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Hardcover. New York , Random House , 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages, turquoise cloth with black and silver stamping. Bright unclipped dust jacket with light edgewear. INSCRIBED BY LURIE on front fly leaf .

Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Founded by Paul Krassner, "The Realist" was a satirical magazine that took aim at American culture during the period of 1958 to 2001. Paul Krassner collaborates with Fantagraphics to create a collection of the best of "The Realist" drawings with contributions by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Wallace Wood and others. Illustrated front board, 291 pages plus annotations, black/white and 2-color images. Volume numbers and year published accompanies each cartoon.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. Scalo, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. 89 color illustrations. "Postcard collages and texts by Rebecca Horn sent to Timothy Baum and friends," is the only explanation internationally known artist Rebecca Horn wanted to include in her latest book, probably her most accessible to a larger public. We do not know who Timothy Baum is. We have no idea who her friends are, nor when they received mail from this German artist, living in Berlin and Paris. We do not need to know: what Horn offers us is a revealing and, at the same time, enigmatic collection of her beautiful, often erotic, and most of all poetic, postcards. Horn presents to us a fragmented love story, told in painfully precise snapshots of lust and desire, intimate and precise, yet vague enough to be everyone's love story. By altering existing postcards, painting over them or gluing parts of different images on them, Horn creates collages that mirror life's beautiful and troubling contingencies. In what might be the artist's most personal book, Rebecca Horn presents life as a journey; we look at postcards from this journey from heaven. Or is it hell? In sharing her most intimate, most common emotional states in images and texts, Rebecca Horn creates an almost baroque dialogue between reality and the world of longing.

Hardcover. New York, William Morrow and Co./Books of Wonder, reprint, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright dust jacket. 291 pages. Black & white and color illustrations by Helen Mason Grose. Afterword by Peter Glassman. Dust jacket with minor edgewear, price clipped.

Softcover. New York, Robert Miller Gallery, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Softcover with minimal wear to paper wrappers. 14 black and white plates. Exhibition catalog for a show that ran April 9 through May 4, 1996. Photographs of Strand's first wife, Rebecca Salisbury made between 1921 and 1932, and reproduced actual size from Strand's vintage platinum and silver prints. Edited and designed by John Cheim. Includes a total of 16 images with 14 internal plates and 2 images on the dust jacket. Tight copy with dust jacket wrapper.

Hardcover. US, Fantagraphics Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. The Siamanto Press, Reprint, 2006, Book: Very Good, Dust Jacket: Very Good, 438 pages. Hardcover. B/w illustrations throughout. Purple endpapers. Dust jacket unclipped, excellent. Black cover boards, white title on spine. Very good condition, just one small spot on bottom edge. Pages clean, binding tight, spine straight.

Hardcover. New York, Little, Brown and Company, 1st, 2010, Book: Near Fine, Dust Jacket: Near Fine, 394 pages. Hardcover. B/w illustrations throughout. In excellent condition. SIGNED IN RED PEN BY FUNKE on title page. Pages clean and bright. Binding tight. Spine straight. Black cover boards, gilt title on spine and design on front cover. Dust jacket unclipped, excellent. In beautiful condition.

Softcover. Ithaca, Urban Horticulture, 1st Edition, 2003, Book: Very Good, Dust Jacket: None, 127 pages. Softcover. Black & white illustrations throughout, including graphs & charts. Clean unmarked copy.

Hardcover. New York , Appleton, 1st, 1920, Book: Good, 336 pages, hardcover with no dust jacket. Green cloth covers with black lettering. Minor wear, clean copy.

Softcover. Santa Rosa CA, Black Sparrow Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 398 pages. Softcover with paper wrappers. Clean, tight copy with light wear to edges.

Hardcover. NY, Thunder's Mouth Press; Nation Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photos. In a bright, unclipped dust jacket. As the McCarthyite witch hunt gathered momentum in the postwar years, screenwriter Norma Barzman and her husband were driven from Hollywood into an emotionally difficult thirty-year exile in France. The Red and the Blacklist is a unique record of the political tempests of the time, marked by the author's dazzling power of reflection and insight, and animated by a larger-than-life cast of supporting characters including Pablo Picasso, Harold Robbins, Sophia Loren, Charlton Heston, Ingrid Bergman, Joseph Losey, John Wayne, Anthony Quinn, Groucho Marx and--in a delightful cameo--a very young Marilyn Monroe.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 284 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Orange ribbon marker. Black and white comics throughout. Red Barry was one of the most visually innovative adventure strips of the mid-1930s, combining fluid brushwork and noir shadows (in bold blues and purples) with figures that were constantly inventive.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 1989, Book: Very Good, Dust Jacket: None, 96 pages Softcover with light edgewear to paper wrappers. Black and white comic illustrations throughout. Tight copy.

