands of hours of conversation since he met Close in 1968. Finch provides an engaging, in-depth analysis of Close's portraits on canvas, from the continuous-tone airbrushed heads of the 1960s and '70s to the painterly "prismatic grids" of the past two decades. The more than 300 illustrations features in the book survey almost all of CLose's paintings, including his most recent work, together with a selection of his prints and multiples, and examples of his photographic oeuvre. This beautifully designed volume reveals not only the variety of pictorial strategies Close has devised, but the extrordinary personality of the artist behind the work.

NY, Oxford University Press, 1st US, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt. Color frontis. and black & white illustrations by George Morrow. Illustrated end papers. Edgewear and mild soil to covers. No markings.

Hardcover. Chicago, Rand McNally, reprint, 1939, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Cover extremities rubbed, else clean tight copy: Very Good/no dj. 12mo. Illustrated in color by Margaret Evans Price and in black and white by Dorothea Snow. Copyright 1921 as part of larger book, first separate edition.

Hardcover. Chicago, Rand McNally & Company, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. Ii a worn, chipped dust jacket. Illustrated in b&w by Wesley Dennis. With "A" on the copyright page, first thus. 154 pages. light wear to cloth at bottom of spine. George Washington meets his match in a wily fox in this legendary hunting tale from Newbery Award-winning author Marguerite Henry. Cinnabar is a fox. He lives in a den with his family, Vicky and four little cubs. He's a hardworking fox who does everything he can to ensure that his family has what they need. But during fox hunting season, he likes to have a little fun: Every hunt day, promptly at one o'clock, Cinnabar shows up and runs until nightfall. Can the huntsmen ever catch this clever fox? Based on an old legend about fox hunting in the area around Mount Vernon.

Hardcover. Chicago, Rand McNally & Company, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. No dust jacket. Illustrated in b&w by Wesley Dennis. With "A" on the copyright page, first thus. 154 pages. Stamp with inscription on half-title page. Otherwise clean. George Washington meets his match in a wily fox in this legendary hunting tale from Newbery Award-winning author Marguerite Henry. Cinnabar is a fox. He lives in a den with his family, Vicky and four little cubs. He's a hardworking fox who does everything he can to ensure that his family has what they need. But during fox hunting season, he likes to have a little fun: Every hunt day, promptly at one o'clock, Cinnabar shows up and runs until nightfall. Can the huntsmen ever catch this clever fox? Based on an old legend about fox hunting in the area around Mount Vernon.

Hardcover. Lewisburg ME, Bucknell University Press , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 321 pages, black cloth covers with gilt lettering on the spine. Bright, unclipped dust jacket. INSCRIBED BY THE TRANSLATOR, DANIEL SHAPIRO on the title page. Bilingual edition. Chilean poet Tomas Harris's Cipango - written in the 1980s, first published in 1992, and considered by many to be the author's best work to date - employs the metaphor of a journey. The poems collectively allude to the voyage of Columbus, who believed that he'd reached the Far East ("Cipango," or Japan), not the Americas. Building on that mistaken historical premise, Cipango comments on the oppressive legacy of colonialism in Latin America - manifested in twentieth-century Chile through the 1973 military coup by Augusto Pinochet and the brutal dictatorship there - and on the violence and degradation of contemporary urban society. The author's vision is of a decadent, apocalyptic world that nonetheless contains the possibility for regeneration. Clean copy.

Hardcover. NY, New York University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 274 pages. Covers political and economic developments, particularly those involving unions and employment, from 1777 to 1965. Clean copy.

Hardcover. Kenosha WI, John Martins House, 1st, 1946, Book: Good, Dust Jacket: None, Illustrated in color and black & white by Sari. 32 pages. cardboard covers, worn at corners, previous owner's inscription on inside cover. light soil.

Hardcover. New York, Macmillan, 1st, 1936, Book: Very Good, Dust Jacket: Very Good, Hard cover. 194 pages. Black & white illustrations by George M. Richards. Red top edge. Light spine wear. Dust jacket with edgewear, chipping, soiling. Clear plastic protective cover. Bookseller's label front end paper.

Hardcover. New York , HarperCollins, reprint, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover reissue of a book first published in 1956 written by Jack Sendak and illustrated by his brother, Maurice. SIGNED BY MAURICE SENDAK. Flora, a little circus girl, wonders what the people who come to the circus do when they are not at the circus. Illustrated in black-and-white and pastel pink and green. Fine in fine and bright dust jacket.