Hardcover. New York, Wise-Parslow Company, Reprint, 1930, Book: Good, Dust Jacket: None, 96 pages. Hardcover. Full color and black & white illustrations by Alexander Key. Pages 15-51 with shallow bump to top right corner of pages. Front cover with 2 quarter size stains, standard wear. Clean, tight copy.

Softcover. South Hadley MA, Mount Holyoke College, 1st, 1984, Book: Very Good, Softcover, 56 pages. Many black and white photos, exhibition checklist, glossary, index, notes, bibliography. Published in conjunction with an exhibition of copper jewelry, sculptures, vessels, musical instruments, stools and other African decorative arts. Mild rubbing to wrappers, clean copy.

Hardcover. NY, Harcourt, Brace And Company, 1st, 1937, Book: Fair, Dust Jacket: None, Hardcover, terra-cotta cloth with orange lettering. Beautiful full page illustrations done in khaki, black, rust and green by the author. Forward by Frank Boas. A tale based on the author's own knowledge of life in the South American jungles of a ten year old boy who goes deep into the jungle looking for honey. He forgets how his father always marks his trail, and so gets lost. This is the story of how he escapes the dangers of the jungle and finds his way back to the river and his family. Author Elizabeth K Steen (1886-1938) was an explorer and anthropologist who traveled in South America. Ex-lib. Worn at corners and spine ends. Top of spine torn, frayed.

Hardcover. Boston, Houghton Mifflin, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with black design, 310 pages. Color frontispiece illustration by N.C. Wyeth, numerous black line drawings by Andrew Wyeth throughout. A rare instance of father and son artists collaborating. Clean, bright copy. No dust jacket.

Hardcover. NY, E. P. Dutton & Co., 1st, 1940, Book: Good, Dust Jacket: None, Hardcover, red cloth covers stamped with black illustration and lettering. 670 pages illustrated with contemporary prints. Historical novel of the destruction of Charleston (symbol of an era) , with a man of destiny theme. Young Perry wants to be a gentleman; he is tutored by the man who eventually turns out to be his grandfather. He does newspaper work in Charleston, he does his bit in the Civil War; the siege of Charleston forms the local point for Northern hatred. Spine cloth worn at top and bottom, clean copy.

Hardcover. London , A. & C. Black, 1st, 1908, Book: Good, Dust Jacket: None, 16 color plates by Allan Stewart. Decorated gray cloth with top edge gilt. Covers show light wear, previous owner's inscription on front end paper. Small red mark in corner of front fly leaf.

Softcover. New York, Phaidon Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 316 pages. Softcvoer with vinyl wrappers. Black and white pictures throughout. This is the first visual history of China's Cultural Revolution (1966-1976) and includes the only complete set of surviving photographs to document the entire period. It is drawn from thousands of original negatives that were hidden for nearly 40 years by photographer Li Zhensheng, at great personal risk, and accompanied by his own personal story. Zhensheng brings to light in this historical record one of the most turbulent, controversial, and under-documented periods in modern history.

Softcover. NY, W. W. Norton & Company, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 348 pages. Reflections in Black, the first comprehensive history of black photographers, is a groundbreaking pictorial collection of African American life. Featuring the work of undisputed masters such as James VanDerZee, Gordon Parks, and Carrie Mae Weems among dozens of others, this book is a refutation of the gross caricature of black life that many mainstream photographers have manifested by continually emphasizing poverty over family, despair over hope. Nearly 600 images offer rich, moving glimpses of everyday black life, from slavery to the Great Migration to contemporary suburban life, including rare antebellum daguerrotypes, photojournalism of the civil rights era, and multimedia portraits of middle-class families. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Doubleday & Company, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with black cloth spine. 469 pages. INSCRIBED BY NIZER on half-title page. Business card of Ben Bodne, owner of the Algonquin Hotel, stapled to title page. Otherwise a clean, tight copy. No dust jacket.